Categories
Playlists

Local Coffeeshop Soundtrack: Cup A Joe

This playlist is the third playlist from my “Local Coffeeshop Soundtrack” series. I feel emotional making a playlist inspired by Cup A Joe because it’s the first coffee shop I went to when I moved to Raleigh, NC. Cup A Joe is a coffeehouse and coffee roaster located on Hillsborough Street. They offer coffee, hot beverages, smoothies and sweet treats. They sell their own coffee beans — the slogan on their merch even says “don’t forget your coffee beans”— and they’re also known for supporting local artists. The very first Cup A Joe opened in Greensboro, NC in 1994, and you can tell the Hillsborough one also has an old-school vibe just by looking at its interior design. Brown tiles, retro coffee machine, Elvis Presley photographs and 7” vinyls on the walls: the smallest details inside this place personify the ’50s and ’60s.

The first thing that came to mind when making this playlist was “I need to include at least one song by Elvis Presley to honor the decorations on their wall”, and I did. The second thing that came to mind is that Cup A Joe has both old-school and chill vibes, so the songs need to render exactly those. Here are five tracks that best illustrate this coffee shop, with 50’s blues for the vintage sounds, neo-soul and nu-jazz for the lounge atmosphere, and chill rap to give it a modern touch. You can find the full playlist here.

“Hell N Back” by Bakar

Bakar‘s “Will You Be My Yellow?” is a smooth and groovy EP released in 2019. The British singer, songwriter and model wrote exclusively about relationships on this record — “both thriving and failing” relationships. “Hell N Back” has become a classic alternative jazzy song in my eyes. As poetic and sweet as this track is meant to be, I crack up every time I listen to Bakar sings “She had green eyes like Mountain Dew” — but the poetry in “Me and you went to hell and back just to find peace” balances it out.

“I’d Rather Go Blind” by Etta James

The rhythm’n’blues queen released “I’d Rather Go Blind” in 1968 after dealing with drug addiction and several abusive romantic relationships. Given her level of fame now, you’d never guess she had a hard time staying at the top of music charts back then because of her personal issues. “I’d Rather Go Blind” is a pretty self-explanatory title: Etta can’t stand to look at her love interest being with another woman. The sad girl/hopeless romantic in me thought including a blues song like this one would fit Cup A Joe’s atmosphere pretty well.

“Eugene” by Arlo Parks

Speaking of songs about unrequited love, “Eugene” is a sweet queer love song (or should I say, unrequited love song) about Arlo “half falling in love” with her straight female childhood friend, who’s in a relationship with — you guessed it — Eugene. Despite its heartbreaking topic, I find this song very soothing. Arlo Parks’ official bio describes her style as “indie-pop”, but I’d personally describe it as a mix of neo-folk and neo-soul. Her album “Collapsed In Sunbeams” was released in 2021 and was critically acclaimed: it was nominated as Album of the Year, Best New Artist and Best British Female Solo Artist at the 2021 Brit Awards. Even though I don’t believe that awards and prizes define the quality of an artist’s work, she really does deserve all these nominations.

“Ring Master” by Mattari

Mattari is a nu-jazz producer from London, UK. the only description I could find about their work in their Spotify and Bandcamp’s bios is “Chilled Beats – Horns – Grooves” and it sums up their style pretty well. “Ring Master” is a nu-jazz instrumental song released a single in 2020 and it sounds like your typical relaxing coffee shop tune.

“Mi Casa” by Kota The Friend

In addition to being naturally talented, Kota The Friend is also a very prolific rapper. He releases one album per year and saying that each one is good would be an understatement. “Mi Casa” is taken from his 2020 album “EVERYTHING”, a record with touching lyrics and chill vibes. By touching, I mean that the lyrics in this song are all about him celebrating his success, being humble about it and holding on to his inner peace. Very wholesome content for a rap song, if you ask me.

— Lise Nox

Categories
Playlists

Components For a Good Road Trip Playlist

By Katie Phillips

As students begin returning home for the summer, a new need arises; there is perhaps nothing more essential to a college homecoming trip than a well-curated road trip playlist. My eight-hour drive from NC State to Georgia has made me something of a veteran of this process over the past months, and so I hope to impart my best advice for drafting the soundtrack to returning home, visiting newfound college friends or just a day trip out to the beach. 

