Categories
Concert Preview

Function / Newa @ Basement

The dark dancefloor of Basement
Photo Credit: Paper Magazine

Over a year and a half later, Basement is back open.

Facing financial uncertainty due to the COVID-19 pandemic, it was unclear whether the newly established Basement would ever reopen their doors. Until this past August Basement made a total of 6 social media posts, most of which centered around fundraising and live streamed DJ sets with proceeds going towards the NYC club scene. However, on July 27 they posted a simple image onto their Instagram reading “WE ARE BACK” followed by a lineup for the month of August.

The August lineup was stacked with some of my favorite DJs including LSDXOXO, DJ Stingray 313, and DVS1. The monthly lineups have only gotten better and October is shaping up to be the best month yet. Opening the October lineup this Saturday is none other than Function and Newa. Function is a New York City native and has been a part of the techno scene for over 25 years. His move to Berlin in 2007 alongside the formation of the duo-turned cult classic label “Sandwell District” solidified his influence in the underground techno scene, producing various EPs and singles which Octopus Agents described as “decentralizing the artist ego, blurring the lines between the artist, label and DJ; rearranging the DNA of modern dance music.” Playing alongside Function will be Bassiani resident Newa. Newa started out as a DJ in 2012 in her hometown of Tbilisi, Georgia, quickly making a name for herself through her deep basslines and intense melodies. Since 2016 she has co-ran the diverse Icontrax imprint, presenting undiscovered local talent from the flourishing Georgian techno scene.

I am extremely excited to be attending this show, not only to see the artists but also to experience the venue. Basement is the only one of its kind in the US, and soon enough I will find out why.

Categories
Blog Concert Review Festival Coverage

Hopscotch Music Festival 2021 Series: My Experience

Now that I’ve had some time to reflect, I’m finally ready to share my 2021 Hopscotch experience. While I didn’t see all of the performances, I did get to see most of the major acts: Helado Negro, Animal Collective, Flying Lotus, Hippo Campus, and Caroline Polachek.

I was somewhat surprised by how much I enjoyed Helado Negro; I’d never heard his music before, but his performance was lively, kind, and felt like home. I cannot say the same about Animal Collective. They played almost exclusively new music and the crowd was clearly disappointed. That being said, the unique vocals and skilled instrumentals were undeniable. Flying Lotus, while a whole lot of fun, was nearly too loud to enjoy. With my Photo Pass, I was able to shoot most of the performances from in front of the barrier, but I wasn’t able to shoot Flying Lotus because of the volume of his music. From the barely audible crowd mumblings, I could sense that I wasn’t the only one struggling with the volume. Hippo Campus was easy and enjoyable, and for the big fans, I’m sure it was the best. They even took to the floor after their set to meet people and explore the festival which I appreciated. Finally, Caroline Polachek. I am certainly in the minority with this opinion, but I just do not like her music. The performance was contrived (though I did like her outfit) and most of the songs had no appeal for me. 

Aside from the music, I was surprised by the lack of food and drink vendors. There were certainly some present, but a small amount compared to what I expected. That being said, it was the first Hopscotch of the COVID era so some things were just smaller. 

I appreciated the opportunity to attend Hopscotch and I’m looking forward to seeing Hopscotch return even bigger and better next year.

Here’s to the loose pug that ran around outside the Moore Square venue,

Silya Bennai

Categories
DJ Highlights

DJ Profiles: Big Hoss and DJ Lizzo

DJ Names: Big Hoss and DJ Lizzo

Show Name: Girls’ Guide to the Outlaw Spirit

Show Time: Thursdays 9-10am

Show Description: Feelings music – country, rock, Americana, cowpunk, alternative for listeners who enjoy Waylon Jennings, Liz Phair, Guided by Voices, Tom Waits, etc.


Where was the idea for “Girls’ Guide” born?

BIG HOSS: We both had shows originally on our own. And we were like we want to do a show together that would be fun, and the whole concept and the name and our first set pretty much was all conceived on her parents for the porch, one night at the end of summer over that first COVID summer.

