Categories
Weekly Charts

Afterhours Charts 10/10/23

Afterhours Charts

#ArtistRecordLabel
1GALACTIC HOLEPiracies MenuSelf-Released
2RAVE THERAPY VOL 4VARIOUS ARTISTSGestalt Promo
3TOPDOWN DIALECTICS/T 2023Peak Oil
4WAQWAQ KINGDOMHot Pot TottoPhantom Limb
5PHIOMEsystem BIOSSelf-Released
6TRSHCKDBLEve’s DelightSelf-Released
7DJ SABRINA THE TEENAGE DJDestinySelf-Released
8WORDCOLOURRatios I [EP]Houndstooth
9SIRDSCAPESMight Delete Later [EP]Gestalt Promo
10YEULEsoftscarsNinja Tune
Categories
Blog Miscellaneous

WKNC’s World College Radio Day 2023 Schedule

On Friday October 6, for the 3rd year running WKNC will be participating in World College Radio Day by holding a 24 hour “lock in” in the station. Every hour will feature a live DJ in both studios celebrating the most important day of the year for a college radio station. The production room will also host a livestream where DJs will be playing games, making tierlists, showing powerpoints, and much more. The full schedule is below:

HD-1

timeslotdj nameshow namedescription
12:00 AMscrimblescrimble’s bad music hour
1:00 AMjustintime & zenIn a Timely Mannerthe two jazz dj’s do a collaborative set
2:00 AMdj fivesautumn summer winter fallweapon-themed set
3:00 AMdj independent fact checkers + valkerieinhouse pharmacydj independent fact checkers: 2013 monstercat
valkerie: 2012 dubstep
4:00 AMtwerpp2p connectionvaporwave
5:00 AMErik++Regular PointAcid/Techno – livemixing down to b2b!
6:00 AMdj mithraxsounds of space junkmix of rock/spooky music cuz october
7:00 AMlittle brown bat & streyacolombianas en raleighcolombian salsa & tropical
8:00 AMspace cadetmodern girl
9:00 AMdj beansfroot loops
10:00 AMclaymoreclaynationall over set
11:00 AMmaddogthe doghouseWes Anderson themed set! Waaaa 😀
12:00 PMKONDEThe KONDE Pop-up Hour (daytime)Jazz, Funk, Soul, and some other stuff!
1:00 PMflowers mcpowersthe flowers mcpowers hour
2:00 PMdj hexane, scrimblenull to the front2000s/2010s throwback indie/pop music
3:00 PMlast name uttsome songs are better than others
4:00 PMpresident shrimpo & malocchio >;)fireside chats- halloween month, the beginningspooky stuff, post punk and the like
5:00 PMfullmetal racket and DMC WOODSTOCKEVIL MUSIC TO SCHEME/PLOT TO ∩ (◣_◢) ∩drew like a dark, fucked up version of my set haha. just a glimpse into my dark twisted reality
6:00 PMyoung iowaSPOOKY MONTH PART ONE WITH YOUNG IOWAevil stuff to start spooky month
7:00 PMspringheel jackcockroach radioSpooky folklore and urban legend inspired songs. Cause Springheel Jack. Get it?
8:00 PMwizard of gorethe infernohard riffs that will make you kill your neighbors with hammers
9:00 PMbel$the beldammuahahahahahaha
10:00 PMchalcopyrite + apolloblackgazemaxxingblackgaze
11:00 PMleksiproiller-pilledjapanese hardcore based off chainsaw man ˚₊‧꒰ა ₍ᐢ. ̫.ᐢ₎ ໒꒱ ‧₊˚

