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Playlists

Playlist: Digital Hardcore

Digital hardcore is a genre that blends the attitudes and heaviness of hardcore music with the speed and synthetic chaos of electronic music. Digital hardcore doesn’t just refer to one kind of electronic music with one kind of hardcore. Instead, it refers to the way that the many subgenres that influenced each wider genre converged upon each other. The genre takes influences from hardcore punk, the riot grrrl movement, techno, industrial, and even things like heavy metal and screamo. It is a wide genre with many more specific terms that can fall underneath the umbrella of the term “digital hardcore”.

For many people, digital hardcore seemed like a logical artistic conclusion of both the punk ethos and the gungy EDM club vibes that were growing at the time. So without further ado, allow me to walk you through a playlist I made for people unfamiliar with this genre who want to take a bite out of something new. Below is a link to the playlist followed by an explanation of each artist, who they are, and why I added them.

Listen along by clicking this link.

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New Album Review

Album Review: Do You Feel This Way Sometimes?

While I was walking around campus listening to this album, it began to color my perception. With all the impact of a soundtrack on a movie scene, “Do You Feel This Way Sometimes?” By LEEVAI made me feel like I was walking through a dream.

My favorite track off this album was “Professional Passenger”. This track begins with looping synths that immediately triggered nostalgia in me. The loops have a dimension to them that reminds me of the way speakers on a Nintendo DS. The slightest grain washed over the song. It made think of those tiny DS speakers trying to allow out a volume too big for them. The song made me feel like a little kid booting up a Legend of Zelda game. This nostalgia made for a great hook. It opened my attention and held me there with precision.

The next track on the album is “Ambient 1”. “Ambient 1” is the first in a series of ambient tracks spaced throughout the album. The synths in this first ambient track swelled until it felt like I was in a cathedral listening to a pipe organ. The space left in the song where things like drums or guitar might go feel empty, but empty with a sense of purpose. The lack of other instruments and the dynamic swelling of the synths create a feeling of three-dimensional space. A wide open space, like an empty amphitheater, deserted cathedral, or sprawling open fields.

The album isn’t all wide open spaces though. “Midtro” is the fifth track on the album and features drumming and guitar. Nestled between “Ambient 2” and “Ambient 3” this track felt like a brief reminder to the listener that they were in the world. It is possible that last bit is just a me thing, though. “Ambient 2” had me in a nearly meditative state. It was not quite the same contemplative empty as its precursor. “Ambient 2” is filled with static and sounds I can only describe as trying to plug in a loose amp. Despite the evolution between 1 and 2, or perhaps because of it, these glitches did still fit the contemplative nostalgia the album was riddled with.

“Do You Feel This Way Sometimes” by LEEVAI is incredible and would be an accessible starting point for anyone trying to listen to ambient music for the first time. The album is a digestible eight songs that draw you in, and bring you on a journey through a soundscape. It is well worth the listen.

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Music Education

Ghost Tracks

A ghost track, also called a hidden track, is a song on a CD that is unlisted. These tracks are preceded by minutes of silence after the final listed song of an album. 

I first learned about hidden tracks from my dad. We were listening to a CD in the car, and he began explaining how some CDs have special secret tracks after the main album. We waited for a few minutes through the silence of the “end” of the CD and sure enough another song started to play. I remember thinking this was the coolest thing. He told me about a time he fell asleep with his headphones on while listening to a CD and jolting awake when track that was not supposed to be there blasted into his headphones. I was really taken with the whole idea. 

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Classic Album Review

Album Review: Dimensions by The Fantastic Plastics

The Fantastic Plastics define themselves as a Neo-New Wave band. I would have to agree. There are unmistakable elements of New Wave influences in their work, while there are also influences that seem to come from electronic music and the internet. The band incorporates elements of sci-fi dystopias, New Wave silhouettes, and out of this world costumes into their performances. Their performances and aesthetic are essential to understanding the band, as they got their start as almost entirely a live performance, spreading their art going to music festivals and opening for bands. The definition of what a live audience is though, has changed over the past few years with the advent of streaming. Not to be out-futured, the Fantastic Plastics evolved with it, and now stream a live multimedia music and art experience on Twitch. It is fascinating to see how such a surreal retro-futuristic band keeps up with the times. 

Most of their songs are accompanied by dizzying visualizers that make you feel like you’ve been sucked into a 60s pop art painting. As I listened through their latest album, “Dimensions,” I sort of wondered if I was being slowly hypnotized by these women with boxy tape recorder bodies and microphones with hair. Certainly, the neon green background did not help me feel less like I was being lured in by this fantastic (plastic) aesthetic. 

I first found and listened to this band a few weeks ago, and loved it from the first song I heard. The song in question “Are You A Consumer.” The lyrics are an upbeat list of products and procedures to buy. Although it’s a little on the nose, the fun backing track and sardonic tone create a delightful critique on consumerism.  

“Got to get the spray tan, margarine, ginger ale, finger nail, varnish/Now you need some hair spray, tanquery, chocolate bar, caviar, garnish,”

  • “Are You A Consumer” By the Fantastic Plastics

Each song is a boppy sing-along, even as the lyrics border on topics that would be fodder for a YA dystopia at your local library. The Fantastic Plastics are a fantastically fun band and I personally hope to see more from them in the future. They released “Dimensions” in 2023 after a few years of work, so there is hope yet that they may release more music in the future. It is something to keep your ear out for. 

Categories
Music Education

What Does a Producer Do?