DJ LIZZO: Yeah, we were like sitting on the porch, I guess maybe we were making a playlist first. And we were like, and we were trying to think of what to call it. And we spent like an hour just trying to think of a name. And there was this book called girls guide hunting and fishing that Big Hoss introduced me to and we were obsessed with and still are still are. 

BIG HOSS: And then we spent a long time trying to come up with what it was the “Girls’ Guide” to. I think we were going through colors for a while and listing color names we liked. But then we were looking on Wikipedia pages of music we liked trying to find common description words. And one of them was on the “Outlaw Country” Wikipedia page, it talks about the outlaw spirit. Yeah, so we were like, that’s it. 

How do you go about curating sets, is it a collaborative process or more of a trade off?

DJ LIZZO: Yeah, it’s definitely collaborative. Usually, it’s just like, throughout the week, one of us makes a playlist and then we both add songs. And sometimes it’s like, I don’t know we’ve gone through little “Girls’ Guide”phases… like, when was that, last fall?

BIG HOSS: Yeah, last fall we went through a really big, like, 90s girl phase, where we would play Poe and Garbage and stuff like that every week. We definitely have the phases and sometimes we’ll make the playlists together at night. 

DJ LIZZO: Yeah, that’s really that’s really fun. 

BIG HOSS: Those are some of our favorites. 

Do you guys have any guilty pleasure music, stuff that wouldn’t normally make it on “Girls’ Guide”?

BIG HOSS: Yes, but sometimes I’m like “maybe we should put this on the show.” Yeah, we definitely do. Honestly it’s been really hard for me over the past year to not put Lana Del Rey. I don’t feel guilty about it, but you can’t play her on WKNC because she’s too big. But she is one of my top artists. 

DJ LIZZO: Actually the first night we planned out our name, it was like a week after “folklore” by Taylor Swift came out and we were listening to “mirrorball” all night.

How has your show evolved over time?

DJ LIZZO: I feel like in the beginning we had this specific sound in mind. I think a lot of it was like, both of us brought our music tastes from each of our separate shows. So we had an idea of what our sound would be and how our tastes overlapped. 

BIG HOSS: Yeah, I feel like our first set. We were like, this is the perfect set. And for a little while we thought “this is the formula for every other set” and were like, “we need a song that sounds like this and we need a song that sounds like this” and so on. I think over time, we’ve definitely loosened up the boundaries of our show.

What are the stories behind your DJ names?

BIG HOSS: Big Hoss is a country term of endearment and Waylon Jennings was called  that, people always called him “Hoss.” And it’s just like, what you would say to a country man: “Hey, hoss what’s the deal with this?” But I don’t remember how I came up with it,  it just appeared one day. 

DJ LIZZO: I guess not as many people called me “Lizzo” in college, maybe or something, but it was a nickname I’ve had since preschool and I wanted to carry it on into college. So I thought that like it being my DJ name would be good. But, pretty much everyone just calls me “Lizzo” at the station now. 

When I first saw your DJ name was Lizzo, it did not occur to me that Lizzo could be a nickname for something, so for a little while I thought you named yourself after Lizzo, the pop star. 

DJ LIZZO: I think that a lot of people probably think that. Sometimes I forget there’s an actual famous person who goes by Lizzo so that’s what everyone associates the name with. 

Favorite aspect of being a DJ?

DJ LIZZO: I like that I have an outlet for doing things I love, like making playlists or talking about music and  learning more about music. I’ve been given an amazing outlet to do that. And I get to do that with my best friend, it’s so fun.

BIG HOSS: Yeah, it’s something to focus our energy on. We both just enjoy making and creating things, And it’s nice to have something we can gravitate around and have it be the basis of what we’re doing.

DJ LIZZO: And it’s every week we have this thing that we work on together and create together.

BIG HOSS: I like our show being Thursday mornings. It’s nice to have that thing to wake up to and now Thursday is our favorite day of the week.

