Categories
Weekly Charts

Afterhours Charts 11/1

#ArtistRecordLabel
1ARCAKICK iiXL
2MAGDALENA BAYMercurial World DeluxeLuminelle
3CLUB ANGEL6AM [EP]Astral People/PIAS
4COFFINTEXTS8700 [EP]Club Qu
5DIVINO NINOLast Spa On EarthWinspear
6NAKED FLAMESMiracle in TransitDismiss Yourself
7PENDANTHarpSaddle Creek
8KY VOSSThe AfterPlay Alone
9MATVEITALES_FOR_NIGHTCLUBS_II [EP]Kitsune
10SHYGIRLNymphBecause

Afterhours Adds

#ArtistRecordLabel
1DEATH’S DYNAMIC SHROUDDarklifeSelf-Released
2ZOUJMetal [EP]City Slang
Categories
Weekly Charts

Chainsaw Charts 11/1

#ArtistRecordLabel
1CABAL“Exsaguination” [Single]Nuclear Blast
2CABALExit Wound [EP]Nuclear Blast
3THE CONVALESCENCE“79 years” [Single]Blood Blast
4BOUNDARIESBurying Brightness3DOT
5SLIPKNOTThe End, So FarRoadrunner
6HAMMERHEDD“Tunnel” [Single]Self-Released
7BLACKBRAIDBlackbraid ISelf-Released
8AITTALA“Collateral Damage” [Single]Exitus Stratagem
9STORMRULERSacred Rites & Black MagickNapalm
10GAEREAMirageSeason of Mist

Chainsaw Adds

#ArtistRecordLabel
1LAMB OF GODOmensEpic
2ALIENATÖR“Blood Red Blood” [Single]Self-Released
Categories
Weekly Charts

Underground Charts 11/1

#ArtistRecordLabel
1TOMMY RICHMANAlligatorBoom
2JEAN DAWSONCHAOS NOWHandwritten
3MAVILaughing so had it hurtsSelf-Released
4KWAMZAYMountain [EP]Off-Center
5ERNESTO BIRMINGHAMat Catalyst [EP]Self-Released
6SMINOLuv 4 RentZero Fatigue
7DIZUltra.VioletSelf-Released
8PERRY MAYSUNPainting Naked [EP]Self-Released
9REDVEILlearn 2 swimSelf-Released
10AVIADBelieve [EP]Self-Released

Underground Adds

#ArtistRecordLabel
1MIKEDisco!10k
2GAO THE ARSONISTOur bones are artifactsGood Problem
3OVERPADEAge of AquariusGORECORPS & Once upon a time
4KENNY MASONPUP PACK [EP]2022
5PERRY MAYSUNPainting Naked [EP]Self-Released
Categories
DJ Highlights

DJ Profiles: President Shrimpo

DJ Name: President Shrimpo

Show Name: Fireside Chats

Show Description: Do you like rock and roll? Do you enjoy eating raw onions like apples? Would you vote for President Shrimpo for four nonconsecutive presidential terms? If you said yes to any of these questions you should listen to Fireside Chats with President Shrimpo! Fireside Chats is the preeminent place to find music on this hemisphere of the Earth, so listen or you’ll feel a great sense of emptiness in your life!

I know the music you grew up listening to is a big part of the music you gravitate towards… What other influences are present in your sets?

So much of my taste in music definitely comes from my parents, but I’ve been really fortunate to have a lot of friends who also loved music a lot. And so like, I have a friend who was like, super into Oingo Boingo and that got me into a new wave phase and that definitely has influenced me. I’m also watching video essays about music which has helped me broaden my horizons and pick out stuff that I don’t think I would have ever found just by, you know, listening to the music my parents do.

What is the story behind your DJ name and show name?

Okay, so there’s layers to the story. Over the pandemic, I really fixated on American, presidential, and political history. I liked the idea of theming myself around that. I also find silly little critters like shrimp and worms and stuff funny. There was a live stream series that this guy Zach Hadel did, called the very positive stream, where he would draw things and take suggestions. One of the things that he drew was the assassination of President Shrimpo Jones. And that was just such a silly thing to me that I sort of thought of that while I was coming up with my DJ name, so I pretty directly lifted that. And then Fireside Chats is a reference to FDR and his Fireside Chats because it was like, you know, that’s sort of like the most famous thing a president has ever done on the radio. And so I thought, I should have my own Fireside Chats.

