Categories
Music News and Interviews

New, Unwavering Built to Spill Singles

Built to Spill has been in the forefront of the indie music scene for a little under 30 years now. They were one of the first bands that I latched onto when I started to listen to more alternative music, and being able to start with them has let me appreciate Martsch’s musical writing talents to the fullest. I love Built to Spill and Doug Martsch, but these latest singles for their new album are underwhelming. 

Built to Spill is on tour in the United States right now (I went to their concert at Cat’s Cradle a few months ago), and they are using it as a preview to their new album coming out this Fall. Martsch is working with Melanie Radford (bassist from Boise, Idaho) and Teresa Esquerra (drummer of Prism Bitch) for this new project.

The Tracks:

The most recent song, “Fool’s Gold”, is alright. None of these songs are bad or not exciting to listen to, but they all leave me wanting a bit more. In “Fool’s Gold” specifically, I wish the opening wasn’t so long and the instruments were a bit more distinct from the classic Built to Spill sounds. 

I found “Understood” to be the strongest track that has been released so far. The guitar riffs and drum beats are solid and definitely starts with a more distinct sound than the other two tracks. I enjoyed the lyrics in this song the most because they explore the unknowability of understanding a concept or person.

In “Gonna Lose”, I found too many similarities to the Built to Spill classic track “Goin’ Against Your Mind”. “Gonna Lose” is a whole 6 minutes shorter, which makes me want a bit more from it so it can be different enough to make a solid impact on my ears. 

Concluding Thoughts:

These songs are still fun to listen to. I like hearing them every now and again, but my issue with them is they don’t try to do anything new with Built to Spill’s sounds. It’s extremely difficult for artists to constantly reinvent their art, but these past couple of albums for Built to Spill haven’t really led to anything new and exciting. 

I will keep listening to the older wonders of Built to Spill and keep, and an ear to the ground for anything they make, but I truly hope Doug Martsch and company can explore the possibility of their musical talents with more gusto in the future.

Categories
Classic Album Review

“Donuts” by J Dilla Album Review

J Dilla’s “Donuts” is in my opinion the greatest album of all time and I would like to tell you why. Before we get into the album itself we must first get into the man who made it.

J Dilla was born and raised in Detroit, Michigan and early on started making hip-hop beats. He would start a group called Slum Village and would eventually get their demo tape to Q-Tip which led to him getting discovered. Q-Tip found Dilla in 1995 which was a year Tip was busy producing for Mobb Deep so when people would ask Q-Tip for beats he would recommend them instead use Dilla. This led to Dilla working with a ton of artists such as The Pharcyde, Busta Rhymes, De La Soul, and even A Tribe Called Quest.

After this Dilla became a pioneer in hip-hop and a sought after producer. People were really drawn to his unique drumming style where he wasn’t drumming in straight or swing time but instead on his own time called “Dilla Time”. He had some success but really stayed a bit out of the main stream most of his career and would develop a cult following.

Everything was going well for Dilla until around 2003 he was diagnosed with a rare blood disease and also lupus. In 2004 he started his stay at Cedar-Sinai hospital in LA and instead of resting and retiring he would start to create his magnum opus.

Most of “Donuts” was created in the hospital with Dilla sampling from records people would bring him or stuff he would pick up when he would occasionally leave. The album was completed and then released on February 7, 2005 and Dilla would sadly pass away three days after the release.

Now without the information of Dilla’s passing the album is still great but much of the content on the album would be missed. Dilla was suffering greatly making this album and he knew he would eventually pass. So the way he chose to handle it and come to terms with his eventual death was to do what he did best and make amazing beats from old records.

But once you start to put the context of Dilla’s situation with the album the hints start to show themselves like the scratching of Jadakiss to ask “Is Death Real?” on “Stop”. The song “Don’t Cry” is as blatant of a message you can get. The song “Workinonit” seems to be a message about an artist life of creating. But the most chilling on the album is on “Welcome to The Show” the outro track the message isn’t obvious until you look at the sample which is “When I Die” by Motherlode. The sample says “When I die, I hope I’ll be the kind of man you thought I’d be” which is crazy to think of him listening to that during his time in the hospital.

“Donuts” is also unique because many of the moments are up for interpretation and have no answer since Dilla never had a chance to explain his choices. One example is the album starts with the outro and ends with ” Welcome to The Show”. The song that repeats “Only One Can Win” is titled “Two Can Win”. The tracklist is 31 tracks which is the age Dilla was when he made it. The messages in the album aren’t obvious or even totally proven so finding them you never knew what he truly meant or if he truly meant it.

This album the more you listen to it becomes obvious what its goal was. The goal was to leave a message to his fans and his family that can never go away. Dilla was in the hospital and felt that his best way to communicate was to chop up old samples in a way that would create a message about his impending death that his friends and family could listen to after his passing and think about him. If that is not the craziest thing you’ve ever heard I don’t know what is.

