Categories
Concert Preview

Concert Preview: Citizen with Narrow Head and Modern Color

There’s no better time to go to a show and listen to moody, angst-filled music than mid-to-late November, that sweet spot nestled right between midterms and finals where reality is at its most existentially crushing.

Cat’s Cradle, one of my favorite venues for its ease of parking *cough cough* Raleigh needs to do better *cough cough*, will be hosting a trio of excellent bands on Wednesday, November 15.

With a lineup consisting of Citizen, Narrow head and Modern Color, the night will be a sepia explosion of wrenching post-hardcore and shoegaze ballads.

If you’ve been looking for an excuse to slap on your used Carhartt jacket and favorite knitted beanie, this might be the perfect opportunity for you.

Citizen

Michigan-based punk-rock-emo band Citizen has been hard at work, having released their most recent LP back in early October.

In celebration of this release, the band the US with Narrow Head and Modern Color (and will tour the EU with Drug Church) and will stop in North Carolina on the 15th.

If you’re not familiar with Citizen, they’ve got a classic summery sound that leans more in the direction of emo than punk and with distinct post-hardcore roots.

Cover for “Calling the Dogs” by Citizen

While I wouldn’t consider the music “moshable” per se, it’s definitely good music to nod your head to.

“Calling the Dogs,” Citizen’s latest LP, is a contemporary take on shoegaze and indie rock.

Consistently upbeat and occasionally beachy, the album is exactly the kind of music I’d imagine coastal hipsters drink IPAs to at bonfire get-togethers.

While the album only gives me subtle shoegaze or emo vibes, it’s an interesting representation of the band’s stylistic development since their early 2012 album “Split.”

Some of the LP’s tracks, like “Dogs,” take on a gritty post-punk slant akin to Viagra Boys. Others, like “If You’re Lonely,” lean more towards indie rock.

Narrow Head

Where Citizen’s music is fast and upbeat, Narrow Head traverses swirling rivers of molasses.

Slow, grungy and riddled with distortion, the music of Texas-based Narrow Head is an echo of the 90s in some places and a glimpse into an unseen future in others.

Cover for “Far Removed” by Narrow Head

With their most recent albums and LPs all having been released in the same year, 2020, it’s unclear where the band will be sourcing their setlist materials.

All that’s guaranteed is that the music will be perfectly smokelike, its hard rock edge blunted by the ambience of the concert hall.

Modern Color

I’ve mentioned Modern Color on this platform before.

Of the three performers at this show, I can guarantee Modern Color will be the moodiest.

Cover for “From the Leaves of Your Garden” by Modern Color

If their setlist pulls at all from their 2021 EP “Now, Life is Living You,” the audience will be transported by a swell of pure emotion — yearning, melancholy and other abstract feelings — as soon as the first song starts.

Based in California, Modern Color defines itself as alternative rock, post-hardcore and punk. While I see their discography as more post-punk than punk, there’s a strong post-hardcore influence throughout.

Of the three bands, I think Modern Color will bring the most raw energy to the stage and audience.

Categories
Concert Preview Local Music

November & December Local Shows

Hey y’all. Hope you’ve been keeping up with local shows in your neighborhoods wherever you’re from, and if you’re a part of the Triangle area, then I know there’s been a lot of great performances out here lately.

A couple months ago I made a post about shows in September in the area and I want to return to that style of post to update anyone that cares about interesting shows in the Durham, Raleigh and Chapel Hill area.

Chapel Hill:

  • Local 506 has a large number of upcoming shows including an “Emo(ish)” cover show on November 4th, Satan’s Satyrs w/ Magick Potion and The Magpie (a local band I’ve talked about before) opening for them on November 14th and Bask w/ Wailin’ Storms (a local band) on December 15th.
  • Cat’s Cradle (another indie music staple in the Triangle area) has Nation of Language performing on November 9th, Slaughter Beach, Dog plays on November 14th, Angel Olsen is making an appearance on December 9th and the first annual Holiday Hootenanny featuring Callous Daoboys, 68 and Johnny Booth on December 16th.

Durham:

  • In Durham’s The Fruit, there are a number of musical and non-musical events happening like a monthly flea market on November 5th and December 3rd; there’s a 90’s Rave on November 18th; also, there’s Auntie Boy and Jooselord will be present on the same night (not sure how that works), but Jooselord is a local talent with tons of hype and fun.
  • The Pinhook also has many exciting musical talents and non-musical events like a Queer Movie Night featuring “Beetlejuice” and “To Wong Fu” on November 7th. Performing the next night is a Queer Country lineup with karaoke, line dancing and live music. Also, Rosie Tucker performs on November 13th.

