Categories
Miscellaneous

What are Liminal Spaces?

Picture the birthday party room at a roller rink. The ’90s-patterned, black carpet floors, the plastic foldout tables, the florescent lights. Now imagine this room completely empty, out of context and slightly dark, probably after closing time.

Uncomfortable, right? Just imagining it in your head gives you a queasy feeling, even though there’s nothing inherently unfamiliar or dangerous about the environment. This is an example of a liminal space.

The word “liminal” comes from the Latin word “limen,” which translates to “threshold.” Liminal spaces are environments that we pass through but aren’t usually long-term destinations or places where we live. Public bathrooms, hallways, classrooms and maybe even party venues could be considered liminal spaces. However, where that off feeling comes from is when these places are empty or viewed at an unusual time.

A deserted mall at night. Hallways that seem to lead to nowhere. An abandoned, drained waterpark. These spaces are only meant to be temporary experiences, so perceiving them at moments where it seems like you’ve outstayed your time there feels unnerving. When we see these areas out of their usual context, it makes us feel as though we’ve entered an alternate reality.

Liminal spaces bring about an odd mixture of nostalgia and unease. There’s uncertainty behind all these places. Looking at photographs of liminality is like being trapped in an uncertain waiting game. Because of this unique feeling, there’s been a growing cult following of all things liminal. I, for one, could look at these photos all day because I find them endlessly fascinating. Love feeling slightly off-put? Check out these Reddit and Twitter pages filled with thousands of people contributing photographs of liminal spaces.

Categories
Classic Album Review

John Prine – In Spite of Ourselves

John Prine died last year, and since then his star has risen dramatically. He was already a legend in alt-country circles, but his wider legacy hadn’t been secured until the honestly surprising wave of attention given to him after his death. He’s rapidly joined the ranks of Dolly Parton and Johnny Cash as one of the handful of country stars it’s cool for indie kids to say they like. I’ve seen him tributed by country legends, indie critics, and even the Viagra Boys (can’t believe that happened), which spurred me to check out more of his back catalog. Long story short, he deserves the hype, and I strongly encourage you to give both his first and final albums a listen.

But today, we have an album from the dead center of his career, 1999’s “In Spite of Ourselves.” The album has neither the sarcastic wit of his early career nor the darker ambiance of his later career. In fact, this album is probably one of the corniest things I’ve ever heard. It’s is a full duets album with several women of various levels of fame, and almost to a one, every song is a pun-laden and silly as possible.

This isn’t really an indictment, the album is not going for high art. In fact, it works as a neat refutation of some of Prine’s more self-serious folk revival work. This is not aimed a bougie college students from Brooklyn who want to listen to protest folk singers, this is shameless middle-aged country music for people who want to listen for fun, not to feel smart. The title track, In Spite of Ourselves, has the structure and style of a straightforward Dylan love song, it could almost be mistaken for “Love Minus Zero” or “It Aint Me” if you ignore the words. If you pay attention, you’ll be treated to such lyrical miracles as “He ain’t got laid in a month a Sundays, caught him once and he was sniffin’ my undies,” and “She thinks all my jokes are corny, convict movies make her horny.” This is where I would like to inform you that Dylan himself called John Prine and his writing “Pure Proustian Existentialism.”

Sure Bob.

The utter lack of dignity on the record has a direct function though. The album opener “We’re not the Jet Set,” draws the explicit connection between the self-serious pretension folkies like to shroud themselves in and class. Prine is writing to working people, which sometimes means he uses complex metaphors for serious topics, but just as often it means saying that your wife is hotter than the Easter Bunny (the highest bar one could possibly set). The point of this isn’t to discredit the invariably northern liberals who have somehow come to be the dominant tastemakers in Southern folk music, Prine himself made no secret about being anti-war and he was originally championed by Yankee critic Roger Ebert. The point here is to uplift elements of country music that usually get a bad name, its corniness, its sincerity, its preoccupation with small-town pride.

Criticism of country music is very often valid, especially in a modern context, it can be horribly jingoistic, misogynist, and often painfully lame at the same time. But when these criticisms take a more general turn, we can sometimes fall into a kind of rank elitism, often classist snobbery, at the music of ‘white trash’ for not being “serious” enough. I’m guilty of this at times too, so let me tell you nothing will break you of that sense of self-impressed judginess quicker than listening to John Prine sing about putting ketchup on scrambled eggs.

This is not Prine’s best album, but it is the one that has changed the way I look at country music the most. A lot of young people South try to distance themselves from rural America as much as possible, but on “In Spite of Ourselves,” Prine hints that maybe we reveal more about ourselves by hating country than by just admitting this is who we are.