What is your favorite aspect of being a DJ?

I love the sense of community that we have here that I like and like the friendships that I’ve built with other DJs. I love being around people who care about music in the same way that I do, even if it’s not the same music. That’s just something that’s very special to me. For example, young iowa has a metal show and I don’t personally like metal but I love hanging out with young iowa during his set, Feedback, just because he loves that kind of music in the same way that I love my own music. So that’s something that’s very special to me. I also love being able to share my music with complete strangers. I have a number of people who regularly call into my set. I don’t know them… I might know some of their names but they’re essentially strangers to me. But we are able to talk about something that we both really love and that’s very special to me.

Do you have a favorite phone call you’ve ever gotten?

Okay, so I have this guy who regularly calls into my set. Before I even knew his name, I always knew that it was him calling me because he would always tell me what he was doing while he was listening to my set. He would call in and say I’m doing the dishes or I’m out in my garage or whatever. Most recently, he called in and told me after we were done talking about the music, he said, I’m gonna go back to cooking my beans now, and I just thought that was a really funny moment.

How has your show evolved over time?

I would say, like, on a technical level, my show has changed because the first semester or so of me being a DJ I would always script everything I would say beforehand. I also didn’t have a good system of structuring how many songs I would put between air breaks. But I ended up doing a joint set with my friend young iowa and he does his shows very differently from how I did mine. He improvises everything he says and has a very strict pattern of blocks of three songs in between air breaks. I tried that and found that it really worked for me and I was able to have more structure to my sets and also gave me more room to improvise more and talk more naturally on air. I also changed the sort of music I play. Early on, I just wanted to exclusively play punk and post punk. But over time I have mellowed out and have been more receptive to playing more pop stuff. I think in the beginning I had some misconceptions about what was acceptable to play on college radio, and so I think my intentions of what I want to play changed over time. 

Do you have any guilty pleasure music?

I definitely have some stuff that I would not play on air, but mostly because it’s, like, more popular. Like I love Nirvana and I really enjoy The Beatles and Arctic Monkeys. But like, none of that stuff would fit in with my show and I might also get some flack for playing that on a college radio station because those aren’t like… deep cuts.  I also love really goofy old country music. I play some of that on air but that’s mostly self indulgence.

Any messages for the constituents of your nation?

My 2024 campaign trail is in full swing. I’m going to keep fighting hard to institute a shrimp backed currency. Additionally, in my second term I’m going to mandate free ponies for everybody. If I’m re-elected to a second term things are going to get way better.

Categories
Band/Artist Profile

Obscure Artists: Douglas Für

Douglas Für, based out of Pittsburgh, Pennsylvania, presents one of the most compellingly raw and unhinged folk-punk sounds in the genre.

A former member of anarchist folk punk band Ramshackle Glory, Für is no stranger to neurotic rhythms and irreverent lyrics. With a solo career spanning between July of 2015 and August of 2016, Für plumbs the depths of his psyche to produce a curio collection of sounds across three solo albums.

Discography

Für’s three albums, the dried up rivers will be the mass graves of tomorrow, Curses and Spells of Protection and Death Has 1000 Ears illustrate a strange sort of continuity in his independent work.

The jagged, lilting melodies of his first album carry into the energy of his second, where the only marked difference in sound is the album’s elevated production quality.

However, where the dried up rivers will be the mass graves of tomorrow functions well as a standalone project, Für’s last two albums are directly connected.

Both share the songs “Curses” and “Sugar on Your Teeth,” though with distinctly different sounds. Curses and Spells of Protection presents a slower, almost sluggish narrative. 

In “Curses,” Für’s rust-tinged vocals seem to snag upon the edges of the accompaniment, an assortment of string instruments whose melodies seem to churn as the song progresses.

Conversely, “Sugar on Your Teeth” is frantic, maddened and markedly discordant. 

