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Blog Miscellaneous

The Music of “Ted Lasso”

At the beginning of 2022, I opened my iPhone to be treated with a surprise: 3 free months of Apple TV+. While that came as a welcome surprise, I didn’t really know what was good on the platform, with the only name I had heard of being “Ted Lasso.” I gave it a shot and was rewarded with a uniquely charming, funny, and engaging show that also had, and this is relevant for WKNC blog readers, a killer soundtrack.

Pop culture references are the language the show is built on, and there are often mentions of artists by the characters such as Elton John and Robbie Williams. It’s definitely populist, often using tracks that it expects the audience to be familiar with. A moment where lifelong fans of soccer team Richmond AFC finally getting to stand on the field has Queen’s “We Are The Champions” playing triumphantly over it, while the titular character enters England to “God Save The Queen” by Sex Pistols. It’s clearly a very expensive show and casually flexing songs from that caliber of artist adds to the production value. 

And in my opinion at least it does it well; when a lot of shows use really obvious musical cues it feels like a symptom of poor writing and a cheap emotional play, but “Ted Lasso” strikes this interesting balance where it uses familiar songs as a way to bring everyone to the party in a way. It’s like how when you’re at a club, super popular songs you would never admit to listening to on your own time become danceable bangers just because you’ve heard them before. There’s a particular episode where “Never Gonna Give You Up” is used as a plot point, and how a connection to that song helps a character overcome grief, taking what is a very played out song by this point and adding emotional resonance to it.

One other way I thought songs were used in an obvious but creative way is through very on the nose lyrical choices. The line “strangers to friends, friends into lovers” is sung over a quasi-montage of two characters going through that exact arc, while Gilbert O’Sullivan’s “Alone Again (Naturally)” plays over, naturally, a character being alone again. This is a technique that always results in cringe, and yet although it’s maybe one of the weaker elements of the show, it genuinely works with “Ted Lasso” in a way I rarely see. Maybe it’s because those songs are often slow and subtle so it’s not very in your face, but I think it’s more of a tonal phenomenon: the show is wholesome in a way where obvious gestures add to the appeal. That’s why I wanted to talk about it today, it’s a wholly unique experience even at the sonic level and I’m really glad it’s been seeing the awards success and viewership that it has been getting. Season 3 is set to start filming soon and it’s probably my most anticipated show right now. And of course I can’t wait to hear it as well, with inspired song choices and musical motifs being such a cornerstone of the experience.

-Erie

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Miscellaneous

“Crying in H Mart” by Michelle Zauner (of Japanese Breakfast): Book Review

For a while I had seen both the band Japanese Breakfast and the book “Crying in H Mart” float around in the different spheres of the internet I occupy. One day, a couple months ago, I finally had the realization that Michelle Zauner of Japanese Breakfast was the same Michelle Zauner who authored “Crying in H Mart.” Who would have thought? After hearing the umpteenth glowing review of this memoir, I finally decided to read it.

“Crying in H Mart” is a story of grief, specifically revolving around the passing of her mother and how her mother’s life and death is the throughline in her journey on this earth. Zauner is particularly skilled at putting the reader in her shoes, giving you every detail down to the food she ate and what she was wearing. Food is the hallmark of Zauner’s relationship to her mother, because of the connection it gives her to her Korean heritage. Zauner communicates the permanence of loss, never searching for the silver linings but rather describing the concrete ways that grief sticks with you.

The book, published in 2021, originally began as an article Zauner wrote for the New Yorker in 2018, which now serves as the first chapter of the memoir. The article/chapter ends with the following disclosure: “Within the past five years, I lost both my aunt and mother to cancer. So, when I go to H Mart, I’m not just on the hunt for cuttlefish and three bunches of scallions for a buck; I’m searching for their memory. I’m collecting the evidence that the Korean half of my identity didn’t die when they did.” The remainder of the book explores the memories she is on a hunt for.

Michelle Zauner is a spectacular and versatile writer. It shouldn’t have been surprising to see that an excellent songwriter was also an excellent storyteller in other mediums, but for some reason it caught me off guard. She is the narrator of the audiobook (which is how I elected to read this book), and she makes every word feel important.

“Crying in H Mart” is deeply personal to Zauner, but also deeply telling of the human experience. Kristen Martin, in her review of the book published on NPR, sums it up perfectly when she says: “What Crying in H Mart reveals, though, is that in losing her mother and cooking to bring her back to life, Zauner became herself.”