Do y’all have a favorite phone call you’ve ever gotten?

BIG HOSS: There have been a couple times where somebody will call and follow up with an email.

DJ LIZZO: When anyone calls, the fact that they had they cared enough to call in and tell us means a lot.

BIG HOSS: Yes, especially because you don’t have to do that, listeners can listen and just not do that. For people to take that extra step is very meaningful and we appreciate it a lot. I just remembered my favorite. Last fall, I played “The Highway Kind” by Townes Van Zandt, which is a soul crushing song and it’s a journey to get through because it’s a super harsh song on the soul. Someone called in and said “That song killed me.” I feel like sometimes when you play a song that you have a lot of emotion with, it can just go out there and you feel like nobody is responding. To me, it was proof that people are having an emotional experience with what I play.

DJ LIZZO: You can be connected to on a very intimate level that you’re having through the air waves, it’s so cool.

Do you hope to do radio after college?

DJ LIZZO: I definitely think working at KNC has given me an idea of what sort of job I would want to have post-college. I don’t know that it would necessarily be being on the radio but maybe something where I’m somehow involved with music. It would be cool to do radio as a side-thing still. I know a few people in the workforce that are able to do radio as a hobby and I would love to do that.

BIG HOSS: I’m not going into a career related to radio, but if there are ways I can do it outside of my career I would like to keep doing it, it’s just fun.


DJ Lizzo and Big Hoss have been creating a lot of content recently, including their Instagram for their show @girlsguidetotheoutlawspirit. They also recently attended MerleFest, and posted a few videos to the Youtube Channel as well as created a blog about their experience. Be sure to check that all out, and to listen to Girls’ Guide to the Outlaw Spirit every Thursday at 9am. 

Categories
DJ Highlights

Set Overview: 9/28 “passing by”

As I’ve written about previously, “passing by” is my show on WKNC where I put a soundtrack to life’s big and small moments using the best of indie and rock that airs every Tuesday from 1-2pm this semester. This past Tuesday, I curated a set I really loved, and wanted to share it here on the blog in case you didn’t get to catch it through the airwaves.

The set was centered around Elliott Smith. The show was divided into four themes: his inspirations, Elliott Smith himself, covers, and artists who are inspired by him.

His Inspirations

  • “Summer’s Gone” — The Kinks
  • “Rocky Raccoon” — Charlie Parr, Nicholas Mrozinski1
  • “Bob Dylan’s Dream” — Bob Dylan
  • “No One Is There” — Nico
  • “Parasite” — Nick Drake2

Elliott Smith Himself

“Everything Means Nothing to Me” — Elliott Smith

Covers

“The Biggest Lie” — Bright Eyes
“Ballad of Big Nothing” — Julien Baker
“Clementine” — The Decemberists

Artists Inspired By Him

“Ceilings” — beabadoobee
“How Long” — Palehound
“Big Surprise” — Prateek Kuhad
“Deep Sea” — Snail Mail
“Stranger Things” — Yuck
“It Just Is” — Rilo Kiley3
“Punisher” — Phoebe Bridgers4

  • 1: This is a cover of a song by The Beatles, off their self titled album (known commonly as “The White Album”). Smith cited this song as a huge inspiration for him.
  • 2: Although Smith never explicitly cited Nick Drake as an inspiration, people often draw comparisons and parallels between the two.
  • 3: This song is about Smith’s tragic death, as Rilo Kiley were close to him and opened up for his final shows prior to his passing.
  • 4: Bridgers has stated that this track is about Elliott Smith, and how if she got to meet him, she would have made a fool of herself by being such a big fan.

If you want to listen to my set in its exact order, you can queue the songs based on their appearance on my Spinitron page, or if you’re a Spotify user like myself, you can stream it via the playlist.

Until next time,
Caitlin (a.k.a carbon copy)

Categories
Miscellaneous

WKNC’s 24 Hour WCRD Set: Schedule

World College Radio Day is this Friday, Oct. 1.

