Categories
DJ Highlights

“passing by” with carbon copy

As I’ve written about before, along with being a blog content creator, I am also a DJ at WKNC. This semester, I decided to start fresh with a new show titled “passing by.” The premise? To put a soundtrack to life’s big and little moments with the best of indie and rock.

My first set’s premise was art pop, noise pop, and big all-encompassing feelings. It featured songs from artists such as Broadcast, Spellling, Cocteau Twins and Life Without Buildings.

My second set was a bit more specific in its parameters. As I explained in my first air break, the theme was what might have been playing over the speakers in a department store in the 90s. In this set I featured Belly, Tanya Donelly, Belle & Sebastian and (my favorite) Rilo Kiley.

I adore the process of curating these mini-soundtracks and I would love it if you tuned in. “passing by” airs every Tuesday from 1-2 p.m. on WKNC 88.1 HD-1. You never know what moment I may be trying to capture. If you are unable to tune in, I make my playlists public on my Spotify after the set has been aired, and you can always check out my Spinitron as well.

Be sure to tune in,
Caitlin (a.k.a carbon copy)

Categories
Music News and Interviews

Has Kanye Finally Lost the Public?

Kanye’s career has been living on borrowed time for more than a decade now. He’s one of the most famous, and least sympathetic musicians on earth, so much so that many critics have assumed no number of scandals, public gaffes, or bad press could ever tank the man’s career. There was a time I would have agreed with that statement but looking at the release of his 10th studio album Donda, I might have to walk back that assessment.

Kanye West probably needs no introduction at this point. His music has captured the public consciousness for two decades, and his public persona has done much the same, just in a more negative light. Each public disaster has been met with equally rapturous critical and public praise. For all the Grammy rants, political forays, and questionable public statements, his albums “My beautiful Dark Twisted Fantasy,” “Yeezus,” and “Kids See Ghosts,” each earned glowing reviews from at least one major indie outlet, be it Pitchfork, Rolling Stone, or The Needle Drop respectively.

However, in recent years Kanye’s public antics and private fame have started to eclipse his actual musical success. His endorsement of Donald Trump, disparaging comments towards black women, and divorce from wife Kim Kardashian have all cost him public support. His 2019 religious album “Jesus Is King,” garnered confused reactions from secular critics, and little to no interest from a religious audience, and while his 2018 series of short projects and production jobs were well received as whole, no one project was universally acclaimed according to Allmusic and Metacritic aggregates.

However, with the release of his most recent album “Donda,” a switch seems to have been flipped both within his fanbase and within the wider world. For the first time in a long time, Kanye seems to have entirely lost the public’s interest. The extensive delays garnered backlash on his subreddit, critics that once adored him like Pitchfork and the Independent have given reviews that range from lukewarm to outright panning. But most damning is that just a day after the release, at a time where Kanye alleges the label released his album without consent, and plagiarism allegations over the album cover are riding high in the headlines, and a feud with Drake looms large, Kanye is nowhere to be found in the top 15 trending topics on Twitter. For such a famous artist to have a release so mired in drama, with more than 5 unresolved news stories around him, to not be the #1 trending topic is a failure, much less to not even make this list.

I don’t want to belabor the point any further, because frankly I feel confident in saying that, for once, nobody cares. However, I do want to speculate that perhaps this bodes poorly for the future of other rappers mired in baggage. The likes of Drake, 6×9, Eminem, and Chris Brown have all claimed a niche in the rap game despite (or in some cases because of) public scandal and attempted cancellation. But perhaps, with Donda, Twitter has finally found the most lethal weapon for an artist’s career: to simply ignore.

Categories
Weekly Charts

Chainsaw Charts 8/31

#ArtistAlbumLabel
1BLACK LABEL SOCIETYDoom Crew Inc.Spinefarm
2DECREPISYEmetic CommunionChaos Network &
3I THE NIHILIST“Wonderlust” [Single]Self-Released
4MANNVEIRAVitahringurDark Descent
5COGNITIVEMalevolent Thoughts Of A Hastened ExtinctionUnique Leader
6ERADICATORInfluence DeniedMetalville
7SPIRIT ADRIFTEnlightened in Eternity20 Buck Spin
8PISTOLS AT DAWNNocturnal YouthJFL
9SCHISMOPATHICThe Human LegacySelfMadeGod
10SIELUNVIHOLLINENTeloituskäskySelf-Released