Raleigh:

  • And in Raleigh we have a few cool venues too. At The Ritz The Front Bottoms play on November 7th.
  • At Raleigh’s Pour House we have Crawford & Power (a lil’ country for ya) on November 12th, Late Notice and a slew of opening bands on November 16th and axelone w/ Max Gowan and Cor De Lux on November 27th.

Hope this light list of interesting performances can pique your interest. There are many bands and artists I’ve failed to mention, but these seemed the most interesting to me. Enjoy my bias.

Categories
Weekly Charts

Top Charts 10/31/23

Top Charts

#ArtistRecordLabel
1CHERRY GLAZERRI Don’t Want You AnymoreSecretly Canadian/Secretly Group
2FLY ANAKINSkinemaxxx (Side A)Lex
3THANKS FOR COMINGWhat Is My Capacity To Love? [EP]Danger Collective
4GOTTS STREET PARKOn The InsideBlue Flowers/PIAS
5MANNEQUIN PUSSY“I Don’t Know You” [Single]Epitaph
6MANNEQUIN PUSSY“I Got Heaven” [Single]Epitaph
7TRUTH CLUBRunning From The ChaseDouble Double Whammy
8WEDNESDAYRat Saw GodDead Oceans/Secretly Group
9CITIZENCalling The DogsRun For Cover
10KARI FAUXREAL B*TCHES DON’T DIEDrink Sum Wtr
11KIPP STONE66689 BLVDClosed Sessions
12MOKA ONLYIn And Of ItselfUrbnet
13PARIS TEXASMid AirParis Texas/The Orchard
14TENNISPollenMutually Detrimental/Thirty Tigers
15ALTERNATE LIFE FORCEA.L.F. – The Initial Transmissions [EP]Self-Released
16BEN FOLDSWhat Matters MostNew West
17BILLY WOODS AND KENNY SEGALMapsBackwoodz Studioz/Fat Possum
18CASTLE CHAMPNo We GoSelf-Released
19FLAMINGOSIS, EHIOROBOBliss StationSelf-Released
20HORSE JUMPER OF LOVEHeartbreak RulesRun For Cover
21KASSA OVERALLANIMALSWarp
22MOON BLAZERSspring [EP]Self-Released
23MSPAINTPost-AmericanConvulse
24MY SISTER MAURASo LongMy Brother Marco
25SLOW PULPYardAnti-
26YVES TUMORPraise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds)Warp
2712 RODSIf We Stayed AliveAmerican Dreams/Husky Pants
28SQUIRREL FLOWERTomorrow’s FirePolyvinyl
29PALEHOUNDEye On The BatPolyvinyl
30RATBOYSThe WindowTopshelf

Top Adds

#ArtistRecordLabel
1SLOTHRUSTI Promise [EP]Dangerbird
2BEDLOCKED / TEETHE“All Over Again” b/w “Moon”Saddle Creek
3METRICFormentera IIMetric/Thirty Tigers
4POPPYZigSumerian
5A BEACON SCHOOLYoyoGrind Select
6NOBROSet Your Pussy FreeDine Alone
7CATBELLSPartly CloudySelf-Released
8MOWTH“Ghost To Bone” [Single]Echo Cat
Categories
Weekly Charts

Underground Charts 10/31/23

Underground Charts

#ArtistRecordLabel
1K-RIZOne Way TicketBirthday Cake
2KIPP STONE66689 BLVDClosed Sessions
3MICKEY O’BRIENOrebodyHand’Solo
4ILLA JNo TrafficBBE
5TOMMY RICHMANThe Rush [EP]Pulse/Concord
6AIZASovereigntyHidden Pony/Universal Canada
7KYLE MCEVOYLone OakSonder House
8BUTCHER BROWNSolar MusicConcord Jazz/Concord
9CARRTOONSSaturday NightWichita
10GOTTS STREET PARKOn The InsideBlue Flowers/PIAS

Underground Adds

#ArtistRecordLabel
1LTTHEMONKUptown Intern #333Sonic Unyon
2ARMANI WHITERoad To CasablancoDef Jam
3PROLIFIC WONE“Twenty 5 Ate” b/w “GVD KNG” [Single]Self-Released
4O’MEGA RED“Sound The Horns” [Single]Stay Grindin
Categories
Weekly Charts

