Categories
Music Education

Songs to Weave To

By DJ Lil Witch

With the lockdowns a year ago, people have been getting crafty. Making bread, decorating, and making art was at an all-time high. I want to keep the quarantine hobbies alive and well. I am a fan of textile art, specifically weaving. It is a craft that is meticulous but satisfying. To that end, it is something you can get lost in for hours. I have found it is a great time to listen to albums all the way through. My vinyl collection has been getting more attention since I started weaving. But if playlists are more your speed, I have you covered with a mix I made with a relaxing folk weaving vibe as well as more electronic tracks to craft/weave to.

You can find my weaving playlist on Spotify, but one song to highlight is “Weave Me The Sunshine” by Peter, Paul and Mary. It’s the most thematically appropriate song for weaving in my opinion but your crafting songs could be anything from metal to ambient. Blast these tunes and we can get crafting.

Weave at Home with A Beginners Cardboard Loom Guide

You will need: A piece of cardboard, scissors, measuring tape, pen/pencil and yarn (one thin yarn for warping the loom, and others of varying colors and textures to weave with but other materials like paper or ribbon can be substitutes).

Step 1: Make the Loom

Gather the piece of cardboard, scissors, measuring tape and pen/pencil. Mark the top and bottom with dash marks 0.5 cm apart and 1 cm deep. Following the guides you just made, use your scissors and cut slits being careful to keep them a similar length. Now you have a cardboard loom. You can make these any dimensions but a rectangle is standard.   

Step 2: Preparing the Loom

For this step, you will take the cardboard loom you just made and some thin yarn or any material you have (I imagine floss could work well). Take the end of your yarn and make a double knot. Slip the knot into the first notch on the top of the loom, the side with the knot will be the back of the loom. Once that knot is secure, pull the yarn down to the first notch on the bottom. Thread the yarn through and around to the next notch on the top. Keep going until the loom is full or the width you want for your weaving. Both sides should be covered in yarn (called the warp).

Step 3: Start weaving

You are almost there. Now it’s time to begin the actual weaving process. Take a piece of yarn and begin threading it over and under the warp. You can leave a tail hanging out. Once you get to the end, bring the yarn to the next row by threading it the opposite way. Make sure to push each line down tight. It takes practice and you might mess up, but you can always pull the yarn out and redo it. After a while, this process will be second nature and intuitive. 

Once you run out of the yarn you started with you can add more of the same kind or a new color. You pull the old yarn to the back of the weaving on a stitch that goes under the warp, tucking it between the weaving and the loom. Then you can take the new yarn and tuck the end of it one strand over from the old yarn. Without tugging too hard, begin weaving with the new yarn, following the pattern you created. There will be two tails in the back but we can deal with that later.

Step 4: Additions 

As you continue weaving you might want to add things like tassels. Tassels are pretty simple. You just need a piece of yarn. Fold it in half so it looks like a lowercase “n”. Take one leg of the “n” and wrap it around and through the middle of the warp yarn. Take the other leg and wrap it through the middle and pull down. These can be over two warp strings or several depending on your preference. Try out a bunch of things and see which you like best. You can do a couple of rows of tassels to bulk it up or you can make shapes with them. 

Step 5: Take the Weaving off the Loom

Once you’re happy with your weaving you can cut it off the loom. Turn the loom over to the back and cut the warp in the middle.

Once the strings are cut you can gently remove them from the tabs on the top and bottom of the loom. There are a couple of ways to finish off a weaving. I like to take two strings and tie them into a double knot and go along until all of the strings are tied. It keeps the weaving from unraveling. I like the look of knots across the top and bottom but if you don’t you can tuck the strings into the back of the weaving with a large-eyed needle. As a final step you can take the tails you left out in the back of the weaving and tuck them into the back of the weaving. 

And you are done. You have a beautiful weaving to remind you of all the songs you listened to while making it. You can hang it up, turn it into a patch, bag or pillow. The opportunities are endless.

