"Strange Encounters" Cover art by Bendigo Fletcher
Bendigo Fletcher is a lovely Americana, indie folk band out of Louisville, Kentucky.
They have an upcoming EP, “Wing Dig” coming out Oct. 21. In anticipation to this release they have release two singles, “Pterodactyl” and “Strange Encounters”.
What I find to be so enchanting about this band is that they have glimpses of so many sounds within them.
They are still such a fresh band, their musical identity has yet to form fully. It is prominent in their latest album, “Fits of Laughter” that this band has so much versatilely. Upon listening to the first beats of the songs on this album it is difficult to believe they all emerge from the same artist.
This unpredictability and mystery to Bendigo Fletcher’s sound is what is so intriguing to me. They have the ability to expand far beyond the box of the modern indie folk sound.
I lot of this flexibility stems directly from the lead singer and songwriter, Ryan Anderson. His fantastical lyrics and rustically delicate voice are difficult to compare. Their track “Evergreen” is an excellent example of his uniqueness. Out of nowhere he pulls out a vocal technique reminiscent of classic rock bands such as the iconic Led Zeppelin. This stripped vocals this this chorus fits perfectly with his lyrics:
“For between death and the baby’s breath / We are all perennial majesty in the daily shine”
All to say I was excited to see what Bendigo Fletcher would be bringing in their newest releases.
The New Singles
I think a lot can be communicated in the first few beats of a song. The first couple measures dictate so much of what the song will set out to achieve.
Having a successful first few measures is like having a solid foundation to a building. Without a good foundation, why continue building? In other words, why continue listening to the rest of the song is the first five seconds are uninspiring?
I don’t believe these two tracks have successful beginnings. They sounded like any other indie folk band and any other indie folk song. This this very disappointing knowing the musical potential of Bendigo Fletcher.
However, “Strange Encounters” really built up my anticipation. The second half of the track is very intriguing– featuring clashing harmonies and great vocal work. This track, although not one of my favorites by them, certainly sets a good tone for the album to come.
“Pterodactyl” was less successful in my option, it holds a really low energy throughout it’s entirety and gives no musical hints to the album to come. It is a pleasant track, ideal for the fall season, just not my hope for Bendigo Fletcher.
Conclusion
I will be anxiously awaiting Oct. 21 to see what sounds they will bring to “Wing Dig”.
Regardless if they bring classic folk or classic rock into this release, it will undoubtedly be a great album for the fall and winter season.
I hope you all are having a great start to the chilly season, I hope to share more excellent fall music will you all shortly. Stay tuned.
Of course, your friends at WKNC will be celebrating. In a very similar fashion to last year’s WCRD, starting at midnight and going until midnight, there will be 24 straight hours of DJ sets on HD-1 and select sets on HD-2. All killer, no filler. There will also be a 24-hour live stream featuring various activities for the entire event.
The full schedule for the live stream, HD-1 and HD-2 can be found below.
The schedule for HD-1 is largely unchanged. You can expect Afterhours/Underground from 12 a.m. – 6 a.m., Daytime Rock from 6 a.m. – 6 p.m., and Chainsaw from 6 p.m. – 12 a.m. Some Specialty sets will be thrown into the mix as well.
DJs on HD-2 will have full reign to play whatever music they would like. Tune in at various times throughout the day for some fun sets.
WKNC will also be hosting a live stream to celebrate the festivities on the WKNC YouTube page. The live stream is going to be full of DJ-hosted events throughout the day. Button making, lego building, video games, board games, power points and a WKNC lore iceberg are a few of the things that can be expected throughout the stream.
The live stream of the HD-1 Studio will have to be muted per YouTube’s copyright policy. However, all DJ sets are available on the WKNC web stream. You can also find all the music DJs are playing on our spinitron page.
The tentative schedule of activities is listed below. This schedule is subject to change at the discretion of the DJs. The best way to keep up to date with the schedule is to check this blog post, which will be actively updated.
HD-1 Schedule
TIME
DJ
THEME
12 a.m. – 1 a.m.
carbon copy
PASSING BY AFTERHOURS EDITION SPECIAL EDITION #WCRD #AFTERHOURS Ummmmmm
1 a.m. – 2 a.m.
