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Hopscotch 2010 part three
Author: WKNC Admin
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Hopscotch 2010 part two
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Hopscotch 2010 part one
After an impossibly long week, I had hoped that last Saturday’s show at the Cat’s Cradle would be great. I was in no way prepared for the powerful emotional journey I would experience. Each band attempted impossibly, yet successfully, to up the ante of intensity by giving a more impassioned and stirring performance than the previous band. Incredibly, even with their considerable body of recorded material, all three groups performed better live than on their albums.
Peter Wolf Crier took the stage first and stunned with their short and blistering set. Peter Pisano and drummer Brian Moen played with soulful, biting fervor. At times the duo’s dynamics recalled the consonance of the drums-and-guitar pair Dodos, but for most of the show, Pisano dominated the stage; the very air in the room became an extension of his body. Like a stationary one-man band, his myriad of amplifiers and effects pedals became a playground for his manic and maximalist compositions.
Crier’s performance would have been tough for any band to follow, but Midlake followed in stride. Appropriately, the band walked onstage just as Fairport Convention’s brilliant rendition of “Tam Lin” faded to a close over the venue’s speakers. A pastoral, electric folk ballad, “Tam Lin” is exactly the sort of song that underlies Midlake’s sound.
The seven musicians crowded the front of the stage in the best approximation of a democracy they could muster. Singer Tim Smith began the set crouched low in a folding chair, his presence subdued until the songs began to take shape. As guitar lines melded with flutes, close vocal harmonies and restrained drumming, the songs would weave and swell into evocatively textured sonic tapestries.
Rogue Wave took the stage without much fanfare. With their intentions clearly set on playing great songs, the band impressed with their joyous musicianship and their impeccable craft. Even after two great performances leading up to their set, Rogue Wave was the highlight of the night. Zach Rogue played with a fiery glint in his eye, and his bandmates deftly followed his every move. Fan favorites such as “Eyes” didn’t simply soar, they filled the room with their beauty. As I drove home later that night, I realized something: this is why I go to concerts—to be moved.
This week, the EOT team discusses anti-gay remarks North Carolina State Representative Larry Brown (R-Kernersville) made in an email message to fellow Republicans.We also have N.C. State sports and correspondent Mason Morris asks about student’s fall break plans.
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Local Beat preview 10/8/10
This week on the Local Beat should be a fantastic program as we have three great hours of interviews lined up for your listening pleasure.
At 5 p.m., Chapel Hill group the Tomahawks are dropping in to chat about their brand new album Cut Loose. It was recorded at Arbor Ridge Studios, home of Jeff Crawford, who is a member of the Tomahawks, among many others. We are going to try to get the group to play a couple live tracks for us and debut the new tunes!
6 p.m. is bringing back our good friends from Nightsound Studios who are releasing the Local Musical Chairs Compilation. The compilation is complete and available for free download! The official album release however is on November 3 at the Cats Cradle, though as of today there is no word on the lineup for the show.
Back in June, when news of the compilation started gaining momentum, I had Erika Libero from Nightsound and Wylie Hunter and the Cazadores come in to talk about the compilation. Listen to the interview here:
Musical Chairs Compilation 7/23/10
For the last hour of the program, I am welcoming Steve & Paul from the newly opened Kings Barcade on Martin Street in downtown Raleigh. Kings recently reopened in September, just in time for Hopscotch, after the club closed down several years ago. The announcement of its reopening early in 2010 was met with high anticipation from local residents, and the venue has already booked several high profile shows. Listen to the interview starting at 7 p.m. as we talk about the past, present, and future of Kings!
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Of Montreal/Ellie Goulding
This week we talk about the latest Memories Tour by Weezer, the shoe design of Animal Collective, and review the debut album from Ellie Goulding and the latest release from Of Montreal.
