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Miscellaneous Music News and Interviews Playlists

“Gilmore Girls” and Indie Music

For those of you who don’t know, “Gilmore Girls” was a show on The CW that aired from 2000 to 2007. 

The show was about a quirky mom, Lorelai, and her daughter, Rory. It focused on their mom-daughter relationship as well as their relationship with Lorelai’s parents and the people in their small town. 

Granted that their characters were seen as witty, sarcastic, and super knowledgable in terms of pop culture, music, and movies, the references to underground artists often came off as snobbish at the time. I would never understand the music references they made and felt like I was somehow behind.

A lot of moments on the show felt like Rory and Lorelai constantly wanted to seem “not like the other girls”, however, after watching it regularly I grew accustomed to their rapid banter and uniqueness. 

Eventually, their quirkiness turned into their charm.

There are a handful of bands I discovered specifically through that show. Rory and her best friend Lane, a female drummer, both were huge music geeks and after hearing their music references, curiosity got the best of me.

I wanted to see if the bands they referred to were truly worth the snobbery. 

Here is a brief list of the bands and artists that were mentioned in the show: The Bangles, Paul Anka, Sonic Youth, The Shins, Arcade Fire, The Go-Gos, New Order/Joy Division and The Libertines. 

The “Gilmore Girls” show writers were big music connoisseurs as well and wanted the music to be on the forefront to give the show its own vibes and sound.

Since the show’s primary audience was mothers and daughters, the music references in the show made pre-teen and teen girls get into music that Lorelai and Rory found to be cool.

A handful of the musicians they reference throughout the show actually made cameos as well.

The band Lane was a drummer for, Hep Alien, performed a lot of cover songs on the show too. They performed “London Calling” by The Clash, “Fell in Love With a Girl” by White Stripes, and “I’m the Man” by Joe Jackson along with many others.

The show is an acquired taste so I would only recommend watching it if you’re open to an eccentric family-centered show.

It’s a show that was revolutionary for its time making underground pop culture references seem like the ‘it’ thing and music was a huge part of Rory and Lorelai’s characters. 

If it’s not for the characters, there are a lot of great tracks found throughout the show.

Here’s a playlist if you’d rather skip straight to the music!

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Music News and Interviews

Delightful Dessert Tunes for Your Free Time

Light, pop styled tunes create a dessert-like euphoria for my ears, which feed my soul a bit differently than the rage and chaos of punk and metal. I enjoy listening to bright, intoxicating melodies just as much as the metal and hardcore bands I dive into in my previous article. 

Sweet melodies bring new types of joy to my ears that can consist of light, beautiful vocals. The intoxicating factor of dessert flavored tracks is how an artist or band’s instruments emphasize and support their vocals. Heavy drums would lead to a heavy, forced rhythm, light electronic noises might cause a vocalist to create a dreamier tone and sharp guitars could influence the vocals to have a syrupy, smooth effect. 

I Am the World Trade Center

So what are some examples of these sugary rhythms and addicting tracks? 

Well, I have been unable to stop listening to I Am the World Trade Center. They are a duo from the late 1990’s who unfortunately stopped making music due to their name and a split in the partnership. Their three studio albums all have electronic, danceable beats and silky smooth vocals. 

Out of my favorite tracks, I think “You Don’t Even Know Her” and “Pretty Baby” are the most addictive ones. 

The airy vocals and deep, techno instruments in “You Don’t Even Know Her” create a soothing ambiance like a cloud covering the sun. In “Pretty Baby” the instruments are more rhythmic and the vocals more apparent. I equate the emotions that I get from “Pretty Baby” to the way an other-worldly being might get by smelling the emotion of jealousy. 

I don’t really understand my attachment to I Am the World Trade Center. I don’t think their music or beats are extremely unique from a lot of modern electropop, but my brain drives me to listen to their music often. 

Jens Lekman

Lekman is a Swedish pop artist who released two albums this year, “The Linden Trees Are Still in Blossom” and “The Cherry Trees Are Still in Blossom”. I still have only listened to “Linden Trees”, but with how much I enjoyed it I will definitely be getting into “Cherry Trees” soon. 