Categories
Weekly Charts

Chainsaw Charts 5/18

ArtistRecordLabel
1GOJIRAFortitudeRoadrunner
2SPIRITBOX“Circle With Me” [Single]Pale Chord
3OF MICE AND MENBloom [EP] [Advance Tracks]SharpTone
4NEKROMANTHEONVisions Of TrismegistosHell’s Headbangers
5STICK TO YOUR GUNSHasta La Victoria (Demo)Pure Noise
6DEVILDRIVERDealing With Demons INapalm
7PATHFINDERAres VallisSelf-Released
8ORDINANCEIn Purge There’s No RemissionThe Sinister Flame
9HELSTARClad In BlackMassacre
10SIELUNVIHOLLINENTeloituskäskySelf-Released
Categories
Weekly Charts

Underground Charts 5/18

ArtistRecordLabel
1FAT TONYExoticaCarpark
2FREDDIE GIBBS AND MADLIBBandanaKeep Cool/RCA
3PINK SIIFU AND FLY ANAKINFlySiifu’sLex
4SHYGIRLALIAS [EP]Because
5STEVE LACYN Side3qtr
6BILLY DEAN THOMASFor Better Or WorseSelf-Released
7BLU AND EXILEMilesDirty Science
8DEZRON DOUGLAS AND BRANDEE YOUNGERForce MajeureInternational Anthem
9LAVA LA RUEButter-fly [EP]Marathon
10MARKEE STEELEVet & A Rook [EP]Thee Marquee
Categories
Weekly Charts

Afterhours Charts 5/18

ArtistRecordLabel
1OVERMONOEverything U Need [EP]XL
2INTERPLANETARY CRIMINALNobody [EP]Shall Not Fade
3PROSPA“The Thrill” [Single]Rave Science
4PLANET 1999Devotion (Deluxe)PC
5FIT OF BODYPunks Unavailable [EP]2MR
6NAMASENDA“Wanted” [Single]PC
7BLUE HAWAIIUnder 1 House [EP]Arbutus
8GILLIGAN MOSSGilligan MossForeign Family Collective
9ARCAKiCk iXL/Beggars Group
10GEORGE CLANTON AND NICK HEXUMGeorge Clanton And Nick Hexum100% Electronica
Categories
Weekly Charts

Daytime Charts 5/18

TOP CHARTS

ArtistRecordLabel
1REMEMBER SPORTSLike A StoneFather/Daughter
2SPIRIT OF THE BEEHIVEEntertainment, DeathSaddle Creek
3ELI SMARTBoonie Town [EP]Polydor
4HYPOLUXOHypoluxoTerrible
5BLACK MIDICavalcade [Advance Tracks]Rough Trade
6CRUMBIce MeltSelf-Released
7FAYE WEBSTERI Know I’m Funny haha [Advance Tracks]Secretly Canadian
8ICEAGESeek ShelterMexican Summer
9LUCY DACUSHome Video [Advance Tracks]Matador/Beggars
10NAVY BLUESong Of Sage: Post Panic!Freedom Sounds
11SQUIDBright Green FieldWarp
12ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS
13BROCKHAMPTONROADRUNNER: NEW LIGHT, NEW MACHINEQuestion Everything/RCA
14JAPANESE BREAKFASTJubillee [Advance Tracks]Dead Oceans
15SHYGIRLSIREN (Basement Jaxx Remixes) [EP]Because
16DREAMWEAVERCloud9MagicCrafters
17BEAU DEGAHoly CannoliSelf-Released
18MAASHO“Sad Machine” [Single]Self-Released
19DRY CLEANINGNew Long Leg4AD/Beggars Group
20ORIELLES, THELa Vita OlisticaHeavenly/PIAS
21INDIA JORDANWatch Out! [EP]Ninja Tune
22TIERRA WHACK“Dora” [Single]Interscope
23PINK SIIFU AND FLY ANAKINFlySiifu’sLex
24AVALANCHES, THEWe Will Always Love YouAstralwerks
25RATBOYSHappy Birthday, RatboyTopshelf
26SPELLLING“Little Deer” [Single]Sacred Bones
27CARIBOUSuddenly RemixesMerge
28MAGDALENA BAYMini Mix Vol. 2 [EP]Luminelle
29SPUD CANNON“Juno” [Single]Good Eye
30BICEPIsles (Deluxe)Ninja Tune

TOP ADDS

Top Adds Entry for WKNC 88.1 FM

Download CSV

ArtistRecordLabel
1SQUIDBright Green FieldWarp
2ICEAGESeek ShelterMexican Summer
3BLACK MIDICavalcade [Advance Tracks]Rough Trade
4SILVER SYNTHETICSilver SyntheticThird Man
5SHELTER BOY“Absence” [Single]Cascine
6FAYE WEBSTERI Know I’m Funny haha [Advance Tracks]Secretly Canadian
7PAUL JACOBSPink Dogs On The Green GrassBlow The Fuse
8DOUGLASAshesJ’aime Trop
9KID LE CHATLuck Comes Too Late [EP]Self-Released
10TOTHYou And Me And EverythingNorthern Spy
Categories
Music News and Interviews

Koreless Releases First Single in 5 Years

There is a near-infinite supply of buzzed-about electronic producers that haven’t released much music but are, according to at least someone you know, going to be the next big thing. These artists often release a couple of singles, maybe an EP, and then promptly fall off the map before releasing an album. This isn’t to say that the “reclusive electronic DJ,” archetype never pans out, just that you should approach the next two paragraphs with an abundance of caution because Koreless might never be heard from again after today.