HD-2

timeslotdj nameshow namedescription
12:00 AMdj roxyrock candymidnight tunes
1:00 AMrensenwarelate nite lan partyvideo game music of a different variety… all kinds EXCEPT rhythm game
2:00 AMzenthe swing set 2: this time it’s personaldog i have no idea but it’s going to be good and not jazz
3:00 AMjohnny ghostthe new and improved classic rock radioclassic rock deep cuts. just trust me
4:00 AMauxymoronlocal planetarium soundtrackspace ambient!
5:00 AMDJ MithraxSounds of Space Junksongs that remind me of 5 am
6:00 AM
7:00 AMminacattwo way radio
8:00 AMRodeo RomeoWestern FridayAmericana Central
9:00 AMDJ TullykinesisNightcore RadioNIGHTCORE!!!!!!
10:00 AMDJ Ocean SprayFolk Fallsome favorite fall songs
11:00 AMDJ Tullykinesis + rensenwareMiddle school vocaloid youtube playlist..vocaloidy
12:00 PMDJ HubcapYo Ho Ho and a Bottle of Rumsea shanties, sea shanties, and more sea shanties (will move if slots fill up)
1:00 PMDJ Pon-3 (will gladly move for a student shift)Local LunchJoin DJ Pon-3 for some of her favorite North Carolina artists.
2:00 PMLumkas
3:00 PMSpringheel JackJack Ruins MusicGenre division is dead. So is taste. I’m the Captain now.
4:00 PMscrimble + hexanethe scrimble spacekaraoke
5:00 PMbel$junior highmusic you wanted to forget about
6:00 PMDJ CrushCrush’s Yearly Allotted KPop SetTerminal levels of k-pop girl groups
7:00 PMrensenware + DJ Cranberrysteely dan power hourbestie set 🙂
8:00 PMDJ CrushDead AirUltra Spooky Fun Time ;3
9:00 PMrensenwarein cametek we trusttribute to the greatest rhythm game artist of all time
10:00 PMLead PipeGettin’ BonkedSome doom and sludge to really mess with the vibes
11:00 PMDJ HubcapSarah Bonito Extravaganzasarah midori perry my beloved :3

Production Room

timeslotnameactivitydescription
12:00 AMmy name is zachLEGO Build Hour 😀we build a LEGO set together for the station
1:00 AMquakerwe write and illustrate a childrens book
2:00 AM
3:00 AM
4:00 AMerieboard gam (chess, raleighopoly)
5:00 AM
6:00 AMkatie😱spooky scary games (if u want this spot u can have it lol im just puttin stuff here)
7:00 AMerietier list timeincluding a poor little meow meow ranking
8:00 AMandicrochet hourcrochet or read if i’m not asleep
9:00 AM
10:00 AMclaireLive promoswe design and record a promo for u on the spot! (if anyone wants this time slot u can have it)
11:00 AMclaireEpic picross tournament15×15 no live validation WHO WILL WIN
12:00 PMclaireWKNC does hairu want a buzzcut? 2 sleepy djs can do it
1:00 PMeriethey see me rollingsorting tshirts
2:00 PMSpencer, sophia, roseRose Reactssubject president shrimpo to wacky music and see her priceless reactions as her mind is expanded
3:00 PMsophia, willow, bugfursona commission hourwe will draw your fursona. don’t have one? we’ll make one for you
4:00 PMMasonWKNC Are You Smarter Than A Fifth GraderQuizzing DJs on random trivia
5:00 PMJvideo games (?)playing video games really poorly
6:00 PMclaireWKNC family treeupdating the family tree i made last year!!!
7:00 PMroseNixon HourPresident Shrimpo talks about 37th president of the United States Richard Milhaus Nixon
8:00 PMsarascrimble’s ppt night
9:00 PMsarascrimble’s ppt night if there are too many for 1 hour
10:00 PMerieapplication quizguess the application!!!!!!!!!
11:00 PMdantemetal band logosguess what the hell metal band logos are supposed to say