A storyteller in music is always one of my favorite types of musicians. People that convey morals, humans and emotions through songs and albums are able to draw in listeners because of the story. Lekman is one of these artists. 

In “Shirin” off “The Linden Trees Are Still in Blossom”, Lekman shows off his vocals, storytelling and emotions. The epic combination of drums and string instruments adds an ambiance to the sound waves. Lekman explores love and rejection in a quick four minute track, which is done with grace and loving personal anecdotes. 

Jans Lekman is able to offer a different type of intoxication than that of I Am the World Trade Center. His is more focused in the heart, while the latter focuses on driving you to move your feet in rhythm.

SPELLLING

How do I describe what makes SPELLLING’s (Chrystia Cabal) music so beautiful? Is it the way her voice puts every single one of my brain cells in a perfect bliss? It’s like every single nerve in my body twitching out of excitement and joy. Every moment of her songs pounce on you unexpectedly. They feel golden, epic and full of never ending joy. 

Her newest album “Turning Wheel” is produced masterfully. New artists worked with her to perfect the back up instrumentals, vocals and effects. How could I ever tire of something as elegant as smooth silky vibrations sliding up and down my spine to sedate me into the perfect rest. 

I can’t say I fawn over many artists, but Cabal is different. In “Emperor with an Egg”, Cabal uses unique metaphors to describe the actions of a determined emperor. Epic instrumentals spring forth and add to the absolute treasure hoard of sounds, and that’s only 3 minutes of music. 

I lay awake at night thinking about the hours and hours worth of B-Sides, new projects, off shoots and mistakes that might exist. My greedy fingers need to tear through the sublime worlds brought to life through Cabal’s evocative music

Post-Dessert Coffee Thoughts

SPELLLING, Jens Lenkman and I Am the World Trade Center all make dreamy music that spawned physical requirements for me to continuously listen to them. Syrupy tunes end up making beautiful, epic representations of life worth living. 

In the constant darkness that surrounds many of our daily lives, it’s great to feed that rage and chaos, but getting your daily dose of Vitamin D in the form of intoxicating, electro-pop tunes is extremely healthy.

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Music News and Interviews

Conan Gray “People Watching” Song Review

Conan Gray’s sophomore album “Superache” was recently released and there is a single on there that I haven’t gotten out of my head since 2021 when it was initially released.

“People Watching” is one of his most relatable songs to me personally. Although, most of Conan’s songs hit super close to home for me.

At first, I was skeptical of Conan being such a famous artist who writes so much about love and yet somehow has notably never been in a relationship in his whole life. But watching interview after interview, I realized we both might be similar regardless of his status as a celebrity; we both have high standards and are super picky about almost everything. 

“People Watching” is an indie-pop track about how Conan is a people watcher and he observes all these couples and people wishing he could feel and experience the things they are. 

The swelling of the piano instrumentals and drums builds as the passion in his vocals does and gives such a distinct depth. It stays upbeat while maintaining this light energy to it.

As I discussed in the blog about “Yours”, Conan has strong vocals and isn’t afraid to showcase them in his bridges. The bass kicks in as the piano and drumming get more intense and instead of sounding chaotic the whole piece comes together to get this angst and longing across. 

For the lyrics themselves, Conan never hesitates to write about thoughts we all have.  The lyrics have a way of storytelling, not just to portray emotions but play a scene in our minds as we listen.

The song starts off with the lyrics ‘That wasn’t funny but she laughed so hard, she almost cried |  They’re counting months they’ve been together, almost 49 | He’s making fun of how she acted ’round the holidays | She wears a ring but they tell people that they’re not engaged.” 

It’s a simple people-watching scenario including the small details that those who don’t people-watch might not notice. It’s subtle but it highlights from the get-go that Conan is already micro-analyzing their relationship. 

The chorus hits the hardest and is the part of the song where he is the most vulnerable singing “I wanna feel all that love and emotion |  Be that attached to the person I’m holding |  Someday, I’ll be fallin’ without caution |  But for now, I’m only people watching” 

Personally, this hits the hardest because it’s so easy to watch people in relationships and think they are happy and living their dreams but we’ll never really know what their relationship is like. 

My favorite line in the whole song is “Someday, I’ll be falling’ without caution.” Overthinking often leads to problems and when you’re in a secure relationship, it’s something you don’t need to worry about or be afraid of.  Falling without caution. Being able to fall in love without worrying about yourself too much.