Categories
Classic Album Review

Album Review: Let the Sun Talk by MAVI

By Silya Bennai

ALBUM: “Let the Sun Talk” by MAVI 

RELEASE YEAR: 2019 

LABEL: New York Lab / UnitedMasters 

RATING: 8.5/10 

BEST TRACKS: “Eye/I and I/Nation,” “Self Love” and “Sense” 

FCC: Explicit

“Let the Sun Talk” leaves no room for personal thoughts during its thirty-two-minute runtime, but it seems as if MAVI may have already read our minds through the exploration of his own. Human truths presented as personal ruminations, MAVI’s debut album is a bright light of pro-Black, anti-capitalistic poetry wrapped in smooth, flowing instrumentals. 

Born Omavi Minder, MAVI spent much of his childhood and adolescence locally; Charlotte, North Carolina, to be exact. The 21-year-old neuroscience student showcases a clear influence from American rapper Earl Sweatshirt, but brings a fresh and introspective taste of youthfulness to the ever-altering subgenre of alternative hip-hop. 

“Eye/I and I/Nation”, the second track of the thirteen-track album, captures the struggle of loving and being loved while simultaneously figuring out who you are as an individual and community member. This track was my personal introduction to MAVI and I still find myself coming back to this line: “I got puddled pride and troubled eyes ’cause I’m an artist.” MAVI is able to both highlight the truth behind the “tortured artist” stereotype while casting a shadow of irony on the inherent narcissism of the self-identified creative. 

The fourth track, “Self Love”, boasts the most listens of any of MAVI’s solo songs and for good reason. The warm and full beat is accompanied by MAVI’s breathy and constant flow of self-doubt and reflections on familial love. Perhaps no one worries like a mother does for her child, and the resulting comfort and guilt of this fact is present on this track as MAVI explores it from the child’s perspective. 

“Sense”, which includes production from the aforementioned Earl Sweatshirt, is one of the shorter tracks from the album, but proves impressive upon every listen. MAVI’s dexterous lyrical flow is especially evident on this tightly crafted, and of course, introspective track. If anyone ever asks you what kind of songs MAVI makes, look no further than “Sense”. He says it best himself on this track: “I make the kind you gotta read, baby.” 

Here’s to reading songs, 

Silya Bennai

Categories
Music News and Interviews

T-Time Interviews Tigers Jaw

What’s up, everyone? This is T-Time, host of In the Garage– the show that brings you the best of garage rock, DIY, and emo! Back in March, I had the pleasure of interviewing Ben Walsh of Scranton’s own Tigers Jaw. At the time, they were amping up the release of their 6th studio album, “I Won’t Care How You Remember Me.”

So what was the direction for this upcoming album?  I’ve listened to a couple of singles, and they seem a lot more synth-based

Yeah. So for this, for this album, we really wanted to capture sort of like the live energy of when we play shows, which is kind of ironic, because there’s no live shows happening right now. But we really wanted to have sort of like a very punchy, sort of openly mixed album with not a whole lot of layering. So it’s pretty reminiscent of how many instruments are happening in a live setting for us. So we definitely experimented a lot with more, more keyboard tones on this record. Brianna was definitely, you know, in her creative element with that, so there’s definitely a couple different instrumental voices in there compared to some previous stuff.

Other than not being able to tour, how else has the pandemic affected recording and rehearsals?

So, we’re a little bit scattered, you know, our drummer lives in the Detroit area, and I live in the Philadelphia area, and then Colin and Brianna both live in northeastern PA. So sort of tighter restrictions about getting together and travel and everything. There’s only been a few, a few situations over the past year that we’ve even seen each other. So it definitely made it tough to get together. A few times we were able to get together and practice and do some music videos and things like that. But fortunately, this record was made prior to the pandemic.

I was wondering how you guys got all that done in such a weird time.

Yeah, we were getting the mixes of the record back, basically, in February 2020, when all the news was coming out, and everything was being pretty rapidly updated. We had the record almost ready to go. And then we were like, “Everything is different now. Like, we’re not going to be able to just put this record out, we will have to sort of rethink how we wanted to roll it out.” Yeah, so this has been a project a couple years in the making. It wasn’t intended to be that way. But it feels good to finally be able to release the record now.

Personally, I like it when artists take their time. I don’t care if it takes a year, I don’t care if it takes five years– if an album is good an album is good.