Categories
Weekly Charts

Top Charts 10/3/23

Top Charts

#ArtistRecordLabel
1FLY ANAKINSkinemaxxx (Side A)Lex
2JEFF ROSENSTOCKHELLMODEPolyvinyl
3MCKINLEY DIXONBeloved! Paradise! Jazz!?City Slang
4PALEHOUNDEye On The BatPolyvinyl
5BILLY WOODS AND KENNY SEGALMapsBackwoodz Studioz/Fat Possum
6KARI FAUXREAL B*TCHES DON’T DIEDrink Sum Wtr
7KIPP STONE66689 BLVDClosed Sessions
8TOMMY RICHMANThe Rush [EP]Pulse/Concord
9TRUTH CLUB“It’s Time” [Single]Sipsman
10WEDNESDAYRat Saw GodDead Oceans/Secretly Group
11ASHER WHITENew Excellent WomanBa Da Bing!
12CASTLE CHAMPNo We GoSelf-Released
13CITIZEN“When I Let You Down” [Single]Run For Cover
14DARKSOFTBeigeificationLook Up
15DJ UNKNOWNPrisoners Of GravityUrbnet
16HAVIAH MIGHTYCrying CrystalsMighty Gang
17MOKA ONLYIn And Of ItselfUrbnet
18PARIS TEXASMid AirParis Texas/The Orchard
19RATBOYSThe WindowTopshelf
20SKIIFALLWOIIYOIE TAPES Vol. 2 – Intense CityRCA
21SWAMP THINGNoise MachineUrbnet
22SYRUPThe QuestionsMelting Pot
23YES YES A THOUSAND TIMES YESSupertinyinfinitedansReally Rad
24ARIESMARICAEverything After The Debut Is Gay [EP]Self-Released
25BEN FOLDSWhat Matters MostNew West
26BIG THIEF“Vampire Empire” [Single]4AD
27CHERRY GLAZERRI Don’t Want You AnymoreSecretly Canadian/Secretly Group
28HOME IS WHEREthe whalerWax Bodega
29HORSE JUMPER OF LOVEHeartbreak RulesRun For Cover
30MANNEQUIN PUSSY“I Got Heaven” [Single]Epitaph

Top Adds

#ArtistRecordLabel
1CHERRY GLAZERRI Don’t Want You AnymoreSecretly Canadian/Secretly Group
2YEULEsoftscarsNinja Tune
3PACKS“Honey” [Single]Fire Talk
4SLOW PULPYardAnti-
5MSPAINTPost-AmericanConvulse
6NEVERNo GuaranteeFeel So Good
Categories
Weekly Charts

Underground Charts 10/3/23

Underground Charts

#ArtistRecordLabel
1MICK JENKINSThe PatienceBMG
2DJ UNKNOWNPrisoners Of GravityUrbnet
3TEEZO TOUCHDOWNHow Do You Sleep At Night?RCA
4FLY ANAKINSkinemaxxx (Side B)Lex
5DANGER MOUSE AND JEMINIBorn AgainLex
6TOMMY RICHMANThe Rush [EP]Pulse/Concord
7K-RIZOne Way TicketBirthday Cake
8MOKA ONLYIn And Of Itself (Instrumentals)Urbnet
9KYLE MCEVOYLone OakSonder House
10MCKINLEY DIXONBeloved! Paradise! Jazz!?City Slang

Underground Adds

#ArtistRecordLabel
1KYLE MCEVOYLone OakSonder House
2SEAFOOD SAM“’86 Carolina West” [Single]drink sum wtr
3PIXIE COLA“looking at her” [Single]Self-Released
4GOTTS STREET PARK“Got To Be Good” feat. Pip Millett [Single]Blue Flowers/PIAS
5LACK OF AFROSquare OneBastion
Categories
Weekly Charts

Chainsaw Charts 10/3/23

Chainsaw Charts

#ArtistRecordLabel
1OUTERGODSThe Kingdom Built Upon The Wreckage Of HeavenProsthetic
2VITRIOLIC RESPONSEThe Dissidents/Vitriolic Response [EP]Self-Released
3WAYFARER“To Enter My House Justified” [Single]Century Media
4BARONESSStoneAbraxan Hymns
5CRYPTOPSYAs Gomorrah BurnsNuclear Blast
6XORCIST“Coterie Of The Depraved” [Single]Prosthetic
7RINGWORMSeeing Through FireNuclear Blast
8TILL THE DIRTOutside The SprialNuclear Blast
9CREAKDepth PerceptionProsthetic
10ENTIERROThe Gates Of HellSelf-Released

