Categories
DJ Highlights

Mystery Roach Celebrates Four Years

On Saturday, Nov. 12, Mystery Roach will be celebrating its 4th anniversary.  Since the first broadcast on Nov. 17, 2007, the show has explored 1960s and 1970s Progressive, Garage, Fusion, Psychedelic, and noise every Saturday morning from 8-10 a.m.  Additionally, La Barba Rossa, the show’s host, has welcomed an eclectic mix of guests from around NCSU’s campus and around the Triangle.  There have been conversations about beer, ants, film, the suburbs, the Mellotron, roller derby, fungus, hot peppers, comic books, censorship, and more. Frank Stasio has even stopped by for beard care advice.

Be part of the show by calling the Mystery Roach Hotline (919-322-8863), posting on the Facebook Fan Page, or sending an email. What do you like about the show? What do you hate about it? Have you noticed any trends over the years? What do you do whilst listening to the show? Is it part of your Saturday ritual? Do you have any requests?

Thanks for listening over the years!

Categories
Weekly Charts

Top 30—WKNC’s Top Albums of the Week, 11/10/11

1. Future Islands – On The Water (Thrill Jockey)

2. Zola Jesus – Conatus (Sacred Bones)

3. Widowspeak – Widowspeak (Captured Tracks)

4. Young Man – Ideas of Distance (Frenchkiss)

5. The Field – Looping State Of Mind (Kompakt)

6. Class Actress – Rapproacher (Carpark)

7. St. Vincent – Strange Mercy (4AD)

8. Megafaun – Megafaun (Hometapes)

9. Youth Lagoon – The Year of Hibernation (Fat Possum)

10. Sugarplum Fairies – The Images We Get (M-M)

11. Various Artists – GRPTPS Vs. PTLCK (Grip Tapes)

12. Viva Voce – The Future Will Destroy You (Vanguard)

13. Wilco – The Whole Love (Anti)

14. Wild Flag – Wild Flag (Merge)

15. Mandolin Orange – Haste Make/Hard Hearted Stranger (Self-Released)

16. Icebird – The Abandoned Lullaby (RJ’s Electrical Connections)

17. Real Estate – Days (Domino)

18. M83 – Hurry Up, We’re Dreaming (Mute)

19. Bonnie Prince Billy – Wolfroy Goes To Town (Drag City)

20. Wavves – Life Sux (Ghost Ramp)

21. Mike Doughty – Yes And Also Yes (Megaforce-Snack Bar)

22. High Places – Original Colors (Thrill Jockey)

23. Jens Lekman – An Argument With Myself (Secretly Canadian)

24. Touché Amoré – Parting The Sea Between Brightness And Me (Deathwish)

25. Donora – Boyfriends, Girlfriends (Rostrum)

26. Phantogram – Nightlife (Barsuk)

27. Jono McCleery – There Is (Counter)

28. Patti Smith – Outside of Society (Columbia)

29. Hella – Tripper (Sargent House)

30. Wu Lyf – Go Tell Fire To The Mountain (L Y F)

Categories
Non-Music News

EOT74 GLBT Center 11/8/11

EcoCar 2- Right now, we all use gasoline and fossil fuels to get around, but they won’t last forever.  Students right here at NC State are working to solve the problem of oil addiction, and Nick had the story.

GLBT Center-  It’s hard being a gay, lesbian, bisexual, or transgendered student here on campus.  Other students don’t always understand what’s going on in their heads.  The GLBT Center serves as a refuge for students who need support that they may not be getting elsewhere.  Jake met up with some members of the center and has the story.

Defense of Marriage Act- The Defense of Marriage Act, or DOMA, has become a hot-button issue here in North Carolina.  Recently in the student senate here at NC State, they came up with a bill of their own.  Jay has prepared a story to try and explain what’s going on.

African Awareness Week- This week is African Awareness Week here at NC State, and Chris has the scoop on what it is, what it means to the campus, and what it means for the African American Cultural Center.

Listen to episode 74.

Categories
New Album Review

M83 sends us back to space

M83 does one heck of a job with their latest double disc album, Hurry Up, We’re Dreaming, which was released on Oct. 18.  Being their sixth studio album, and following behind such pivotal releases like Saturdays = Youth, M83 had a lot to live up to. Even though some have criticized the album for sounding different, I think it’s a beautiful new direction for the band.

Named after the Messier 83 galaxy, M83 continues delivering ambient tunes and goes back and forth between either solely instrumental or minimal lyrics with full-blown epic tracks on Hurry Up, We’re Dreaming. There are a ton of space and dream references, which create a feeling of being outside of this planet while the listener zones out to it

Anthony Gonzalez, producer and main component of M83, described this two disc compilation as “brother and sister, with each track having a sibling on the other disc.”   I personally can’t quite figure out if he’s referring to the six instrumental tracks, but that’s how I choose to believe the two discs are paired off.  There’s also a few interesting plays with the way the tracks are arranged on the discs with titles, like tracks 10 and 11 being, “When Will You Come Home?” followed by “Soon, My Friend.”  