We try not to get any sort of schedule, like, “Okay, it’s been a couple of years, it’s been two years, we need to do a record.” We make music when we’re feeling inspired. So we’ve always kind of done things in a way that felt natural.

Who are your guys’ inspirations?

I think for me, personally, I was really just drawn to… I remember being a kid and hearing like Fleetwood Mac and Tom Petty songs on the radio driving around in the car with my parents, and just hearing like, the simplicity of those songs, but they’re incredible. So, you know, being sort of inspired by that. That style of songwriting where it’s like, a good song is a good song–there’s something about it that you can just feel. And then you know, a few years down the line just getting more so into punk music and starting to play guitar, play drums, and things like that. It was just there was a really cool music and art scene in Scranton, where I grew up, and it was just like this really supportive and creative environment. So it was really inspiring to get involved. One of my older cousins played in a band, and I went to go see him and was just like, I fell in love with that sort of lifestyle, and it inspired me to want to play in a band.

So what about other Philadelphia or Pennsylvania artists? The ones that come to mind are mewithoutYou, Modern Baseball, etcetera. Have you guys had any interaction with them?

Yeah. So we’ve actually been able to go on tour with mewithoutYou and we played with Modern Baseball many years ago. But, we’ve gone on tour with Jake’s project Slaughter Beach, Dog, so it’s a really small world you know? And we’ve been around for a while, we’ve been lucky to meet a lot of really incredible musicians from not just PA but from all over. But there’s something happening in PA where there’s just a lot of really great talented artists.

What genre would you guys consider yourself? I know a lot of people say that you’re emo or pop-punk or folk-rock, but I want to know what the band thinks.

Yeah, it’s a tough question. Because, you know, whatever, how people classify things, I think, can be a good thing. But sometimes it can limit people, like if they feel like, “Oh, I don’t like such and such type of music,” but we’ve always just really considered ourselves a rock band. But we pull from a wide array of influence. Not every song is gonna sound like it belongs in the same category. But right now, we just make guitar rock music, I guess, in the simplest sense.

Yeah, I’ve listened to you guys’ discography, it’s a pretty diverse sound. You listen to your debut record, and then you go and listen to your most recent singles. There’s a lot of similarities, it’s the same band, but it’s definitely a different sound.

Yeah, there’s, there’s common threads that are kind of hard to really describe. But you more so feel them than anything else.

A lot of DJs at the radio station really want to know the answer to this question, it’s kind of dumb. But the self-titled Tigers Jaw album… the album cover… the pizza… was it good?

Oh, it was incredible. So the pizza on the cover is from a place in Scranton, Buona Pizza, and it was right in downtown Scranton. Anytime we would be practicing or playing a show or going to a show, that would be our hangout spot either before or after. So when we were walking around shooting pictures for the Run For Cover release of that record, we naturally just went there, because we always went there. And Brianna took that picture and we ended up rolling with that. A lot of people do ask about it, but it’s great pizza. Just classic greasy mall pizza. If you’re ever in Scranton, check it out.

Thank you so much for speaking with us today, Ben!

We appreciate you having me!

Categories
Weekly Charts

Chainsaw Charts 5/11

ArtistRecordLabel
1CANNIBAL CORPSEViolence UnimaginedMetal Blade
2PATHFINDERAres VallisSelf-Released
3NEKROMANTHEONVisions Of TrismegistosHell’s Headbangers
4CADAVERIC INCUBATORNightmare NecropolisHell’s Headbangers
5DESTROYED IN SECONDSDivide and DevourSelf-Released
6DEAD CARNAGEFrom Hell For HateImmortal Souls
7SEILUNVIHOLLINENTeloituskäskySelf-Released
8PERVERSORPsicomoroHell’s Headbangers
9GASTRIC PHANTASMGastric Phantasm [EP]Self-Released
10DISAVOWEDRevocation Of The FallenBrutal Mind
Categories
Weekly Charts