The first key step is having a good flow between the energy of your song choices. Everyone starts their drive with excitement about getting on the road to somewhere new, but if you’re playing your recently liked songs on constant repeat, you’ll be burnt out before you’re halfway to your destination. To prevent this, make sure to plan accordingly. Start with those high-energy songs but leave room in the middle for slower songs to prevent exhausting yourself. I personally love saving up new music for these kinds of trips because it adds an extra layer of excitement to the trip.

Next, be sure to mix up your genres. Hours and hours of mid-2000’s midwest emo is fun in theory, but once the fifteenth Slaughter, Beach Dog song comes on I guarantee you’ll regret your choices. Long drives are a good time to focus on nothing but what you’re listening to, so use all that car time as an excuse to explore genres you haven’t had time to check out recently. Who knows, maybe you’ll come back with a new favorite band?

Perhaps the most important part of a playlist like this is to name it accordingly. Your trip is going to be filled with memories and you’ll want to remember the songs that played during those golden hour moments. Nothing is quite as painful as losing the song that was your anthem for whatever journey you went on. Enjoy the ride and if your playlist runs out early, hop onto WKNC to hear some tracks that will assuredly fit whatever adventure you’re setting out on.

Categories
Miscellaneous

What are Liminal Spaces?

Picture the birthday party room at a roller rink. The ’90s-patterned, black carpet floors, the plastic foldout tables, the florescent lights. Now imagine this room completely empty, out of context and slightly dark, probably after closing time.

Uncomfortable, right? Just imagining it in your head gives you a queasy feeling, even though there’s nothing inherently unfamiliar or dangerous about the environment. This is an example of a liminal space.

The word “liminal” comes from the Latin word “limen,” which translates to “threshold.” Liminal spaces are environments that we pass through but aren’t usually long-term destinations or places where we live. Public bathrooms, hallways, classrooms and maybe even party venues could be considered liminal spaces. However, where that off feeling comes from is when these places are empty or viewed at an unusual time.

A deserted mall at night. Hallways that seem to lead to nowhere. An abandoned, drained waterpark. These spaces are only meant to be temporary experiences, so perceiving them at moments where it seems like you’ve outstayed your time there feels unnerving. When we see these areas out of their usual context, it makes us feel as though we’ve entered an alternate reality.

Liminal spaces bring about an odd mixture of nostalgia and unease. There’s uncertainty behind all these places. Looking at photographs of liminality is like being trapped in an uncertain waiting game. Because of this unique feeling, there’s been a growing cult following of all things liminal. I, for one, could look at these photos all day because I find them endlessly fascinating. Love feeling slightly off-put? Check out these Reddit and Twitter pages filled with thousands of people contributing photographs of liminal spaces.

Categories
Classic Album Review

John Prine – In Spite of Ourselves

John Prine died last year, and since then his star has risen dramatically. He was already a legend in alt-country circles, but his wider legacy hadn’t been secured until the honestly surprising wave of attention given to him after his death. He’s rapidly joined the ranks of Dolly Parton and Johnny Cash as one of the handful of country stars it’s cool for indie kids to say they like. I’ve seen him tributed by country legends, indie critics, and even the Viagra Boys (can’t believe that happened), which spurred me to check out more of his back catalog. Long story short, he deserves the hype, and I strongly encourage you to give both his first and final albums a listen.

But today, we have an album from the dead center of his career, 1999’s “In Spite of Ourselves.” The album has neither the sarcastic wit of his early career nor the darker ambiance of his later career. In fact, this album is probably one of the corniest things I’ve ever heard. It’s is a full duets album with several women of various levels of fame, and almost to a one, every song is a pun-laden and silly as possible.