Heavy Adds

#ArtistAlbumLabel
1BLACK LABEL SOCIETYDoom Crew Inc.Spinefarm
2DECREPISYEmetic CommunionChaos Network &
3I THE NIHILIST“Wonderlust” [Single]Self-Released
4MANNVEIRAVitahringurDark Descent
5COGNITIVEMalevolent Thoughts Of A Hastened ExtinctionUnique Leader
6ERADICATORInfluence DeniedMetalville
7SPIRIT ADRIFTEnlightened in Eternity20 Buck Spin
8PISTOLS AT DAWNNocturnal YouthJFL
9SCHISMOPATHICThe Human LegacySelfMadeGod
10SIELUNVIHOLLINENTeloituskäskySelf-Released
Categories
Weekly Charts

Afterhours Charts 8/31

#ArtistAlbumLabel
1BICEPIsles (Deluxe)Ninja Tune
2BLUE HAWAIIUnder 1 House [EP]Arbutus
3DJ Q“All That I Could/It’s You” [Single]Local Action
4DJ SABRINA THE TEENAGE DJCharmedSpells On The Telly
5AVALANCHES, THESince I Left You (20th Anniversary Deluxe)Astralwerks
6WESTCOAST GODDESSU Up? [EP]Infinite Pleasure
7DREAMWEAVERMade in HeavenMagicCrafters
8CECILE BELIEVEMade in HeavenSelf-Released
9KERO KERO BONITOCivilisation I And IIPolyvinyl
10BANOFFEELook At Us Now Dad Remixes [EP]Cascine
Categories
Weekly Charts

Underground Charts 8/31

#ArtistAlbumLabel
1LAVA LA RUEButter-fly [EP]Marathon
2TOBIElements Vol. 1Same Plate/RCA
3TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
4ANUSHKAYemayaTru Thoughts
5CAKES DA KILLA, PROPER VILLAINSMuvaland Vol. 2 [EP]Warner
6FAT TONYExoticaCarpark
7HIATUS KAIYOTEMood ValiantBrainfeeder/Ninja Tune
8PLANET GIZADon’t Throw Rocks At The Moon [EP]Self-Released
9ZEBRA KATZLess Is MoorZFK
10NATIVESON 91Come Back DownInner Tribe
Categories
Weekly Charts

Daytime Charts 8/31

#ArtistAlbumLabel
1ALEXALONEALEXALONEWORLDPolyvinyl
2ACID DADTake It From The DeadRAS/Greenway
3KANASHIIKanashii [EP]Cardigan
4TOMBSTONES IN THEIR EYESLooking For A LightKitten Robot/Somewhere Cold
5FILM SCHOOL“Isla” b/w “Superperfection” [Single]Sonic Ritual
6ANIKAChangeSacred Bones
7JODIBlue HeronSooper
8SQUIDBright Green FieldWarp
9YVES TUMORThe Asymptotical World [EP]Warp
10MAMALARKY“Meadow” [Single]Fire Talk
11GINGER ROOTCity Slicker [EP]Acrophase
12MEDIA JEWELERThe Sublime Sculpture Of Being AliveFire Talk
13A GREAT BIG PILE OF LEAVESPonoTopshelf
14BLACK MARBLE“Somewhere” [Single]Sacred Bones
15LAVA LA RUEButter-fly [EP]Marathon
16LIARSThe Apple DropMute
17MAGSSay Things That MatterOneRPM
18HOVVDY“True Love” [Single]Grand Jury
19IAN SWEETShow Me How You DisappearPolyvinyl
20SHYGIRLALIAS [EP]Because
21TOBIElements Vol. 1Same Plate/RCA
22SPIRIT OF THE BEEHIVEEntertainment, DeathSaddle Creek
23JIMMY EDGARCheetah BendInnovative Leisure
24LANDSHAPESContactBella Union/PIAS
25HYPOLUXOHypoluxoTerrible
26GOAT GIRLOn All FoursRough Trade/Beggars
27DAY WAVE“Before We Knew” [Single]PIAS
28BLUE HAWAIIUnder 1 House [EP]Arbutus
29PIROSHKALove Drips And GathersBella Union/PIAS
30CAITLIN HARNETT AND THE PONY BOYSLate Night EssentialsSpunk

Daytime Adds

#ArtistAlbumLabel
1ATLANTIC CANYONSSee The Hue [EP]Self-Released
2GIRLPUPPYSwan [EP]Royal Mountain
3ZELMA STONEThe Best [EP]Self-Released
4TROPICAL FUCK STORMDeep StatesJoyful Noise
5MAMALARKY“Meadow” [Single]Fire Talk
6SHANNON AND THE CLAMSYear Of The SpiderEasy Eye Sound/Concord
7MOLLY BURMANFool Me With Flattery [EP]Prolifica/PIAS
8HOVVDY“Around Again” b/w “Junior Day League” [Single]Grand Jury
9DIVER THROUGHThe Way We WereSubluna
10PAIGE BELLER“Failed Attempts and Cigarettes” [Single]Sofaburn
Categories
DJ Highlights

New Show Alert: The Mellow Yellow Marsh

New semester, new show, new DJ name! What better way to kick off being officially halfway done with college than to do a classic WKNC rebrand?

