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New Album Review

“Plague Infested Dump of the Future” by MooM

My goal in writing album reviews isn’t to rank albums and give them some arbitrary number. It isn’t to tell people they have to listen to a certain artist or track or they’ll be missing out for the rest of their lives. I think I want people to appreciate the time, effort and emotions poured into the music musicians create. 

In the case of MooM and Yo La Tengo, each of these bands have viewpoints they want expressed into the world. With each of their recent releases (MooM’s being this month and Yo La Tengo’s being last year), they both express their frustrations they feel are rampant throughout our world. 

In this article I’ll be talking about MooM’s perspective. In another article, I’ll be talking about Yo La tengo’s perspective. 

MooM is a powerviolence/ hc band from Tel Aviv Yafo, Israel. “Plague Infested Urban Dump of the Future” was released on January 10, 2024 through Raleigh’s own To Live A Lie Records. This album was recorded at Polar Studios by Gad Torrefrancae. MooM’s members include Sima (Vocals), Ez Ra (Guitar), Gad (Bass) and Heshbon (Drums). 

In an old article by Lixiviat Records that interviews MooM, they list a large number of projects the band members worked on in the past and bands they want to keep supporting that are local to them. It’s definitely interesting to read and understand a little bit of where this band comes from in terms of sound influences. 

Our Plague Infested Urban Dumps:

Intro” until “Ein Essek

The first four tracks of this album blend together seamlessly. The transitions from “Intro” into “Adom” are like an invisible barrier and that same treatment goes into the next couple tracks too. MooM’s sounds are incredibly harsh, which is why I was drawn to them; this band exudes anger, resentment, chaos and sludge. 

Ma Ye Ha’sof?” until “Meorav Ha’Porao

The next five tracks are also seamless. One flows into the next into the next into the next. By building up anger and grief and rage into your ears, MooM helps us explode in the faces of those creating our toxic dump urban sprawls. How do we stand up to those that allow harmful policies to continually destroy without loud opposition? Screaming at the tops of our lungs might be the first step, but how do we keep going if we’re running on fumes of rage?

Le’ashim Et Ha’yareac” until “Mazmina Shinui

Alright this section is quite as seamless, but that is because some of the tracks are meant to be more discordant than others. I really enjoy the guitar in this section of the album as it feels more violent and eruptive than earlier parts.

Wake Up from My Sleep” until “Lo Babayt

The vocals by Sima and backup guttural, throaty growls by another member are the highlights of this section of the album. A return to the never-ending, concussive drums creates a sense of fear and prickles crawling up and down my spine. This especially occurs in “Lo Babayt”. The final song of the album is a step down in pacing as it unwinds all the emotions ripping through our ears for the past nineteen minutes. 

Sprawling City ‘Scapes of Green. Where Are You?

MooM’s PLague Infested Urban Dump of the Future” isn’t supposed to be a wakeup call to the horrors of our daily life. It’s a reflection on the terrible reality that people are constantly facing. It’s the emotions that leak out into the void and never echo back. Feeling and fueling the building discomfort from how the world is currently working is one way to help others find their own voice to critique the kinds of systems in which we live. 

Bringing MooM’s recent release into the same circle as Yo La Tengo’s “This Stupid World” is strange. The sounds of the two albums couldn’t be more different, but Yo La Tengo’s subject matter of the fear of time can relate to MooM’s anti-oppression and fear induced anger themes. Both are afraid of how people react to the systems that are reaching around humanity and stringing us up like a puppet, moving our mouths and arms and legs. 

Well, if you’re interested in a slower version of fear rather than MooM’s fast-paced anger, you can check out my thoughts on Yo La Tengo’s “This Stupid World”.

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New Album Review

Album Review: Hearth Room by Frost Children

I first discovered Frost Children during the George Clanton concert at Cat’s Cradle in October. A few days before, I checked out some of their top songs and did not think much about their music until the concert. While I was mainly looking forward to the other acts, Frost Children ended up being the stand out performance.

