Categories
Concert Review

Girls, Nobunny, and Papa at Cat’s Cradle, 9/17/2011

Walking up to Cat’s Cradle, I went to the front door like always…but I was redirected around to the side of the building.  After waiting 40 minutes after the doors were supposed to open, the crowd was let in.  What I walked into was not the Cat’s Cradle I was expecting: everything was gone.  I was standing in a massive open space, with only the soundboard sitting between the stage and bar.  At first it felt like the building was remodeled after an outside festival stage.  To be honest, I was unsure what to think.

After the initial shock upon walking in, I found a spot and waited for the first band, Papa, to start.  As the band began their short set, I realized that the design of the venue was not the only thing that had been revamped; the sound that came through the monitors was clear. Really clear. After some bad concert experiences, I have trained myself not to expect too much from the sound system at Cat’s Cradle, so it is an understatement to say I was pleasantly surprised to hear each instrument loud and clear!

Papa has a characteristically 50’s sound they share, to some extent, with both Nobunny and Girls.  The reverb-y Jaguar, complimented by bouncy piano chords and rolling drum patterns, has become something of a staple in indie music recently.  Each member of the band played well and the singing was solid, but there was something missing from the equation.  The melodies often sounded a little forced and overly poppy; the crowd seemed to enjoy their set though, so it may just be me.  I see a lot of potential in Papa, especially if they work on writing songs that don’t confine so strictly to pop’s barriers.

After Papa had finished and packed up their equipment, Nobunny began to set up their instruments along the front of the stage.  I learned beforehand that their show was a little intense, but I was still surprised when the lead singer walked out wearing only a dilapidated bunny mask, half of a jacket, a metal-studded leather belt-vest, and briefs (something like this).  Yep, no pants.  He put on his guitar and proceeded to go absolutely insane.  I’m talking about yelping lyrics that may or may not have any meaning at all, while strumming hard enough to induce an aneurysm.  The band excited a large part of the crowd standing towards the front of the stage, but as I looked behind my spot somewhere in the middle, I saw a lot of faces that weren’t buying into the whole spectacle of it all.  I guess you were either really into the act or not.

As soon as Girls stepped onto the stage, the crowd gave them a serious amount of applause; I was pretty startled by how loud the cheering was.  They started off their set by playing a bunch of songs from Album, their 2009 release.  Chris Owens was friendly, talking about how he was trying to change up their setlist for each show on the tour.

Coming in with a few upbeat songs from the Broken Dreams Club EP, the sound started to really hit me…and once they came in with Vomit, the single from their new album, Father, Son, Holy Ghost, I freaked out.  After the fourth-or-so verse, the band went into an intense, abstract noise jam, one of my favorite concert moments of the year so far.

After a few more cuts from the new album, the band left the stage to a stream of cheers for an encore.  There was an even a chant: “GIRLS! GIRLS! GIRLS!” that went on for a while.

The band came out for another amazing five or six songs; Chris said they played every song they knew.  This included a loud rendition of my favorite Girls’ track, Morning Light.  Towards the end of the encore, there was even a disclaimer from Chris to local media: he did not want to see a review stating that the set fell apart at the end, as they were playing an unrehearsed version of another new album track, Just a Song.  I can honestly say that the hour and forty-five minute (!) set did not fall apart, nor did it drag on as some long sets do.  I could tell the band was having a lot of fun, which made it great for the audience as well.

By the end of the show, the newly deconstructed Cat’s Cradle didn’t feel weird anymore.  I can’t wait to go to another show there!

 

-John

Categories
Music News and Interviews

WHY? Cancellation

The band WHY?, set to play with Serengeti September 24 at The Artscenter, will not be able to play their show due to an injury of a band member.

Tickets will be refunded at the point of purchase; online tickets will be refunded automatically. There is no rescheduled date at current time.
Categories
Non-Music News

EOT67 9/11 Reflections 9/13/11

Library Sounds- Jake observes the not-so-quiet environment around him in the library.

9/11 Reflections- Selma talks to local Muslims to find out what impact the events of 9/11 had on them.

Raleigh Parking Lot Mural- Mark investigates a new mural on a parking lot in downtown Raleigh.

Weather- Resident Meteorologist Katie Costa gives us the scoop on what to expect in the week to come.

This Week In History- This week, Jake takes Nick’s place for the usual run-down of the week’s historical events.

Listen to episode 67.

Categories
DJ Highlights

Local Beat Preview 9/16/11

It seems as if September is the month of festivals in our area. Following Hopscotch last weekend is SPARKcon in downtown Raleigh this weekend, and the following weekend is the Carrboro Music Festival in Carrboro. With Hopscotch out of the way we now have time to cover these longtime favorites in our area.

 

At 5 p.m. on Friday, Sept. 16, I will be joined by Gerry Williams, the coordinator for the 14th annual Carrboro Music Festival. The CMF has a long tradition and was one of the first music festivals in our state, starting before Hopscotch, Troika, Artsplosure, and SPARKcon, when it was called The Fete De la Musique. In 2002 the festival changed its name to what it is today but the goal remains the same: feed music to the masses. The event is taking place on Sunday, Sept. 25, and will feature 180 different acts at 25 venues. Join Gerry and me as we look to the past and the future at this great event.