In honor of the event, WKNC will be hosting 24 straight hours of DJ sets on our HD-1 channel, as well as select sets on HD-2 and a YouTube live stream featuring various activities for the entire event. The 24 hours start at 12 a.m. on Friday and will go until 11:59 that night.

The HD-1 DJs will follow our (modified) traditional schedule of Afterhours/Underground from 12-7 a.m., then Daytime from 7 a.m.-7 p.m. (with Local Lunch still occurring at noon), and Chainsaw will go from 7-11:59 p.m. You can check the full HD-1 lineup schedule below.

HD-2 DJs have full reign to play whatever style they want, so, again, read below to see the full schedule.

The live stream will be hosted on our YouTube channel and will show our HD-1 studio, so you can watch all your favorite DJs play live, as well as our Production Room/HD-2, which will be hosting various activities throughout the night – which, if you guessed it, can also be found on our schedule below.

The live stream of the HD-1 Studio will have to be muted, as copyrighted music is not allowed on YouTube. However, you can listen to everything the DJs are playing in HD-1 by tuning into our webstream. Keep an eye on our Spinitron page as well, to catch all the songs the DJs are playing.

The full schedule of activities is below. Please keep in mind that this schedule is subject to change at the discretion of the DJs, and the best way to stay updated with the schedule is to check this blog post.

HD-1 Schedule

TIMEDJTHEME
12-1 a.m.johnny ghostHD2 Night Rock DJ johnny ghost revives his high school electro-swing obsession for his debut on HD1 with his first (and last?) Afterhours set.
1-2 a.m.dj calciferlogon from 1-2 a.m. to hear dj calcifer’s electronic set “for the girls.” WARNING! dance-inducing.
2-3 a.m.cow ballThe General Manager at WKNC, previously known for her Radio Fuzz sets that would deep dive into various niche alternative rock genres, brings a one-hour set of hard, experimental Afterhours and Underground music.
3-4 a.m. dj mothballtune into dj mothball’s “wormwood star”, the heaviest, elemental electronic tracks to fill your 3 to 4 a.m. hour~~~
4-5 a.m. SnapdragonThe best looking DJ at KNC provides you with some of the finest alt R&B.
5-6 a.m. hermajestyPart nu disco, part techno, part electronic sea shanty remixes, All Nautical Nonsense.
6-7 a.m. WhippopatomusThe hippest spooky set to set off the spooky season.
7-8 a.m. Rainbow RiotPlaying you the very best in music from all decades, including all the hits, back-catalog tracks, and forgotten tunes your speakers can handle.
8-9 a.m. BansheeMusic to listen to in the car wash (but only if you have a flexible antenna).
9-10 a.m. DJ Lazuli x DJ SHEETZDJ Lazuli and DJ Sheetz take on the spirit of fall and play some of their favorite indie rock tunes that make them want to drink a pumpkin spice latte.
10-11 a.m. dj [redacted]Bringing you a fun variety of indie music from across the galaxy.
11 a.m.-12 p.m. MonaveeYou’ve found the spot for tunes that lie between the bounds of alternative R&B and soul, deep house and experimental electronic music.
12-1 p.m.DJ PON-3WKNC’s station adviser takes a trip down memory lane with some of her favorite music made in North Carolina.
1-2 p.m. toad maidenThe mellowest, funkiest, grooviest rarities and gems from the ’60s-’70s. Tune in for classic rock, psychedelia, funk, proto-metal, and everything in between.
2-3 p.m. The Dizzy MelonFly overseas with your pilot, The Dizzy Melon, and experience the funky music of Japan!!
3-4 p.m. Chancellor Randy Woodson w/ 3 Bears in a Coat NC State University Chancellor Randy Woodson comes on to do a set in celebration of College Radio Day, joined by 3 Bears in a Coat for a Ride Along with the Chancellor.
4-5 p.m. big hoss & DJ Lizzo x Big SamGirls Guide to the Outlaw Spirit join Big Sam of Both Kinds Radio for a split set.
5-6 p.m. DJ Skunk ApePlaying the latest and greatest in grimy, gritty garage, punk rock and metal.
6-7 p.m. DJ SHEETZ x DJ MangoDJ SHEETZ and DJ Mango play music that makes you feel like a teenager in a coming of age film. You are the main character, and this is your soundtrack.
7-8 p.m. T-TimeAn hour of skramz, get over it.
8-9 p.m. Uncle PaulUncle Paul’s classic Friday night set, but only an hour long.
9-10 p.m. EubanksAbsolute tomfoolery and havoc. Nobody is ready.
10-11 p.m. dj gibogib (Chainsaw Music Director)Some classic metal, some slow, some fast, all of it loud.
11 p.m.-12 a.m.young iowaAn eclectic mix of metal and hardcore to finish off the bestest day in college radio.