T-Time
The World Has Turned and Left Me Here / I’m gonna play doom metal
2 a.m. – 3 a.m.
plover
araki WCRDhouse / songs from movie soundtracks and scores that feel at home in the araki warehouse
3 a.m. – 4 a.m.
johnny ghost
The Outfit / Old school (mostly ’90s) techno & big beat
4 a.m. – 5 a.m.
DJ babycakes, DJ habanero & maddog
the sweet n spicy x doghouse afterhours crossover with some funkadelic house vibes
5 a.m. – 6 a.m.
chef
Fresh Beets and Spinnin’ Platters / I have a set of turntablists and beat-scientists like Kid Koala, DJ Qbert and DJ Shadow, which feels like it fits underground genre the best.
6 a.m. – 7 a.m.
Flowers McPowers
The Flowers McPowers Hour
7 a.m. – 8 a.m.
President Shrimpo
Fireside Chats / A Shrimpo sampler player, a real mix of all the stuff that gets played on fireside chats, with garage rock, post punk, and lighter indie rock!
8 a.m. – 9 a.m.
KONDE
UNCANNY VALLEY/ Video Game Music and/or Possibly Remixes of Video Game Music
9 a.m. – 10 a.m.
Hüttemeister & Michelangelo
Saloon Tunes
10 a.m. – 11 a.m.
Chell
The Testing Chamber / That new Wednesday song is awesome let’s listen to a bunch of songs like that
11 a.m. – 12 p.m.
banshee
Blanchin’ With Banshee / 00s chicano rap
12 p.m – 1 p.m.
toad maiden
SLIME CITY!
1 p.m. – 2 p.m.
maddog & leksipro
Leksipro and Maddog afterhours pilled. be there or be square
2 p.m. – 3 p.m.
DJ Zoink
More Songs About Buildings And Food
3 p.m. – 4 p.m.
last name utt
some songs are better than others / “grandpa mike’s record bin” – midcentury jazz classics from grandpa mike utt’s record collection (edited)
4 p.m. – 5 p.m.
space cadet & Hermajesty
Fire Dance With Me / Music from David Lynch Projects
5 p.m. – 6 p.m.
Zen
Passively Dynamic
6 p.m. – 7 p.m.
DMC WOODSTOCK & FULLMETAL RACKET
DIGITVL HVRDCORE / Digital Hardcore- the marriage of hardcore punk and hardcore electronic.
7 p.m. – 8p.m.
DJ SHEETZ
BEETZ WITH SHEETZ WCRD EDITION / epic bops and bangers from the one and only DJ SHEETZ including underrated gems from artists you know and love
8 p.m. – 9 p.m.
Uncle Paul
Penitentiary Rock
9 p.m. – 10 p.m.
Jedward
The Yearning & The Burning / The set will begin with some beautiful twee and slowcore music, then conclude with amped-up skramz and assorted emo. yearn then burn! it’s healthy!
10 p.m. – 11 p.m.
Wild Waste
Return to WKNC / It’s my first set back on the air in awhile! Tune in to hear a top selection of my favorite metal artists!
11 p.m. – 12 a.m.
Young Iowa
Headbang to the best metal and hardcore the Old North State has to offer
HD-2 Schedule
TIME
DJ
THEME
12 a.m. – 1 a.m.
JustinTime
The Impeccable Sounds of Brazil / Popular music in Brazil during the 60/70s. Antonio Carlos Jobim, Marcos Valle, Joao Gilberto, Astrud Gilberto, Luiz Bonfa
1 a.m. – 2 a.m.
Aloe
Sample Platter / a song followed by a rap song that sampled that song
2 a.m. – 3 a.m.
chalcopyrite
digital vibes / glitch pop. there’s some vocaloid in this?
3 a.m. – 4 a.m.
tetrapod
(╯°□°)╯︵ ┻━┻ / hyperpop and screaming
4 a.m. – 5 a.m.
Velvet Worm
The Bug Collection (Soul Edition) / soulful bug music
5 a.m. – 6 a.m.
plover
Araki WCRDhouse / only the hardest of noise
6 a.m. – 7 a.m.
Velvet Worm
The Bug Collection (Breakcore Edition) / breakcore bug music
7 a.m. – 8 a.m.
hypy
Speeed it UPPPPPPPPPPPPPPPPP / 160+ BPM.
8 a.m. – 9 a.m.
Rodeo Romeo
Beta Decay / Chem Lab after hours
9 a.m. – 10 a.m.
