Categories
Podcasts

DIY Series ft. The Saw


Get Psyched intro music was created by PME, used by permission. Find PME on Spotify.

Get Psyched Podcast Episode Highlight: DIY Series ft. The Saw

Photo contributed by The Saw
Erika aka ‘The Saw’ is a DJ at WKNC and has also been the Chainsaw music director for over three years now. She’s worked multiple other positions including Content Creator and Content Manager. As NACC’s DJ of the month for June 2019, The Saw has also emceed the state fair and introduced the buried and in 2018 and 2019. She also taught 2 workshops at the CBI convention! The Saw’s work is endless also including Interviewing bands, writing blog posts for WKNC and a personal website, hosting ‘The Saw’s Electric Chair Heavy Metal Podcast’, and so much more.

In this episode, The Saw gives us insight into how she got into metal and how it set her on her current path. Both her parents are metalheads who met in a moshpit ‘It’s in my roots’ she said. The DJ was also exposed to metal through her brothers who were in local bands and was involved with the scene as early as age 14 when she first went to Carolina Rebellion. ‘This is where I’m supposed to be, this is where I belong’, she said she knew this as soon as the show started ‘it filled a void in my heart’, after this she said ‘metal was always there for me’.

As far as getting into working at WKNC the DJ says her father told her about the station and suggested she try out DJing Chainsaw. She said she had no idea before and when she checked she saw that no one was currently in the genre. This is where she decided to fill the gap and started her mission to share metal with more people and make sure people see how special the genre is.

This is where Erika’s mission comes in. ‘There’s a stigma that metalheads are mean and you can’t talk to them’ she says. ‘The music might sound one way but the people are very kind’. Erika wants to show people the truth behind the genre and that there’s no need to stigmatize or judge based on how the music might sound. Since metal got her out of a rut, she wants to do anything she can to give back to the music. She says metal is an underground genre right now, so she wants to do all she can to shine some light on the genre and the bands in it, ‘I wouldn’t be here without the local bands’. This is why the saw started ‘The Bone Cruncher’, her local band metal segment at WKNC. This helped ‘The Butcher Shop’, another segment of The Saw’s, take off. 

As I mentioned, The Saw has a website, attached below, is where she showcases all of her work. She plans to use the site to continue her work after college, using it as a ground base. She soon realized ‘I can really do something with this website’. She considers all of these platforms a way to show off all the band’s hard work, and she enjoys her role in the community. Especially being able to support these bands. She said she loves ‘Seeing the community come together’ and that ‘The DIY scene in all genres, it’s all helping one another out’. She’s participated in many benefit shows and says seeing the people come together is really what makes it worth it and what keeps her going. She enjoys the friendship and commodity of the scene. ‘You can be happy, metal isn’t that sad to be honest’.

As The Saw says ‘i’ve been a metalhead my entire life, it’s a lifestyle for me’ ‘my blood type is type O-neg, (which is) a metal band… that’s not a coincidence’.

– ‘You can’t get rid of DJ Psyched and The Saw’
Learn more about The Saw in The Saw’s Butcher Shop. The PsychoSaw Series continues on The Saw’s Electric Chair podcast.

Categories
New Album Review

ALBUM REVIEW: Destroyer – Have We Met

BEST TRACKS: The Raven, Crimson Tide

FCC Violations: Crimson Tide, The Television Music Supervisor, Cue Synthesizer, Foolssong

If you follow Dan Bejar, you probably know that he is a cherished member of indie pop band The New Pornographers, but what you might not know is that Dan Bejar is also the centerpiece of a much moodier rock project, Destroyer. Destroyer recently released an album Have We Met, which earned a whopping 8.5 on Pitchfork, so I was intrigued. When listening to music, I try not to take the album art into consideration but please bear with me as I comment on album art just this one time. I am a very visual person, and am often drawn to albums based solely on enticing album art. I hate when album covers are just a closeup, artsy picture of the artist. It’s just so average and seems very self-absorbed to me. After seeing Have We Met’s boring album cover, I almost didn’t listen to the album but I’m glad I did.