Anyway, before things get too sappy, the concept of People Watching is so interesting to me too.  Being able to observe people’s lives and imagine scenarios about them in mind for fun. It’s an easy distraction from the mundane every day.

Check out the music video:

Music video for “People Watching” by Conan Gray.

If you want to listen to the full “Superache” album check it out on Spotify.

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Weekly Charts

Underground Charts (7/12)

#ArtistRecordLabel
1FLY ANAKINFrankLex
2LAVA LA RUE“For You” [Single]Marathon Artists
3DIZUltra.VioletSelf-Released
4ILLISMFamily Over EverythingThe CRWN
5INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
6JPEGMAFIALP!EQT
7LITTLE SIMZSometimes I Might Be IntrovertAGE 101
8QUELLE CHRISDEATHFAMEMello
9ROBERT GLASPERBlack Radio IIILoma Vista/Concord
10SKIIFALL“Bloodclarrt Business” [Single]XL
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Weekly Charts

Afterhours Charts (7/12)

#ArtistRecordLabel
1I JORDAN“Always Been” b/w “First Time Back” [Single]Ninja Tune
2TDJTDJ123Disques Durs
3RANGE, THEMercuryDomino
4DIVINO NINO“Tu Tonto” [Single]Winspear
5MOGLII X TONG“Space Birds” [Single]Kitsune
6PINK MATTER“Bare It All” [Single]Self-Released
7ZETBEEAll These Things [EP]Salted
8BRAXE AND FALCONStep By Step [EP]Smugglers Way/Domino
9BARRY CAN’T SWIMMore Content [EP]Ninja Tune
10PHFPurest HellDanger Collective

Afterhours Adds

#ArtistRecordLabel
1I JORDAN“Always Been” b/w “First Time Back” [Single]Ninja Tune
2DIVINO NINO“Tu Tonto” [Single]Winspear
3MOGLII X TONG“Space Birds” [Single]Kitsune
4PINK MATTER“Bare It All” [Single]Self-Released
5BRAXE AND FALCONStep By Step [EP]Smugglers Way/Domino
6BARRY CAN’T SWIMMore Content [EP]Ninja Tune
7WORKING MEN’S CLUB“Ploys” [Single]Heavenly/PIAS
8ZETBEEAll These Things [EP]Salted
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Weekly Charts

Chainsaw Charts (7/12)

#ArtistRecordLabel
1GREAT AMERICAN GHOSTTorture WorldMNRK Heavy
2MODEL PRISONERCompulsion Analysis [EP]COSMICLEVEL/+++
3FUNERAL CHIC“Roman Candle” [Single]Prosthetic
4CRYPTOPSYDivine CouncilEVP
5LORNA SHORE“Sun//Eater” [Single]Century Media
6IN FLAMES“State Of Slow Decay” [Single]Nuclear Blast
7THUNIIEat Lead and Die
8LIVING WRECKAGE“Endless War” [Single]M-Theory
9CALLOUS DAOBOYS, THE“A Brief Article Regarding Time Loops” [Single]MNRK
10BUMMERDead HorseThrill Jockey
Categories
Weekly Charts