Velvet Worm
The Bug Collection (Ambient Edition) / ambient bug music
10 a.m. – 11 a.m.
guppy
The Creek / Murder Ballads, so anything from old folk to some rock, punk, or alternative
11 a.m. – 12 p.m.
Velvet Worm
The Bug Collection (Percussion Edition) / buggy beats and drums
12 p.m. – 1 p.m.
denim poetry
A wide variety of Daytime music, ranging from early aught’s twee to 90’s grunge to 70’s prog.
1 p.m. – 2 p.m.
DJ Pon-3
Americana, Blues & Co(llege Radio Day) / Kick back with some sweet Americana jams.
2 p.m. – 3 p.m.
Malocchio
The Superego / bossa nova and other music defined by latin america
3 p.m. – 5 p.m.
The Loaf
Loafin’ Around (two hours)
5 p.m. – 6 p.m.
DJ Cranberry
Around the World (College Radio Day) / get your passports ready
6 p.m. – 7 p.m.
Erik++
Regular Point / Krautrock covers
7 p.m. – 8p.m.
Erik++
Regular Point / Variety set
8 p.m. – 9 p.m.
Erik++
Regular Point / reggae/dub set
9 p.m. – 10 p.m.
DJ Independent Fact Checker
Blue Check Power Hour / Malevolent music; Evil tunes; Suspicious songs; Dastardly dancing; maybe some rap live mixed in too if I can finesse it
Lunar / indie stuff that I was listening to during a lunar eclipse
Livestream/Production Schedule
TIME
HOST + EVENT
DESCRIPTION
12 a.m. – 1 a.m.
cowball, WKNC Iceberg
Creating one of those iceberg memes with various WKNC lore from over the years.
1 a.m. – 2 a.m.
cowball, Speed Build WKNC Studios in Minecraft
We’re gonna try to recreate the WKNC studios in Minecraft in a one hour time period.
2 a.m. – 3 a.m.
Zen, Zach’s Knick Knacks
Building a Lego set and doing bed time stories with the WKNC Training & Operations Manual!!!
3 a.m. – 4 a.m.
banshee, WKNC MSPAINT HOUR
MS Paint art in the style of Ringo Starr: Radio Edition 📻
4 a.m. – 5 a.m.
Zen, DJ Interviews
Interviewing DJs LIVE!!!!!!!
5 a.m. – 6 a.m.
6 a.m. – 7 a.m.
cowball, College Radio Zoom Call
Join WKNC as we do a live Zoom call with some other radio stations celebrating World College Radio Day.
7 a.m. – 8 a.m.
8 a.m. – 9 a.m.
cowball, Live Worm Making
WKNC’s General Manager creates one of her very own handmade worms LIVE to live in the studio!
9 a.m. – 10 a.m.
beepo, Live Promo Recording
We make DJ promos live bc ur right there!!!!!!
10 a.m. – 11 a.m.
maddog, amogus and emojis
First half we can be sussy little baka’s. Second half we can get #real about emojis😎
11 a.m. – 12 p.m.
SHEETZ, tier list hour
come in and make tier lists with DJ SHEETZ!!!!!!
12 p.m. – 1 p.m
cowball, Geoguessr: Radio Edition
DJs will play a custom Geoguessr quiz made by the General Manager that features various radio stations around the world.
1 p.m. – 2 p.m.
Banshee, button making 👉👈
we makin’ cool ass buttons!!!!!!
2 p.m. – 3 p.m.
President Shrimpo’s Presidential Hour
Live podcast discussing and ranking US presidents and failed candidates. It’s as shrimple as that!
3 p.m. – 4 p.m.
DJ PON-3, All The Colors
We just got a new shipment of our colored logo tees and we gotta sort them. Very fun.
4 p.m. – 5 p.m.
Malocchio
tba
5 p.m. – 6 p.m.
Chalcopyrite, aggie.io
wknc draws stuff, the whiteboard is now digital
6 p.m. – 7 p.m.
denim poetry, Animus Worm
worms, annelids, creatures with multiple sections that consume dirt and excrete dirt…. the video game based on these creatures except they have GUNS and GRENADES
7 p.m. – 8p.m.
Chalcopyrite, yume nikki stream
spooky scary little rpg!!!
