Categories
Miscellaneous

WKNC Cowboy Song

Howdy partners. Gather around the campfire as Sheriff WKNC serenades his true love, WKNC 88.1.

Categories
Band/Artist Profile

Kelsey Lu: Local Music Profiles

Alright it’s time to shine a spotlight on one of North Carolina’s own, Kelsey Lu. Hailing from Charlotte, she grew up in a strictly religious household before attending UNC School of the Arts. In short, she’s about as Carolinian as a musician can be.

So, from the above album cover (cropped for nudity) you might expect an R&B singer, or perhaps some kind of melodic indie rocker, but at the risk of disappointing you, Lu fits somewhere in the realm of baroque pop. Yes, that UNCSA education was apparently in classical cello, because Lu is basically inseparable from the instrument. Her music weaves in a variety of strings including viola and violin, supplementing thoughtfully written songs that border on spoken word at times. One word that would not describe her, however, is orchestral, as her arrangements are incredibly sparse, rarely doubling more than one instrument besides her voice, and eschewing chords. The result is somewhat expiriemental, while remaining accesible

If classical isn’t really your thing, still give Kelsey Lu a shot, because the restrained conservatism of her upbringing and stylistic influences are not reflected in her music. She gave one anecdote of listening to 36 Mafia in her sister’s car in secret. Side note, while I can’t speak as to whether that story represents the community at large, it did make me laugh for how much it fits the profile of most Charlottean Jehovah’s Witnesses I’ve met. Her rebellious nature is not just targeted at her roots though; she turns a critical yet loving eye to the outside world. Her 2019 album “Blood” targets hippies, art school grads, and her parents’ generation all in the first song. Her music is in equal measure restrained and rebellious, and an excellent entry in our state’s cultural tapestry.

Categories
Band/Artist Profile

A Requiem for mewithoutYou

On June 18, mewithoutYou announced they were beginning their farewell tour. This tour was planned to take place through 2020, marking their final year as a band. However, the world had different plans. But now with COVID restrictions easing and cases coming down in general, the band made the decision to announce their tour with a teaser on their Instagram, announcing two Philadelphia shows – “The Beginning of the End” and “Brother, Sister 15th Anniversary Show.” Contrary to what many fans believe, these aren’t the band’s last shows. In fact, it marks the beginning of their final tour. While heartbreaking for many fans (especially newer ones, like myself), the members of the band made this decision to focus on their families and personal lives.

mewithoutYou formed in 2001, the original members being Aaron Weiss (vocals), Mike Weiss (lead guitar, background vocals, keys), Christopher Kleinberg (rhythm guitar), Daniel Pishock (bass) and Rickie Mazzotta (drums). While their style has changed greatly over their career, thematically and lyrically they’ve stayed consistent. Much of their lyrics take inspiration from Judeo-Christianity, Buddhism and Islamic philosophy, all delivered in a deeply personal spoken-word poetry style. Let’s take a deep dive into the musical world of mewithoutYou…  

"I Never Said I Was Brave" album cover by mewithoutYou

“I Never Said That I Was Brave” (2001)

This five-song EP is more of a sneak peek of what the group was capable of. Borderline “screamo” vocals, thick guitars, panic chords galore and percussion that puts many mainstream drummers to shame, this 15 minute EP leaves you almost no time to relax. Many of the tracks on here made it onto their first album a year later. This is our first look into Aaron’s deeply personal and introspective world of songwriting.

Favorite Track: “Flamethrower”

"A->B Life" album cover by mewithoutYou

“A->B Life” (2002)

“Let us die, let us die!/Then dying, we reply/Oh, don’t you tell us about your suffering…’’ are the first words we’re greeted with. This album is reminiscent of their first EP, but is a lot more polished but still as, if not more, angry. This album has a common theme of heartbreak, loneliness, and questioning one’s faith. This album doesn’t end on a pleasant note as most do. The closest form of closure we get is in the final track “The Cure For Pain,” in which Aaron belts “The cure for pain is in the pain, so it’s there that you’ll find me.” This album is a desperate diary entry of a hurt soul, looking for some sort of relief. 