Top Charts 7/12

#ArtistRecordLabel
1POST ANIMALLove GibberishSelf-Released
2BAKERS EDDYLove Boredom BicyclesIvy League
3BIG ORANGE“Love’s Not Enough” [Single]Self-Released
4FOOTBALL ETCVisions [EP]Self-Released
5GIRLPOOLForgivenessAnti-
6MITSKILaurel HellDead Oceans
7THE WHEEL WORKERS“Suck it up” [Single]Sinkhole Texas
8BEACH HOUSEOnce Twice MelodySub Pop
9CADENCE WEAPONParallel WorldMNRK
10CIV“Heaven On Earth” [Single]Self-Released
11CONWAY THE MACHINEGod Don’t Make MistakesShady/Interscope
12DAP THE CONTRACT“Sacrifices” [Single]Self-Released
13DINO SMOKESThe IgnorantVSR
14GUERILLA TOSSFamously AliveSub Pop
15INJURY RESERVESuperman ThatSelf-Released
16KWAMZAYMotherland! [EP]Corner Store Art House
17LANCEDAYUNGIN“Slide” [Single]Trap Illustrated/Playbook
18MOLLY ANNELLE“Dior” [Single]604
19NOSO1O“Fallin’ Out” [Single]Self-Released
20PUPThe Unraveling Of PupTheBandRise/BMG
21RAAVI“Lazy Susan” [Single]Self-Released
22REDVEILlearn 2 swimSelf-Released
23SASAMISQUEEZEDomino
24SKY FERREIRA“Don’t Forget” [Single]UMG
25SOCCER MOMMYSometimes, ForeverLoma Vista/Concord
26SOUND OF CERESEmerald SeaJoyful Noise
27THE CURLSSmothered & CoveredTruth Zone
28THE SHIVAS“Doom Revolver” [Single]Suicide Squeeze
29PARK HYE JINBefore I DieNinja Tune
30AESOP ROCK AND BLOCKHEADGarbologyRhymesayers
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Music News and Interviews

Head Smashing and Sweat Inducing Bands

Hardcore and metal music aren’t some stiff sheet of protection from the elements. These genres are warm blankets when you have a 100 degree fever and your chills are shaking your body relentlessly. 

The hardcore and metal genres are reminders that it’s okay to not be okay. Rage, hate and pain should and does course through everyone’s bodies as they’re normal human emotions. 

The need to sweat in a pit, feel a bit of blood pumping through an accidentally split lip or accept the sharp pangs in your ears from loud guitars will course through me for a long time. In the chaos of a good pit, there are no rules. Working through the crowds of people to feel an elbow in the stomach is a good sign of a good pit. 

My day to day taste in music is driven mostly by my general feelings of the world and myself, as it probably is with many people. Whenever I get the urge for songs to thrash to, I have found a few bands that are worth supporting.

Impulse Machine

This North Carolina band defines their music as “experimental rock and metal”. They are an arts and media collective working to experiment as much as they can off and on the stage to bring new, chaotic sounds to metal and rock.

One of my friends introduced me to this band, and I enjoy what they do and that they are local. I haven’t been able to go to one of their live local shows, but I’ve heard they try to make their performances theatrical and thrashable, which is all I ever want out of most concerts. 

Some of their tracks are a little lost on me. For example, I found “A Town Called Liberty” to be a bit corny, but kind of in a good way. Still not sure about it. It’s not the metal I listen to them for, so I toss it aside. 

Some of my favorite tracks of theirs are “kill_me” and “I’m Not Going to Die a Horrible, Gruesome Death (And Other Hilarious Jokes You Can Tell Yourself)”. These tracks are roughly 5 minutes long and have heart pounding instrumental sections and good old metal screams too. 

One special aspect of Impulse Machine is their lyricism and vocals. I think their lead singer sounds great when he sings and when he does his metal terror rampage, which I can’t find when I listen to many metal bands.

Gulch

Gulch is one of those special metal bands that instantly connected with me. Their hard, fast rhythms, intense vocals and lyrics sucked me in immediately, and I don’t want to stop listening to their music when it’s over so quickly. 

A few of my favorite tracks include “Sin in My Heart”, “Lie, Deny, Sanctify” and “R.S.A”. All these tracks pierce right through your ears and electrify you in the process. Specifically, “R.S.A” brings that beautiful coarse guttural metal noise and then explodes into a flash of fury that makes me start punching the air. 

Also, one of my favorite parts of “Lie, Deny, Sanctify” is the opening screech from the guitar. The drums on this track bring an incredible dark beat to the deep sounds of the guitar and bass, and all this makes this short song burn right through your ears (in a good way of course). 

As a small, new band, the only thing I hold against them is that they don’t have enough music. I am craving more tracks and albums from them, but I will have to keep waiting for them to produce more in the future.

Lexan

I have so little information about Lexan it’s disappointing. All I know is that they’re from Ohio and they have one EP that was released earlier this year in February, but all that is okay because they released some banging tracks.

Their four songs off their “Demo” EP pump me full of death defying energy. The raspy vocals of this punk group work well with the rhythm guitar, bass and drums. Basically, their sounds combine, making a chaotic scene of rage feel comforting and moshable at the same time. 