At 6 p.m. musicSPARK organizer Stephanie Brinson is stopping by to chat about the SPARKcon art festival in downtown Raleigh. SPARKcon began six years ago and musicSPARK has been one of the central SPARKs throughout its duration. It started Thursday night and will continue through Sunday evening. This year’s musicSPARK is free for the first time and is very different from previous SPARKs. Listen in with Stephanie and me as we chat about this year’s event.

Continuing on with the SPARKcon trend at 7 p.m., I will be joined by Nikhil Shah of Locus Recordings, a start-up record label from Raleigh. Nikhil is providing the music for “Wear What You Are,” one of the fashion shows of fashionSPARK  happening on Friday evening. This one will mainly exhibit Raleigh Denim, which will be featuring 17 new “looks” in City Plaza at 8 p.m. Nikhil is also providing the music mixtape for the afterparty at the Flanders Art Gallery, which will be following the fashion show. The afterparty is from 9 p.m. to 10:30 p.m.

As always, “The Local Beat” starts at 5 p.m. and runs through 8 p.m. every Friday evening on WKNC. Listen live here and be sure to follow us on Twitter, Facebook, and ReverbNation!

Categories
Concert Review

Okkervil River and Wye Oak at Lincoln Theatre, 9/13

Tuesday night was awesome!

As I walked into Lincoln Theatre, I told the door man I was on the list.  He couldn’t find my name.  Needless to say, I was worried I was not going to get to see the show.  He went to talk to someone and a few minutes later, everything was worked out and I pushed past the bar to a large crowd.

Wye Oak was a few songs into their set as I moved toward the front. I saw them already in July, outside Lincoln Theatre during DejaFest, so I had high hopes: I was not let down. Jenn Wasner, the lead singer and guitarist, pushed through some heavy riffs while maintaining her subdued, low-key vocals.  All the while, Andy Stack effectively played drums and keyboard, turning out an ambidextrously awe-inspiring performance.

As they concluded their set, a team of techs bustled around for 30 minutes, setting up instruments that spanned the entirety of the (well-sized) stage.

Okkervil River excited the huge crowd, as they were the reason a majority of the concert-goers paid for the show!  As the band started, I was taken aback.  I was not expecting the fullness of sound to hit me, and the crowd liked it too.  As the set waned on for over an hour, Will Sheff’s voice started to wear down both him and the crowd.  The middle of their performance was mediocre, as it included a mini acoustic set of pretty boring folk, but a second wind came as the entire band condensed on the stage.

Second or third to last, the band played their biggest hit: Our Life is Not a Movie or Maybe.  Attempting crowd interaction, the band enticed the audience into an 8th-note clap; it was really fun at first (the stereo effect it created was astounding), but it wore on for the audience.  The last few songs were solid, with the band playing their instruments in lengthy outros that were pretty interesting.  I had to get home after they finished, so I can’t report on the presence of an encore, unfortunately.

Essentially, Lincoln Theatre probably has the most professional ambiance of any area club, which is fantastic.  Add to that great music presented by Cat’s Cradle and you have the perfect setup.

 

 

 

 

 

-John

Categories
Weekly Charts

Top 30—WKNC’s Top Albums of the Week 9/13

1. Heads on Sticks – Brutish and Short

2. Tinariwen – Tassili (Anti)

3. Tasseomancy – Ulalume (Out Of This Spark)

4. Little Gold – Weird Freedom (Loud Baby)

5. Wooden Shjips – West (Thrill Jockey)

6. Stepkids – Stepkids (Stones Throw)

7. War On Drugs – Slave Ambient (Secretly Canadian)

8. Gold Leaves – The Ornament (Hardly Art)

9. Implodes – Black Earth (Kranky)

10. Black Lips – Arabia Mountain (Vice)

11. Luke Temple – Don’t Act Like You Don’t Care (Western Vinyl)

12. Toro y Moi – Freaking Out (Carpark)

13. Zomby – Dedication (4AD)

14. Fruit Bats – Tripper (Sub Pop)

15. Portugal. The Man – In The Mountain In The Cloud (Approaching AIRballoons-Atlantic)

16. Yacht – Shangri-La (DFA)

17. Woods – Sun And Shade (Woodsist)

18. Vetiver – The Errant Charm (Sub Pop)

19. Collections of Colonies of Bees – Giving (Hometapes)

20. Pepper Rabbit – Red Velvet Snowball (Kanine)

21. Hercules and Love Affair – Blue Songs (Moshi Moshi)

22. Lanie Lane – Ain’t Hungry

23. Moonface – Organ Music Not Vibraphone Like I’d Hoped (Jagjaguwar)

24. White Denim – D (Downtown)

25. Blood Orange – Coastal Grooves (Domino)

26. Jacuzzi Boys – Glazin’ (Hardly Art)

27. Stephen Malkmus and the Jicks – Mirror Traffic (Matador)

28. CSS – La Liberacion (V2-Downtown Cooperative)

29. Black Milk – Brain/Royal Mega (Third Man)

30. Iceage – New Brigade (Dais-What’s Your Rupture)

Categories
Concert Review

Starfucker with Beat Connection and Alexico, 9/11

Alexico
This guy seems to be a one-man band, but he has amazing sound which is enhanced by his spectacular accent (when he does sing). His highlight may have also been when he proceeded to coordinate his multiple crowd surfs to the beat of Starfucker’s encore. It was a beat drop/leap off stage and repeat coordination like I have never seen.