While the lyrics to “Curses” and “Sugar on Your Teeth” are the same in Death Has 1000 Ears, the delivery is completely different.

With a cleaner, clearer production quality, the album lacks the rugged edge of its predecessors. The tone is strongly jovial throughout with tinges of theatricism, a strong incovation of classic barroom ballads.

“Curses” is virtually unrecognizable between the two albums, with Death Has 1000 Ears presenting the song with a faster tempo and more lyrical delivery.

The same can be said of “Sugar on Your Teeth,” which presents a far tamer iteration of its original source material. 

Cover for the album the dried up rivers will be the mass graves of tomorrow

Bad on Purpose

All the same, the entirety of Für’s work embodies a uniquely savage sound.

And by all technicalities, the music is bad. The vocals are coarse, the instruments often sharp or wailing. With the exception of Death Has 1000 Ears, the production quality is starkly lo-fi.

But therein lies what makes Für’s music so compelling. The self-made feel of Für’s work perfectly captures the core of the folk punk movement. His experimentation with the energy of classic folk sounds and the roughness of punk gives way to a strange, beautiful offspring.

His chaotic, discordant sounds express the basest of human sensations: rage, grief, passion and despair. He captures ultimate catharsis in what can only be accurately labeled as purposeful cacophony.

Douglas Für’s music is but a means of expression channeled through folk punk, a movement solidified in unyielding self-expression and imbued with a long history of tumult and resilience.

For fans of AJJ, or those who simply enjoy “bad” music, I cannot recommend Douglas Für enough. 

Recommended Songs: 

  • “Dead Twin,” “Sugar on Your Teeth” and “Shallow Cut” from Death Has 1000 Ears 
  • “the phantom wants to know” and “the phantom speaks” from Curses and Spells of Protection (ultimate favorites)
  • “cold steel” and “o’ nothing” from  the dried up rivers will be the mass graves of tomorrow
Categories
Non-Music News

New Podcast Highlight: “WKNC’s Brain Trust”

Each new year at WKNC invites a new arrival of content.

This year, student and content creator, Lucas Marsh, joined the team and has created a new podcast– “WKNC’s Brain Trust”– a podcast that focuses on having introspective and thought provoking discussions with guests from across NC state.

To welcome his new project, I set up an interview with Lucas. Together we explored some of his motivations for creating the podcast and the knowledge he has gained along the way.

Below are some of the highlights from our discussion.

To start off, what is your name, year,  major and where are you from? 

My name is Lucas Marsh. I’m a freshman of class 2026, and I’m majoring in aerospace engineering and I’m from Long Island, New York.

What roles do you fulfill at WKNC? How long have you been involved with WKNC?

I’m a content creator at WKNC. I started not exactly at the beginning of the semester, but the first few weeks. I technically started as a content creator October 10th. 

What motivated you to join WKNC? What inspired you to be a content creator?

I have some broadcasting experience because I did a broadcasting class my senior year in high school. I really enjoyed it. I would do the morning announcements and do other projects in the class like that.

Originally I was like, “Oh, I’ll try to be a DJ”, but to put it simply, I don’t have the music taste that they’re looking for, but I wanted to be involved in WKNC even though I couldn’t be a DJ. So I asked them, “What else can I do?”

I was looking at all the other options I don’t know, like Blogs, interviews and videos; that doesn’t really seem too exciting to me, but the podcasts… that sounds like a lot of fun. So I applied and they hired me.

What inspired you to create “WKNC’s Brain Trust”? 

My inspiration for this podcast came from a conversation I had with my roommate about nostalgia. It was like eleven thirty at night, and  we sat and had a long conversation, and at the end of it I was like, “Wow, we’re capable of intellectual discussion”. And since I had the opportunity to be a content creator I thought that is exactly how it’s done, but recorded. 

I’m not the most serious person, which is why at first I was kind of shocked that we had such a solid conversation on something that deep. I wanted to do it again, but record it this time.

So for the first episode I had that same discussion with my roommate since it went so smoothly before. We talked about nostalgia, what it is, how it makes you feel, how it affects us, how we feel it differently and where it comes from.

How would you describe the energy of your podcast?