I found “Man Made Ultra” to be my favorite of their four songs so far, as I like its lyrics the most:

“Polycarbonate fused to the hate,

Now im a carcass even earth wouldn’t eat.

I’m man made, ultra, plastic monster.”

Lyrics from Lexan’s song “Man Made Ultra

Lexan is a hardcore punk band, so their lyrics are understandably dark and dreary. The whole EP talks about being a plastic monster of a man, which is a neat way to express the hollowness of the world surrounding the artists and emotions they might feel. 

Some Concluding Thoughts

All three of these young bands are still making music and trying to find their footing in the music industry. I appreciate their unique qualities and perspectives that they have brought to the hardcore punk and metal genres. 

I hope you all have been able to gain some comfort from the raging and screaming as I do, but I completely understand if the music doesn’t “click”. Absorbing other people’s emotions through music and art presents new perspectives to learn from and adapt ourselves better, which is why I try to involve myself with increasingly diverse content to appreciate the lives around me a bit more every day.

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Music News and Interviews

Breaking Through the “Nepotism Baby” Title

In the music industry, there are quite a few artists that come to mind when I hear “nepotism baby.”

To preface, in this case, I do not mean this term with a negative connotation. There are a few indie artists that just happened to be nepotism babies like Clairo or Finneas because they had connections to the industry before pursuing their careers. However, even with this privilege, these artists have worked art to earn a name for themselves as musicians. 

In this post, I want to talk about Maya Hawke, one of my favorite “nepotism babies.”

Though her parents are the Uma Thurman and Ethan Hawke, she wasn’t big in the acting scene until Season 3 of “Stranger Things.” She didn’t want to be an actress like her parents in the first place, but eventually, after growing up around movie sets and theaters she found a good fit.

Her parents were in movie classics such as “Kill Bill,” “Pulp Fiction,” “Dead Poet’s Society” and “Training Day.” 

What many people don’t know about Maya Hawke is her music career. 

Like most people during quarantine, Maya Hawke began exploring music production. The first two singles she released in 2019 were called “To Love a Boy” and “Stay Open”. 

At first, I didn’t have many expectations for her music because a majority of young actors these days do music on the side. But her voice and style are so unique and unexpected.

“To Love a Boy” is a unique take on a love song. It’s about wanting to be in love, yearning for that feeling when you don’t yet have it. The authenticity of the lyrics and her ability to display her insecurities for an audience like that is impactful. 

“Stay Open” is much different. The violin with a guitar makes for a folk melody. It’s a song about keeping your heart open for someone regardless of their flaws. It’s short and sweet. Like the countryside during the fall.

The acoustic guitar with her soft vocals and instrumentals make these songs feel like sitting on a boat drifting in the river on a rainy day. They are dreamy and have a ’90s jazz vibe to them. Something about the harmonies and drums brings the songs to life. A childhood nostalgia to them, or a song fit for a Pixar movie. Short yet eliciting deep emotions.

All of her music is like this. Maybe that’s why I find it so comforting. 

She released her first studio album in 2020 titled “Blush” and it’s chock full of healing tracks. Many songs sound like lullabies and apologize to friends and family. The feelings of sentiment are fitting for the time they were written.

The vulnerability she highlights in her music and the intellectual lyrics at times give her an edge against many newer musicians. 

Maya Hawke’s latest single is called “Thérèse” and is an unpredictable track. Going from a light acoustic guitar too hard electric guitar yet it carries the messages all the way through. The slow introduction of drums takes us back to the initial melody. It’s more upbeat compared to her and sounds dreamy at times. The song is about a painting called Thérèse and how Maya sees herself in it. 

Seen in the lyrics “She reminds me of memories | Sleeping off the growing pains” and “Thérèse does not belong to you |

The horses, cars, and cowboys do”.  Maya highlights that neither Thérèse nor her belong to the public even though they have both been in the spotlight for most of their existence. She sees herself in Thérèse, always facing criticism from strangers, as the child of famous parents. 

It’s my favorite one.

While she doesn’t have a lengthy discography quite yet, I do think she has a distinctive voice she could bring to the industry. As an up-and-coming actress as well as an up-and-coming musician, I can’t wait to see and hear her future projects.