HD-2 Schedule

Blank slots do not have anything scheduled during that time period.

TIMEDJ(s)Theme
12-1 a.m.
1-2 a.m.ZenSmooth jazz for the night listeners.
2-3 a.m.
3-4 a.m.ZenLOUD BIG BAND JAZZ AAAAAAAAAA!
4-5 a.m.
5-6 a.m.
6-7 a.m.
7-8 a.m.Your Friendly Local Bird-Themed NoisemakerDawn Chorus – bird-themed electronic grooves to wake up to.
8-9 a.m.
9-10 a.m.
10-11 a.m.
11 a.m.-12 p.m. DJ LazuliDJ Lazuli books a metal show for the Roadhouse. Giants may appear.
12-1 p.m.
1-2 p.m.DJ LazuliDJ Lazuli decides the synthpop he normally plays isn’t enough and plays a fully electronic show.
2-3 p.m.
3-4 p.m.
4-5 p.m.PloverA slow descent into techno madness
5-6 p.m.PloverA slow descent into techno madness
6-7 p.m.PloverA slow descent into techno madness
7-8 p.m.PloverA slow descent into techno madness
8-9 p.m.PloverYou are no doubt mad by now
9-10 p.m.carbon copyTunes for life’s big and little moments, curated by yours truly.
10-11 p.m.carbon copyAll things indie and/or rock <3
11 p.m.-12 a.m.

Livestream Schedule

Blank slots do not have anything scheduled during that time period.

TIMEHOSTEVENT
12-1 a.m.3 Bears in a CoatWelcome!
1-2 a.m.
2-3 a.m.hermajestyNo Thingz Considered live recording
3-4 a.m.hermajestyNo Thingz Considered live recording/Lalic interview
4-5 a.m.hermajestyLalic interview
5-6 a.m.SilyaLet’s Talk Horror: All about horror movies
6-7 a.m.
7-8 a.m.3 Bears in a CoatTop of Day!
8-9 a.m.
9-10 a.m.
10-11 a.m.
11 a.m.-12 p.m.3 Bears in a CoatThe Worst Game of Telephone
12-1 p.m.
1-2 p.m.dj mothballWKNC Buttonmaking
2-3 p.m.
3-4 p.m.
4-5 p.m.
5-6 p.m.3 Bears in a CoatRapidfire DJ interviews
6-7 p.m.
7-8 p.m.3 Bears in a CoatMafia
8-9 p.m.
9-10 p.m.
10-11 p.m.
11 p.m.-12 a.m.3 Bears in a CoatGoodbye!