Going back to the main theme of this album, dreaming, the listener can either feel it with the synth and shoegaze sounds, or with the spacial lyrics.  Gonzalez said himself in an interview with Spin magazine that, “It’s mainly about dreams, how every one is different, how you dream differently when you’re a kid, a teenager, or an adult. I’m really proud of it. If you’re doing a very long album, all the songs need to be different and I think I’ve done that with this one.”  I agree that the album progresses perfectly, and one can get a sense of maturity as it continues.

Most of the lyrics on the album either refer to time, love, or space, like in “My Tears Are Becoming a Sea,” with the lyrics “I’m slowly drifting to you/ this star is a planet,” or in “Claudia Lewis,” saying “alone, twenty millions years from my place/ a slide on the starlight./ Watch out, a new planet right on my trail!/ The space, oh, oh it’s mine!”

They also chose to use instruments that they’ve previously never experimented with, like a saxophone jam on their first single and second track, “Midnight City.”  The use of the saxophone and other instruments, and the way in which M83 created this album, seems to be heavily influenced by a mixture of the synth-pop, as well as shoegaze, created in the 1980s.

Prior to this album, Gonzalez toured with Depeche Mode, who were huge throughout the ‘80s and still create music with the same darker electronic sounds.  The song “OK Pal” reminds me of Tears for Fears, who were also extremely popular in the ‘80s, because of the vocals and music.  You can get a sense of the shoegaze genre with the droning repeated lyrics accompanied by heavy instrumental emphasis in the songs “Another Wave from You” and “This Bright Flash.”

They’ve also included two monologues: the track “Echoes of Mine,” which is a beautiful story in French of a woman walking through a forest and reverting back to her twenty-year-old self, ending with “I loved like I’d never loved.” The second, “Raconte-Moi une Histoire,” which means “tell me a story,” is of a child telling the listener about a frog that changes its life, which sounds peculiarly like a story of a drug experience.  This adds a whole other level to some of the lyrics and sounds of the album, but relating it to space is enough detail on that, and it’s interesting that they chose to do an English monologue with a French title, then the reverse.

In all, this album has to be a huge personal revelation for Gonzalez.  He said in an interview with music OMH, that Hurry Up, We’re Dreamingis “a reflection of my 30 years as a human being” and something he dedicated to himself.  Each listener can travel to the place where he was each time they put on this album, and float out to space with the beautiful lyrics and synth sounds.

 

Categories
Non-Music News

EOT73 Rembrandt 11/1/11

Air Force ROTC Dining In, Rembrandt Exhibit, Fearless Ranger, Nancy McFarlane Interview, Sports, Soccer News, This Week in History

Air Force ROTC Dining In- Mark brings us a story about the on-campus Air Force ROTC’s tradition of “dining in”.

Rembrandt Exhibit-  The North Carolina is hosting the largest Rembrandt exhibit in North America and Jacob was there to check it out.

Fearless Ranger- Jake premiers the first episode in an original radio play in which we follow the adventures of “The Fearless Ranger”.

Nancy McFarlane Interview- In continuing election coverage, we bring you an interview from the Raleigh Public Record with Nancy McFarlane to see what the next two years in Raleigh will look like.

Listen to episode 73.

Categories
Concert Review

Ra Ra Riot 10/28 at Cat’s Cradle

On Friday, Oct. 28, I had the pleasure of seeing Yellow Ostrich and Delicate Steve open for Ra Ra Riot.

Let me start off by saying I always love a band that takes sips of beer in between songs. The boys of Yellow Ostrich were delightfully playful, with front man Alex Schaaf charmingly interacting with the audience and willingly answering questions like “What is your favorite color?” (It’s red.) Not only that, but they were extremely talented. The songs ranged from garage rock grittiness to melancholic and haunting ballads, most of which included clever, not annoying, uses of looping. Schaaf passionately shredded on his guitar and drummer Michael Tapper beat the drums like they were someone he hated. However, it was bassist Jon Natchez who stole my heart. When Natchez was free of his duties as a bassist, he doubled as a full-blown brass band, playing the trombone and tenor sax with impeccable style and talent.

Following Yellow Ostrich, I had a feeling I was in for a good time with Delicate Steve when I saw the strobe lights come out. I am familiar with Delicate Steve’s music, and they have been climbing my “Most Played” list on iTunes throughout the year. The stage lights had been turned off, and one by one the members of the band arrived on stage, lit only from below by the aforementioned strobe lights. The minute Steve Marion and the band begin to play the appropriate “Welcome – Begin,” the audience knew it was time to dance. I felt like I was walking in on the Wild Rumpus, with the tribal-like percussion and Steve’s fancy fingers shredding on his treble-like guitar. It didn’t stop there, as Steve and his crew managed to keep the party going with upbeat jams like “Sugar Splash,” but still made time to showcase the band’s real talent with more melodic tunes (which are still very danceable). It was a phenomenal experience, one in which I will not miss out on if they come around again.