8 p.m. – 9 p.m.
beepo, KONDE & Jedward, HDR & smash talk
really cool smash ultimate mod and tournament stories!!!!!!
9 p.m. – 10 p.m.
plover, Powerpoint Night
we share powerpoints!!!!!
10 p.m. – 11 p.m.
cowball, WKNC DJ Application Quiz
A game where DJs have to guess which DJ said what on their WKNC applications.
11 p.m. – 12 a.m.
cowball, Three Bears in a Coat
First, cowball makes a Family Tree for WKNC. Then, Three Bears in a Coat has an ending ceremony to wrap up the event!
One of the most popular perceptions of “pop music” is that of a shallow, clichéd genre with little artistic value. That doesn’t mean that artists aren’t trying to buck this perspective by using the upbeat, repetitive sounds and lyrics that define the genre to discuss social and cultural issues.
“Topical Dancer” is the satirical, irony-laced debut album released in March 2022 under DEEWEE and Because Music by Charlotte Adigéry and Bolis Pupul. This duo from Ghent, Belgium utilize an upbeat electropop sound that contrasts heavily with their socially-conscious lyrics about racism and sexism (among other issues).
Still, that dichotomy helps to bring humor into the album without sacrificing nuance in their lyrics or musical quality. “We see pop music as a vehicle to say something,” Bolis said in an interview with The Guardian’s Kadish Morris.
“Do you speak Esperanto?”
We’ll start with Charlotte’s address to the audience that opens the album: why do you think you’re so much better than everyone else? The first track after the intro, “Esperanto”, lets Charlotte vent her frustrations with many people who claim to be “woke”. In the track’s first half, Charlotte asks listeners to consider whether they simply pretend to empathize with the plights of marginalized communities.
“Are you as open-minded behind closed doors?
Would you join forces in this holy war?
Are you as offended when nobody’s watching?”
Lyrics from “Esperanto” by Charlotte Adigéry and Bolis Pupul
As backhanded insults toward the people she’s questioned throughout the first half of the song, Charlotte pivots into relaying many of the substitutions in language these people make when talking about people often subject to discrimination (Black people, Latinos, Asians and women, specifically).
“And then, it hit me”
This may just be my most played song off “Topical Dancer”, and it’s the one that drills into you most with its blunt messaging about love in western society. The song in question is “It Hit Me”, the fifth track on the album and the first vocal appearance of Bolis Pupul.
From the first 20 seconds of the song, the duo greets listeners with haunting, eerie synths that unnerved me at first but set up an uncomfortable tone that beautifully supplements the three stories in the track. And then, we hear a whistle as Charlotte starts her first story. At just 13 years old, a couple of men catcalled her on her way to field hockey practice, which she explains in full detail to listeners. Eventually, she realizes just how she’s been sexualized not just by these men but by a society that encourages shallow sexual appeal.
Bolis then delves into his own experiences of dealing with insecurities about his appearance, which he struggles to see how any woman could find attractive. He realizes at the end of his story how toxic it is for him to worry so much about every aspect of how he looks, but again society promotes this obsession with physical appearance.
Finally, Charlotte recalls a date with a boy named Stefaan where she follows flirting advice from a teen magazine. The date goes south, Stefaan leaves her, and it hits her how weird the flirting advice in a teen magazine is. Why is love something marketed to people as inherently sexual, looks-based, and (especially) targeted towards minors?
“This is not a cliché”
“Ceci n’est pas un cliché” is the most popular song off “Topical Dancer”, and it serves as a good summary of the goal for the album as a whole. Charlotte spends the entirety of this song rattling off clichés in pop songwriting: she’s “down on my knees begging you please” and spelling out words like love, which was especially popular in the mid-to-late-2000s.
However, the real punch of this track lies in the chorus: “I wanna make you feel real nice / I bet this song sounds real familiar.” While Charlotte’s trying to live out the ideal love life as described by pop songs throughout the last 50 years, her partner is “cold as ice” and uncaring.
This is exactly the type of situation Charlotte and Bolis hope to change with their own pop music; they’re trying to dispel many of the clichés so ingrained into pop and instead turn the genre into something filled with a nuanced discussion of social issues.
Music video for “Ceci n’est pas un cliché” from YouTube posted by Charlotte Adigéry and Bolis Pupul. Directed by Bob Jeusette and produced by Jarri Van der Haegen.