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Miscellaneous

The Beauty of “I Don’t Wanna Be Funny Anymore” by Lucy Dacus

I’ll admit, I have yet to do a deep dive into Lucy Dacus’ entire discography. Despite this, I have listened to a good bit of her and “I Don’t Wanna Be Funny Anymore” is my favorite of hers. It’s core theme comes across in the title, the desperate wish to be anything other than the “funny friend.” 

The lyrics describe a feeling I’ve felt many times, as I’m sure many have: the feeling of being on the sidelines and wanting to be valued outside of being the butt of the joke. In the lyrics, Dacus considers all of the ways she can escape this role, asking if she can be “the cute one,” a member of a band, a gossip, the smart one and many other roles. The song caps off with the lyric “That funny girl doesn’t wanna smile for a while.”

This track is the first track and first single on Dacus’ debut album “No Burden.” In 2015, she told Fader in an interview that whilst constructing this song she was considering: “how stressful it is to be pegged as a certain type of person and feel the need to always live up to that identity people assign to you, especially if you’re the ‘funny one.’” This taps into something I’ve felt often, a feeling of being socially trapped into one role. 

Dacus has poignant lyrics in other songs about not being valued in the way she deserves. In “Brando,” the ninth track on her 2021 album “Home Video,” she laments: “You called me cerebral / I didn’t know what you meant / But now I do, would it have killed you / To call me pretty instead?” It’s heartbreaking to be undervalued.

However, “I Don’t Wanna Be Funny Anymore” is my favorite example of this from Dacus. It taps into a very real feeling in a simple way, and I love that in a song.

Here’s to freeing yourself of situations that don’t value you,

Caitlin 

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Miscellaneous

The Issue with Spotify Wrapped

I like Spotify Wrapped. I have enjoyed the fun graphics and data breakdown since its inception and sharing it, along with seeing everyone else’s on social media, is a fun way to cap off the year. 

However, knowing your data is being collected and is going to be packaged up into a graphic you’re going to want to share can skew your listening habits. At least it does for me.

The same goes for other streaming data-collectors like Last.fm. There have been times I have gone out of my way to not listen to something or stream it on a different platform so that it wouldn’t count as a scrobble. If you’re not insecure about any of the music you listen to, this may be a non-issue for you, but I know that I, and many others, are insecure about listening to certain artists, bands or genres.

These fun ways to track your data and find out interesting facts about the music you listen to (like, for instance, last year one of my top genres was Weirdcore), should be lighthearted and fun. But, with the increasing pressure to share your Spotify Wrapped or follow your friends on Last.fm, the music we listen to has become a performance for others.

Obviously, the competitiveness of music-listening has been around for ages, and didn’t begin with these stream-collecting platforms: but it has increased my personal awareness that every part of myself, even the music I listen to, can be curated as a performance for others rather than for my own personal enjoyment.

In 2022, here’s to listening to what we want, when we want, even if it involves Glee Cast being in your top five artists. 

Listen to the music that fuels your fire,

Caitlin

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Blog Miscellaneous

2022 Predictions: Music Edition

I am not necessarily qualified to give music predictions, but as a WKNC employee, I can pretend that I am. Therefore, listed below are my top music predictions heading into the rest of 2022. 

I predict that…

  • Rap/Hip-Hop songs will play a bigger role in general music charts.
  • A$AP Rocky and Rihanna will put out a single together.
  • Electronic music will begin its take over of traditionally indie local DIY scenes.
  • Grunge music will make an even bigger return.
  • Paris Texas will blow up.
  • Tik-Tok will continue to dictate music trends.
  • Ski Mask the Slump God will put out an incredibly divisive mix. 
  • We will see the rise of more female rappers. 
  • Boy Harsher will continue to move back their tour dates until the eventually cancel them all.*

*This one is not really a prediction but perhaps a personal expression of sadness.

I look forward to seeing how accurate (or inaccurate) this list may become in 2022.