Underground Charts 5/11

ArtistRecordLabel
1BLU AND EXILEMilesDirty Science
2BUTCHER BROWN#KingButchConcord Jazz
3ZEBRA KATZLess Is MoorZFK
4LAVA LA RUEButter-fly [EP]Marathon
5BILLY DEAN THOMASFor Better Or WorseSelf-Released
6COOKIEE KAWAIIClub Soda, Vol. 2The Cookiee Jar/EMPIRE
7FAT TONYExoticaCarpark
8SHYGIRLALIAS [EP]Because
9STATIK SELEKTAHThe Balancing ActMass Appeal
10MARKEE STEELEVet & A Rook [EP]Thee Marquee
Categories
Weekly Charts

Daytime Charts 5/11

TOP CHARTS

ArtistRecordLabel
1SPIRIT OF THE BEEHIVEEntertainment, DeathSaddle Creek
2REMEMBER SPORTSLike A StoneFather/Daughter
3ELI SMARTBoonie Town [EP]Polydor
4BUTCHER BROWN#KingButchConcord Jazz
5FAT TONYExoticaCarpark
6HYPOLUXOHypoluxoTerrible
7SHYGIRLALIAS [EP]Because
8DRY CLEANINGNew Long Leg4AD/Beggars Group
9PINK SIIFU AND FLY ANAKINFlySiifu’sLex
10BLU AND EXILEMilesDirty Science
11LAVA LA RUEButter-fly [EP]Marathon
12ORIELLES, THELa Vita OlisticaHeavenly/PIAS
13CRUMBIce MeltSelf-Released
14REAL ESTATEHalf A Human [EP]Domino
15ANTONIONIAntonioniLauren
16MAASHO“Sad Machine” [Single]Self-Released
17BILLY DEAN THOMASFor Better Or WorseSelf-Released
18STATIK SELEKTAHThe Balancing ActMass Appeal
19MARKEE STEELEVet & A Rook [EP]Thee Marquee
20CAKES DA KILLA, PROPER VILLAINSMuvaland [EP]Classic Company
21PRINCESS NOKIAEverything is BeautifulSelf-Released
22ZEBRA KATZLess Is MoorZFK
23JIMMY EDGARCheetah BendInnovative Leisure
24BLACK MIDI“John L” b/w “Despair” [Single]Rough Trade/Beggars
25BICEPIsles (Deluxe)Ninja Tune
26JAPANESE BREAKFASTJubillee [Advance Tracks]Dead Oceans
27PLANET GIZADon’t Throw Rocks At The Moon [EP]Self-Released
28SPELLLING“Little Deer” [Single]Sacred Bones
29DREAMWEAVERCloud9MagicCrafters
30ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS

TOP ADDS

ArtistRecordLabel
1SQUIDBright Green FieldWarp
2ICEAGESeek ShelterMexican Summer
3BLACK MIDI“Slow” [Single]Rough Trade
4SHELTER BOY“Absence” [Single]Cascine
5DOUGLASAshesJ’aime Trop
6KID LE CHATLuck Comes Too Late [EP]Self-Released
7PAUL JACOBSPink Dogs On The Green GrassBlow The Fuse
8WAVVESHideaway [Advance Tracks]Fat Possum
9ELECTRIC LOOKING GLASSSomewhere Flowers GrowWe Are Busy Bodies
10CHRISTINA WARDRent [EP]Mint 400
Categories
Weekly Charts

Afterhours Charts 5/11

ArtistRecordLabel
1OVERMONOEverything U Need [EP]XL
2INTERPLANETARY CRIMINALNobody [EP]Shall Not Fade
3PROSPA“The Thrill” [Single]Rave Science
4PLANET 1999Devotion (Deluxe)PC
5FIT OF BODYPunks Unavailable [EP]2MR
6NAMASENDA“Wanted” [Single]PC
7BLUE HAWAIIUnder 1 House [EP]Arbutus
8GILLIGAN MOSSGilligan MossForeign Family Collective
9ARCAMadre [EP]XL
10GEORGE CLANTON AND NICK HEXUMGeorge Clanton And Nick Hexum100% Electronica
Categories
Podcasts

DIY Series: Meet Producer PME (Part 3)