Now Go Dance
One of the great things about “Topical Dancer” is that, while it might be unconventional compared to other pop and dance music, it is still incredibly accessible to anyone with a passing interest in music. Two of the songs are in languages other than English, and one–“HAHA”–is composed mostly of the distorted laughs of Charlotte. However, the lyrics in every other song are straightforward and impactful.
Even if you don’t care for the lyrical content of “Topical Dancer”, Charlotte and Bolis succeeded in creating a dance-able album that can be enjoyed by just about anyone.
Overall, I would give the album a 9/10, since there are a couple of tracks that don’t add much to the album, but they aren’t bad by any means.
The prolific jazz musician Ramsey Lewis passed away earlier this September at the age of 87. Lewis was a Grammy award winning artist and is best known for albums like “Sun Goddess” and “The In Crowd.”
Lewis is also responsible for a wonderful cover album of The Beatles’ music, called “Mother Nature’s Son.” “Rocky Raccoon,” off of The Beatles’ self-titled album (better known as “The White Album”) is my favorite song by the band. Lewis’ cover of “Rocky Raccoon” breathes a wonderful and vibrant life into the song, making it one of my favorite songs of all time.
The country song makes a wonderful canvas for a jazz cover. The cover starts off rather percussive and before you know it, a whole band of instruments have bled their way into the scene. The cover builds until it’s a pleasant storm of noise, with the melody on the keys serving as the rain and everything else draped behind it as the clouds.
Only 2 minutes and 38 seconds long, the cover is around a minute shorter than the original, and packs the same spirit into the same amount of time.
One of the best things about listening to an artist is seeing how their sound develops over time. Hearing an artist’s sound evolve from album to album is truly a special thing. Sometimes, however, an evolution can sound more like a fall back than a step forward.
Chicago duo Whitney is famous for their wistful falsetto vocals and warm instrumentals. They make indie that incorporates folk and country, topped off with soul.
I was excited to see that they started releasing singles in June for an upcoming project. “REAL LOVE” was the first in a string of five singles that would release before the record.
Sadly, most of the songs released before the album left me desiring something more. Something I was hoping I would be able to hear at the album’s release.
“SPARK”
The first thing I noticed about each song on “SPARK” was the incredible production. The synths, strings and horns, which Whitney has utilized before, are on full display for these songs. At its peak, the production of each song truly melts in your ears.
However, I cannot help but feel like these peaks are few and far between on Whitney’s new record. It seems the sacrifice for the clear, crisp production of this album was a lack of variety and songs that die out before the halfway point.
A big problem I have noticed with many of the songs on this record is they are very front-heavy. Songs like “SELF” or even “REAL LOVE” (which I still admittedly like a lot) start with a strong premise but instead of building on that premise, they plateau.
Music video for “REAL LOVE” by Whitney
This isn’t to say the new Whitney album is all bad. “BLUE” is quickly becoming one of my favorite songs by the band. On the slower, more melancholic songs, like “COUNTY LINES” the high-quality production is at the forefront and sounds great.
There’s something about this album that makes me want to like it more than I do. Maybe it’s just the fact that I’m such a fan of their first few albums. It could also be that when this album is at its peak, it sounds excellent. Unfortunately, it just doesn’t hit that peak enough.
Conclusion
In “SPARK”, instead of evolving into a new and original sound, Whitney falls into a sound that highlights many of the band’s shortcomings. While there are highlights, if Whitney continues to make music in this vein, I hope they increase the variety within and songwriting of their tracks.
I fully believe Whitney is capable of doing this. I think that if they can get a better grasp on this new sound, they could release their best album yet.
This weekend I went to The Grey Eagle in Asheville, NC to go see Florida indie band flipturn in concert. To state it simply, this was one of the coolest concerts I have ever been to.
This show was the second stop on flipturn’s tour after the release of their debut album, “Shadowglow”. Opening for flipturn was Nordista Freeze, a band I had never heard of until they came on stage that evening.
Overview
Both flipturn and Nordista Freeze did not disappoint. Nordista Freeze was a great opener, they did a great job hyping up the crowd before the main event. flipturn did an excellent job, their performance gave me a new appreciation for every song they played.
It was my first time at the Grey Eagle. I think the venue an artist plays at can add or detract a lot from the show. While both bands utilized the small venue very well, a slightly bigger venue would have been better.