With the fall Shakori Hills Grassroots Music Festival this weekend, we wanted to speak to some of our favorite local bands performing at the festival. Tomorrow (Tuesday October 5), Special K will be chatting on the phone with Joe Norkus of Embarrassing Fruits as he promotes his band’s show at the Carson Grove’s Stage on Thursday, October 7.
Norkus will also be discussing the band’s recent album release of Frontier Justice which came out last month. The Chapel Hill band will be performing around 11 p.m. For the full band schedule, please visit the Shakori Hills website. Please listen in on the conversation only on 88.1FM or streaming online.
Happy October everyone! Finally feels like fall! Hooray!
Grab that scarf and come down to WKNC and Tir Na Nog’s Local Band Local Beer on Thursday, October 7 to see WILD WILD GEESE, WESLEY WOLFE, and SHIT HORSE! All bands are a part of Odessa Records. The show is FREE! Ages 21 and up. Starts at 10 p.m. My favorite delicious October-tasting beer, Big Boss Harvest Time will be on tap. Yum yum!
Check out www.wknc.org/lblb to see the fall schedule for Local Band Local Beer and to download the free mixtape, which features one song from each band playing this season.
…Wild Wild Geese
http://www.myspace.com/wildwildgeesemusic
“Are You a Baby?, the prelude to Carrboro trio Wild Wild Geese’s forthcoming debut LP, bristles with springy garage rock verve that
seems to fit everywhere and nowhere at once. The Geese play with loose energy and nervy emotion, suggesting The Replacements and Reigning Sound. The screwball guitars feel more like Polvo, though, while the pop undercurrent has as much to do with British punk as American rebellion (or as much Buzzcocks as Stooges). Still, while Wild Wild Geese sound very much culled from all of those bands, it manages to avoid sounding too much like any of them.” – The Independent
…Wesley Wolfe
http://www.myspace.com/wesleywolfe
There’s a reason Chapel Hill, North Carolina is still one of the great American hubs for independent music, and it’s not just indie rock stalwarts Superchunk and the Cat’s Cradle rock club. The reason is because there is a glut of homegrown talent, people like the Kingsbury
Manx or Spider Bags that are churning out vital record after vital record. And go right ahead and add Wesley Wolfe to that list. Storage
is, flat out, one of the finest pop records of the year. Wolfe recorded all the instruments himself, and these are as straight-up as pop songs come. Guitars, bass, drums, vocals, sweet melodies, clever and heartfelt lyrics, and hooks, hooks, hooks. But while the elements are simple, the songs are far from the same. Wolfe can pull off guileless love songs, lover-spurned indie rock, and spaced-out melancholia—and that’s just in the first three songs. His nasal bleat is urgent and sweet at the same time, and when he spits out lines like “sorry only counts the first time”, you know damn well he means it. So you’ve got 11 catchy as hell songs, full of driving guitars and deep hooks, telling earnest tales sung with both feeling and energy—aren’t those the things we expect from pop music? And does it make Storage one of the finest examples of it in 2010. The answer to both questions is a resounding ‘Yes’.
– Popmatters.com
…Shit Horse
“If you’re compelled to wince at Shit Horse on first glance, that’s understandable. The band—three young, white rock musicians from
Carrboro and Danny Mason, a black frontman two decades older than the band’s youngest member—doesn’t do itself many favors: They’re called Shit Horse, of course, and the title of their debut cassette is a riff on the 1969 Jane Fonda film about a dance marathon. They have a theme song—"Shit Horse! Is Gonna Ride!,” ad infinitum—and they prefer to present their songs via guerilla sets late at night on the streets of Orange County…The band ratchets the rhythm until they deliver Mason into a post-punk fistfight, his exasperated voice insisting that he won’t be defeated. So, yeah, maybe Shit Horse is a gimmick with an attitude and a sense of humor for teenagers. But what else did you think rock ‘n’ roll promised?“ – The Independent
The front man of all three bands will join me in the station Thursday night from 7-8 p.m. We’ll be having a round-table discussion. Tune in if you know what’s good for you!