After the show, I listened to “Speed Run” and was hooked and wanted more. I did not have to wait long since they dropped their fifth album “Hearth Room” on Nov. 17, 2023. This album cemented the band as more than a budget 100 gecs.

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New Album Review

“Gift Horse” by IDLES

The first time I ever drove on the highway, I listened to an IDLES song.

Gripping the steering wheel with bloodless knuckles, my vision blurring from the sheer force of my skin-prickling anxiety, I barreled down the highway with the lyrics to “Never Fight a Man With a Perm” rattling around in the empty space where my brain was supposed to be.

Cover for “Joy as an Act of Resistance” by IDLES

IDLES, formed in Bristol in 2009, make music specifically for the situation I outlined above. Grimy, manic and thudding, IDLES is delightfully raucous.

“Tank” but with a bit of “G”

Back in October, they announced their upcoming album “TANGK,” which is set to come out Feb 14.

According to the band, the word “Tangk” is pronounced like “‘tank’ with a whiff of the ‘g'” and serves as an “onomatopoeic reference” to the band’s “lashing” guitars.

While the word may sit strangely in one’s mouth, it’s clear that “TANGK” is one of the band’s most ambitious projects yet.

As a preview, IDLES released “DANCER” on Oct 18.

Two months later in December, the band put out “GRACE.”

Most recently (Jan 15, to be exact), IDLES released another single from “TANGK,” “GIFT HORSE.”

Cover for “TANGK” by IDLES

The second song to appear on the album, “GIFT HORSE” is classic IDLES.

More fast-paced than “GRACE” and rougher around the edges than “DANCER,” “GIFT HORSE” — while not particularly striking on its own — is a fairly solid track to bolster the runtime of an album.

According to the band, “TANGK” will consist of 11 tracks and focuses on empowerment, trauma and community. I look forward to being able to listen through the whole thing come February.

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New Album Review

“5 TRACK EP” by Inflicter

5 TRACK EP | Inflicter

I was going to write about some Chicago hardcore (hc) punk band, but I stumbled across this short little EP instead. Inflicter is from the UK and makes quick, ripping-loud, noisy, thrashy hc music. This kind of music makes my ears pop like they were clogged up from a bad cold. 

The sparse smattering of vocals drew me into this album. It feels like spoken word mixed with Egg punk mixed with classic punk vocals. In “Denied” the vocals are echoey and what I would describe as flavorful. They sound like a bubble ready to pop with lots of hatred about to spill out of it. Super cool and unique to put simply. 

Inflicter has another EP, “7 SONG DEMO”, that I have yet to listen to all of. The vocals are a little more clear. This band is angry (as are tons of hc bands) and they’re doing their best to voice their social frustrations in a cool way through their own sounds within the hardcore genre. 

This band feels extremely new, so there isn’t too much easy to find information about them except for one article that dove into their “7 SONG DEMO” and some of the local bands in the UK they appreciate and find inspiration from. 

Their music is currently on Bandcamp, and I hope to be listening to more of their sounds change over the next couple years as they grow and become more in-tune with themselves.

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Band/Artist Profile New Album Review

“Swatta” by Chepang: Nepalese-American Grindcore

Chepang is not a new band. They’ve been inhabiting Queens, NYC for about eight years now. The band members left Nepal and subsequently formed Chepang in 2016, and since then they have been grinding away and making their sounds known to the world.

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New Album Review

Three 2023 Albums to Put on Your End of Year List to Look Cooler

It is now past Thanksgiving. The year is now officially coming to a close, which means that it is also album of the year and Spotify Wrapped season. You, the article reader, may not have realized this until now and are now panicking. You’ve been slacking on the new music. You don’t have something on your best-of topster that none of your friends have heard of. You don’t have the music guy clout, but you need it. You need it.

Worry not, reader: I’ve been looking for this stuff all year. Here’s a few cool releases that I’ve found and pretend you found yourself.

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Miscellaneous New Album Review

“Pig City” by Pig City

Something within me *clicks* with Pig City’s newest release “Pig City”. It’s inspired me to deviate from the normal way I write my album reviews. I’ve done a few odd approaches the past couple months on album reviews, but I aim to make this one my strangest. 