Chainsaw Charts 10/31/23

Chainsaw Charts

#ArtistRecordLabel
1CRYPTOPSYAs Gomorrah BurnsNuclear Blast
2RINGWORMSeeing Through FireNuclear Blast
3ROCKY’S PRIDE AND JOYAll The Colours Of DarknessP.A.K.
4WAYFARERAmerican GothicProfound Lore
5WAYFARER“False Constellation” [Single]Profound Lore
6STATIC ABYSSAborted From RealityPeaceville
7NECROFIERBurning Shadows In The Southern NightSeason Of Mist
8WAXENDie Macht Von HassenMoribund
9ACACIA STRAIN, THEStep Into The LightRise
10MEURTRIERES“Rubicon” [Single]Gates of Hell
Categories
Weekly Charts

Afterhours Charts 10/31/23

Afterhours Charts

#ArtistRecordLabel
1TANK JR.Autism HouseSelf-Released
2GLASSERcruxOne Little Independent
3MUNYAJardinLuminelle
4UNDERSCORESWallsocketMom+Pop
5MONTE HILLSInternational Monte Hills WeekBusiness Casual
6PHOSPHORRGIRL“Secret Rare” [Single]Self-Released
7VMRROBOTICHyperdrum&bass [EP]Self-Released
8MUSIC FOR DOGSVARIOUS ARTISTScoffin dance
9JOCKSTRAP“Good Girl” [Single]Rough Trade
10FLOATING POINTS“Birth4000” [Single]Ninja Tune

Afterhours Adds

#ArtistRecordLabel
1MUNYAJardinLuminelle
2JOCKSTRAP“Good Girl” [Single]Rough Trade
3FLOATING POINTS“Birth4000” [Single]Ninja Tune
4LORAINE JAMESGentle ConfrontationHyperdub
Categories
Concert Review Short Stories

Are Concerts in 2023 Really A Bust?

About a month ago, I attended three concerts of different audiences: Lil Yachty, Lana Del Rey and TV Girl. All of these were amazing but, the audiences were all quite unique. Concert culture has been at the forefront of many discussions recently and I can’t help but insert my own perspective into the discourse as an avid concertgoer.

The theory is our concerts have been remodeled by the media and a new generation of concert attendees. Everyone has the right to enjoy a show they paid for in their own way, but it has felt in recent years that people are paying to be there rather than to be in the moment. There is more judgment toward singing and dancing along, with a phone screen in front of you at all times. I decided to observe this theory of concerts during my weeklong show trip across the beautiful state of North Carolina.

Show 1: Lil Yachty

Lil Yachty Singing on stage at The Ritz

The first was Lil Yachty’s Field Trip Tour on September 25 at The Ritz. Lil Yachty brought unmatched energy. He switched between his early Hip hop tunes and newest psychedelic sound from his most recent album Let’s Start Here. It seemed, however, that people were unenthused outside his most popular rap hits. Phones went down and small conversations broke out throughout the crowd. It felt a bit disrespectful, almost as if we begin to focus less on the production and live music more on grasping the moments which bring the most popularity.

When artists rise up due to the internet’s exposure, they are pressured to fit the narrative that put them in the spotlight meaning they have little room for experimentation without some judgment. In this case, it was Lil Yachty’s psychedelic sound. It was as if some audience members didn’t want to try his new sound. Regardless of how audience members felt Lil Yachty put together an amazing production that I would pay to see again.

Show 2: Lana Del Rey

Lana Del Rey singing on stage

Lana Del Rey on the other hand still had this phenomenon of viral fame but the experience was slightly different outside the genre aspect. Lana del Rey is a timeless singer therefore, I knew her audience would bring people of all levels of familiarity but what I was most surprised to see was a significant amount of people coming in last minute. Seriously, the person sitting next to me came halfway through the set and was annoyed by the singing fans.

Meanwhile, I sat beside him feeling reborn at seeing Lana Del Rey live. The people in front of me came in late and left twice. It boggled me a bit given tickets were so expensive and some felt nonchalant. I have a suspicion that scalpers who couldn’t sell their tickets decided to attend. There really was just a strange dynamic of people in the crowd at least in my section. The show seemed widely enjoyable regardless of the people around me I observed. I felt judged by some of the people around me but alas I did pay an unspeakable amount.

Show 3: TV Girl

Brad Petering of TV Girl on stage

TV Girl really put the theory of media shaping concerts to the test. They rapidly gained their fame on social media during the past couple of years so I expected the crowd to be a part of this new generation of concertgoers. To my surprise, it was the best crowd out of the shows I attended that week. Everyone seemed to be more in the moment, singing and dancing along. The crowd was respectful and it made the energy quite amazing. On social media, I had seen viral videos complaining about the TV Girl crowd being this model of a new era concertgoer who is always recording or may only know the most popular songs but that proved incorrect. 

Final Thoughts

So, what is my take on concerts in 2023? At the end of the day, you can’t really tell someone how to enjoy a show they paid for. You just have to make the experience enjoyable for yourself and hone in on the performance. Of course, the crowd can impact how much you enjoy the show but at the end of the day regardless of the crowds, I had a great time at all three shows.