The tone is light hearted, but introspective. It isn’t super serious. I’ll put it like this, it’s not as serious as a documentary, but it’s not as joking as a cartoon.

What are you most excited about for your podcast?

I’m excited about all of it. In general I’m a very positive person, so I’m looking forward to getting more episodes up, and really just seeing my logo and my podcast on a website. I’m looking forward to seeing the products of my own work.

As someone who created, developed and is producing podcasts, what advice would you give to other students or individuals interested in podcast creation?

I’m still relatively new at it, but I would say, if your heart’s not in it, your head’s not in it. Fancy way to word that, but if you don’t really enjoy it it’s not going to work. 

It’s a lot of fun. So if you enjoy it, go ahead and try it… if you enjoy what you are making it is okay if others don’t like it.

What advice would you give NC State Students interested in joining WKNC?

Go to the interest meeting. I didn’t know I could do podcasts, interviews,  videos or blogs. I didn’t know I could do any of that, I thought it was just a radio station. 

It also helps experience in recording software, specifically adobe addition. If you can find access to that– give yourself a little crash course on it.

To round out our discussion, how has WKNC benefited your college experience?

It’s definitely made it more enjoyable. This is something else for me to do on campus. It’s a new group of people to meet and a new group of people to work with. It allows me to connect with my peers and have a fun time doing it– all while producing an episode and making content. 

Concluding Thoughts

There is something so magical and energizing about starting a new project. Lucas’s enthusiastic and confident demeanor fit this energy perfectly, there is no doubt he will be a fantastic podcast host. 

To give “WKNC’s Brain Trust”, you can find it on Transistor (or any platform you listen to Podcasts).

It was great to interview Lucas, I am looking forward to all he will create in the near future.

Categories
Concert Preview Music News and Interviews

Upcoming Local Concerts

MICHELLE – Oct.31

Opener: Nickname Jos

Where: Motorco Music Hall, Durham

When: 8pm Monday, Oct.31

Price: $18/$24

MICHELLE Tickets

It is a shame Halloween fell on a Monday this year, but MICHELLE is here to excite the Monday nightlife and welcome November

MICHELLE is a R&B group from New York City. Their discography is filled to the brim with upbeat tracks and rich harmonies. This vocal-led group is extremely dynamic in rhythm, tone and musical composition. Each member has so much vocal control and range, allowing the group to create some stunning vocal lines. They will put on a fantastic show.

Superorganism – Nov. 3

Opener: Blood Cultures

Where: Motorco Music Hall, Durham

When: 8pm Thursday, Nov. 3

Price: $22/$25

Superorganism Tickets

Superorganism is a psychedelic indie pop band from London. I would also like to highlight their opener, Blood Cultures, an anoynoymus experimental indie pop project from Brooklyn. Both of these bands have such a unique aura.

To add to the excitement of this performance, Superorganism released their album, “World Wide Pop” this year and just released a remix album, “World Wide Pop- Reeeemix!” Oct.28. These two bands will certainly bring lots of new sounds to the stage.

Oso Oso – Nov.6

Opener: M.A.G.S and Anxious

Where: Motorco Music Hall, Durham

When: 8pm Sunday, Nov.6

Price: $19/$23

OSO OSO Tickets

Oso Oso is an alternative emo band from Long Beach, New York. Oso Oso has such a well versed discography, ranging from heavy rock to light alternative tracks. The openers M.A.G.S. and Anxious will complement his wide range of music wonderfully.

Opener, M.A.G.S is an indie garage rock and pop project from Buffalo, New York. Anxious is an dreamo band from Connecticut. This trio of artists have a wide variety of sounds, yet remain unified in their melancholy tone.

Sorry – Nov.12

Opener: N/A

Where: Local 506, Chapel Hill

When: 9pm Saturday, Nov.12

Price: $13/$15

Sorry Tickets

Sorry taps into an astral of genres to create there unique sound– ranging from bubblegrunge, punk, indie rock, and psychedelic. Hailing from London, this duo brings with them a weighty discography.

Their newest album, “Anywhere by Here” released Oct. 7. In my opinion, it contains some of their best work.

The freshness of their album will certainly contribute to an extremely energized show.