The Tangerine Hour with DJ Butter was by far my most successful show. I had call-ins all the time and found that it was so rewarding to give some classic rock to the station. One day, I got a call from a fellow DJ at WQDR 94.7. I forgot his name but his enthusiasm for music and WKNC will live in my heart forever. He mentioned to me how Shaw University used to have a Funk Friday show on WSHA 88.9, and he wished that there was some more of that groove on the college radio stations around Raleigh. Well, WQDR-DJ-whose-name-I-don’t-remember, your wish has been granted.

As toad maiden (my new DJ persona because DJ Butter was starting to annoy me), I decided to bring back the Tangerine Hour but with a funky twist. The ’60s and ’70s were such a prime era for fantastic music from all genres, and the influence that blues and funk had on popular rock was so important. In The Mellow Yellow Marsh, I want to highlight songs from those groovy decades that are entirely based in soul, funk and the blues. Whether they be from well-known artists like Jimi Hendrix that completely shook up conventional rock ‘n roll, or underground acts like Shinki Chen, The Mellow Yellow Marsh will include both familiar favorites and rare gems.

Intrigued? Tune into HD-1 every Friday from 1-2pm to hear me spin the funkiest tracks from the funkiest era. Here’s a sneak peek at my first setlist if you missed it:

1. One Room Country Shack – Shuggie Otis
2. I Need You So Bad – Magic Sam
3. What A Way to Die – The Pleasure Seekers
4. One of These Days – Ten Years After
5. Ogdens’ Nut Gone Flake – Small Faces
6. I Want You – The Troggs
7. Flying Bird – The Doves
8. Physical Love – Eddie Hazel
9. Buzzsaw – The Turtles
10. Eddie’s Rush – Ultimate Spinach
11. I Wanna Know If It’s Good to You – Funkadelic
12. Pali Gap – Jimi Hendrix
13. Let Me Ride – Ginger Baker’s Air Force
14. The Girl I Love She Got Long Black Wavy Hair – Led Zeppelin

Happy listening,

toad maiden

Categories
Classic Album Review

“The Execution Of All Things” by Rilo Kiley (Album Review)

ALBUM: “The Execution Of All Things” by Rilo Kiley

RELEASE YEAR: 2002

LABEL: Saddle Creek

RATING: 10/10

BEST TRACKS: “The Execution Of All Things” “A Better Son/Daughter” “Spectacular Views”

FCC: None

I first heard “The Execution of All Things” at some time during the simultaneous infinite expanse and blip of time that was quarantine/lockdown in 2020. Instantaneously, it became one of my favorite albums of all time and solidified Rilo Kiley as one of my favorite bands ever, although this was the first project I ever listened to by them. 

Jenny Lewis’ voice was made for indie-rock. I’ve tried listening to other projects of hers, but Rilo Kiley will forever be my favorite. Blake Sennett and her made magic with Rilo Kiley, and not much will ever compare in my opinion.

“The Execution Of All Things” is one of those albums that makes me wish I was a teenager in the early 2000s, instead of being just a mere year old at the time this album was released. It makes me envy those who were able to be angsty and mad at the world at the turn of the millennium. 

“The Good That Won’t Come Out” is one of my favorite introductory album tracks, ever. It sets the gather-round-the-campfire nature that seems to float in and out of the record with grace. The album touches on themes like failed love, anger at the government, hopelessness, California, anxiety and friendship.

Perhaps the best (or at least my favorite) aspect of this project is that it is tied together with a song called “And That’s How I Choose To Remember It.” Fragments of the song punctuate the end of “So Long,” “My Slumbering Heart,” and “Spectacular Views.”  Fans have strung it together, but it was never released as an individual track. The lyrics focus on Lewis’ childhood, her parent’s divorce and how to process that all. With production sounds like a lullaby or a dream, it perfectly reflects what it’s like to remember childhood.