Koreless is a British producer working in the vague spectrum of ambient, IDM, and experimental. He tends towards the more compositional end, composing music that is neither dance nor chill, which may or may not be your taste. He released an EP back in 2013, but his last publication of any kind was in 2015. However, he just dropped a new single adding up to around eleven minutes of new material.

Why am I talking about a random single from a producer with no album despite a ten-year career? Well, because the production is just that good and the sounds are fairly high budget. That leads me to believe maybe this will actually pan out into a full album since there appears to be some effort and at least a little money involved, but honestly the single stands on its own. Despite being entirely electronic, and fairly dense, both sides of the single have a clear sense of songwriting, you can follow a progression from beginning to end and the sounds are affecting without pandering to a given vibe or being overly moody. It’s great electronic music, so I guess I’ll throw the dice for a prediction: Koreless has a bright future ahead of him.

Categories
Music Education

Songs to Weave To

By DJ Lil Witch

With the lockdowns a year ago, people have been getting crafty. Making bread, decorating, and making art was at an all-time high. I want to keep the quarantine hobbies alive and well. I am a fan of textile art, specifically weaving. It is a craft that is meticulous but satisfying. To that end, it is something you can get lost in for hours. I have found it is a great time to listen to albums all the way through. My vinyl collection has been getting more attention since I started weaving. But if playlists are more your speed, I have you covered with a mix I made with a relaxing folk weaving vibe as well as more electronic tracks to craft/weave to.

You can find my weaving playlist on Spotify, but one song to highlight is “Weave Me The Sunshine” by Peter, Paul and Mary. It’s the most thematically appropriate song for weaving in my opinion but your crafting songs could be anything from metal to ambient. Blast these tunes and we can get crafting.

Weave at Home with A Beginners Cardboard Loom Guide

You will need: A piece of cardboard, scissors, measuring tape, pen/pencil and yarn (one thin yarn for warping the loom, and others of varying colors and textures to weave with but other materials like paper or ribbon can be substitutes).

Step 1: Make the Loom

Gather the piece of cardboard, scissors, measuring tape and pen/pencil. Mark the top and bottom with dash marks 0.5 cm apart and 1 cm deep. Following the guides you just made, use your scissors and cut slits being careful to keep them a similar length. Now you have a cardboard loom. You can make these any dimensions but a rectangle is standard.   

Step 2: Preparing the Loom

For this step, you will take the cardboard loom you just made and some thin yarn or any material you have (I imagine floss could work well). Take the end of your yarn and make a double knot. Slip the knot into the first notch on the top of the loom, the side with the knot will be the back of the loom. Once that knot is secure, pull the yarn down to the first notch on the bottom. Thread the yarn through and around to the next notch on the top. Keep going until the loom is full or the width you want for your weaving. Both sides should be covered in yarn (called the warp).

Step 3: Start weaving

You are almost there. Now it’s time to begin the actual weaving process. Take a piece of yarn and begin threading it over and under the warp. You can leave a tail hanging out. Once you get to the end, bring the yarn to the next row by threading it the opposite way. Make sure to push each line down tight. It takes practice and you might mess up, but you can always pull the yarn out and redo it. After a while, this process will be second nature and intuitive. 

Once you run out of the yarn you started with you can add more of the same kind or a new color. You pull the old yarn to the back of the weaving on a stitch that goes under the warp, tucking it between the weaving and the loom. Then you can take the new yarn and tuck the end of it one strand over from the old yarn. Without tugging too hard, begin weaving with the new yarn, following the pattern you created. There will be two tails in the back but we can deal with that later.

Step 4: Additions 

As you continue weaving you might want to add things like tassels. Tassels are pretty simple. You just need a piece of yarn. Fold it in half so it looks like a lowercase “n”. Take one leg of the “n” and wrap it around and through the middle of the warp yarn. Take the other leg and wrap it through the middle and pull down. These can be over two warp strings or several depending on your preference. Try out a bunch of things and see which you like best. You can do a couple of rows of tassels to bulk it up or you can make shapes with them. 

Step 5: Take the Weaving off the Loom

Once you’re happy with your weaving you can cut it off the loom. Turn the loom over to the back and cut the warp in the middle.