Finding a strict definition for the job title “producer” was much harder than I expected. Producers perform so many important and creatively complex tasks that it’s difficult to define what they do. So much of it depends on the producer and the genre. The role of a producer can be logistic and look a lot like management in terms of renting out a recording space and hiring outside musicians for projects. If a band requires a specific piece of music and they don’t already have someone who can play that instrument, it is typically up to the producer to find someone who can. The producer may even decide what instruments best fit the song in the first place. 

The role of the producer is also a visionary one. Producers collaborate with artists to help them achieve their creative goals by arranging music and helping mix and master the final project. 

A good producer can make or break an album or song. Producers are the music makers of music. That sentence sounds redundant, but it’s the simplest way I could think to put it. Producers work closely with, and sometimes even are, software and sound engineers that make an artist’s track come to life. While many artists may know how to use musical instruments they may not know how to use the production software involved in mixing and mastering tracks. They work closely with artists to ensure their creative vision for a work is followed. 

The role of the producer is going to vary artist to artist and genre to genre. In pop music, the producer is someone who is primarily in charge of logistical tasks or final mastering, on the other hand a hip-hop producer may give the mental association of the person who makes the beats, while the artist is the one rapping. Producers regardless of genre fall on a spectrum between managerial and creative decisions. The strict definition of what a producer is can be nebulous, and the amount of roles they might fill seems like more than one job. 

To give some specific examples, Dr. Dre, Brian Eno and Linda Perry all fit within this definition of producer as a logistical overseer who also helps to construct the music. The music industry is full of diverse positions with unique points of entry. Producers come from all walks of life and each have their own personal definition and opinion on the role of a producer.

Without producers, most artists would be lacking parts of their sound that their audience considers distinctive. Although artists are still responsible for the creative drive behind their music, creative projects can take many hands on deck.

Categories
Music Education

Minidiscs: Obsolete, but Pretty Cool

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I got inspired to write this article when I found a box in the back of my mom’s closet full of minidiscs, a minidisc recorder and player. The small metal square fit almost perfectly in my hand and the discs that went inside it were even smaller, and on top of that were trapped inside of hard plastic squares. I absolutely adored the look of these things and had to learn more about them. 

Portable music has seen a lot of phases before getting to where we are today. CDs, cassettes, and mp3 players are all formats you’re probably familiar with. One format you may be less familiar with is the minidisc.

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Music Education

Synthetic Pioneers: Wendy Carlos

Wendy Carlos is an extremely influential composer who shaped the way that modern music evolved. Even if this is your first time hearing that name, you may already be familiar with her work. If you’ve ever watched A Clockwork Orange or The Shining, Wendy Carlos is the genius behind both of those soundtracks. Her work on movie soundtracks doesn’t start and stop with Kubrick, she also composed the soundtrack for the sci-fi movie Tron. If you listen to electronic music, you have Wendy Carlos to thank at least in part. She was a key part of popularizing and legitimizing synthesizers as a real instrument. 

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Blog

Album Review: Everytime by Sixth June

“Everytime” is an ambient electronic album by the band Sixth June. Despite being released in 2010, this album immediately brought to mind the goth and new wave artists of the 80s. The vocals are dark and emotional, accompanied by synths. It’s the kind of singing that makes you wish you had long flowing sleeves to dance with. Sixth June describes itself as post-new wave, which explains the influence that can be heard on this album.

Sixth June, like many great electronic bands, is originally from Germany. The band is as much a visual project as it is a musical project. The videos for the songs off of the album “Everytime” are a great example of this. The video for the title song, “Everytime,” is filmed in black and white with grain on top. It looks like something taken on an old film camera, with shots superimposing over one another to create an eerie vibe. This unsettling video matches the tone of the song very well. The hauntingly gorgeous vocals over the thrumming synth match the shaking camera as it tries to focus on the singer.

Categories
Classic Album Review

Album Review: Light Decline by Great Area

A mix of dreamy electropop and much headier trip-hop, “Light Decline” by Great Area (stylized as great area) is a short but powerful album. It is packed with unique sounds on every track that made this album’s short length feel deceptively longer. At the end of the 16 minute run time I found myself wanting more. Somehow though, this album didn’t feel incomplete. It felt as though it was exactly as long as it needed to be. Despite its diminutive runtime it is a complete thought, each song presents its own unique spin on the artist’s musical style. 

The album opens with samples of robotic beeping, like a machine repeatedly starting up. After a few seconds of this, synths hum to life in the background and the singer cuts in, voice deep and hypnotic. While it is clear she is an excellent singer, her voice is almost completely monotone. Some of the singing on the album feels much more akin to chanting. Combined with electronic elements that create a world of dreamy nostalgia, the singer pulls the song in a more pessimistic direction, her voice forces you to pay attention. 

Categories
Music Education

Music and Storytelling: Concept Albums

A concept album can be loosely defined as an album that follows a central narrative or theme. I say loosely because there is no strict consensus on what qualifies as a concept album, but generally the criteria are based on an album’s ability to uniformly achieve its narrative. In a concept album, the album as a whole often means something different than the individual songs. The album is made to work together and the songs build on one another, adding context or closure to problems brought up in previous songs. 

The first concept album is widely cited to be “Dust Bowl Ballads” by Woody Guthrie. The album chronicles the Dust Bowl era of The Great Depression. Some of the songs are Guthrie embodying a character, while others are him reporting on the situation from outside. The central story throughout is of the mass migration of people from the region affected by the Dust Bowl to California. 

Since the release of this album in 1940, the concept album has grown and changed a lot.