Chainsaw Adds

#ArtistRecordLabel
1MOUTHBREATHERSelf-TapeGood Fight
2FREYA“Fight As One” feat. Freddy Cricien [Single]Upstate
3DYING FETUSMake Them Beg For DeathRelapse
4FUTURE STATIC“Roach Queen” [Single]Wild Thing
5RECEIVERWhispers of LoreGates of Hell
Categories
Weekly Charts

Afterhours Charts 10/3/23

Afterhours Charts

#ArtistRecordLabel
1GALACTIC HOLEPiracies MenuSelf-Released
2RAVE THERAPY VOL 4VARIOUS ARTISTSGestalt Promo
3TOPDOWN DIALECTICS/T 2023Peak Oil
4WAQWAQ KINGDOMHot Pot TottoPhantom Limb
5PHIOMEsystem BIOSSelf-Released
6TRSHCKDBLEve’s DelightSelf-Released
7DJ SABRINA THE TEENAGE DJDestinySelf-Released
8WORDCOLOURRatios I [EP]Houndstooth
9SIRDSCAPESMight Delete Later [EP]Gestalt Promo
10YEULEsoftscarsNinja Tune

Afterhours Adds

#ArtistRecordLabel
1RAVE THERAPY VOL 4VARIOUS ARTISTSGestalt Promo
2TOPDOWN DIALECTICS/T 2023Peak Oil
3PHIOMEsystem BIOSSelf-Released
4WAQWAQ KINGDOMHot Pot TottoPhantom Limb
5SIRDSCAPESMight Delete Later [EP]Gestalt Promo
6YEULEsoftscarsNinja Tune
7WORDCOLOURRatios I [EP]Houndstooth
8HIDDEN ORCHESTRATo Dream Is To ForgetLone Figures
9NINA INDIR90’s [EP]Gestalt Promo
10IVY LAB“Ghost x Dead Signal” [Single]Twenty Twenty
Categories
Concert Review

Lil Yachty at The Ritz September 25

I saw Lil Yachty on his Field Trip tour at the Ritz here in Raleigh on September 25. I’ve been a big fan of Lil Yachty since I first started getting into rap so I was very excited for this, and while the opening acts left some to be desired, Yachty’s performing ability and decision to play with a live band brought a great concert experience. 

This tour supports the release of Yachty’s fifth studio album: “Let’s Start Here” which was released earlier this year in January. This album was a departure from the colorful hip-hop and trap bangers with the fun, yet cutting rap flows Lil Yachty was known for, taking a psychedelic, alternative approach, and making this his first album that didn’t feature rap or trap as a forefront. 

If you aren’t familiar with Lil Yachty, he’s a 26 year old rapper, singer, songwriter, and actor from Atlanta, Georgia. He first saw the limelight in 2016 through his viral hits “One Night” and “Minnesota” which both appeared on his first mixtape “Lil Boat.” That same year he would go on to collaborate with singer DRAM on his song “Broccoli,” as well as with singer Kyle on his song “ISpy,” both of which have since gone multi-platinum. These songs were impossible to escape back then so it is very possible that you’ve heard Lil Yachty’s voice at least once before. 

On this tour Lil Yachty was supported by members of his own label “Concrete Boys,” these members being: Draft Day, Dc2Trill, Karrahbooo, and Camo. All of these artists are based in Atlanta, Georgia and primarily make trap music. The North American leg of the tour was also supported by Nick Hakim, an alternative soul artist who helped with some production on “Let’s Start Here.” 

The crowd at the concert was primarily composed of teenagers from what I could tell, which makes sense judging by Lil Yachty’s signature, auto-tune driven, trap sound is very popular amongst younger fans of rap and hip-hop. It’s a little weird sometimes looking around and realizing I am probably above the average age of the crowd, especially seeing as I would feel the inverse growing up going to shows in high school. 

The show started with a short DJ mix that came through the house speakers (I couldn’t see the DJ if they were on stage at all). It was a very confusing experience because the house speakers that were playing the music at an ambient volume as people were arriving were turned up, and the DJ mix started, but when the first Concrete Boys member came out, the same speakers were being used, and it was a very disorienting experience, making the set harder to enjoy. It was also immediately apparent that the mixing in this first set was not very good.