Bejar’s singing style, especially on the 5th track ‘The Raven’, sometimes morphs into a very intimate talking-singing-mumble akin to Jeffrey Lewis’ on the album A Turn in the Dream Songs. The instruments on this album are fairly minimal and simple, emphasizing mostly guitar and electronic keyboard, but the music is far from basic. The solemn, sometimes scattered notes create an exquisitely spooky, chilling atmosphere. Have We Met is dark, eerie, and weird. In fact, Bejar has said that he was influenced by the Twilight Zone and Edgar Allen Poe during the creation of this album. When I listen to this album, I immediately imagine it as the soundtrack to an art gallery exhibit in the MOMA filled with weird, abstract, smooth and spiky black sculptures. Listen to this album if you ever went through a phase where you were obsessed with misty graveyards, the Victorian era, and the supernatural.

-Safia

Categories
Weekly Charts

Daytime Charts 2/18

Artist Record Label
1 MARINARA I Feel Like Dog Self-Released
2 LOVING If I Am Only My Thoughts Last Gang
3 CAVEBOY Night In The Park, Kiss In The Dark Self-Released
4 KOKO NEETZ I.T.T.I.P. Admirable Traits
5 PAPOOZ Night Sketches Half Awake
6 BAD SOUNDS Escaping From A Violent Time, Vol. 1 [EP] Theory
7 SURF CURSE Heaven Surrounds You Danger Collective
8 CHRISTINE RENNER “Tonight” [EP] Self-Released
9 DAYGLOW Fuzzybrain Self-Released
10 ROYAL CANOE Waver Paper Bag
11 GENGAHR Sanctuary Liberator
12 COMMON HOLLY When I Say To You Black Lightning Barsuk/Solitaire
13 TURNOVER Altogether Run For Cover
14 BASEMENT REVOLVER Wax And Digital [EP] Sonic Unyon
15 GREEN BUZZARD Amidst The Clutter And Mess I Oh You
16 ALEXANDRIA MAILLOT Benevolence Self-Released
17 ALEXANDRA SAVIOR The Archer 30th Century
18 SNAIL MAIL Habit [EP] Matador
19 BODYWASH Comforter Luminelle
20 OMNI Networker Sub Pop
21 (SANDY) ALEX G House Of Sugar Domino
22 PEACH PYRAMID Bright Blue Oscar St
23 WILCO Ode To Joy dBpm
24 COLD BEAT Mother DFA
25 HOVVDY Heavy Lifter Double Double Whammy
26 FYOHNA Radio Sampler [EP] Self-Released
27 SLOTFACE Sorry For The Late Reply Nettwerk
28 GIRLPOOL What Chaos Is Imaginary Anti-
29 PUZZLE X Hail Burger
30 JAY SOM Anak Ko Polyvinyl

TOP ADDS 

1 HELLO FOREVER Whatever It Is Self-Released
2 WILSEN Ruiner Secret City
3 BOX OF MOXIE Submission Admission Self-Released
4 CLIFFFS Panic Attack State Fair/We Know Better
5 WYNNM “” [Single] Self-Released
6 SQUIRREL FLOWER I Was Born Swimming Polyvinyl
7 DUNE RATS Hurry Up And Wait Rise/BMG
8 SON LITTLE aloha Anti-
9 BLASE “Limes” [Single] DK
10 GLASS BEACH The First Glass Beach Album Run For Cover

Categories
Weekly Charts

Underground Charts 2/18

Artist Record Label
1 DABRYE Lil Mufukuz (ft. DOOM) Ghostlly International
2 SANGO, XAVIER OMAR “Sweet Holy Honey” [Single] Last Gang
3 LADY MOON AND THE ECLIPSE “Global Warning” [Single] Geza X
4 IDK 24 Clue No Clue
5 VINCE STAPLES No Bleedin Def Jam
6 LANCEY FOUX “India” [Single] PSYKE
7 DOMINOES SLIME Pain BORN CTZN
8 YBN CORDAE Wintertime Atlantic
9 MIKE Smoke 10k
10 ZACK COKAS “Notorious” [Single] Young Cack