Favorite Track: “Gentleman”

"Catch For Us The Foxes" album cover by mewithoutYou

“Catch For Us The Foxes” (2004)

Like their previous album, “Catch For Us The Foxes” is deeply emotional and personal, dealing with even heavier topics than before: reaching your rock bottom and having “no lower place to fall,” feelings of worthlessness and suicide. While “A->B Life” was more nihilistic and angry, this album has many semblances of hope, Aaron belting many lines praising his small triumphs in his improving mental health. This album has a more mature feel and explores many different sounds. Here, we see our first (Pt.2) song. These songs hark back to tracks on previous albums, sharing similar melodies and themes, but are typically more upbeat and hopeful. This track is “Four Word Letter (Pt.2).” While the original spoke lines of heartbreak, “(Pt. 2)” speaks of being healed, yet still skeptical of moving forward. This album ends with a poem of rebirth from a lonely self, lyrically burying this angry Aaron – “Six of my closest friends will dig up the ground, all my accomplishments gently lowered down…”

Favorite Track: “My Exit, Unfair”

"Brother, Sister" album cover by mewithoutYou

“Brother, Sister” (2006)

Arguably their best and most successful album, “Brother, Sister” is an album-long testimony of his journey of healing and self-love. As you would expect, this album isn’t sad or angry, however, it’s not 45 minutes of, “Hey everyone! Look at me, I’m happy now!” There are still a few songs that still deal with healing and questioning one’s self. You hear this as early as the third track with “Wolf Am I! (And Shadow).” We also see another (Pt. 2) song, “Nice and Blue (Pt. 2),” a song about not being completely healed, but improving nonetheless. Each stanza of “(Pt. 2)” contrasts the lines of the original, quite the departure from the angry, self-loathing lament the original track was. This album is all about contrast, songs like “The Sun and the Moon,” lyrical themes between tracks, the album art, heck, even the album name. Probably my favorite thing about this album is the interludes that are known by the fanbase as the “Spider Songs“ – “Yellow Spider,” “Orange Spider” and “Brownish Spider.” These songs (I believe) serve as a stark contrast to some of the heavier songs that come before or after them. The finale of the album, “In a Sweater Poorly Knit” shows that while Aaron is in a good place now, he knows that lows in life are inevitable and will eventually cycle back, but with that cycle, leads to more personal growth. If you listen closely to the end, you can hear rain – right where the first track begins.

Favorite Track: “O, Porcupine”

"It’s All Crazy! It’s All False! It’s All A Dream! It’s Alright" album cover by mewithoutYou

“It’s All Crazy! It’s All False! It’s All A Dream! It’s Alright” (2009)

The title being a near direct quote from the Islamic philosopher Bawa Muhaiyaddeen, this album explores many spiritual themes, not just Islam, but Christianity and Judaism, too. The sound of this album is nothing like they’ve done before – almost all the songs are folky and acoustic. Another common theme throughout the album is plants and animals, one of the tracks, “The Fox, the Crow, and the Cookie,” being a retelling of one of Aesop’s fables. Again, we see another (Pt. 2) song, “Bullet to Binary (Pt.2).” Like before, this sequel contrasts the original with a more positive and hopeful message, this time, a message about unity.

Favorite Track: “The King Beetle on a Coconut Estate”

"Ten Stories" album cover by mewithoutYou

“Ten Stories” (2012)

In my opinion, this album is their most overlooked and underrated. “Ten Stories” is a concept album about a train carrying circus animals, the elephant running herself into the side of the car she’s in, derailing the train and freeing all the circus animals. The elephant inevitably sacrifices her life for the good of others and is hanged in “Elephant on the Dock.” All of which is a metaphor for the crucifixion of Christ. Each track focuses on each of the animals’ experiences, but mainly follows the adventures of the fox and bear. Haley Williams of Paramore is featured on “Fox’s Dream of the Log Flume,” she has said in an interview that mewithoutYou is her favorite band (she has great taste!).

Favorite Track: “Fox’s Dream of the Log Flume”

"Pale Horses" album cover by mewithoutYou

“Pale Horses” (2015)

Between the release of “Ten Stories” and this album, Aaron and Mike experienced the loss of their father. Aaron’s lyrics became nihilistic and have seemed to have lost touch with his spirituality, which is mirrored in many of the tracks. Another common theme revolving around the apocalypse, referencing The Four Horsemen, The Seven Seals, divine judgment and death. Early mewithoutYou probably would have written a loud and angry album, but this more mature band wrote songs that are haunting and cold, but almost comforting. Here again, we see a very hurt Aaron, but he’s older now, and more mature. He drops the only curse in their entire discography in “Rainbow Signs.” In almost a whisper he sings, “Pale horse vows in a grave reply/Smile for the camera at the church nearby/Threw a mute curse at the Boise sky/For my f——d up Napoleon-of-St.-Helena-hairline…” The album ends with Aaron dreaming about seeing his father again, sharing an inside joke that only they understood.