All four members (that aren’t Lil Yachty) performed their own solo songs, doing 1-4 tracks each. My favorite of these was Draft Day performing a song by Lil Yachty in which he features on prominently, titled “Demon Time” and Camo performing “SWAP HER BIRK.” If I were to pick my favorite part of the set, it was the energy of the performers, as you could really tell they were having fun, even if the use of backing tracks and poor mixing threw me off sometimes.

There were attempts at crowd work, some effective, some not, and towards the end of the set, the rappers threw shirts into the crowd and assured the crowd they would be present at the merch table after the show for meeting and greeting. Also, I should mention that there wasn’t really a visual component to this set outside of the main screen displaying the word “CONCRETE” where every letter was a different font from an established design (like the use of the Internet Explorer logo for e) which I thought was pretty cool.

Next was Nick Hakim. Nick Hakim was joined by an acoustic guitarist, a bassist, and a backing track that included drums and synths. I would describe Nick Hakim’s music as indie soul and alt r&b, and it was a very mellow and soulful set. Nick Hakim is a singer and though the vocal mix on specifically his mic (not the backup vocalists) was a little blown out at times, you could tell he was a very thorough and interesting vocalist. My favorite song of theirs was “Vertigo.”

Unfortunately, the crowd didn’t seem to really care for Nick Hakim, some pockets of the crowd chanting for Lil Yachty at some points, while other people in the crowd were holding up their phone displaying a stream of the current football game or a mobile app or something to display their boredom. This was pretty upsetting to me because I think it’s important to respect the performers, but I guess I can’t expect much from people who have probably not been to that many concerts before. Visually, this set just took use of the main screen by displaying two static instances of “NICK HAKIM.” Overall a pretty cool set, I just wish the crowd enjoyed it more. 

Finally, there was Lil Yachty’s set. The set began with some super cool visuals on the big screen as the band walked on the stage, and this lasted for about a minute. Then, the band began the set with my personal favorite song from “Let’s Start Here” “drive ME crazy!” complete with a female vocalist doing the first verse and chorus of the song, leading into Yachty finally coming out and singing his part of the song (the second verse and the breakdown at the end). From there I think he did a little banter and then went into some of the other more popular and colorful songs from the album like “the ride-” and “pRETTy” The live renditions of these songs blew the album versions out of the water in my opinion and I really enjoyed the visuals in this first segment. 

One stand out part of this segment was the band covering “In The Air Tonight” by Phil Collins. This came as a surprise to me and it sounded amazing. 

After a few tracks with the live band, Yachty worked the crowd a bit, and then gave them what I could tell they were there for: The bangers. Yachty did a pretty wide selection of his hits, starting with songs off his most recent rap ep “Slide” in “SOLO STEPPIN CRETE BOY” and the title track. He then went back to back with his most popular solo songs like “Split/Whole Time” (a personal favorite of mine), a tribute to Juice Wrld in his song “Yacht Club” from his album “Nuthin 2 Prove” which prominently features the artist, and songs like “NBAYOUNGBOAT” and “Flex Up” which feature abrasive, high tempo production, which the crowd loved.

Yachty is a great performer both in terms of his stage presence and his vocal performance. It is common to see rappers just use backtracks with the original vocals of the song fully intact, and this wasn’t the case with any of Yachty’s rap songs in his set. He was really rapping, which takes practice and breath control. This brought a tangible air of passion and energy to this section of the set. 

From there Yachty did some of his older hits, like his classic viral hit “Minnesota” and even his feature verses on the multi-platinum tracks with DRAM and Kyle. 

Yachty ended this segment of the set with his current hottest track “Strike (Holster)” into a crowd focused version of the song that put him on the map from the very beginning “One Night” I should also mention that he did not shy away from performing his viral hit from last year “Poland” 

From there he brought out his band once again for the last segment of the show with more songs from “Let’s Start Here” with tracks “IVE OFFICIALLY LOST ViSiON” “THE zone~” and “WE SAW THE SUN” ending the set with a very climatic conclusion in “the BLACK seminole.”