-Salt Water Jaffee

 

Ra Ra Riot returned to the Cradle in Carrboro with more dazzling dance songs. The newly-revamped Cradle provided almost twice the amount of dance space than in previous years, and most concert attendees took advantage of all the leg room! The six-piece band showed off their dynamic instrumental talents throughout their set, changing instruments and having different band members sing lead vocals. One of the best parts of Ra Ra Riot is their added twist on what could be average indie. Violinist Rebecca Zeller and electric cellist Alexandra Lawn were the most interesting to watch on stage because of their obvious passion for their instruments, and lulls in songs were spiced up with their luscious arrangements. Lead singer Wes Miles fed off the energy of the crowd thumping and dancing. He kept the crowd enthralled with his energy and vocals, which never seemed to miss a note. The New York band played their hits from their first CD, including “Ghost Under Rocks,” “Can You Tell,” and “Boy,” as well as others from The Rhumb Line. The band mixed in new songs from their second album The Orchard, such as “Shadowcasting.” Finishing off the night, Wes Miles told the audience we were a “special crowd,” and continued into the encore that left everyone dancing even after the music stop playing.

-Riff Raff
Categories
Non-Music News

EOT Preview, 11/1/11

This week, Eye on the Triangle brings you stories from the NC Museum of Art, where Jacob Downey went to visit the new Rembrandt exhibit.

Switching from the art world to politics, Nancy McFarlane gives us an interview as the new mayor-elect for the city of Raleigh.

Mark Herring visits with the ROTC to gain some insight into their long and proud history. Speaking of history, Nick and Dave return this week with another installment of This Week in History. And just so things don’t get too serious, Jake Langlois brings us tales from the Wild West, in The Adventures of the Fearless Ranger.

As always, we’re bringing you soccer news, happenings around campus, and the latest from the sports desk. Also, be sure to check out our blog and look for the podcast of this week’s show up on Thursday, Nov. 3. Stay tuned.

Categories
Weekly Charts

CMJ Loud Rock from WKNC’s Chainsaw 11/1/11

1. Absu – Abzu (Candlelight)

2. Anthrax – Worship Music (Megaforce)

3. Chelsea Grin – My Damnation (Razor And Tie)

4. Machine Head – Unto The Locust (Roadrunner)

5. Warbringer – Worlds Torn Asunder (Century Media)

6. Mastodon – The Hunter (Reprise)

7. Cradle Of Filth – Evermore Darkly (Nuclear Blast)

8. Iced Earth – Dystopia (Century Media)

9. Anvil – Monument Of Metal: The Very Best of Anvil (The End)

10. Hull – Beyond the Lightless Sky (The End)

Categories
Music News and Interviews

Chainsaw Rock DeathPod Episode 2

Strap in for another amazing set of local and regional metal music! This set contains an awesome variety of thrash, death, and black with some progressive influences and the spirits of many Viking warriors. So unsheathe your swords, raise the horns, and get ready to rock to some of the best undiscovered metal talent for the next half-hour right here with Lucretia, the Mistress of Destruction, and Cannibal Cory.

This episode’s lineup includes:
Murder
from Baltimore, Md.
Blacktip from Raleigh
Æther Realm from Greenville, N.C. (They have freely released their EP here)
Wake of Redemption from Asheboro, N.C.
Mysterium Tremendum from Chapel Hill
Stygian Altar from Charlotte

Happy headbanging!

DeathPod episode 2

Categories
Music News and Interviews

The Tender Fruit Receives NC Arts Council Grant

Christy Smith, the brilliant songstress behind The Tender Fruit, was recently awarded the NC Arts Council Fellowship for 2011-2012.  Smith has been making quite the name for herself over the past few years, between stirring up waves with her much heralded 2010 release Flotsam & Krill and playing out at festivals like Hopscotch, Shakori Hills, and Troika, her talent has permeated throughout the Triangle with many individuals picking up on the rustic brilliance of The Tender Fruit, including the folks at the NC Arts Council.

Each year the NC Arts Council awards $10,000 in grants to North Carolina artists like Christy as a way of giving back and showing appreciation to these artists.  Much of North Carolina’s deep culture can be found in bunches throughout the local scenes that are scattered among the state and Christy Smith certainly stands out among the crowd.

The Tender Fruit will be using their grant to help fund work on their new album, purchase new gear, and fund various other projects in the near future.  It’s always great seeing artists get the appreciation and respect that they deserve, and we here at WKNC extend our congratulations to Christy for this excellent achievement!