Categories
Weekly Charts

Daytime Charts 9/28

#ArtistAlbumLabel
1ALEXALONEALEXALONEWORLDPolyvinyl
2TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
3FLYING LOTUSYasukeWarp
4GINGER ROOTCity Slicker [EP]Acrophase
5SHYGIRLALIAS [EP]Because
6ZEBRA KATZLess Is MoorZFK
7AMYL AND THE SNIFFERSComfort To MeATO
8MAMALARKY“Meadow” [Single]Fire Talk
9CHILDREN COLLIDETime ItselfSpinning Top
10DEAFHEAVENInfinite GraniteSargent House
11GOLD AND YOUTH“The Worse The Better” [Single]Paper Bag
12JAPANESE BREAKFASTJubileeDead Oceans/Secretly Group
13LAVA LA RUEButter-fly [EP]Marathon
14LITTL SIMZSometimes I Might Be IntrovertAWAL
15SNAIL MAIL“Valentine” [Single]Matador
16JULESDelta Ajax [EP]Happy Life
17IAN SWEETShow Me How You DisappearPolyvinyl
18ATLANTIC CANYONSSee The Hue [EP]Self-Released
19A GREAT BIG PILE OF LEAVESPonoTopshelf
20TOBIElements Vol. 1Same Plate/RCA
21ZELMA STONEThe Best [EP]Self-Released
22WE WERE PROMISED JETPACKSEnjoy The ViewBig Scary Monsters
23MATT MARTIANSThe Last Party3qtr
24HIATUS KAIYOTEMood ValiantBrainfeeder/Ninja Tune
25ELUJAY“1080p” [Single]OneTime!
26JOESEFDoes It Make You Feel Good [EP]AWAL
27PARQUET COURTS“Walking At A Downtown Pace” [Single]Rough Trade
28LOWHEY WHATSub Pop
29MEDIA JEWELERThe Sublime Sculpture Of Being AliveFire Talk
30SKI MASK AND THE SLUMP GOD“Burn The Hoods” [Single]Republic

Daytime Adds

1KILLS BIRDS“Glisten” b/w “Rabbit” [Single]KRO
2OPHELIAS, THECrocusJoyful Noise
3JOSE GONZALEZLocal ValleyMute
4MINI TREESAlways In MotionRun For Cover
5ANIMAL ELECTRICITY“You Better Hope” b/w “Phantom Thumb” [Singles]Eebus
6SHARON VAN ETTEN AND ANGEL OLSEN“Like I Used To” [Single]Jagjaguwar
7DELAFAYERoseStreet Mission
8GEORGIA STATE LINEIn ColourCheatin’ Hearts
9FORMS, THE“Head Underwater” [Single]Threespheres
10KRAMIES“Days Of” [Single]Hidden Shoal
Categories
Weekly Charts

Chainsaw Charts 9/28

#ArtistAlbumLabel
1MORBID MESSIAHDisgorged in the Coffin [EP]Chaos
2PREDICTOR…thus spoke death [EP]Iron Bonehead
3ZETARDevouring DarknessSpirit Coffin
4VENUS SYNDROMECannibal SarRockshots
5CHARREDPrayers Of MaledictionEntertainment One
6BORISNoThird Man
7BLACK WOUNDUnending LabyrinthDry Cough
8MALIGNAMENTHypocrisis AbsolutionPrimitive Reaction
9BONEHUNTERDark Blood Reincarnation SystemHells Headbangers
10ANDREW WKGod Is PartyingNapalm

Categories
Weekly Charts

Underground Charts 9/28

#ArtistAlbumLabel
1BUTCHER BROWNEncore [EP]Concord Jazz
2JOESEFDoes It Make You Feel Good [EP]AWAL
3LAVA LA RUEButter-fly [EP]Marathon
4LITTLE SIMZSometimes I Might Be IntrovertAGE 101
5MASEGOStudying Abroad [EP]Capitol
6FAT TONYExoticaCarpark
7GREENTEA PENGMan MadeEMI
8TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
9SHYGIRLALIAS [EP]Because
10PLANET GIZADon’t Throw Rocks At The Moon [EP]Self-Released
Categories
Weekly Charts