Yachty’s set overall was stunning at best and pretty good at worst. There were some lulls here and there but the live band stole the show in my opinion. Some of me feels like he should’ve leaned into the use of a live band and maybe adapted some of his songs not found on “Let’s Start Here” into live versions with live instrumentation, and while that decision can have some hit-or-miss results in my opinion, I think it would’ve made a lot of sense here. Though all three segments of his set were great, it felt fragmented. I feel like it would’ve flowed a bit better if he started with the bangers and then did the entire second half of the set with the live band, but that’s just me. 

Overall, I had a fun time seeing Lil Yachty at this show. That’s another one off my list of artists I grew up as a fan of that I’ve seen in concert! My fingers are still crossed in hopes of seeing Childish Gambino someday. 

-KONDE

Categories
Band/Artist Profile Blog

Artist Profile: Infected Mushroom

When I was in the seventh grade, I discovered Infected Mushroom.

“Converting Vegetarians,” a track from the 2003 album of the same name, was my first taste of the band’s genre-defying psychedelic sound.

Cover for “Friends on Mushrooms” by Infected Mushroom

Music was never the same for me after.

Infected Mushroom

A duo composed of Israeli producers Amit “Duvdev” Duvdevani and Erez Eisen, Infected Mushroom has been pioneering psytrance for over twenty-five years.

Known for their groundbreaking, genre-defying mastery, Infected Mushroom has been a powerhouse since 1999.

Their discography consists of twelve studio albums, one compilation album, four extended plays and thirty singles.

“Converting Vegetarians”

Infected Mushroom’s 2003 album, “Converting Vegetarians,” laid out a full two and a half hours of pure experimental psychedelia.

With sprawls of trancelike rhythms and beats, one does not simply listen to the album, but rather allow themselves to fall into it headfirst.

Cover for “Converting Vegatarians” by Infected Mushroom

With most tracks 5 or more minutes long, each song can either stand alone or meld into a broader tapestry of musical innovation.

Converting Vegetarians” the song sticks out to me in particular, primarily for its nostalgic appeal.

The song opens with an almost frightening industrial strain that seems to bounce off of imaginary walls before being softened by an electronic and percussive beat.

As the song progresses, there’s a very real sense of movement as sounds metamorphoze and grow with the addition of new elements.

“Vicious Delicious”

Released in 2007, “Vicious Delicious” proved to have a monumental chokehold on alternative teenagers.

The album’s arguably most-known track, “Becoming Insane,” still stands as one of Infected Mushroom’s finest works.

Cover for “Vicious Delicious” by Infected Mushroom

While a surface-level appraisal of the song may find it to be a basic electronic track, deeper inspection reveals subtle intricacies amid the trailing strings of beats.

There’s a notable Latin American influence, with smooth guitar traversing throughout the song like a slithering snake.

“Army of Mushrooms”

Infected Mushroom’s 2012 album, “Army of Mushrooms,” is another of their particularly iconic releases.

Featuring robust tracks such as “U R So F****d,” “Serve My Thirst” and “I Shine,” the album is an excellent culmination of years of innovation and experimentation by Duvdevani and Elsen.

Cover for “Army of Mushrooms” by Infected Mushroom

I also find the album to be among their most approachable, with more vocals and less overall instrumental.

The tracks also tend to pass by quicker, which can be beneficial for individuals not accustomed to thirteen-minute sprawls of electronica.

Other Recommendations

  • “Saeed” from “Legend of the Black Shawarma”
  • “Killing Time” from “Legend of the Black Shawarma”
  • “I’m The Supervisor” from “I’m The Supervisor”
  • “Guitarmass” from “Head of NASA and the 2 Amish Boys”
Categories
Blog Classic Album Review

Archers of Loaf – “Vee Vee (Remastered)”

More North Carolina. More! Archers of Loaf is one of my personal favorite bands that have stemmed from the Raleigh-Durham area. This is a band that is compared to Pavement, Sonic-Youth, and the Replacements (all on their Spotify bio). 

Archers of Loaf formed in 1991 at UNC with Eric Bachmann (guitar and vocals), Eric Johnson (guitar), Matt Gentling (bass) and Mark Price (drums). All members are from the Asheville area, so they’re all born and bred North Carolinians. 