Favorite Track: “Red Cow”

"[Untitled]" album cover by mewithoutYou

“[Untitled]” (2018)

”Like It’s All Crazy!..,” this album has many allusions to animals, many of the lyrics written as conversations between them. The first half is unapologetically aggressive, pushing you directly into the chaos with no warning. Lyrically and thematically, it seems that Aaron has come to terms with his father’s death and has gone back to his spiritual roots. “Another Head For Hydra” explores the worthlessness of material possessions. “[dormhouse sighs]” is a more positive look at the apocalypse – stemming from a revelation he had on a West Virginia highway. The second half, while still heavy, is more refined and not as chaotic. “2,459 Miles” is a song about being far from his home, wife and kids. “Micheal, Row Your Boat Ashore” is about the doubts and fears of being a new father. Personally, I think this album is Aaron’s best writing in a poetic sense. Each song is packed with metaphors, biblical references and clever wordplay. 

Favorite Track: “Julia (or, ‘Holy to the LORD’ on the Bells of Horses)”

Summary

I don’t think there will ever be another band that could hold a candle to the sheer complexity and beauty of mewithoutYou. Their lyrics are introspective, the instrumentals are layered and are like no other band I’ve ever heard. Their discography has a little something for everyone. Each album is a unique, near spiritual experience. If someone as iconic as Haley Williams holds them in high regard, maybe you should give them a chance. As current members Aaron, Mike, Rickie, Greg and Brandon ready themselves for one more tour, I wish them nothing but the best in their personal lives. Their music really has changed the lives of so many, including myself.

2001-2022

– T-Time

Categories
Playlists

My Favorite Songs Under One Minute

Whether it be a reprise, interlude, or just a short track, I feel that songs under one minute are underrated. If you look at streaming numbers, they are often the least streamed part of an album. However, I adore a bite-sized track that serves its purpose.

The following are my favorite songs that clock in under (or just at) one minute long. And what better way to celebrate short songs than with a one-sentence descriptor?

“Variations On A Theme (Science Vs. Romance)” by Rilo Kiley

LENGTH: 0:36 

The eight track on “Takeoffs and Landings,” this short, sweet and enchanting instrumental track is a callback to the hit “Science Vs. Romance.” 

“(Can We Be Friends?)” by Conan Gray

LENGTH: 0:58

This dreamy and lullaby-esque track speaks on a ride-or-die friendship with an air of vulnerability and innocence.

“Smoke Signals (Reprise)” by Phoebe Bridgers

LENGTH: 0:34

The finale of Bridgers’ debut album “Stranger in the Alps,” she hums the melody of the first track, ending where she started.

“Fertilizer” by Frank Ocean

LENGTH: 0:40

Beginning with the sound of someone flipping the channels on a TV (in reference to the album title, “Channel Orange,”) the quippy lyrics make up a jingle for fertilizer, cutting off with a laugh track.

“Pet Cemetery” by Tierra Whack

LENGTH: 1:00

Whack sings about a rather sad subject (the death of a dog), contrasting it with an upbeat ambience creating a track that is bound to stay stuck in your head after listening to it even once.

“Sometimes…” by Tyler the Creator

LENGTH: 0:36

The third track on “Flower Boy,” “Survivor” contestant Shane Powers narrates this track, asking Tyler which song he wants to hear next, serving as the intro for “See You Again.”

“The Lovely Linda” by Paul McCartney

LENGTH: 0:42

Dedicated to his then-wife Linda McCartney, this is a sweet-as-honey love song that serves as the intro to his debut solo album, “McCartney.”

If you want to listen to these tracks, you can check out the playlist I made especially for you.

Until next time,

Caitlin

Categories
New Album Review

Home Video- Lucy Dacus Album Review

Patron saint of moody ex-fundies everywhere Lucy Dacus has returned with her third full length album “Home Video.” After big deal releases from her boygenius bandmates Phoebe Bridgers and Julien Baker, expectations were high for Dacus, and she has delivered on “Home Video,” a tour de force in nostalgia and coming of age documentary.