Categories
Weekly Charts

Chainsaw Charts 1/18

Artist Record Label
1 SUICIDE SILENCE Become The Hunter Nuclear Blast
2 SEPULTURA Quadra Nuclear Blast
3 VARIALS In Darkness Fearless
4 THE AMITY AFFLICTION"Catatonia" [Single] Pure Noise
5 LAMB OF GOD"Checkmate" [Single] Epic
6 GREAT AMERICAN GHOST Power Through Terror eOne
7 SILENT PLANET “Trilogy” [Single] UNFD
8 ASKING ALEXANDRIA “They Don’t Want What We Want (And They Don’t Care” [Single] Sumerian
9 CODE ORANGE “Swallowing the Rabbit Whole” [Single] Roadrunner
10 LORNA SHORE Immortal Century Media

Categories
Podcasts

EOT305 Doctor Elizabeth Tilson: COVID-19 Briefing, June Dean: NC Tobacco Funding Grade of F 2/16/20

Categories
New Album Review

Album Review: Somewhere at The Bottom of the River Between Vega and Altair – La Dispute

Best Songs: Such Small Hands, Andria, Nobody Not Even the Rain 

La Dispute is a fascinatingly talented band. I’ve never heard anything quite like them before. They incorporate a mix of indie rock, punk, blues, hardcore, progressive rock, and soft acoustics. These musical elements are incorporated with intense vocals that range from spoken word, screaming, singing, and shouting, making the listening experience all the more emotional as it fluctuates with the progressing story of the song. The vocals sound like a confession, a reflection, or a personal journal. Jordan Dreyer, vocalist and primary lyricist, comments on their eclectic variety of genres apparent in their music and vocals, saying “I think boxing art into categories only serves as a way to exclude people from exploring different variations of the same thing. I think the only real definition between artists exists in their intentions for creating art.” He approaches lyrical writing in a story-telling manner by creating different stories and characters, drawing influence from writers such as Edgar Allan Poe, Hemingway, Joan Didion, and Kurt Vonnegut. I saw them live for the first time after being a major fan for many years, and the band members seemed as genuine and honest as their music. Jordan awkwardly two-stepped and spun in circles around the stage while singing, somehow not getting tangled in the mic chord, and gave heart-warming speeches between songs on togetherness, personal struggles, and finding hope in yourself and others. They poured their heart and souls into the stage and the crowd, as they do in every recorded song, and was easily one of the most intimate live performances I’ve witnessed.

Their first album, Somewhere at the Bottom of the River Between Vega and Altair, is a testament to their profound musical talent, stylistic range, and lyrical capability. Each album follows a story that progresses from start to finish. Somewhere at the Bottom of the River seems to focus on a long-term marriage that falls victim to infidelity, hatred, guilt, and neglected vows as they reflect on their sworn love and the life they built together. The album opens with Such Small Hands, introducing the unbridled anger and darkness caused by lost love and the subsequent demons that once lay dormant, a common theme throughout the album. Damaged Goods, Bury Your Flame, and Said the King to the River capture feverish hysteria with upbeat drums and guitar paired with quickly sung vocals that change. These songs portray the immense frenzy of convoluted emotions as his world and relationship quickly spirals out of control. One of the most popular songs off the album, Andria, details the story of the beginning of their love and the chaos that soon followed. My personal favorite song off the album Last Lost Continent, is a twelve-minute story of removing the blame from either partner and recognizing infidelity as the monster it is as it invades and disrupts families, love, and lives. The protagonist seems to find forgiveness, admitting to his selfishness and the undying love he holds for his partner, family, and friends. The lyrics for this song are breathtaking, beautiful, and complex, and perfectly showcase the emotional process of life and love. They played this song when I saw them live in November 2019 during their Panorama U.S tour and it was everything I dreamed it would be. I may or may not have cried. The emotionally chaotic album ends with the gentle song Nobody, Not Even the Rain. The protagonist reflects on the sacred, treasured details of their love despite the pain they have suffered. This is one of my top five albums of all time, and I believe La Dispute offers something for everyone. 