I think the organization of the entrance to the Grey Eagle was quite poor for a show this large. The entrance to the stage, ticket check, and merch were all in one narrow hallway which made it quite a cramped waiting experience before they opened the doors to the stage.
I was pretty close to the front of the venue for the show. This enhanced my experience of the show greatly because I could see everything that was happening on stage easily and everything was perfectly loud.
After getting in right after the doors opened, I was happy to see Nordista Freeze come out right on time. As I have gone to more concerts, I have come to appreciate this more and more.
Nordista Freeze
Nashville indie band Nordista Freeze was quite frankly wild to watch live; I don’t think I have ever seen an opener bring so much energy so instantly to a crowd.
Nordista Freeze live at the Grey Eagle
Every member of this band has such off-the-walls energy and watching them riff off of each other. They played with energy like it was their first show ever but with the confidence of having played a million shows before.
The band is comprised of a drummer, bassist, lead singer/tambouriner, rhythm guitarist and lead guitarist. The lead singer also brought his girlfriend out at the end of the set to sing with him.
Nordista Freeze members were not scared to use the smallness of The Grey Eagle to their advantage. Many members jumped down into the crowds throughout the show. The lead guitarist played one of the most technical solos I’ve ever heard while in a pit.
Lead singer of Nordista Freeze swinging from the trusses
The lead singer/tambouriner brought a crazy amount of hype to the show. He ran through the crowd over five times and hopped up into the trusses of the venue and started swinging around, twice. He was extremely in-tune with the band as well, emphasizing every important note and beat drop with his tambourines.
Seeing Nordista Freeze open instantly made me a fan. My favorite’s they played live were “Wysteria” and “All I Wanna Do”.
flipturn
flipturn had a comparitively chill energy compared to Nordista Freeze, sadly we did not get to see lead singer Dillon Basse get up and swing in the trusses, but that is not to say they did not bring energy to the show.
I first got into them in 2020 from their hit, “August” and I had only listened to them semi-regularly until the release of their debut album, “Shadowglow”. This album is in my opinion their best work and I was excited to hear so many songs from it live.
Picture of setlist from the show
They played mostly new material, even some songs they had never played live before, which I was extremely happy to hear. The crowd was too, as everyone in the venue was singing right along to every song.
They started the show with the first track off of “Shadowglow”, “The Fall”. They then went directly into “Sad Disco”, which I enjoyed a lot more live compared to the recording. A highlight of the setlist was hearing them play the transition from “Burn” to “Weepy Woman” live, which is my favorite part from their new album.
Picture of drummer of flipturn playing from the crowd
Seeing flipturn live gave me a new appreciation for their instrumentals. The drummer of flipturn was absolutely ripping it up. In a short intermission, he took a tom and crash symbol off of his kit and had two audience members hold them and he played a short rhythm.
The lead singer and bassist both seemed so genuinely happy to be there. Both of them were smiling throughout the entire show. The keyboardist and lead guitarist were both in their elements as well. It was fun to see the keyboardist move from keyboard to keyboard between songs.
Picture of drummer, bassist, and lead singer of flipturn playing together
The set design and lighting weren’t outstanding, but I think they did the most they could with what they had. I was confused by the choice to put the drummer on the right-side of the stage instead of the center. However, besides that one small gripe, I think they made the best out of the small stage they were playing on.
Encore
After a quick walk-off stage, they came back on and played their most popular song, “August”. They followed this by a song I had never heard before “Nickel”. I like hearing how bands try to make the most out of their hit songs and flipturn did not disappoint with “August”. Even though I had never heard “Nickel” before this show, I thought it was the perfect song to end on.
Overall, flipturn was awesome to see live. This concert provided everything I wanted and more. It was the type of show that made my ears ring for hours afterwards and I was not upset about it at all.
The crowd was one of the most energetic I have ever been in,. Everyone seemed super excited to be there and was singing along to every song.
I am definitely going to try to see flipturn again the next time they make their way to North Carolina. If only to hear the transition from “Burn” to “Weepy Woman” one more time. Seeing them live has me listening to their new album and looking forward to their next one even more than I was before.
You can buy tickets to go see flipturn live here, I would definitely recommend seeing them if they are coming anywhere near you. You can also check out an album review of “Shadowglow” by Michelangelo here.