Once the strings are cut you can gently remove them from the tabs on the top and bottom of the loom. There are a couple of ways to finish off a weaving. I like to take two strings and tie them into a double knot and go along until all of the strings are tied. It keeps the weaving from unraveling. I like the look of knots across the top and bottom but if you don’t you can tuck the strings into the back of the weaving with a large-eyed needle. As a final step you can take the tails you left out in the back of the weaving and tuck them into the back of the weaving. 

And you are done. You have a beautiful weaving to remind you of all the songs you listened to while making it. You can hang it up, turn it into a patch, bag or pillow. The opportunities are endless.

Categories
Classic Album Review

Album Review: Let the Sun Talk by MAVI

By Silya Bennai

ALBUM: “Let the Sun Talk” by MAVI 

RELEASE YEAR: 2019 

LABEL: New York Lab / UnitedMasters 

RATING: 8.5/10 

BEST TRACKS: “Eye/I and I/Nation,” “Self Love” and “Sense” 

FCC: Explicit

“Let the Sun Talk” leaves no room for personal thoughts during its thirty-two-minute runtime, but it seems as if MAVI may have already read our minds through the exploration of his own. Human truths presented as personal ruminations, MAVI’s debut album is a bright light of pro-Black, anti-capitalistic poetry wrapped in smooth, flowing instrumentals. 

Born Omavi Minder, MAVI spent much of his childhood and adolescence locally; Charlotte, North Carolina, to be exact. The 21-year-old neuroscience student showcases a clear influence from American rapper Earl Sweatshirt, but brings a fresh and introspective taste of youthfulness to the ever-altering subgenre of alternative hip-hop. 

“Eye/I and I/Nation”, the second track of the thirteen-track album, captures the struggle of loving and being loved while simultaneously figuring out who you are as an individual and community member. This track was my personal introduction to MAVI and I still find myself coming back to this line: “I got puddled pride and troubled eyes ’cause I’m an artist.” MAVI is able to both highlight the truth behind the “tortured artist” stereotype while casting a shadow of irony on the inherent narcissism of the self-identified creative. 

The fourth track, “Self Love”, boasts the most listens of any of MAVI’s solo songs and for good reason. The warm and full beat is accompanied by MAVI’s breathy and constant flow of self-doubt and reflections on familial love. Perhaps no one worries like a mother does for her child, and the resulting comfort and guilt of this fact is present on this track as MAVI explores it from the child’s perspective. 

“Sense”, which includes production from the aforementioned Earl Sweatshirt, is one of the shorter tracks from the album, but proves impressive upon every listen. MAVI’s dexterous lyrical flow is especially evident on this tightly crafted, and of course, introspective track. If anyone ever asks you what kind of songs MAVI makes, look no further than “Sense”. He says it best himself on this track: “I make the kind you gotta read, baby.” 

Here’s to reading songs, 

Silya Bennai

Categories
Classic Album Review

Album Review: “More Adventurous (U.S. Release)” by Rilo Kiley

ALBUM: “More Adventurous (U.S. Release)” by Rilo Kiley

RELEASE YEAR: 2004

LABEL: Warner Bros. Music, Brute/Beaute Records

RATING: 9/10

BEST TRACKS: “Portions for Foxes,” “Accidntel Deth,” and “It’s a Hit”

FCC: Explicit

The early 2000s were a time in which much indie music was being created, and in my opinion, this is some of the best of it. With singles “It’s A Hit,” “Portions for Foxes” and “I Never,” this album is chock-full of indie rock bangers. Rilo Kiley, a California-based band, has a very beachy sound, which can best be seen in tracks “A Man / Me / Then Jim” and “The Absence of God.”

Band members Jenny Lewis and Blake Sennett are responsible for the writing of all eleven tracks on this 44-minute-long album, and they did an excellent job. They juxtapose a happy major-key sound with sad and poetic lyrics. Two of the album’s tracks, “Ripchord” and “It Just Is” are about the then-recent and tragic passing of singer-songwriter Elliott Smith.

There are moments where the lyrics feel kitschy and awkward, as they try to be political but at some points just fall short, but not enough that it ruins the listening experience of the album.

Jenny Lewis’ vocals carry this album, as Blake Sennett only did vocals on a couple tracks on this album, unlike in Rilo Kiley’s previous works. Her vocals particularly shine on “I Never” and “More Adventurous.”

“Portions for Foxes,” the strongest track on the album, is used consistently in the television series “Grey’s Anatomy.” Other tracks, like “I Never” and “Ripchord” were also frequently featured in various soundtracks in the 2000s.

Overall, this album feels like an embodiment of 2000s indie pop/rock, and is one of my favorite albums of all time.

Until next time,

Caitlin