Pme is an independent producer who’s been consistently producing and releasing hip-hop type beats for about 3 years now. He’s also one of my best friends and has been on this podcast 3 times now. In this episode, we share what we’ve learned from our 3 years of consistent creating and how these things have helped us grow.
We also had a lot of laughs and shared our biggest guilty creating habits. Hit: If you’re a long time follower of mine you might’ve noticed something mildly confusing about my page. And we’re giving insight into why we do what we do 🙂
The DIY Series is also going strong on my podcast, and I’m now opening up the scene to any independent creator interested! If you’d like to be on the series you can find more information here: https://getdjpsyched.com/artist-highlights/.
Mentioned in this Episode:

Find PME on…
Spotify: https://open.spotify.com/artist/7FcmQ…
Instagram: https://www.instagram.com/pme.jib/
Twitter: https://twitter.com/pmejib
Merch: https://teespring.com/new-pme?pid=2&c…
To learn more about the Get Psyched Mission:
You can Get Psyched on…

Instagram

Twitter

Facebook

Youtube


Checkout my friend and fellow creator
PME On Spotify
(Producer PME has given me permission to use his beat ‘300k’ as the Get Psyched intro/outro beat)

Categories
Weekly Charts

Afterhours Charts 5/4

ArtistRecordLabel
1BELLA BOOOnce Upon A Passion RemixesStudio Barnhus
2KAREEM ALIBlack Power [EP]890243 DK
3DJ POOLBOIit’s good to hear your voiceMajestic Casual
4PARK HYE JINHow Can I [EP]Ninja Tune
5DREAMWEAVERCloud9MagicCrafters
6FAERIE2am [EP]Self-Released
7ARCAKiCk iXL/Beggars Group
8BLUE HAWAIIUnder 1 House [EP]Arbutus
9DANIEL AVERYLove + LightMute
10COM TRUISEIn Decay, TooGhostly International
Categories
Weekly Charts

Daytime Charts 5/4

TOP CHARTS

ArtistRecordLabel
1REMEMBER SPORTSLike A StoneFather/Daughter
2ELI SMARTBoonie Town [EP]Polydor
3SPIRIT OF THE BEEHIVEEntertainment, DeathSaddle Creek
4SHYGIRLALIAS [EP]Because
5FAT TONYExoticaCarpark
6DRY CLEANINGNew Long Leg4AD/Beggars Group
7BLANKETMANNational Trust [EP]PIAS
8MARKEE STEELEVet & A Rook [EP]Thee Marquee
9CRUMBIce MeltSelf-Released
10BLU AND EXILEMilesDirty Science
11HYPOLUXOHypoluxoTerrible
12REALLY FROMReally FromTopshelf
13BUTCHER BROWN#KingButchConcord Jazz
14TOBIElements Vol. 1Same Plate/RCA
15ZEBRA KATZLess Is MoorZFK
16JAPANESE BREAKFASTJubillee [Advance Tracks]Dead Oceans
17GENESIS OWUSUSmiling With No TeethHouse Anxiety/Ourness
18RATBOYSHappy Birthday, RatboyTopshelf
19SPUD CANNON“Juno” [Single]Good Eye
20RICO NASTYNightmare Vacation [Advance Tracks]Sugar Trap
21JIMMY EDGARCheetah BendInnovative Leisure
22KXG“Tonka” [Single]Self-Released
23CHAD VANGAALENWorld’s Most Stressed Out GardenerSub Pop
24BABE RAINBOW, THEChanging Colours [Advance Tracks]Eureka/Kobalt
25EARLY EYESSunbathing [EP]Epitaph
26LAVA LA RUEButter-fly [EP]Marathon
27SMERZBelieverXL/Beggars Group
28FAKE FRUITFake FruitRocks In Your Head
29DEZRON DOUGLAS AND BRANDEE YOUNGERForce MajeureInternational Anthem
30JOESEFDoes It Make You Feel Good [EP]AWAL

TOP ADDS

ArtistRecordLabel
1MAASHO“Sad Machine” [Single]Self-Released
2LUIS AGATONA Weekend Out, And the Weeks That Follow [EP]Self-Released
3FOREIGN AGE“La La La (It’s Okay)” [Single]Self-Released
4JULIANA HATFIELDBloodAmerican Laundromat
5CLAIRE RENEEWingsSelf-Released
6AUTOGRAMMNo RulesNevado
7MAJOR MURPHYAccessWinspear