This isn’t really an indictment, the album is not going for high art. In fact, it works as a neat refutation of some of Prine’s more self-serious folk revival work. This is not aimed a bougie college students from Brooklyn who want to listen to protest folk singers, this is shameless middle-aged country music for people who want to listen for fun, not to feel smart. The title track, In Spite of Ourselves, has the structure and style of a straightforward Dylan love song, it could almost be mistaken for “Love Minus Zero” or “It Aint Me” if you ignore the words. If you pay attention, you’ll be treated to such lyrical miracles as “He ain’t got laid in a month a Sundays, caught him once and he was sniffin’ my undies,” and “She thinks all my jokes are corny, convict movies make her horny.” This is where I would like to inform you that Dylan himself called John Prine and his writing “Pure Proustian Existentialism.”

Sure Bob.

The utter lack of dignity on the record has a direct function though. The album opener “We’re not the Jet Set,” draws the explicit connection between the self-serious pretension folkies like to shroud themselves in and class. Prine is writing to working people, which sometimes means he uses complex metaphors for serious topics, but just as often it means saying that your wife is hotter than the Easter Bunny (the highest bar one could possibly set). The point of this isn’t to discredit the invariably northern liberals who have somehow come to be the dominant tastemakers in Southern folk music, Prine himself made no secret about being anti-war and he was originally championed by Yankee critic Roger Ebert. The point here is to uplift elements of country music that usually get a bad name, its corniness, its sincerity, its preoccupation with small-town pride.

Criticism of country music is very often valid, especially in a modern context, it can be horribly jingoistic, misogynist, and often painfully lame at the same time. But when these criticisms take a more general turn, we can sometimes fall into a kind of rank elitism, often classist snobbery, at the music of ‘white trash’ for not being “serious” enough. I’m guilty of this at times too, so let me tell you nothing will break you of that sense of self-impressed judginess quicker than listening to John Prine sing about putting ketchup on scrambled eggs.

This is not Prine’s best album, but it is the one that has changed the way I look at country music the most. A lot of young people South try to distance themselves from rural America as much as possible, but on “In Spite of Ourselves,” Prine hints that maybe we reveal more about ourselves by hating country than by just admitting this is who we are.

Categories
Weekly Charts

Chainsaw Charts 5/18

ArtistRecordLabel
1GOJIRAFortitudeRoadrunner
2SPIRITBOX“Circle With Me” [Single]Pale Chord
3OF MICE AND MENBloom [EP] [Advance Tracks]SharpTone
4NEKROMANTHEONVisions Of TrismegistosHell’s Headbangers
5STICK TO YOUR GUNSHasta La Victoria (Demo)Pure Noise
6DEVILDRIVERDealing With Demons INapalm
7PATHFINDERAres VallisSelf-Released
8ORDINANCEIn Purge There’s No RemissionThe Sinister Flame
9HELSTARClad In BlackMassacre
10SIELUNVIHOLLINENTeloituskäskySelf-Released
Categories
Weekly Charts

Underground Charts 5/18

ArtistRecordLabel
1FAT TONYExoticaCarpark
2FREDDIE GIBBS AND MADLIBBandanaKeep Cool/RCA
3PINK SIIFU AND FLY ANAKINFlySiifu’sLex
4SHYGIRLALIAS [EP]Because
5STEVE LACYN Side3qtr
6BILLY DEAN THOMASFor Better Or WorseSelf-Released
7BLU AND EXILEMilesDirty Science
8DEZRON DOUGLAS AND BRANDEE YOUNGERForce MajeureInternational Anthem
9LAVA LA RUEButter-fly [EP]Marathon
10MARKEE STEELEVet & A Rook [EP]Thee Marquee
Categories
Weekly Charts

Afterhours Charts 5/18

ArtistRecordLabel
1OVERMONOEverything U Need [EP]XL
2INTERPLANETARY CRIMINALNobody [EP]Shall Not Fade
3PROSPA“The Thrill” [Single]Rave Science
4PLANET 1999Devotion (Deluxe)PC
5FIT OF BODYPunks Unavailable [EP]2MR
6NAMASENDA“Wanted” [Single]PC
7BLUE HAWAIIUnder 1 House [EP]Arbutus
8GILLIGAN MOSSGilligan MossForeign Family Collective
9ARCAKiCk iXL/Beggars Group
10GEORGE CLANTON AND NICK HEXUMGeorge Clanton And Nick Hexum100% Electronica
Categories
Weekly Charts