Pig City is a queer hardcore crust band hailing from Arizona and releasing music through To Live A Lie Records right here in Raleigh. The album is definitely FCC explicit so cover your ears if you dislike curse words. This album was released on September 15, 2023.

Each track is followed by a block of text that relates to the subject matter and energy of the songs above it. It might help to listen to the music while you read if that is something you can do.

Track 1: “Modern Life I

We’ve made it easy to reduce things down to our specific little categories, but I feel critics have forgotten how to expand upon the meaning of a piece of worthy art. We shelve it away into musty cabinets on bookshelves becoming overladen with garbage. It makes your blood boil, doesn’t it? F*** your bookshelf. Break it. Burn it. Listen to this drum beat. Listen to these screams. Scream along with Pig City. “Where you gonna go?” (last line of “Modern Life I”).

Track 2: “Belly Of The Beast

I’m taking apart my room. Shred it. Piece by piece and examining every micrometer because I wanna find out why nothing is where it was supposed to be. Books were in places, but they didn’t fit there. Tear out the pages, glue them in different orders. Make it into the right kind of meaningful pattern. Burn this one, trash that one. Put them into place. 

Track 3: “Nuclear Wasted

On my roof now. It’s night. The cold gusts clip my ears and draws blood from my body. Drink a beer. Share it with critters running over numb legs. I can’t see my hands. Can’t feel them, but I see the moon and she calls out to take another sip and…

Track 4: “Bash Back

Awake. My head hurts. The world is upside down. It’s always been like this. Hasn’t it? Prolly gonna puke. My leg’s caught in the power line running from my house to the street. I’m hanging from the roof. Rip the leg free. Fall to the ground. It hurts, but not as much as my head. Spinning, standing and spinning. Beer can. It’s half full on the dirt covered sidewalk. I crush it under my boot. Metal succumbed to me. To my weight. I’m bigger than anything around me. I can do what I need to.

Track 5: “Dead On The Table

There’s a corpse rolled up the living room rug. Not gonna deal with that now. Bloated and blue – it’s not mine or anybody’s. Figment of the draining hangover. Not going to deal with it, I said. I want coffee. The strongest there is. All that acid and bitters draining from pot to cup to mouth and… now I can focus on the corpse in my living room. 

Track 6: “Modern Life II

You’d think this would fast track my day. A body in the living room. A hangover and falling from the roof. The day is slow. Nothing moves. Me, my coffee, a corpse. All of us act as if we’ve got all the time in the world to sit still. Sure, I’ve got work this morning. I’ll get there when I get there. Bossman can’t believe the things I’ve been through. Boss – Corpse. They are one in the same. A dead man whipping away at our backs to make us efficient. I finish my coffee and shower. 

Track 7: “Solitary Ideation

Hot showers are for suckers. Cold beams of water open eyes better than any coffee, Redbull or Monster Energy. In a shower, it’s just me and the droning of water against tub or against shower curtain or against body. A fshthh, kftdd, or bmbbmmm kind of sound, respectively. You can think up thousands of things in a shower. Like what to do with a body or how much effort I need to put into cleaning my destroyed room.

Thoughts wash away. It’s nice, empty isolation. Bare-nakedness keeps me raw and vulnerable to only myself. I’m not going to do a thing about the body, about my job, about my room. Leave it all as a masterpiece. Keep on living.

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I know I didn’t actually talk about Pig City’s skills or literal sounds, but the point of this article was to explain their energy, effort, and artistry by using it as inspiration to create.

Categories
New Album Review

“Club Hits” by R.M.F.C. New Album

Rock Music Fan Club is a project originating from an Australian bedroom by an artist named Buz Clatworthy. Their most recent release, “Club Hits” was release on Nov 3, 2023. It is a full length album with a run-time of just under thirty minutes. 

In terms of sound, “Club Hits” spreads its noise into an array of folky-twang, punk, and egg punk all wrapped up in a nice warm pot with a bit of water and salt to let the flavors and sounds in this album come alive. 