Afterhours Charts 9/28

#ArtistAlbumLabel
1JULESDelta Ajax [EP]Happy Life
2LEON VYNEHALLRare, ForeverNinja Tune
3MAGDALENA BAY“You Lose!” [Single]Luminelle
4BLUE HAWAIIUnder 1 House [EP]Arbutus
5DREAMWEAVERMade in HeavenMagicCrafters
6JAYDA GBoth Of Us / Are You Down [EP]Ninja Tune
7PARK HYE JINBefore I DieNinja Tune
8PIXEL GRIPArenaFeeltrip
9CFCFMemorylandSelf-Released
10INDIA JORDANWatch Out! [EP]Ninja Tune
Categories
Concert Review

Memories of Merlefest 2021

Merlefest 2021 took place September 16-19 and WKNC, at long last, had representatives taking part in the festival.

The headliners were amazing, but some of the most magical moments of Merlefest were in between the big events – meeting the people who have been attending this festival for over 30 years, seeing people who have never met play together like they learned to play music together, and seeing the community of people who all have one thing in common: they love music

John, featured in the middle of the top row of photos, attached a picture of Tony Rice onto his umbrella to keep his spirit alive. Tony was godfather to John’s daughter, Jessica, who was said to also be carrying Tony around the festival. John said that in Tony’s last years, he chauffeured him.

Old Time Pickers Tent

The Old Time Pickers Tent, featuring young and old pickers, played all day and into the night through the hot weather. The cast rotated, but the spirit of old time stayed in the tent all day. The origins of old time are explored in our interview with Rich Shulman, which you can watch here. John Turner, accompanied by his daughter and granddaughter, shared his flatfooting skills – that is NOT tapdancing you are seeing. Flatfoot dancing is a type of Appalachian clogging – you can watch John and his family demonstrate here. The Old Time Pickers, including Rich Shulman, Marcus Campbell, Gary Hermann, Linda Cabe, and Robbie Herman (pictured above) keep the spirit of old time alive through their picking.

That’s what this festival is about. It’s putting people together because of the music that would never cross paths, that would never meet, and the one thing in common is the music.

Rich Shulman, Old Time Picker
Watch the interview here

Sarah Shook and the Disarmers crossed Merlefest off of their musical bucketlist, and Merlefest loved them. A perfect set during the sunset session after the rain of Saturday had lifted, featuring a few songs off of their upcoming album, Nightroamer. You can hear more about that in our pre-festival interview!

The Dance Tent

The dance tent, although home to smaller acts, always managed to revive an exhausted Merlefest attendee. Acts such as Cordovas and Ganstagrass (pictured above) reinforced the idea that the festival is not strictly about traditional picking – it is about the love of music, and rock and hip hop are a part of that. Ganstagrass, a five piece group that infused hip hop and bluegrass, floored us with their talent and a blending of two genres so seamless that afterwards, we wondered how they had ever seemed so separate before. Stay tuned for the interview on our Youtube page!

Mavis Staples

And Mavis. Mavis Mavis Mavis. We spent our Sunday afternoon with Mavis Staples. Mavis brought maybe the most energy to the Watson Stage (the big one) out of the whole festival – when the crowd wasn’t giving back what she so willingly gave, she told us to loosen up “like a bowl of Jello” – so we did. Her amazing vocal performance, anticipated but still shocking – she’s 82 years old! – awed the crowd. Singing classics like The Weight, For What It’s Worth, Slippery People, and Respect Yourself (joined by Melissa Etheridge), Mavis continued to renew the songs and impart a new meaning and sensation than any other time you’ve listened to them. Midway through her performance of I’ll Take You There, she stopped and let us know that she was aware of that – “My family, the Staples Singers, has been taking y’all there for 74 years and I ain’t tired yet.” Then she asked us to take her there – the crowd obliged by singing the chorus, but the feeling lingered that there was more to be done.

This is by no means the most thorough account of Merlefest – Amythyst Kiah, Leann Rimes, Jim Lauderdale, the Sam Bush Band and so many more acts made the festival what it is. DJ Lizzo and Big Hoss would like to emphasize their gratitude to the Merlefest community for their acceptance and sharing of their culture.