Here’s to making semi-educated guesses,

Silya Bennai

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Blog Miscellaneous Playlists

Spotify Wrapped 2021 Reflection

I understand that some people only cared about Spotify Wrapped 2021 the day (and maybe day after) it dropped. That being said, I still care. Elliott Smith was my top artist but sixty-four of my Top 100 Songs on Spotify were rap. As the Assistant Underground Music Director, this makes sense. Which rap songs you may ask? I’m not going to list all of them, but here are some favorites:

  1. “Baby I’m Bleeding” by JPEGMAFIA
  2. “New Slaves” by Kanye West
  3. “Just How It Is”  by Young Thug
  4. “girls like drugs” by Paris Texas
  5. “EAST” by Earl Sweatshirt
  6. “Ghost (In the Shell)” by MAVI
  7. “Throw Dem Gunz” by Lil Ugly Mane
  8. “Campbell” by redveil
  9. “Primma Donna” by Vince Staples (feat. A$AP Rocky)
  10. “Please Forgive” by Powers Pleasant (feat. Denzel Curry, IDK, Zombie Juice & Zillakami)
  11. “Jailbreak the Tesla” Injury Reserve (feat. Aminé)

Here’s to rap music being the most transformative and flexible genre,


Silya Bennai

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Miscellaneous

Finals Season Solidarity

It’s finals season, and I just wanted to offer some solidarity in this wild portion of the semester. No study playlist, no tips, just solidarity.

I’m also a student and it’s a very grueling thing to be: a lot is expected of us all at once. It is extremely difficult to work, do school, extra-curricular activities and have friends. People will hear this statement and brush it off by saying “such is life.” Yes, but that doesn’t make this time any less difficult.

I sincerely hope that everyone’s finals are going well thus far and that everything works out the way you need it to. I hope that professor is lenient with their grades, you get a curve on your toughest exam and that your hard work pays off. More than that, I hope you’re taking care of yourself to the best of your ability (you need sleep)! 

I am not even supposed to use exclamation marks in these posts, and I should be using them sparingly but ideally not at all… that’s how much I want you all to be getting sleep during finals.

Encouraging tidbits can seem shallow and empty, but just know this is all very sincere from me.

I have three projects and two tests this finals period, all due within a 72 hour period. Needless to say, I’m also a bit stressed. But, it’ll all get done. It always does.

Best of luck,

Caitlin

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Blog Miscellaneous Playlists

Song Recommendation Guide: Coffee Edition

Howdy y’all! In my semester off during my freshman year, I spent my time working as a barista at a small stand-alone coffee shop. I had total control of the music at 6:30 a.m. in the morning – a total dream! Using my knowledge of coffee and music, I bring you the recommendation guide to translate your favorite drink into a new song to listen to.

Espresso Drink Song Recommendations

If you order an americano (shots of espresso + hot water), listen to Wet Dream by Wet Leg. Anybody who orders an americano is ready to start their day, and this upbeat song feels like a bright morning brisk walk around the neighborhood. 

If you order a latte (shots of espresso + milk + optional flavor), listen to New Song by Maggie Rogers and Del Water Gap. Like a latte, this song is dependable and consistent for relaxing after those long days. 

If you order a lavender honey latte (shots of espresso + milk + honey + lavender syrup), listen to Fall in Love with You. by Montell Fish. This song is warm, dreamy, and ultra-comforting, similar to this drink. 

If you order a seasonal drink (pumpkin spice latte, peppermint mocha, etc.), listen to White WInter Hymnal by Fleet Foxes. Chances are you start decorating for Christmas the day after Halloween, and nothing pairs better with a peppermint mocha than this buttery smooth Christmas-lite song.

If you order a cappuccino (espresso shots + splash of milk + foam), listen to Mystery of Love by Sufjan Stevens. Cappuccinos originated in Austria and were further developed in Italy. Mystery of Love was used in a movie that took place in Italy. Romanticize your cappuccino. 

If you order a red eye (shots of espresso + brewed coffee), listen to As the World Caves In by Matt Maltese. This song is dramatic, emotional, and sultry. Also, are you doing okay?

If you order a dirty chai (shots of espresso + chai), listen to Coming Back by James Blake featuring SZA. Coming Back, which samples Lake Shore Drive by Aliotta Haynes Jeremiah, is easy and mellow. SZA’s feature adds something equivalent to shots of espresso in a regular spiced chai. 

Non-Espresso Drink Song Recommendations

If you order matcha in any capacity, listen to Je te laisserai des mots by Patrick Watson. Romanticize your walk to class, matcha in hand, with this beautiful French song. I highly advise reading what the lyrics mean if you don’t understand French (like me). So lovely. 

If you order a frappuccino (blended beverage – Starbucks coined this term), listen to I Know A Place by MUNA. Frappuccinos are a staple in the Starbucks menu, and I Know A Place should be a staple in your current playlist if this is your drink. 

If you order a brewed coffee, listen to You Needed Love, I Needed You by Angelo De Augustine.  This song is melancholy, similar to sitting at your window on a rainy morning with a good old cup of joe. 