Beat Connection
This band had such a good vibe. They’re a good compliment to Starfucker and I’m glad that they’re touring together. I see them going places. One thing I disliked (you can agree or disagree with this if you choose), was the fact that none of them actually sang. Let me clarify: there were lyrics; there was someone singing, but it was prerecorded. It wasn’t them. I’d love to see them really get into what they’re conveying in their lyrics, but I didn’t see it because they were only looking down at their instruments silently. But hey, maybe that was what was necessary for them to achieve the spectacular musical clarity they did, because their instrumental talent is legit.

Starfucker
Well, I probably should have said in the beginning that this was my first trip to Cat’s Cradle. What a treat for my first experience there to be a Starfucker show. With their pop genius and passionate musical concentration they could easily fill a larger concert hall, but Cat’s Cradle’s close quarters definitely amplified the light show and crowd intensity, making it pretty hard not to jump along to Bury Us Alive with the rest of the hardcore fans. There was jovial competition between keyboardist/founder Joshua Hodges and guitarist Shawn Glassford which is always great to see in a show.

I unfortunately did not notice the feminine clothing they’re rumored to wear, but really, who can notice what they’re wearing when your eyes are squeezed shut as you pump your arm out of its socket… oh, sorry, that may have just been me. Either way this show met my highest expectations.

Categories
Weekly Charts

CMJ RPM from WKNC Afterhours 9/13

1. Zomby – Dedication

2. SBTRKT – SBTRKT

3. Yacht – Shangri-La

4. Thievery Corporation – Culture of Fear

5. Com Truise – Galactic Melt

6. Wallpaper – #STUPiDFACEDD

7. Magnetic Man – Magnetic Man

8. Crookers – Dr. Gonzo: Bust Em Up

9. Borgore – Delicious

10. Glitch Mob – We Can Make the World Stop

Categories
Weekly Charts

CMJ Loud Rock from WKNC’s Chainsaw 9/13

1. Arkona – Solvo (Napalm)

2. Textures – Dualism (Nuclear Blast)

3. Revocation – Chaos of Forms (Relapse)

4. Opeth – Heritage Sampler (Roadrunner)

5. Mastodon – Black Tongue (Reprise)

6. Chimaira – The Age of Hell (eOne)

7. Monstro – MonstrO (Vagrant)

8. Kittie – I’ve Failed You (eOne)

9. Dir En Grey – Dum Spiro Spero (The End)

10. iwrestledabearonce – Ruining It For Everybody (Century Media)

Categories
Concert Review

Miniature Tigers at Local 506, 9/11

This past weekend was packed with shows, due to Hopscotch Music Festival taking over downtown Raleigh.  Sunday, a day of rest for many who attended the festival, still had its fair share of great acts.  Cat’s Cradle was hosting two shows, at its own venue and at Local 506.  After a long day at work, I got on I-40 and headed out toward the other side of the Triangle.

Walking into the club from Franklin Street, I realized I made it just in time for Miniature Tigers’ first song.  The show started out strong, with great vocal lines atop a poppy, guitar-driven melody.  As the first couple of songs passed, the crowd seemed enthused.  About three or four songs in, the melodic pop started to become more synth-driven, and the crowd responded with some ridiculously nerdy and fun dance moves.  Toward the end of the 45-ish minute set, the band played their most popular song, Bullfighter Jacket, to which the crowd responded in a quite unexpected way: a small mosh pit started a few feet away from me.  Bizarre, right?  With a few more songs (including my personal favorite, Gold Skull, which was produced by Neon Indian’s Alan Palomo), the band finished up their set, played an extremely well received, two-song encore, and invited everyone in the audience to say hi at the merge booth.

Throughout the show, Charlie Brand, the singer and guitarist, was positive and happy.  He talked between songs about how Chapel Hill had become a sort of home away from home (which our station adviser can attest to…she’s seen the band seven or eight times!).  He also stated that the band was going to take a break to record and spend time with their families, and that this would be their last show for a while.  I think we have good things to look forward to from Miniature Tigers in a couple months; if they focus on keeping their sound interesting, I’m sure the new album will be well-received!

A few side-notes:  Local 506, as always, was great.  The ticket salesperson was friendly, and the sound was not muddled in the slightest.  Every instrument could be distinctly heard, even when standing right next to the  stage!  Though I didn’t get off work in time to see the opening bands, I heard promising things about both The Grapes’ indie rock and Lilac Shadows’ shoegaze pop.  From what my friends said, I think both bands have potential that hasn’t been realized yet.