Omar Apollo – Nov. 20

Opener: N/A

Where: The Ritz, Raleigh

When: 7:45pm Sunday, Nov.20

Price: $50

Omar Apollo Tickets

Last, but certainly not least, R&B artist Omar Apollo. He released his fourth full album, “Ivory” earlier this year. Although I think it was less successful compared to his previous work– it is clear his energy is ecstatic throughout this tour.

If this show reflects “Ivory”, it will have an excellent variety of high and low energy tracks. Each track in his discography is rich– he just has such a great voice.

Omar Apollo keeps achieving more with each and every release, this performance will be rich in talent, stage presence and musical variety.

Categories
Miscellaneous

My Five Favorite Horror Movies for Halloween

Halloween is right around the corner which means it is officially scary movie season. My favorite Halloween activity is sitting down on a couch with some friends and watching a bunch of horror movies.

I wanted to share some of my favorite horror movies that I’ve seen over the years. If you’re a horror movie fan I’d highly recommend any of these movies for a movie marathon.

Ranked in order from least to most scary (in my opinion):

House (1977)

This Scooby-Doo-esque Japanese horror film from 1977 is the most fun you can have watching a scary movie. A cult-classic, this movie is famous for how off-the-walls it is. The plot is quite simple, a girl and a group of her friends go to visit her ailing aunt’s home out in the country for a vacation and come face-to-face with a bloodthirsty piano, skeletons, evil spirits, and more.

The first time I watched this movie, I had an absolute blast. Each time I’ve watched it since, I’ve had just as much fun but also come to appreciate the film in new ways. “House” plays on gender roles and implements themes of post-war trauma and the role of family through the use of humor and horror.

I would definitely recommend this movie to finish a horror movie marathon as a chaser to movies that would otherwise keep you from getting a good night’s rest.

The Thing (1982)

“The Thing” is a classic. I was shocked to hear that this movie initially flopped in the box office when it came out in 1982. Kurt Russell’s performance, the practical effects by Rob Bottin, and the unravelling mystery written by Bill Lancaster are all top-notch, still this day.

This movie centers itself around a group of twelve scientists in Antarctica, trapped in the dead of the Antarctic winter collecting data. They uncover a mystery that if not contained, would destroy humanity.

This is my favorite movie by John Carpenter, and would definitely throw it on for a horror-movie marathon with friends.

Nope (2022)

Jordan Peele’s newest movie is my favorite by him. I won’t say anything about the plot because this movie is best experienced going in knowing nothing about it. I truly believe that in 20 years, “Nope” will be marked down as a classic.

This movie brilliantly uses horror elements to provide commentary on spectacle and trauma. Peele has finally mastered balancing comedy and horror, which grounds and creates investment in the story for the viewer.

There are two scenes in this movie that are most likely the scariest scenes I have witnessed on-screen. If you didn’t catch this movie while it was in theaters this year, I would definitely recommend watching it this Halloween season.

The Shining (1980)

“The Shining” is the most well-justified classic I have ever seen. There are too many classic scenes in this movie to count. The blood from the elevator, “Here’s Johnny!”, red rum, and more. No matter how many times I watch this movie, it’s bone-chilling.

A masterful dive into madness and commentary on abuse, if you haven’t seen this movie, this Halloween is the time. The three leads in this movie are each excellent in their roles, their performances sell the horror of this movie more than anything else.

Hereditary (2018)

Ari Aster’s “Hereditary” is gut-wrenchingly terrifying. I was lucky enough to see this film in theatres in 2018 and I have not stopped thinking about it since. A family tragedy that breaches into the supernatural, this movie feels like classic horror but turns every fear-inducing element up to 11.

This movie creates a pit in your stomach and does not let it dissipate until well-after the credits roll. This was the first real horror movie I viewed in a theater, and it’s still the scariest. While I’ve been meaning to rewatch it for a while, it’s hard to get the courage to go back to it.

If you want to make your horror movie marathon truly one to remember, put this movie on your list.

Conclusion

Now is the perfect time to sit down and watch some horror movies. As someone who doesn’t usually seek out horror, Halloween is a great time to give myself an excuse to watch it. If you want to watch some movies but don’t know what, this list is a great start. Happy Halloween and happy viewing.

