Note to readers: this blog contains brief mentions of sex, pedophilia, arson, drug abuse, gun violence, involuntary commitment, and more while discussing music that covers such themes.
Listeners now may not recognize how old the concept of an album as a narrative device is. The history of the concept album is murky, the history of strictly narrative albums with characters, setting, and a climax are murkier. Some say, including literary review writers at the University of Connecticut, that “Sgt. Pepper’s Lonely Hearts Club Band” by The Beatles started the idea. Paul McCartney (alongside Boston-based radio station WERS) traces the Beatles’ inspiration to Frank Zappa’s “Freak Out!” released in 1966.
Fiona Sturges at The Independent goes further, saying that commercially available song collections including a broader narrative may have originated with Woody Guthrie in the 1940s. If you consider musicals or opera as part of this history, you can go back centuries. Even in spite of its unclear origins, the narrative album continues to be a significant and growing part of contemporary music.