I hear people say all the time that no one would like the album as much if Dilla hadn’t of passed and that it is the only reason people like it. But they are entirely missing the point because without the situation Dilla was in the album would not exist and is almost entirely built around the concept of his passing so not taking in that context leaves out the subject matter that is in the album.

I recommend everyone listen to this album and hopefully hear what I hear in it. It is an album that could put on for so many situations like just hanging out or studying but everytime you listen you hear something new. I hope this album is spread for generations to come and Dilla’s legacy be continued forever.

10/10

Categories
New Album Review

“My Second Debut Album” – Abbie from Mars

ALBUM: “My Second Debut Album” by Abbie from Mars

RELEASE YEAR: 2022

LABEL: None

RATING: From Another Planet / 10

BEST TRACKS: “Following Your Lead”, “Fog It Up”, “Participation”

FCC: Some tracks have explicit content

Abbie from Mars is a techno alien from the future who has graced us with beautiful new ways to experience sounds and music (she’s also a self proclaimed “ursonist”, which is a combination of arsonist and ursonate). Hyperpop artists like SOPHIE and Bjork cleared the landing pad to help welcome Abbie to Earth, and thankfully she’s stuck around this planet long enough to let us experience her perspective through her art. 

Abbie from Mars (AfM) currently resides in New York City working at a local radio station, playing gigs throughout the city, and supporting a nonprofit that helps local kids get access to music education. Her radio show is from 3 a.m. until 6 a.m., and it sounds like an intergalactic experience. 

My Second Debut Album” is exactly that. AfM’s sophomore album is a wacky ride through space and time. The album is like an electric current that courses through your body, electrifying you and opening your eyes to how different the world can be perceived through sound waves. 

Out of This World Tracks:

I feel my muscles spasm every time “Following Your Lead” starts off, and then it lets me flow through the rest of the album without a hitch. The jolt from this opening track allows me to prepare for the rest of the album, which I truly appreciate. I think AfM’s electro beats and sounds on this track are a fun intro to the rest of the album and it has the most “singability” factored into it too. 

Fog It Up” has the synth waves and radioactive dance beats that one might expect from an otherworldly being. I really enjoy the way AfM blends her vocals with the instruments in this track. The hazier vocals leave me in a state of confusion as the whole world disappears from view until I wipe the condensation from my glasses. 

In “Participation”, I found that AfM created a similar chill sound like “Fog It Up”, but more ethereal like a Grimes track or a Bjork instrumental bit. Again, it is the blending of multiple vocals, instruments and mutilated sounds that bring me to appreciate this track more than the rest. 

Unrealized Potential:

The insanity that is “I Think I Broke My Finger” kind of leaves you reeling from shock. It is hard to listen to as Abbie screams and hurls odd sounds into your eardrums, but it’s the explosive nature of the sounds that makes it tolerable. AfM has a neat talent to create rhythms with funky sounds, which is what a lot of hyperpop artists have in common. 

My only issue with “What Good Is a Weekend” is that it isn’t long enough. I want so much more of this song so I can enjoy more than the minute long bliss that bumps out of the speakers in this track.

Conclusions:

In short, Abbie from Mars is still brand new on the music scene and the planet. She has potential to grow and the freedom to move around and make some experimentally influential music that can affect new artists. I cannot wait to see how she continues her career and time on Earth.

Categories
Music News and Interviews

Emei “Late to the Party” Song Revi

Lately, I have been starting to compare myself to my peers once again. It was easier during the pandemic since we were all stuck in our houses suffering together. However, this summer almost everyone I know has an internship at some well-known company or has a decent idea of what they want to do with their careers. 

I somehow have always sucked at finding internships or jobs. Of course, it’s not good to compare yourself to others cause we are all on different journeys in our lives. Sometimes it’s just inevitable.

In the song “Late to the Party”, artist Emei feels just that. Imposter syndrome. 

What if I’m doing something wrong. Why is everyone more successful than me. These are thoughts I constantly have that Emei captures so perfectly in alternative pop music. 

The way I encountered this song was through a video of Emei performing this song in the basement of a college dorm building with a band. It’s something about watching music being performed in its raw form that hits so hard. 

My passion for being a scientist is totally different from Emei’s wanting to be a highly regarded musician but the feelings are no different.

The song starts off with the lyrics “Twenty-one without a grammy or degree |  Too bad that’s sad, maybe at twenty-three |  Don’t wanna care how people look at me |  But I still feel late to the party.” 

The sentiments of this song can be applied to most college students and honestly anyone regardless of their age.  No matter what we want to pursue in life, it always feels like even if you don’t care what people think of you, you somehow can’t stop judging yourself. I definitely have moments where I feel late to the party.