Their first studio album, “Icky Mettle” was released in 1993. It features a few of their most popular tracks, “Web in Front”, “Fat” and “Plumb Line”, and this album is great but I’ll be focused on “Vee Vee”, the Archers’ third studio album, released in 1995. 

Vee Vee

In “Vee Vee”, Archers of Loaf introduce us to their album through discordant guitar instrumental set as a pathway to backyard, grunge-y hang-out vibes. The first track, “Step into the Light” absorbs your consciousness and releases you ‘into the light’. It trickles down my spine and leaves me shivering and smiling in preparation for the rest of the album. 

Second up is “Harnessed in Slums”. I mean, this whole album’s sound is a tribute by misfits and outcasts for misfits and outcasts: the musically un-inclined, the thrown away, the disowned folks that are trying to find their own way. The harsher vocals in this track make it like a punk, tailor trash theme song. If you’re feeling dejected, come and get some vengeful vibes from this track. 

Let the Loser Melt”: the lyrics, vocals and all aspects of this song combine to create a jarring scene of getting stuck, unstuck, then stuck again. I love the sensations Archers are able to pull off within this song. We don’t know where we’re gonna get halted until it happens again and again. 

In their final track from “Vee Vee”, the “Underachievers March and Fight Song”, is an ode to frustration and freedom from stupid values hanging over all our heads. “Underachievers” calls all of us folks trying to get by with little friction to stand up and fight. The track might be a seven and a half minute t, but there’s a nice long four to five minute gap of silence then a chaotic clanging to finish the track and album. It does the most with very little effort, a true underachiever. 

Yee Yee

I love this album. It’s my favorite from Archers of Loaf’s suite of releases because of its discordant punk and indie rock fusions. The band is a North Carolina staple in the indie rock world where I hope Wednesday and younger bands can soon (or maybe they already have) replace them as this generation’s finest from North Carolina. 

If you haven’t spun this record or anything from Archers of Loaf already, definitely take some time to check them out. And, if you already love them like myself, then revisit and enjoy the wonderful sounds stemming from this wonderfully mediocre state.

Categories
New Album Review

Album Review: “Girls Love Jungle” by gum.mp3 & Dazegxd

Listen, I know. Every other electronic release has breaks and a Y2K aesthetic these days. I understand if you’re looking for something else. However, this is also why I need you to believe me when I say that this album is, in fact, really good. 

“Girls Love Jungle” is a collaborative album between North Carolina-based artist gum.mp3 and the New York City-based Dazegxd. Over its 31 minutes, the two fuse the style of both 90’s and modern electronic to create something that’s ultimately unique. 

The first three tracks best showcase this combination to me. Opener “Mania” leans more on the modern end, with the most obvious example being the prominent crash-police-siren sample that’s now irreparably linked to the very recent genre of hyperflip.

It’s then followed by “Bad 4 Us,” which has a higher focus on the smooth keyboards and vocal samples common to older jungle, but its production style is still unmistakably modern.

The last of this opening run is “Imitator,” which strips back the production to focus almost entirely on the breaks and a handful of sampled instruments, and the result feels timeless. 

The rest of the album continues playing with these ideas of new and old, and eventually ends on the duo each doing a solo track. Dazegxd’s, “Don’t You See,” is probably my favorite song on “Girls Love Jungle,” which is also a statement that makes me feel like I’m abandoning my local artists. The track focuses on its main vocal sample for most of its run, then turns into complex breaks that scratch an itch I didn’t realize I had for its last third.

gum.mp3’s solo track, “Mind Reader,” takes the opposite, moodier approach. It’s much steadier, and its vocals are front and center when compared to most of the other tracks on the album. It’s an interesting way to close out the album, but I’m ultimately glad for it.

Overall, “Girls Love Jungle” is a great addition to the ever-expanding list of modern albums influenced by the past, and especially another to the list of (in this case, partially) local electronic. Both Dazegxd and gum.mp3 have a lot of potential, and I’m excited for their futures.

-chalcopyrite