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Concert Review

Empire! Empire! (I Was A Lonely Estate) w/ Warren Franklin @ Area Fifteen (8/3/14)

This past Sunday night I saw one of my favorite bands play Area Fifteen in Charlotte. To my surprise, the band was on an acoustic tour, and that night they played without the normal headliner, The Early November. Charlotte has been budding several emo and punk bands lately, artists like It Looks Sad. and Couches (a band that was also on the bill that night). The city is also called home for the Tiny Engines record label who have released music for many renowned emo and punk bands, including Tigers Jaw, Dikembe, and The Hotelier.

Driftwood Miracle opened up the night. They are a very energetic Durham band whose members look like they haven’t even left their teens. They seemed thrilled to be playing in front of that small crowd of around twenty people. Sinai Vessel followed. They are another North Carolina emoish band whose singer began the set with a crucial cover of Joni Mitchell’s “River”. He sang the song like it was his own, and the result was completely heart-wrenching. However, Warren Franklin became my new favorite artist of the night. He wore an Early November shirt and played a solo acoustic set that was even akin to The Early November’s work. His songs were youthful, catchy, and endearing. Couches was the last band to play before Empire! Empire! Couches’ vocalist has a partiality for wearing Hawaiian shirts, but don’t be surprised when you find a severe lack of “good vibes” in their music. There is a lot of screaming, heavily distorted guitar, and some occasional blast beats. Did I mention angst?

And finally, Empire! Empire! (I Was a Lonely Estate). When I first listened E!E! (IWALE) I really didn’t know what I was getting myself into. Their album What It Takes to Move Forward was my introduction to the whole DIY “emo” scene back in 2010, before emo was ever “cool”, or garnered much attention from independent music sites. The band, however, has been at it much longer than I’ve been listening to them. They’ve been putting out music since 2007, when Keith and his wife (the two constant members of Empire! Empire!) started the Count Your Lucky Stars record label. Keith and Cathy write guitar lines that intertwine, sometimes complementing, and sometimes counteracting each other to create a signature sound. I was drawn in by their nearly therapeutic lyrics that possess a strong sense of urgency. Seeing them live felt like things were coming full circle. I was finally getting to see a band that had a major impact on my life. Warren joined the ranks of Empire! Empire! that night, and they played a variety of songs from their discography. I was reminded why I loved the band in the first place, for the songwriting, and for their sheer tenderness. They were seated on fold-up chairs in front of a crowd that was quiet and inoffensive. We sat there on the dusty concrete floor of that art space, and we listened. We listened a display of emotion. We listened to those beautiful melodic guitar lines. We listened to Keith tell stories in the dark. It felt like I was back in a simpler time, the way music makes the peripherals of your life fade away. It felt like we were all children at an away camp, huddled around a fire and listening intently. It was a wonderful way to end the first day back in my hometown. 

Empire! Empire! will release their second album on August 19, their first album since What It Takes to Move Forward, on Count Your Lucky Stars and Topshelf Records. “A Keepsake”, from their new album entitled You Eventually Will Be Forgotten, is currently streaming on NPR.

-DJ Nasty Nate

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Concert Review

Every Local Band Local Beer in July brought something new and the July 31st show was no exception.

Cat Be Damned(first photo) started off the night. Typically a full band, only one member was performing tonight. While simple with only vocals and a guitar, the lyrics were fun and catchy.

Following up was another solo act, TOW3RS(middle two photos). TOW3RS put on a dramatic and well rehearsed performance. This guy has got some dance moves! I look forward to seeing his Hopscotch performance as he will be performing with a full band.

Wesley Wolf(bottom three photos) brought the rock to an otherwise tranquil night.

A special thanks to French Broad Brewery and Lazer Dan for all the delicious samples provided in July!

-Muta

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Concert Review

Merge 25 – My First Festival

Until a week ago, I’d never had an opportunity to go to a music festival, so you can bet that I was pretty stoked when I found out I was going to Merge 25. 

I figured that it was going to be awesome, but it wasn’t until I discovered the lineup that I truly flipped out. Among many other artists, two of my favorite bands of all time, The Mountain Goats and Telekinesis were playing at the three-day festival spread out across venues in Durham and Carrboro. I attended on Saturday at Cat’s Cradle, and I didn’t know then that I was going to see one of the best performances of my life.