Anything else I say will be repetitive and I’ve written plenty about my adoration for this band, so instead I will leave you with a collection of my favorite lyrics from the album:

  • “You’re weak, but not giving in / And you’ll fight it, you’ll go out fighting all of them” — “A Better Son/Daughter” 
  • “And it’s become just like a chemical stress / Tracing the lines in my face for / Something more beautiful than is there” — “My Slumbering Heart”
  • “And I hope that you close your eyes / Block out the pain of a thousand lives /I hope that you die tonight / Just close your eyes, there goes the light / Smile, I’ll brave it while you wave your hand” — “Three Hopeful Thoughts”
  • “You never knew why you felt so good / In the strangest of places / Like in waiting rooms / Or long lines that made you late / Or mall parking lots on holidays” — “Spectacular Views”
  • “Then you ask / “What’s a palisade?” / And if we’re too late / For happiness” — “Spectacular Views”
Categories
Miscellaneous

Where The Crawdads Sing Book Review

There’s honestly nothing better than sinking your teeth into a fantastic book over summer break. I picked up “Where the Crawdads Sing” at their airport before a family camping trip on a whim and it was one of the best decisions I’ve ever made.

Published in 2018 by Delia Owens, the novel, set in the late ’50s and early ’60s, follows the life of a girl named Kya. Left to fend for herself by her family, she lives completely alone in the marsh of North Carolina, surviving off mussels, fishing, and her love of nature. Around Barkley Cove, the small town she lives by, she’s known as the “Marsh Girl,” and is generally shunned by the community. Her isolation continues until her teens and early twenties when two young men stumble upon her shack hidden in the marsh. When one of these men is murdered, Kya is suspected immediately. As quoted by the New York Times Book Review, “Where the Crawdads Sing” is a “murder mystery, coming-of-age narrative, and a celebration of nature” all at once.

Kya is a fascinating character. After being abandoned by her family members one by one, her complete isolation leaves nothing but nature alone to raise her. As a result, she is highly intelligent to the environment surrounding her, despite her inability to read and having never gone to school. But, as all humans do, she craves love, touch and companionship, leading her to enter into two relationships with the boys from the Barkley Cove. She learns trust, heartbreak and love from these encounters, but it is apparent the neglect she faced throughout her life will forever mark her as “different.”

Delia Owens, a wildlife scientist by profession, wrote “Where the Crawdads Sing” as a reflection of her time spent in Africa, where she was completely isolated for months on end while doing research. Though “Where the Crawdads Sing” is neither about Africa or wildlife scientists, Owens wanted to write about what would happen to a woman left utterly alone for nearly her whole life.

The way she crafts the novel is fantastic, jumping back and forth between the murder investigation in 1969 and Kya’s adolescence in the ’50s. It all comes together in a satisfying, heartwrenching and completely unexpected way. I won’t say any more on that, but just know that your pulse will be racing and your jaw will be on the floor.

“Where the Crawdads Sing” is by far the best book I’ve read in a long time. It has a little bit of something for everybody and is beautifully written. If you’re looking for your next summer read before fall officially sets in, look no further.

Happy reading,

toad maiden

Categories
Band/Artist Profile New Album Review

“SYS03” by FJAAK (EP Review)

EP: “SYS03” by FJAAK

RELEASE YEAR: 2021

LABEL: SPANDAU20

RATING: 8.5/10

BEST TRACKS: “Fabric” and “Blitz”

Berlin based duo FJAAK is back with their new EP “SYS03”, the third installment in the “SYS” series. It’s no secret that clubs all over the world have struggled to stay financially afloat amidst the current COVID-19 pandemic. Seeing an opportunity to give back, FJAAK created the “SYS” series, a charity project where four club-titled tracks are released with all revenue generated going directly to the four clubs. The clubs featured in “SYS03” are London based Fabric, Munich based Blitz, Brussels based Fuse, and Cologne based Gewölbe. 

The idea behind the whole project makes each individual track and EP installment a unique listening experience. Before playing the opening track “Fabric”, I decided to search for a couple images of the dancefloor. Hearing the heavy and slightly reverberated bassline as the track played, I envisioned the bass vibrating and reverbing off the brick walls, the subtle melody kick-in drawing oohs and ahs from the crowd.  For a club that looks like a residential brick house, it perfectly encapsulates the atmosphere. I followed my same process for the second track “Blitz”. While maintaining the similar heavy bassline form “Fabric”, the melody is much more pronounced with vocal echoes and hi-hats alongside an almost euphoric synth breakdown. Located in a former museum hall with two dancefloors, two bars, and a vegetarian restaurant, Blitz is a world away from the underground basement setting of Fabric and FJAAK’s ability to portray this juxtaposition throughout the EP is why I gave “SYS03” an 8.5 out of 10.

I have proudly done my part in supporting these clubs and many others by purchasing all three installments, and I hope you will all do the same.