A thought I have always had was, that if only I taught myself the guitar at a young age I would have easily been living a lavish life at the age of 20 being able to perform all over the world. This song unfortunately has opened my eyes to the reality that any passion or career you want to pursue takes hard work and sometimes sheer luck.

A verse that stands out to me for that reason is “Sitting on the couch with my friends right now |  Overheard a conversation about how |  Someone from high school just got engaged | While I’m out here making minimum wage | But really I just wanna be on the stage |  Why do I care about people my age?”

Hearing this song feels like Emei took thoughts from my mind. I love this song because it helps me appreciate that everyone our age has experiences like these.

People are always going to be in different stages of their lives, whether they are married or still in school or touring the country.

It’s a song I feel can resonate with a lot of people.

The track itself is alternative pop. The darker pop melody accompanied by Emei’s dynamic and unique vocals makes the song sultry and catchy. With a touch of angst, the whole song comes together so well.

The ending of the song sticks with me even after a couple of listens. The lines “What’s the rush | What’s the rush for?” Repeat over and over. The repetition of the song accompanied by bass keeps things refreshing and leaves you wanting to listen one more time.

If you’re looking for a relatable song and are feeling late to the party just like I am, this song will help you stop feeling alone in your worries.

Late to the party or not, keeping that same passion and determination to achieve your dreams is the way to go.

Check out the music video for “Late to the Party” on YouTube.

Categories
Playlists

amongstEverything: A Playlist

The music I find most fulfilling is music that grounds and centers me. More often than not music that performs this role, for me at least, is music that centers around some part of the human condition.

amongstEverything is a playlist I curated around this concept. Some of the songs’ sound leans into a synthy and otherworldly feeling, while others’ lyrics tap into the core of what it is to be a human.

Ideally, this playlist would be listened to outside and would be paired with an ice-cold glass of lemonade, a clear head and an open heart.

amongstEverything can be streamed on Spotify, and without further ado, here are some songs that fulfill me and I hope do the same for you.

  1. “Life” — Jeffrey Lewis
  2. “Walking the Cow” — Daniel Johnston
  3. “Lady Gaga you once said in an interview that you write music for the fashion industry. Is fashion as important to you as music?” — Jan Jelinek
  4. “Thank You!” — Kilo Kish
  5. “Alien Observer” — Grouper
  6. “I Was Born in Arizona” — Dear Nora
  7. “POKKA POKKA” — Fishmans
  8. “白日” — Polaris
  9. “Crab” — Alex G
  10. “Flower” — Mega Bog
  11. “Clay Pigeons” — Michael Cera
  12. “How Sad, How Lovely” — Connie Converse
  13. “Knight Rider” — of Montreal
  14. “I Was Born (A Unicorn)” — The Unicorns
  15. “Spring’s Near” — Parsley Sound

Until next time,

Caitlin

Categories
Music News and Interviews

Sarah Kingsley “The King” Song Review

When I first “The King,” it was like something I had never heard before. 

Sarah Kingsley’s talent as a producer is so powerful. The way she makes an indie bedroom-pop song sound so majestic with her vocals.

The consistent piano and drumming instrumental melodies and harmonies in the background of the song add a component to this song that is reminiscent of an ABBA song.

If you’re a fan of Maggie Rogers or Mitski, then Sarah Kingsley’s style will be a familiar one.

Sarah Kingsley is a strong advocate of women producers being able to share their work and be praised for their talent as much as their male counterparts are. This is where the concept of being “The King” comes from. 

As a student who was studying music theory at Columbia University, Sarah really gave her all with this song. Being able to recreate such cinematic musical swells while still incorporating a touch of classical music to it. 

The song itself is about Sarah’s coming of age and how she feels about adulthood. Her journey of self-discovery as she gets a chance to explore more about herself as a musician.

This is seen throughout the song with lyrics such as “So tell me |  Before we get older let’s do everything |  You’re scared of when it’s over | You’re still young and you’re still free.“ This verse is her talking to her younger self essentially telling herself that before she gets old she wants to do everything that she dreams of. 

During the song, she is talking to her younger self and it’s almost sentimental to see the way the recalls her memories “I built a castlе far away in the sand |  We were higher than we knew with nothing to lose |  Until it washed away in our hands |  And you said you could never love again | Well it must’ve been fate then | ’Cause I know exactly how it ends” 

Having that childhood innocence before realizing how difficult achieving your dreams can be, especially if you are a soft-spoken introvert that might not be confident in your skills. It’s the way she describes this through her lyrics that I find to be so impactful. 

In the song she says “I want to be the King of your heart” and a quick listen might make the audience think she means in a romantic sense, but she actually means to say that she wants to be the King of her own heart and reach the top of the hill through hard work.