I was a bit busy helping out the Merge staff in the morning, but I did get the opportunity to see The Love Language, the North Carolina natives who certainly rocked it on stage. They played a bunch of fan favorites including “Heart to Tell” and “Calm Down”, but “Lalita” was definitely my favorite. Something that I’ve always admired about The Love Language is the amount of soul that they put into their performances. This was my first time seeing them live, and they certainly did not disappoint. Frontman Stuart McLamb puts his heart into every verse he sings and every chord he plays; it’s the kind of passion that inspires people to achieve their own greatness. The Love Language is an icon of the North Carolina music scene, and their sound makes me proud to be from NC. 

Frontman Stuart McLamb performing Heart to Tell with The Love Language

More of the Love Language

Later in the day, I caught the very end of Caribou’s set, and managed to get a rather decent spot, dead center, but about eight rows back to see what we’d all been waiting for- Neutral Milk Hotel. I assumed that Neutral Milk Hotel live was going to be an amazing experience, since the filming and photography of their performances was prohibited. It must be pretty special, right?

Well, it was pretty special, to say the very least. I’d never seen them live, and I didn’t know what to expect. The crew feverishly raced to assemble Neutral Milk Hotel’s set in a reasonable amount of time after Caribou’s performance. The stage was littered with all sorts of horns, in an almost Beirut-esque ensemble. There was an accordion, and even saws. After the stage was readied in what I’m sure was record time (shout out to the Cat’s Cradle and Merge employees), Jeff Magnum walked out on stage alone, gripping his guitar. By the end of the first song, the whole band was on stage. They dived straight into “Holland, 1945”, a definite fan-favorite, judging by the volume that the crowd shouted the lyrics back at the band. 

The setlist slowed down a bit after that, with favorites such as “Two Headed Boy” and “In An Aeroplane Over The Sea.” People were singing, dancing, and even a few were crying during the unreleased “Little Birds.” I’ve never been to a show where I’ve seen people more connected with each other. The crowd felt like a single being, with everyone intertwined by the shared experience of witnessing such a performance. I couldn’t imagine a better way to end my first festival experience.

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Concert Review

Memories at Merge 25 – Caribou and Neutral Milk Hotel

Seeing Neutral Milk Hotel has always been on my bucket list. I thought I was never going to get that chance since they disbanded in 1999. But last year I was happy to learn that the band was back together, and touring again – coming to Raleigh for Merge Records’ 25th anniversary celebration.

The lineup for Merge 25 was stellar – Caribou, Destroyer, The Mountain Goats, Mikal Cronin, The Love Language, Mount Moriah, Superchunk, Hiss Golden Messenger – to name only a few of the bands that performed during the three-day event.

I was only able to see Caribou and Neutral Milk Hotel on Saturday, since I was busy in the afternoon helping out the Merge folks make sure the festival went smoothly.

About 20 minutes before Caribou came on, I slipped into the crowd alone and found myself a spot about four or five standing rows from the stage. I hadn’t heard a whole lot of Caribou, just their song “Leave House,” but I really liked it and was looking forward to hearing some of their other music.

Four men dressed in white sauntered on the stage and launched right into “Leave House.”

(read more after the jump)

I was captivated by the familiar song, swaying to the beat. As I looked at the other members of the audience around me, their faces all held the same, happy expression I was sure mine did. A guy behind me kept blissfully screaming “Oh my God!" 

The music shifted between uptempo beats and dreamlike riffs, punctuated occasionally by lyrics. The sun began to set on the outdoor stage as the band played "Sun.” Dusk was upon us by the time Caribou left the stage.

Margaret Cho took the stage as Caribou cleared off to announce that Neutral Milk Hotel would be coming on next. She reminded the audience that photography was forbidden at the band’s request.

I was pretty disappointed that we wouldn’t be able to take pictures, but figured that would have to be the price I’d pay for finally seeing Neutral Milk Hotel.

By way of apology for the no-photography rule, Margaret Cho bared her tattooed buttcheeks, which depicted two ladies that “look like they’re talking” when she jiggled them. She invited the audience to take a picture of her butt instead. I, uhh, declined that opportunity.