Daytime Charts 5/18

TOP CHARTS

ArtistRecordLabel
1REMEMBER SPORTSLike A StoneFather/Daughter
2SPIRIT OF THE BEEHIVEEntertainment, DeathSaddle Creek
3ELI SMARTBoonie Town [EP]Polydor
4HYPOLUXOHypoluxoTerrible
5BLACK MIDICavalcade [Advance Tracks]Rough Trade
6CRUMBIce MeltSelf-Released
7FAYE WEBSTERI Know I’m Funny haha [Advance Tracks]Secretly Canadian
8ICEAGESeek ShelterMexican Summer
9LUCY DACUSHome Video [Advance Tracks]Matador/Beggars
10NAVY BLUESong Of Sage: Post Panic!Freedom Sounds
11SQUIDBright Green FieldWarp
12ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS
13BROCKHAMPTONROADRUNNER: NEW LIGHT, NEW MACHINEQuestion Everything/RCA
14JAPANESE BREAKFASTJubillee [Advance Tracks]Dead Oceans
15SHYGIRLSIREN (Basement Jaxx Remixes) [EP]Because
16DREAMWEAVERCloud9MagicCrafters
17BEAU DEGAHoly CannoliSelf-Released
18MAASHO“Sad Machine” [Single]Self-Released
19DRY CLEANINGNew Long Leg4AD/Beggars Group
20ORIELLES, THELa Vita OlisticaHeavenly/PIAS
21INDIA JORDANWatch Out! [EP]Ninja Tune
22TIERRA WHACK“Dora” [Single]Interscope
23PINK SIIFU AND FLY ANAKINFlySiifu’sLex
24AVALANCHES, THEWe Will Always Love YouAstralwerks
25RATBOYSHappy Birthday, RatboyTopshelf
26SPELLLING“Little Deer” [Single]Sacred Bones
27CARIBOUSuddenly RemixesMerge
28MAGDALENA BAYMini Mix Vol. 2 [EP]Luminelle
29SPUD CANNON“Juno” [Single]Good Eye
30BICEPIsles (Deluxe)Ninja Tune

TOP ADDS

Top Adds Entry for WKNC 88.1 FM

Download CSV

ArtistRecordLabel
1SQUIDBright Green FieldWarp
2ICEAGESeek ShelterMexican Summer
3BLACK MIDICavalcade [Advance Tracks]Rough Trade
4SILVER SYNTHETICSilver SyntheticThird Man
5SHELTER BOY“Absence” [Single]Cascine
6FAYE WEBSTERI Know I’m Funny haha [Advance Tracks]Secretly Canadian
7PAUL JACOBSPink Dogs On The Green GrassBlow The Fuse
8DOUGLASAshesJ’aime Trop
9KID LE CHATLuck Comes Too Late [EP]Self-Released
10TOTHYou And Me And EverythingNorthern Spy
Categories
Music News and Interviews

Koreless Releases First Single in 5 Years

There is a near-infinite supply of buzzed-about electronic producers that haven’t released much music but are, according to at least someone you know, going to be the next big thing. These artists often release a couple of singles, maybe an EP, and then promptly fall off the map before releasing an album. This isn’t to say that the “reclusive electronic DJ,” archetype never pans out, just that you should approach the next two paragraphs with an abundance of caution because Koreless might never be heard from again after today.

Koreless is a British producer working in the vague spectrum of ambient, IDM, and experimental. He tends towards the more compositional end, composing music that is neither dance nor chill, which may or may not be your taste. He released an EP back in 2013, but his last publication of any kind was in 2015. However, he just dropped a new single adding up to around eleven minutes of new material.

Why am I talking about a random single from a producer with no album despite a ten-year career? Well, because the production is just that good and the sounds are fairly high budget. That leads me to believe maybe this will actually pan out into a full album since there appears to be some effort and at least a little money involved, but honestly the single stands on its own. Despite being entirely electronic, and fairly dense, both sides of the single have a clear sense of songwriting, you can follow a progression from beginning to end and the sounds are affecting without pandering to a given vibe or being overly moody. It’s great electronic music, so I guess I’ll throw the dice for a prediction: Koreless has a bright future ahead of him.