Buz Clatworthy “writes, performs and records all of the groups output himself in his bedroom”, as it states on Discogs, and began in 2018 thanks to encouragement from a friend listening to Clatworthy’s demo. R.M.F.C (Rock Music Fan Club abbreviated) has played with notable egg punk bands like Snooper and Alien Nosejob when performing live in the past.

Without Further Ado: “Club Hits

Below is a snippet of some words and sentences that each of these songs inspired me to write while listening to the music. To me that is the best way to communicate the emotions and sounds that I feel when listening to an album. 

Spectrum

The short snippets of punk and classic rock n’ roll guitar fuses together to create a wonderful playful hybrid of sounds that aren’t corny or uptight. It’s like Goldilocks says, “It’s just right”. 

The Trap

I don’t have too many flowery words for this track. I just like it. Simple as that. 

Access

Reminds me of a tame folky version of Sick Thoughts’ music they’ve been releasing recently; for example, “Hole in the Wall”. The jerky vocals put me on edge, but again the guitar quells my nerves and reassures me. 

Frogs

Like a walk in the hours after the rain has subsided in a quiet suburban night, this track puts my head at ease. The very relaxing rhythms and background noise is pleasant and delightful to my ears that usually want a harsh scream to take up residence. 

Conclusion

The rest of the album that I haven’t mentioned, is of course wonderful and each song deserves its own praises here, but that’s not feasible for me to write for a blog. This is a taste of “Club Hits”. I hope I’ve whetted y’all’s appetite, and if you decide to check out R.M.F.C.’s newest album, prepare to enjoy a delightful meal for your ears.

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New Album Review

Fall 2023: What’s New in Afterhours?

Fall, as it turns out, has been really good for music. Here at WKNC, we’ve been scouring those releases for what’s been the best, and then adding it because we know and understand that you, the masses, want nothing more than the best niche music. Here’s what we’ve found in the electronic sphere lately.

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New Album Review

Screaming Females “Desire Pathway” Album Review

Screaming Females is one of my favorite rock bands hailing from the United States. They’ve been releasing consistent, good records since their first release, “Baby Teeth”,  in 2006. Screaming Females might not fit into the hardcore punk or punk genre all the time, but the band’s ability to stay true to what makes their sound unique and constantly entertaining is what keeps me listening.

The band is composed of Marissa Paternoster (vocals and guitar), Jarrett Doughtery (drums) and Mike Abbate (bass). They made their first appearance as a band in New Brunswick, NJ (according to Wikipedia). Screaming Females is currently releasing their records on the Don Giovann Record label. 

In terms of genre, they have floated around from album to album, but for the most part I’d say they stay true to the rock genre with heavy punk and indie influences. Paternoster’s lyrics and vocals are extremely punk that tend to talk about being displaced and having realistic perspectives on relationships and life. 

Some of their previous releases include “Baby Teeth”, self-released album in 2006, Ugly in 2012 and “Rose Mountain” in 2015. They have many more albums in their discography but these are the ones that keep me coming back and listening to their music. 

Desire Pathway

Brass Bell

The opening to this album is sublime. Paternoster’s infatuating guitar is backed up by heart-thumping bass and drums leading us to explosive riffs and vocals. 

Ornament

This track is a beauty because of how much Paternoster shreds her guitar. Doughtery’s drums create an awesome thump-thump-thump building us to another explosive chorus trying to get everything it can out of love. 

Let Me Into Your Heart

Opening drums and then Paternoster’s iconic vocals dive into the topic of trust and trying to win someone’s heart and soul. The lyric choices in this track make me love it because of the uniqueness in word choice and how descriptive and pleading the song becomes because of the lyrics. 

I absolutely love this band. The catchy lyrics and rhythms in this album are intoxicating, but also I can tell how much previous albums like “Ugly” and “Rose Mountain” success have positively influenced the sound. I find a lot of the choruses to be at the perfect repetitive level and all the lyrics (as always for Screaming Females) are full of double meanings and exactness.

If you’ve never taken time to listen to Screaming Females, I highly suggest you do because this band will be one of the greats, if it isn’t already.