Categories
DJ Highlights

The Seven Year DJ, Spaceman Spiff

I had the wonderful opportunity to interview Jeremy Leonard, also known as DJ Spaceman Spiff, who was a WKNC DJ for seven years between 2008 and 2015. Jeremy fulfilled a variety of roles within his time at WKNC including Station Librarian and Daytime Assistant Music Director. 

Within his time at NC State, he received his Bachelor of Architecture within the College of Design, receiving numerous awards and recognition. Jeremy later went on to receive his Master of Architecture from Yale University.

 I met Jeremy last semester, who at the time was my architecture studio professor. Upon learning of his involvement with WKNC earlier this semester, it was only fitting to set up an interview.

I would like to highlight, there are very few students that have the opportunity to be involved with WKNC for such a long period of time, let alone the sheer drive and love for it.

It was clear in our interview that Jeremy has a profound passion for local and underexposed music, a love that was curated throughout his life and prospered within WKNC. 

My discussion with him really opened my eyes to how passionate DJs can be about the music they put on the air. Radio is so much more than music– it is an outreach, a platform for underexposed music and a powerful form of self expression. 

Our discussion also introduced me to some absolutely phenomenal bands. If you are interested in hearing some of DJ Spaceman Spiff’s picks, he created a playlist of some of his favorite and nostalgic tracks from his time at WKNC. You can find his playlist on Spotify.

Below are some of the highlights from our discussion.

Read more: The Seven Year DJ, Spaceman Spiff

How did you get involved with WKNC?

I grew up in Raleigh and went to high school in Garner. I used to listen to WKNC in high school and my older sister listened to it too. I very much looked up to my sister so I gravitated towards WKNC to be more like her in a way…. also the show The OC. My sister bought the show soundtrack which had some awesome indie rock songs featured on the show, and I was craving more of that style. I started listening to WKNC to find more bands that had that sound.  I used to listen to WKNC on the way to my high school. My favorite DJ was Rochester, who had a show called “Carpooling with Rochester”.  He had a great personality and played killer music. 

I knew as soon as I became a NC State student I wanted to be a DJ. In my first week of school, I attended Welcome Week and signed up for a training session… DJ Sweet Annie Rich was my trainer. She had an Americana show but I ended up going the  daytime rock route. 

The coolest thing about WKNC is that they play everything.  I’m not into Chainsaw Rock, but I love that they play metal and have a devoted audience.  I wouldn’t have heard great electronic music if not for Afterhours.

Can you describe your involvement with WKNC? What year did you start and what roles did you fulfill in your time at the station?

I started in 2008 when I was a freshman. I graduated in 2013, but Jamie let me continue my show into 2015.

During my freshman year, I was the librarian and I helped organize the CD collection.  I was also an assistant daytime music director for my first couple years at the station.  In that role, I would review five to ten albums a week.

There is an unbelievable amount of music released every month.I had to open my mind and expand my taste so that I could be better at my job.  Between me and the other music directors, we would select the songs that would be put into rotation–I wanted to make sure that our selections were catchy but also boundary-pushing. By reviewing so much music, I listened to albums I wouldn’t have otherwise.

Are there any artists or albums that you found during your time at WKNC that you still listen to? If not, what do you find yourself gravitating toward today?

I still listen to many of the albums I discovered at WKNC. There is this band called Royal Bangs, whose music is unbelievably rambunctious and infectious.  Their second album, called “Let It Beep“, I thought was just f—ing awesome.

Another was Casiotone For The Painfully Alone. He makes these melancholy, two-minute pop songs built around warbly synths and lo-fi percussion.  Throw Me The Statue and Portland Cello Project are two others that I particularly liked from my time reviewing albums. 

All just really good music that I wouldn’t have been exposed to otherwise.

My musical interests are still focused around sad people with guitars, but  I’m a musical omnivore, and listen to a little of everything. I listen to bluegrass and Robyn… I still love indie music and I love a good pop song. 

What was the origin of your DJ name?