Categories
Music Education

Songs to Weave To

By DJ Lil Witch

With the lockdowns a year ago, people have been getting crafty. Making bread, decorating, and making art was at an all-time high. I want to keep the quarantine hobbies alive and well. I am a fan of textile art, specifically weaving. It is a craft that is meticulous but satisfying. To that end, it is something you can get lost in for hours. I have found it is a great time to listen to albums all the way through. My vinyl collection has been getting more attention since I started weaving. But if playlists are more your speed, I have you covered with a mix I made with a relaxing folk weaving vibe as well as more electronic tracks to craft/weave to.

You can find my weaving playlist on Spotify, but one song to highlight is “Weave Me The Sunshine” by Peter, Paul and Mary. It’s the most thematically appropriate song for weaving in my opinion but your crafting songs could be anything from metal to ambient. Blast these tunes and we can get crafting.

Weave at Home with A Beginners Cardboard Loom Guide

You will need: A piece of cardboard, scissors, measuring tape, pen/pencil and yarn (one thin yarn for warping the loom, and others of varying colors and textures to weave with but other materials like paper or ribbon can be substitutes).

Step 1: Make the Loom

Gather the piece of cardboard, scissors, measuring tape and pen/pencil. Mark the top and bottom with dash marks 0.5 cm apart and 1 cm deep. Following the guides you just made, use your scissors and cut slits being careful to keep them a similar length. Now you have a cardboard loom. You can make these any dimensions but a rectangle is standard.   

Step 2: Preparing the Loom

For this step, you will take the cardboard loom you just made and some thin yarn or any material you have (I imagine floss could work well). Take the end of your yarn and make a double knot. Slip the knot into the first notch on the top of the loom, the side with the knot will be the back of the loom. Once that knot is secure, pull the yarn down to the first notch on the bottom. Thread the yarn through and around to the next notch on the top. Keep going until the loom is full or the width you want for your weaving. Both sides should be covered in yarn (called the warp).

Step 3: Start weaving

You are almost there. Now it’s time to begin the actual weaving process. Take a piece of yarn and begin threading it over and under the warp. You can leave a tail hanging out. Once you get to the end, bring the yarn to the next row by threading it the opposite way. Make sure to push each line down tight. It takes practice and you might mess up, but you can always pull the yarn out and redo it. After a while, this process will be second nature and intuitive. 

Once you run out of the yarn you started with you can add more of the same kind or a new color. You pull the old yarn to the back of the weaving on a stitch that goes under the warp, tucking it between the weaving and the loom. Then you can take the new yarn and tuck the end of it one strand over from the old yarn. Without tugging too hard, begin weaving with the new yarn, following the pattern you created. There will be two tails in the back but we can deal with that later.

Step 4: Additions 

As you continue weaving you might want to add things like tassels. Tassels are pretty simple. You just need a piece of yarn. Fold it in half so it looks like a lowercase “n”. Take one leg of the “n” and wrap it around and through the middle of the warp yarn. Take the other leg and wrap it through the middle and pull down. These can be over two warp strings or several depending on your preference. Try out a bunch of things and see which you like best. You can do a couple of rows of tassels to bulk it up or you can make shapes with them. 

Step 5: Take the Weaving off the Loom

Once you’re happy with your weaving you can cut it off the loom. Turn the loom over to the back and cut the warp in the middle.

Once the strings are cut you can gently remove them from the tabs on the top and bottom of the loom. There are a couple of ways to finish off a weaving. I like to take two strings and tie them into a double knot and go along until all of the strings are tied. It keeps the weaving from unraveling. I like the look of knots across the top and bottom but if you don’t you can tuck the strings into the back of the weaving with a large-eyed needle. As a final step you can take the tails you left out in the back of the weaving and tuck them into the back of the weaving. 

And you are done. You have a beautiful weaving to remind you of all the songs you listened to while making it. You can hang it up, turn it into a patch, bag or pillow. The opportunities are endless.