If this sounds interesting to you, check out Maya Hawke’s discography.

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Miscellaneous

A Bit of Love for Film Anthologies

What do anthology films bring to the film world that full length feature films cannot truly present? They show the synthesis and thematic similarities across a wide array of stories. 

There are many films, TV shows and books that split themselves into completely different segments, which take on new narrators, worlds, ideas and plots than the stories that already exist in the medium.

One of the brilliant uses of anthology collections is that it is a prime way for younger, newer artists to grasp a project and showcase their work through it. Young filmmakers that have limited experience in the film world are able to take a chance and make a story their own with a more limited screen time, which allows for a wider appreciation of their art. 

“Memories”

One anthology where multiple directors came together to create a sci-fi anime collection is “Memories”. All three directors were in the prime years of their careers when they made this collection. Within “Memories” are three 40 minute short films that depict the human struggle to survive in an apocalyptic world setting. 

In “Magnetic Rose” (directed by Koji Morimoto) space garbage men explore an eerie, ancient dump. In “Stink Bomb” (directed by Katsuhiro Otomo, who made “Akira”) there is a bioweapon outbreak in Japan. In “Cannon Fodder” (directed by Tensai Okamura, one of the “Evangelion” directors) we experience a war-lusted world through the perspective of a young boy.

Each of the short films bring out perspectives only a science fiction writer could extrapolate from the world. I love being able to see the synthesis between the beautiful animation styles and stories that these directors have made for us to see. 

The diversity of the directors adds to the value and appreciation of this anthology. Because each story was handled and made by a different person, it’s like having a perfectly planned three course meal where each course complements the next or the one prior. 

“Coffee and Cigarettes” and “The French Dispatch”

Another way film directors use anthologies is to express themes that transcend one person’s life and they take on a more expansive view of humanity as a whole. In “Coffee and Cigarettes” by Jim Jarmusch and “The French Dispatch” by Wes Anderson, there is little to no overlap between the stories that are shot on screen. 

In “Coffee and Cigarettes”, each scene and story are focused on coffee and cigarettes. Cups of blasted clay clink together for a “cheers” and the sharp inhale then pause after a drag from a cigarette are seen and heard in almost every scene. This film collection focuses on the mundane and chaotic world we live in. Bill Murray, RZA, GZA, Iggy Pop and other familiar faces flash on the screen for a few minutes of time as their characters process cigarettes and coffee.

Similarly, “The French Dispatch” has a diverse cast, but the narrative thread is more prominent: it’s the last issue of the fictional newspaper, “The French Dispatch of the Liberty, Kansas Evening Sun”, and all of the journalists’ stories are shown in order of publication in the paper. 

Each of the stories in “The French Dispatch” have their moments of tension and some are more passionate and evocative than others. “Coffee and Cigarettes”, I think, has the same issues. These movies combine all the fragmented pieces of life into one big place that can be split up or reassembled in many fashions. Both these anthology films are fun to re-watch, as the stories grow more powerful every time I watch them. 

“Chungking Express”

I put Wong Kar-wai in his own little section of this essay because of how well he is able to synthesize strangers’ lives. In “Chungking Express” specifically, Wong Kar-wai takes one tiny food vendor and a few characters to explore love.

The first half of the film is focused on a recently dumped detective who wants to fall in love, and the second half is focused on a cop who is dealing with an ambiguously defined relationship and being alone. Both main characters are remarkably different and are set in the same world, location and time. The two stories briefly overlap and that is it. 

“Chungking Express” (and “Fallen Angels” too) perfectly blend two seemingly separate stories into a beautiful hulking beast that is a testament to how chaotic and crazy finding love can be. 

Concluding Thoughts

All the mentioned anthology films are only a slice of what is out there. In TV shows like “Adventure Time” there are few episodes that focus on multitudes of stories that kind of overlap, and many literary magazines publish collections of short stories by different authors which can tie together in some fashion.

The anthology is not an uncommon form of media representation, but I think it doesn’t get enough attention and use by artists trying to pave their way in a culture where it is hard to make even enough money to live. I would love to see more budding artists combining together to create mass works of art in the future so I can see how the minds of collaborators make giant artistic feats.