I watched in wonder as the people onstage scrambled to set up Neutral Milk Hotel’s set. An accordion sat on its own table, flanked by a set of three different sized saws resting against an amp. A lighted lamb statue sat near a drumset with a picture of what looked like a saint in the bass drum. Many different horns were brought out, many of which I don’t know the name for.

Sometime after Caribou I was able to move forward two standing rows, putting me just two rows of people back from the stage. Everyone squeezed together, trying to avoid touching each other’s sweaty arms.

Then, right at 8:30, Jeff Mangum walked out on stage alone, carrying just an acoustic guitar and began to play.

As the set progressed, band members entered and exited the stage, playing their parts. A shiver ran down my spine as Julian Koster picked up the banjo and began to play “King of Carrot Flowers parts 2-3.”

The audience sang along loudly with the most popular songs, and fell into a somber silence during “Little Birds,” a slower, unreleased song.

When it was all over after the encore, most people stood staring into space, seemingly digesting what they’d just seen. It was definitely a show to remember, and a fitting way to mark an item off my bucket list.

I couldn’t help but think of a line from “In The Aeroplane Over The Sea:” “How strange it is to be anything at all.”

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Concert Review

MYKKI BLANCO feat. TENNIS RODMAN and discovery djs

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This performance was by far one of the most spectacular nights I’ve had all summer, and it all happened thanks to these rising artists of Raleigh.

The show began with the Discovery DJs spicing the crowd up with some irresistibly catchy club beats. Tennis Rodman took it from there with his experimental mash-up of hip-hop, rap, beats and dance. His energetic personality emerged as he spit a diverse range of aggressive rap styles and beat production to the crowd.

Next, Mykki Blanco sat amongst the crowd as a casual participant and quickly began his show with an attention grabbing poem filled with drama. His performance ranged from sarcastic and narcissistic tirades of gender confusion to theatrical explosions that included eating a microphone and having a voluntary seizure on the sticky concrete floor. Mykki Blanco had me constantly entertained with not only his mastery of performance art, but also with the interesting commentary in his lyrics and the various ways of executing them. This included acappellas or mosh-instigating rap styles that offered outrageous and unexpected performances that made me laugh or feel uncomfortable at times. Nonetheless, I can surely say that everyone at the show had a crazy night.

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Concert Review

Local Band Local Beer July 10th, 2014

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After being abroad for the Spring semester, last week’s LBLB was my first one of 2014, and it was the perfect re-introduction to what WKNC, Tir na Nog, and Raleigh has to offer.

The first act, Beauty World, was a great cello and guitar duo with a guest drummer towards the end. They created a soothing, yet energetic atmosphere that was emphasized by the cool blue lighting.

Once Curtis Eller took the stage, the party kicked into high gear as the unusual band composition of banjo, upright bass, trombone/accordion, drums, and two backup signers. The audience was moved to dance by songs about Abe Lincoln, Elvis Presley, and other American historical figures. This circus really knew how to bring the energy to this Irish pub.

Throw in a French Broad Brewery tasting that went on in the back and this Thursday night was complete.

-Muta

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Concert Review

A Hunky-Dory Musical Experience at NC Museum of Art

NC Museum of Art (NCMA) amphitheater is a beautiful place to experience music.  You can ride your bike there, enjoy a picnic on the lawn, and choose to stand in the pit.  The sunset added a colorful tone to start the evening.  And the breeze lightly shook the maple trees surrounding the venue adding additional resonance to the aural experience.  

Before settling down with my WKNC co-patriot, C. Biscuit,  I spoke to a few old friends before Angel Olsen set the mood.  ”Angel Olsen is amazing…Her last album is one of my favorites…you’ve got to look her up.”  After ‘enlightening’ some people I sat down for Angel to serenade me. 

Instead of the emotional force I’m used to hearing, Angel sounded like a wimpy high school girl performing in front of her chorus class for her Sophomore year choral exam.  After two songs the audience completely lost interest, and within seconds the audience was louder than she was.  I hate people who talk and talk and talk during performances, but I really couldn’t blame the audience this time.  It was as if Angel thought her assignment was to play background music for an ex-hippy summer solstice gathering.  After ending her small set I pondered the many factors in her life that could have caused this off performance.  