My DJ name was Spaceman Spiff, which is an alter-ego of Calvin from the comic Calvin and Hobbes.  He would daydream being a lonely space explorer when he was supposed to be paying attention at school. I’d like to think my time as a DJ was my escape from the intensity of my college classes.

Are there any particular artists or songs that motivated you to join WKNC?

The station’s support of the Triangle’s music scene is what I found most appealing.

I remember being blown away when I heard Hammer No More The Fingers song “Vodka Grasshopper” on the airwaves.  This was music you could only hear on WKNC–no one else was covering it, except for the Independent. 

I also love Double Barrel Benefit. Max Indian’s set in 2010 was a major highlight for me.  On their album, their songs sound lo-fi, but on stage, it sounded like blistering, stone cold classic rock.  They’re a band that I think should have been huge.  

Without WKNC’s guiding light,  I never would have heard the album  “Antarctica” by The Never.  Their lush pop-rock soundtracked an exquisitely illustrated storybook by singer Noah Smith.    WKNC is so important in my life for introducing me to this music and a multitude of phenomenal NC-based artists.

Given your experience as an Assistant Music Director and DJ, where do you recommend finding artists that don’t get a lot of exposure?

The radio, of course!  I’m always jotting down songs that I liked on WKNC.  I used to have a piece of paper in my car where I would log the times to look up when I got back to my computer, but now the station provides scrolling text that displays directly on my dashboard!  . 

When I was in high school my options to discover music were the radio or I would go to amazon.com and listen to 30 second clips of songs. This around 2004 to 2006 when I was first finding music on my own and platforms like Spotify were not around.

These days, YouTube and Spotify have good algorithms. If you listen to things a little off the radar they will feed you things similar to that. I know I’m praising the dark side.  Although these platforms can be the enemies of smaller artists, they also provide a good platform to discover them.

In my experience, Bandcamp is the best platform for discovery.  I’ll click around on people’s pages and find what they’re enthusiastic about. 

One band that I found this way is default genders.  They make really emotional  synth pop music.  Their album “Main Pop Girl 2019” is jaw-dropping.  It was only after I heard that album that I realized  I heard of them originally on WKNC, back when they made music as Elite Gymnastics Bandcamp + WKNC for the win.

How did WKNC benefit or influence your college career?

Finding all this new music was incredible, but I also became really good friends with my co-DJs. I had a show with my friend Kirsten (DJ Vice) and Justin (J Town) for a couple years called the “After School Special”, which usually was Wednesdays from 5 to 7pm. The three of us would push each other really well. We would bring in music the others didn’t know, and we would all bring different music together and suggest things that the others would like. 

It was also nice to get out of the College of Design for a bit. I would  go to the literal opposite side of campus and engage with the broader college. WKNC allowed me to get outside of the bubble. I love architecture but I love music just as much if not more. I would say more.

Concluding Thoughts

If you are interested in reading up more on Jeremy and his architectural work, you can explore his online portfolio. Beyond having a large array of musical knowledge and DJ experience, he has a stunning array of architectural work.

It was a treat to interview DJ Spaceman Spiff and get another perspective into the WKNC experience.

Stay tuned for more DJ interviews in the near future.

Categories
Weekly Charts

Chainsaw Charts 10/25

#ArtistRecordLabel
1BOUNDARIESBurying Brightness3DOT
2SLIPKNOTThe End, So FarRoadrunner
3BLACK ROYAL“Earthbound” [Single]M-Theory
4GAEREAMirageSeason of Mist
5FROMJOYit lingersSelf-Released
6BLACK ROYAL“13th Moon” [Single]M-Theory
7IRON KINGDOM“In The Grip Of Nightmares” [Single]Self-Released
8CASKET ROBBERY“Worm Food” [Single]Blood Blast
9CABALExit Wound [EP]Nuclear Blast
10OBSIDIAN SKIESSaturnian [EP]Self-Released

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#ArtistRecordLabel
1CABAL“Exsaguination” [Single]Nuclear Blast
2HAMMERHEDD“Tunnel” [Single]Self-Released
3AITTALA“Collateral Damage” [Single]Exitus Stratagem
4STORMRULERSacred Rites & Black MagickNapalm
5THE CONVALESCENCE“79 Years” [Single]Blood Blast