Prior to this album, Dacus was something of an enigmatic figure. Her music was autobiographical, but opaque. Her most personal, (and by far best) song, “Night Shift,” was unique for blending intensely individual details with a kind of universal songwriting style that made it relatable to nearly everyone. But beyond this, you really didn’t get a good feel for Dacus’ internal world or emotional landscape only her musical world.

On “Home Video” Dacus gives a far more grounded account of her life without sacrificing the universal and biting songwriting choices that made her stand out. It’s set not in the abstract fantasy world of song, but in the very specific realm of an evangelical community in Virginia in the 2000s. Every song is set somewhere during high school or the first year or two of college, but the order is scrambled. It’s a mess of early memories, filtered through a sheen of warm, yet critical nostalgia. Dacus isn’t here to defend contemporary evangelical Christianity, but she is here to put herself in that context without shame. A queer woman of questionable faith who actually has some warm memories of her hometown and congregation. It feels a lot more honest than any number of leftist punk rebellions or Katy Perry-style party phases.

Putting aside the core concept, this album is just immaculate. Dacus flexes every musical and lyrical muscle she has, and I can remember some melodic or poetic detail from literally every song on here. Dacus is a master of her craft, and “Home Video,” will likely impress anyone with an appreciation for folk, indie rock, or music in general.

Categories
Playlists

A Weird Hour in June

It’s been a weird month. I feel weird, my friends feel weird, and you probably feel weird, too. There must be something in the air (to take the place of COVID, I suppose). As a result, I have found myself listening to an odd combination of music to pass the time and get through the weirdness by simply adding to it.

Today, I share with you a near-hour playlist of songs I’ve been listening to this June that don’t necessarily go together. I’ve included some personal notes for each song. There’s something for everyone with this one.

1. “Cyan Hardcore” – Machine Girl
Fast and fun. Will make you think of Mario Kart.

2. “Turpentine” – Hole
She’s mad and so are you.

3. “Deeply” – bôa
Will get stuck in your head and make you think you can yodel.

4. “Runway H (2)” – Death Grips
Should be used in a movie montage scene of the cool variety.

5. “DR. BIRD’S” – Griselda
The ad-libs are excellent and overwhelmingly present.

6. “arsenic” – glaive
He’s sixteen.

7. “Orange Appled” – Cocteau Twins
IYKYK.

8. “Weird Little Birthday Girl” – Happyness
My friend put this one on a mix CD for me a while ago and I love it. Thanks again, Molly.

9. “Guess My Crush” – OTTO
If you like ARTHUR, here’s OTTO.

10. “Min Dag” – Död Mark
Yes, it’s Yung Lean.

11. “Yea Aight” – Nickelus F
Underrated.

12. “24” – IDK
“She say she not a thot, she a nympho” is the stand-out line.

13. “E. Coli” – The Alchemist (feat. Earl Sweatshirt)
Seamless and soothing.

14. “Bloodhail” – Have A Nice Life
Makes me feel like someone I’m not.

15. “Apple” – Fox Academy
This song has been in my rotation since it came out.

Click here to listen to the playlist on Spotify.

Here’s to weird music mixes for weird months,

Silya Bennai

Categories
Weekly Charts

Daytime Charts 6/29

Here at WKNC, we heart Japanese Breakfast.

Top Played

#ArtistAlbumLabel
1JAPANESE BREAKFASTJubileeDead Oceans/Secretly Group
2SHYGIRLALIAS [EP]Because
3N0V3LNON-FICTIONFlemish Eye
4MINAXISialia [EP]Self-Released
5TORO Y MOI“Ordinary Guy” feat. Mattson 2 [Single]Company
6BLACK MIDICavalcadeRough Trade/Beggars
7BUTCHER BROWN#KingButchConcord Jazz
8RATBOYSHappy Birthday, RatboyTopshelf
9FAT TONYExoticaCarpark
10JOESEFDoes It Make You Feel Good [EP]AWAL
11FIDDLEHEADBetween The RichnessRun For Cover
12SQUIDBright Green FieldWarp
13STRICTLY ELIZABETHContemporary ConstructionData Water
14FLYING LOTUSYasukeWarp
15ZEBRA KATZLess Is MoorZFK
16ST VINCENTDaddy’s HomeLoma Vista/Concord
17GOAT GIRLOn All FoursRough Trade/Beggars
18MAN ON MANMan On ManPolyvinyl
19OKEY DOKEYOnce Upon One TimePark The Van
20JEWELERTiny CirclesSelf-Released
21PLANET GIZADon’t Throw Rocks At The Moon [EP]Self-Released
22AMERICAN AQUARIUMSlappers, Bangers & Certified Twangers, Vol. 1Thirty Tigers
23EX OLYMPICXOSelf-Released
24LIARS“Sekwar” [Single]Mute
25AVALANCHES, THEWe Will Always Love YouAstralwerks
26TOM MISCH AND YUSSEF DAYESWhat Kinda MusicBlue Note
27ORIELLES, THELa Vita OlisticaHeavenly/PIAS
28YOUNG RJ AND MEGA RAN2 Hands UpNa’Astra
29BACHELORDoomin’ SunPolyvinyl
30ICEAGESeek ShelterMexican Summer