-Sarah

Categories
Podcasts

Pack Is Life 63: 2/8/20-2/13/20

Categories
New Album Review

Hot New Indie: “If I Am Only My Thoughts” (Loving)

FCC Clean

Loving may be characterized as a “folk-pop” band, but the genre title does not do their new LP’s idyllic nature justice. To be clear though, this album is for particular types of listeners. For those listeners, however, Loving is sure to be a mainstay in the artists they can’t get out of their head. 

Loving nails the “nostalgic” feeling, an effect that is embellished by the fact that the band recorded straight to tape. Flowing guitar leads, pastel piano chords, and silky-smooth vocals bring the listener into the band’s personal wonderland. Anyone who’s the type for daydreaming will certainly be right at home in this headspace. 

The vocalist in particular deserves praise. While he does not show off a large range, his silken tone is precisely what brings the album together. The music is designed for his voice to premier directly in the center. The lackadaisical nature of his lyrics portrays something of the way in which you may stare out the window in contemplation on an overcast day.

Favorites: “If I Am Only My Thoughts”, “Nihilist Kite Flyer”, “Write A River”

-Decent Icon

Categories
Podcasts

DIY Series ft. Pat Danger


Get Psyched intro music was created by PME, used by permission. Find PME on Spotify.

Get Psyched Podcast Episode Highlight: DIY Series ft. Pat Danger

Pat Danger, photo contributed by the artist
Pat Danger is an independent musician from New Jersey who’s been making music for almost two years. On describing his sound he says “I don’t want to box myself in but it’s definitely hip-hop… lo-fi to houseparty, or anything in between.” A lot of his music can be found on his SoundCloud, but he’s also recently been posting his newer tracks on Spotify. He is now on a personal mission of releasing a new track every Friday.

When I asked Pat about how he got into creating music he said he’s always been a big fan of music and was known to freestyle at parties around friends. It was just for fun and he never really saw it as anything else, until he decided he wanted to try making an EP. He went out to Best Buy and got a starter mic, some software and found some beats online to start recording over. This was around the time he moved out of Jersey and had a bit of free time, but when we recorded together he was back in the city and full-time in school and work; all his free time still went to music.

We then talked about how he balances all of his commitments with his music making, and he told me that the way he sees it, it’s all about not allowing yourself to make excuses. “Anyone can do it, I’m not superman or anything.” He switched all of his classes online so he could be in control of his schedule, and said that making excuses is in the past. “There’s a lot of time in the day, the less time you spend on the phone or wasting away…  you do have a tone of time even if you are doing a bunch of things.”

After he started creating, he also started using Reddit as a place to share his tracks with others and also find people to collaborate with. This is how he ended up meeting his first producer. He says he does not have any goals of being rich or famous, but just wants to put his words out there.

When we talked about ‘making it’ he said he feels like since he was able to put music out there he’s made it, but something cooler can always happen, and each new milestone feels even better then the last; and he’s always happy to see where things go.

What matters to him most is to just be genuine and get himself out there naturally. He’s not into networking or looking for clout, he just does what works for him. We talked about putting work out there and how scary it can be sometimes, especially being nervous for judgement. He says he wants to make sure he’s never too stubborn, and has been focusing on receiving criticism and feedback well. “I try to take the mature mindset (with feedback).”

His charismatic nature and love for freestyling led him to meet his most recent producer at a party. He said it felt kind of like fate since he was looking for some beats and his producer was looking for someone who can rap. The first track they put out together was “Tennessee” and, on his most recent mission to release new tracks every Friday, Pat has put out “Dead by The Morning” feat. downside and “Gritty Freestyle” on Spotify.

On his recent releases he says ‘I’m trying to make something that I think is good’.

Learn more about Pat Danger on Soundcloud, Spotify and Instagram.

– DJ Psyched