And then Iron & Wine went on.  Iron & Wine was hunky-dory.  His melodies don’t tend to push the status quo and they rhythm mirrors the demographics of NCMA (old white people).  That being said Samuel Beam’s voice affects the soul like Vix-Vapor-Rub, you just can’t help but be affected. I enjoyed his music at base of the stage and danced to what ever rhythm my body could take away from his melancholy music.

Overall, a 2.5 on the 3 scale.

-Coyote

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Concert Review

[Dr.] Dog kills [at] Cats!!!!

Whoever does not listen to Dr. Dog is missing out.  Dr. Dog’s folky, bluesy grooves speak to everyone.  Most people found Dr. Dog after their release of Fate in 2008, but they’re still continuing to astonish people with their relaxing nostalgic melodies, beautiful harmonies, and killer blues ballads.  

My evening began with the astonishment of the band The Districts.  Also from PA, this band killed with their indie rock.  Then, after a few more PBR’s, I dove into the depths of the crowd to find a comfortable spot to groove.  And did I groove… Dr. Dog’s silly outfits, their duel frontmen, and their ability to completely change their songs kept everyone in a emotional trance.  They played many songs off Be the Void, but my favorite song they played was “Shadow People”, off Shame Shame.

Their latest album B-Room holds some amazing tunes despite not quite living up to their previous album Be the Void.  I struggle when I try to answer “Who is your favorite band?” But by Golly Gee Wilikers, I just can’t help saying Dr. Dog is my favorite indie rock band of all time!!

Or at least in my top 3.

-Coyote 

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Concert Review

Of Montreal Concert Review

In the last week of March this year, Of Montreal announced the dates of their upcoming US tour. This band performed in 18 states across the nation and at 27 venues. Starting March 29th and concluding May 18th, Cat’s Cradle was the last destination for of Montreal and their opening act, Dream Tiger. As the adage goes, these groups saved the best for last.

The show last night could be described as “unreal” on many different levels. Before Kevin Barnes and company (of Montreal) took the stage, Dream Tiger started off the night with songs from their two relatively recent EPs: “Soft Skin” and “A Lover’s Request.” Dream Tiger and of Montreal only performed together for the last eight days of the tour. Considering the complementary sounds of the two groups, was unfortunate for the venues played before May 10th.

Of Montreal’s setlist was all over the board, featuring a variety of songs from their most recent albums as well as earlier compilations released in 2007 and earlier. The performance by of Montreal was bizarre yet enjoyable as most of the songs included masquerading, costumed dancers on stage. The feel of the show was animated, carnivalesque, and abstract, providing captivating visuals the entire time. Did I know what was going on during the entirety of the show? Absolutely not. Did I have a great time and enjoy the entertaining artists? Absolutely.

-Submitted by DJ Dilemma

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Concert Review

Angel Olsen at Cats Cradle

Angel Olsen performs live at Cat’s Cradle in Carrboro. Photo by dJ/dx.

Friday night brought indie folk-rock artist Angel Olsen back to her home state for a performance at Cat’s Cradle in Carrboro.  The openers, Nashville’s Promised Land Sound, kicked off the night with great energy, backing southern-style harmonies with their country-rock sound.  They even brought Olsen and her percussionist on stage for a song that they claimed to have only played together once before.

Olsen and her crew carried the night onward and upward with a shuffled setlist of new and old, alternating between songs from her most recent release Burn Your Fire For No Witness and tracks from older discography.  It was difficult to resist swaying along to the Missouri native’s enchanting vocals as the outlined the emotionally charged lyrics that I’ve been humming along to for months.  To the crowd’s delight (as indicated by the girly screeches erupting from the house), Angel surprised the crowd with a rendition of Rhiannon by the WKNC-beloved Fleetwood Mac.  Closing out the set with a solo performance of White Fire and Iota, Angel continued to hypnotize the audience without the assistance of her bandmates, leaving the crowd with a simple “thanks” and high hopes for an encore.  She returned to the stage with her bandmates to close out the night with the high-energy of Forgiven/Forgotten.  Overall, it was an impressive performance by a wonderful artist.  While many of her shows are selling out around the country, I’m glad I had the chance to see Olsen perform in the Triangle for the first time since last year’s Hopscotch Music Festival.  It’s always nice to see talented artists getting the attention they deserve.  For more information on Angel Olsen, including tour dates, merch, and news, you can visit her website at angelolsen.com.

– dJ/dx