Though the lyrics are somewhat serious, this song has such European summer vacation energy. Something you’d listen to while biking in Greece or walking in an Italian village under the sun.

Check out the music video for “The King.”

Categories
Weekly Charts

Underground Charts 6/28

#ArtistRecordLabel
1FLY ANAKINFrankLex
2DIZUltra.VioletSelf-Released
3ILLISMFamily Over EverythingThe CRWN
4MILAN RINGI’m Feeling HopefulAstral People/PIAS
5SAMM HENSHAWUntidy SoulDorm Seven/AWAL
6LAVA LA RUE“For You” [Single]Marathon Artists
7LITTLE SIMZSometimes I Might Be IntrovertAGE 101
8MCKINLEY DIXONFor My Mama And Anyone Who Look Like HerSelf-Released
9SKIIFALLWOIIYOIE TAPES Vol. 1 [EP]Self-Released
10ACTION BRONSONCocodrillo TurboLoma Vista/Concord
Categories
Weekly Charts

Afterhours Charts 6/28

#ArtistRecordLabel
1TDJTDJ123Disques Durs
2RANGE, THEMercuryDomino
3SHYGIRL“Come For Me (Prod By Arca)” [Single]Because
4LIONEL BOYUP AT 4/DOWN AT 8 [EP]Innovative Leisure
5PHFPurest HellDanger Collective
6SIMON ADAMS, MAX MILAN“Mr. Franklin (Miguel Migs Salty Rub)” [Single]Salted
7TIMKOVBIATCH“Alertness” [Single]Self-Released
8COL LAWTONJordi LOVE Groove [EP]Salted
9CLAUDIA BOUVETTEThe Paradise ClubBonsound
10FLUMEPalacesFuture Classic
Categories
Weekly Charts

Top Charts 6/28

#ArtistRecordLabel
1BAKERS EDDYLove Boredom BicyclesIvy League
2BIG ORANGE“Love’s Not Enough” [Single]Self-Released
3FOOTBALL ETCVisions [EP]Self-Released
4GUERILLA TOSSFamously AliveSub Pop
5PAPERCUTSPast Life RegressionSlumberland
6SKY FERREIRA“Don’t Forget” [Single]UMG
7THE CURLSsmothered & coveredTruth Zone
8ASTRAGALPure CashmereThe Nothing Song
9BOBBY BLAZEHighs & LowsElite Empire Worldwide
10BREANNAEpiphanySelf-Released
11CADENCE WEAPONParallel WorldMNRK
12DINO SMOKESThe IgnorantVSR
13ELUJAY“1080p” [Single]OneTime!
14GIRLPOOLForgivenessAnti-
15HAVIAH MIGHTYStock ExchangeSelf-Released
16KIPP STONEFaygo BabySelf-Released
17MILAN RINGI’m Feeling HopefulAstral People/PIAS
18POST ANIMALLove GibberishSelf-Released
19PUPThe Unraveling Of PupTheBandRise/BMG
20REDVEILlearn 2 swimSelf-Released
21SASAMI“Tried To Understand” (feat. J Mascis) [Single]Domino
22SEEYOUSOONVIDÉSelf-Released
23SOCCER MOMMYSometimes, ForeverLoma Vista/Concord
24SOUND OF CERESEmerald SeaJoyful Noise
25SUNFLOWER BEANHeadful Of SugarMom+Pop
26VEROUnsoothing InteriorPNKSLM
27YAYA BEYRemember Your North StarBig Dada
28YELLA BEEZY“I Guess” [Single]Asylum
29ACTION BRONSONCocodrillo TurboLoma Vista/Concord
30AESOP ROCK AND BLOCKHEADGarbologyRhymesayers
Categories
Weekly Charts

Chainsaw Charts 6/28

#ArtistRecordLabel
1CRYPTOPSYDivine CouncilEVP
2BUMMERDead HorseThrill Jockey
3TALLAH“The Impressionist” [Single]Earache
4LORNA SHORE“Sun//Eater” [Single]Century Media
5FROMJOYIt LingersSelf-Released
6LIVING WRECKAGE“Endless War” [Single]M-Theory
7JINJERWallflowersNapalm
8GULCH“2019 Promo” [Single]Creator Destructor
9BLOODY KEEPO Vampire Of The Night [EP]Grime Stone
10LOATHE“Dimorphous Display” [Single]Sharptone

Chainsaw Adds

#ArtistRecordLabel
1FUNERAL CHIC“Roman Candle” [Single]Prosthetic
2CRYPTOPSYDivine CouncilEVP
3THUNIIEat Lead and Die
4IN FLAMES“State Of Slow Decay” [Single]Nuclear Blast