Categories
New Album Review

Screaming Females “Desire Pathway” Album Review

Screaming Females is one of my favorite rock bands hailing from the United States. They’ve been releasing consistent, good records since their first release, “Baby Teeth”,  in 2006. Screaming Females might not fit into the hardcore punk or punk genre all the time, but the band’s ability to stay true to what makes their sound unique and constantly entertaining is what keeps me listening.

The band is composed of Marissa Paternoster (vocals and guitar), Jarrett Doughtery (drums) and Mike Abbate (bass). They made their first appearance as a band in New Brunswick, NJ (according to Wikipedia). Screaming Females is currently releasing their records on the Don Giovann Record label. 

In terms of genre, they have floated around from album to album, but for the most part I’d say they stay true to the rock genre with heavy punk and indie influences. Paternoster’s lyrics and vocals are extremely punk that tend to talk about being displaced and having realistic perspectives on relationships and life. 

Some of their previous releases include “Baby Teeth”, self-released album in 2006, Ugly in 2012 and “Rose Mountain” in 2015. They have many more albums in their discography but these are the ones that keep me coming back and listening to their music. 

Desire Pathway

Brass Bell

The opening to this album is sublime. Paternoster’s infatuating guitar is backed up by heart-thumping bass and drums leading us to explosive riffs and vocals. 

Ornament

This track is a beauty because of how much Paternoster shreds her guitar. Doughtery’s drums create an awesome thump-thump-thump building us to another explosive chorus trying to get everything it can out of love. 

Let Me Into Your Heart

Opening drums and then Paternoster’s iconic vocals dive into the topic of trust and trying to win someone’s heart and soul. The lyric choices in this track make me love it because of the uniqueness in word choice and how descriptive and pleading the song becomes because of the lyrics. 

I absolutely love this band. The catchy lyrics and rhythms in this album are intoxicating, but also I can tell how much previous albums like “Ugly” and “Rose Mountain” success have positively influenced the sound. I find a lot of the choruses to be at the perfect repetitive level and all the lyrics (as always for Screaming Females) are full of double meanings and exactness.

If you’ve never taken time to listen to Screaming Females, I highly suggest you do because this band will be one of the greats, if it isn’t already.

Categories
Blog Playlists

Anything But the “Monster Mash” – A Halloween Party Playlist

I’m not gonna lie, the “Monster Mash” is a classic.

But like most classics, it’s been absolutely done to death, and the odious stink of its corpse is unbearable to me.

At some point the public decided that the “Monster Mash” was The Only Halloween song, and they proceeded to totally murder it.

Photo by Sabina Music Rich on Unsplash

In response to the public’s brutal slaying of the Monster Mash, I’ve compiled my own selection of retro and campy Halloween tracks for this year’s litany of costume parties.

The Playlist

  • “Dracula’s Daughter” – Screaming Lord Sutch and the Savages
  • “Evil” – 45 Grave
  • “Drac the Knife” – Gene Moss & Fred Ross

From the album “Dracula’s Greatest Hits,” this track is Dracula’s cover of Bobby Darin’s 1958 “Mack the Knife,” but specifically if Dracula was like the dad from Hotel Transylvania.

  • “Absinthe” – The Damned (specifically, this version)
  • “Jekyll and Hyde” – Jim Burgett
  • “Buried Alive” – Radio Werewolf

A musical collective active from 1984 to 1993, Radio Werewolf amassed a cult following (called the “Radio Werewolf Youth Party”) during its highly controversial ritualistic theatrical performances.

The collective’s strange activities led to its placement in Classic Rock Magazine’s “The 25 Weirdest Bands of All Time.”

  • “The House is Haunted” – The Phantom Chords
  • “Dracula Hates Photoshoots” – Messer Chups
  • “Bela Lugosi’s Dead” – The 69 Cats

“Bela Lugosi’s Dead” is a classic. Originally performed by (my beloved) Bauhaus, this cover by The 69 Cats has a jazzy psychobilly slant, making it highly danceable and perfect for a Halloween hootenanny.

Categories
Miscellaneous Short Stories

WKNC Goes to an Olive Garden in Orlando After Doing More Important Things

I, and five other of my treasured members of WKNC staff (plus our amazing advisor Jamie) had the special privilege of getting to represent the station at the CBI National Student Electronic Media Convention in Orlando, Florida from Oct. 19 – 21. While there, we scored three awards for how awesome we are, along with an even bigger prize: knowledge that will be applied to make the station better in the near future.

This blog isn’t about that though.

This blog is about Olive Garden.