If you order a London Fog (earl grey tea, water, vanilla syrup, steamed milk), listen to Love in the Time of Socialism by Yellow House. Sweet and comforting are just two similarities between a London Fog and Love in the Time of Socialism. 

If you order a chai, listen to Clay Pigeons by Michael Cera. Michael Cera’s cover of Blaze Foley’s Clay Pigeons sounds like it should be smack dab in the middle of a coming of age movie. Enjoy your warm chai with this homely cover. 

I hope you enjoy this song recommendation guide and feel inspired to try a new drink! Linked here is a Spotify playlist with all of these songs.

https://open.spotify.com/playlist/3P4XCWxUVrMBbBvnXUjpy7?si=7fae111cef3b4519

<3 dj mozzie

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Miscellaneous

My Music Wishlist

It is nearly the holiday season, so I’ve been brainstorming gifts to get for my loved ones as well as items I may want for myself. But there are some things that I want that can’t be fulfilled by a gift wrapped up in a box, and most of those things are weird music concepts. Like for example, how is one supposed to ask for a Taylor Swift cover of the entire “XO” album by Elliott Smith? I’ve deemed these things my music wishlist, and I’d like to share it with you all.

The following is my music wishlist:

  • For the band Rilo Kiley to get back together and tour
  • A Fiona Apple Tour
  • For me to be able to see every artist I like in an intimate venue
  • Concert tickets to be less expensive
  • A Maggie Rogers and Phoebe Bridgers collaborative album
  • A time machine to see old artists/bands at their prime
  • A Taylor Swift “Hot Ones” Interview
  • “All I Wanted” by Paramore to be performed live
  • Fiona Apple to cover the entire “Let It Be” album by The Beatles
  • A Frank Ocean Tour

There are legitimate reasons that most (if not all) of these things will never happen, but, in my dream world, those barriers wouldn’t exist. Do you have any music-related pipe dreams that’ll probably never happen?

Happy dreaming,

Caitlin

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Blog Miscellaneous

Soundtrack Comparison: “Blade Runner” and “Palm Springs”

I recently watched “Blade Runner” and “Palm Springs” back to back. These are two movies that, while both technically being sci-fi, are very different in tone and worldbuilding. And when viewed so close together, it becomes a lot easier to compare elements of the two, such as their soundtracks. 

For all the flying cars and flashing button panels of “Blade Runner”, the world depicted is not an optimistic version of the future. Characters are lashed with rain the moment they step outside into a grimy world of corporate overlords and murderous androids, and all of this is evoked in the soundtrack. Composer Vangelis was playing with synthesizers before it was cool and from the get-go his mark was made on the movie. “Opening Titles”, the iconic theme, hits with the intensity of a heavy guitar solo but with a futuristic bent that never veers into cheesiness, instead ringing out over the bustling streets and feeling if not triumphant, at least pioneering.

The presentation of “Palm Springs” is in sharp contrast to this. Where the rainclouds of “Blade Runner” felt like a weight on that movie’s shoulders, there is barely a cloud in the California sky, with bright and warm colors that contribute to the movie’s generally upbeat atmosphere. The soundtrack mirrors this with a playful backing that glides over the unfolding scenes. The track playing during the movie’s climax (whose title I won’t give away because it’s kind of a spoiler) was the high point: a subtle melody  not so much propelling the action along as matching it step for step.

These are distinctly different experiences, but there’s a reason I’m comparing them here. Both stay with the listener long after the credits roll with sneaky but very present earworms present. Being soundtracks, they rely heavily on repeated motifs and even tracks being used multiple times to create a narrative just through music and to call back to earlier scenes. “Blade Runner” uses these thematic threads to turn up the tension as the titular android hunter closes in on his targets. “Palm Springs” does this in a similar fashion, but as this is a romantic-comedy first and foremost, it races alongside the plot towards the inevitable conclusion without ever feeling formulaic.

A soundtrack is maybe a movie’s most underrated asset. When a soundtrack really hits, you often won’t consciously notice it because of how interwoven it is with the events onscreen. “Blade Runner” and “Palm Springs” both use music to skillfully walk the line between letting the plot play out without interruption and enhancing the emotions the audience takes away from the movie. The dark dystopia of 2019 Los Angeles and the sunny, maybe even too sunny, titular desert come to life with strings and synthesizers and without the works of Vangelis and Cornbread Compton, these amazing movies wouldn’t be the same.

-Erie