Top Adds

#ArtistAlbumLabel
1SUPERBLOOMPollenSelf-Released
2LOUNGE SOCIETY, THESilk For The Starving [EP]Speedy Wunderground/PIAS
3KING GIZZARD AND THE LIZARD WIZARDButterfly 3000KGLW
4SILVER FIRSLake Hypoxia [EP]Oh, Sister
5LIARS“Big Appetite” [Single]Mute
6VEPSOpen The DoorKanine
7RED RIBBONPlanet XDanger Collective
8MAY RIOEasy BammerDPI
9LIGHTNING BUG“The Right Thing Is Hard To Do” [Single]Fat Possum
10COUNTRY WESTERNSCountry Westerns [EP]Fat Possum
Categories
Weekly Charts

Chainsaw Charts 6/29

Our top-played album this week is “The Monster In Me” by Carthagods.

Top Played

#ArtistAlbumLabel
1CARTHAGODSThe Monster In MeFDR
2MAYHEM“Black Glass Communion” [Single]Century Media
3VOIDWOMBAltars of Cosmic Devotion [EP]Iron Bonehead
4ALUSTRIUMA Monument To SilenceUnique Leader
5HELLOWEENHelloweenNuclear Blast
6BURNING WITCHESThe Witch Of The NorthNuclear Blast
7SCHISMOPATHICThe Human LegacySelfMadeGod
8ILLUSORYCrimson WreathRockshots
9MONSTER MAGNETA Better DystopiaNapalm
10SLAUGHTER TO PREVAIL“Baba Yaga” [Single]Sumerian

Top Adds

#ArtistAlbumLabel
1AT THE GATESA Nightmare Of BeingCentury Media
2REBEL PRIESTLost in Tokyo [EP]Batcave
3JAMIE FONTAINE AND THE LEVEL“I Ain’t Breathin” [Single]Stryker
4HOSTAGE“Curtain Fall” [Single]Self-Released
5NANOWAR OF STEELItalian Folk MetalNapalm
6HOSTAGE“Don’t Let Me Down” [Single]Self-Released
Categories
Weekly Charts

Underground Charts 6/29

Butcher Brown’s “#KingButch” on Concord Jazz jumps to number one this week on our hip-hop charts.

#ArtistRecordLabel
1BUTCHER BROWN#KingButchConcord Jazz
2FAT TONYExoticaCarpark
3LAVA LA RUEButter-fly [EP]Marathon
4MARKEE STEELEVet & A Rook [EP]Thee Marquee
5MASEGOStudying Abroad [EP]Capitol
6PINK SIIFU AND FLY ANAKINFlySiifu’sLex
7SHYGIRLALIAS [EP]Because
8RICO NASTYNightmare VacationSugar Trap
9TOM MISCH AND YUSSEF DAYESWhat Kinda MusicBlue Note
10AJ TRACEYFlu GameWest 10
Categories
Weekly Charts

Afterhours Charts 6/29

Cecile Believe’s “Plucking A Cherry From The Void” is our new top album this week.

#ArtistRecordLabel
1CECILE BELIEVEPlucking A Cherry From The VoidSelf-Released
2BICEPIsles (Deluxe)Ninja Tune
3BLUE HAWAIIUnder 1 House [EP]Arbutus
4KELLY LEE OWENSInner SongSmalltown Supersound
5ROCHELLE JORDANPlay With The ChangesYoung Art
6THE AVALANCHESWe Will Always Love YouAstralwerks
7BELLA BOOOnce Upon A Passion RemixesStudio Barnhus
8CARIBOUSuddenly RemixesMerge
9DOSS4 New Hit Songs [EP]LuckyMe
10DREAMWEAVERCloud9MagicCrafters