Categories
Weekly Charts

Heavy Charts 5/24

# Artist Record Label

1 SUMMONERS CIRCLE Become None Pavement
2 THY ART IS MURDER “Human Target” [Single] Nuclear Blast
3 WHITECHAPEL The Valley Metal Blade
4 EAST VIRIDIAN Pathfinder [EP] Self-Released
5 AFTER THE BURIAL Evergreen Sumerian
6 VOLUMES Coming Clean [Advance Tracks] Fearless
7 NINE SHRINES Retribution Therapy Mascot
8 ENTERPRISE EARTH Luciferous Entertainment One
9 ICED EARTH Enter The Realm [EP] Century Media
10 AMON AMARTH Berserker Metalblade

Categories
Music News and Interviews

The Saw’s Electric Chair: Raine from Nuclear Desolation

Join us for the premiere edition of WKNC’s newest podcast: The Saw’s Electric Chair! It’s a casual interview/discussion about music with Raine Rumple from Nuclear Desolation. Raine is in multiple heavy metal bands throughout N.C. and The Saw will be talking all things metal. We will also be talking about other genres of music because he enjoys (and sees) all types of music live. 

Categories
Classic Album Review

CLASSIC REVIEW: THE U-MEN- Step on a Bug

The U-Men- Step on a Bug

Best Tracks: 2 X 4, Willie Dong Hurts Dogs, Solid Action

To call the U-Men a precursor to the Seattle Grunge scene is extremely tempting, but ultimately sloppy.  Admittedly they had all the check marks: a hardcore punk foundation that had been warped into its own separate entity, a charismatic front man in John Bigley and a disgustingly mysterious otherness. This otherness, however, was so pronounced that to categorize the U-Men as “grunge” or “proto-grunge” would be an offense to the band and all of its fever-addled, swamp-o’-billy greatness.  Their sole full-length album, Step on a Bug, is half a half hour trip of humid lunacy; a moment where fuzz-drenched guitars and rockabilly drum patterns build a surprisingly stable arena for Bigley to writhe as if his skin were melting off right there in the studio. It should be required listening for, well, everyone.

Conceived in 1981 Seattle adjacent to the “second wave” of west-coast punk which was becoming harder, more subversive, and (somehow) even less commercial than its mid-70s parent, the U-Men stood among out even among the most libertine acts, like the Germs, in their ultimately holistic embodiment of chaos.  They didn’t appear so much as rebels as they did an unstoppable entity which existed completely separate from reality. Their sound wasn’t just speed for the sake of aggression; it was a bastard of western swing and grimy, overdriven guitar; it was the sonic equivalent of a bloated frog with an oversized cowboy hat doing an Elvis impression after inhaling too many cursed swamp vapors. They called it “swamp-o’-billy”.

The U-Men were Seattle’s flagship band from the early to mid-1980s.  That’s right, less than a decade before the Northwest became an American Mecca for dirty melodrama, before even legitimate precursors like Mother Love Bone or Green River, its underground was ruled by a gothic hillbilly quartet whose lack of explicit metal influences were replaced by a drunken swing.  And their popularity, at least before Kurt Cobainification, was strictly limited to Seattle simply because of their complete inability to tour. Unsurprisingly, any U-Man effort to take on the globe was hampered by a combination of drugs, mischief, and destruction which followed the band’s condensed chaotic energy.  So Seattle was the only place to be.

Again, Step on a Bug’s greatness lies in its throbbing, pronounced otherness.  Take, for instance, its opening track “Whistlin’ Pete”. Pete begins with an overdriven, mid-heavy guitar blast, and is followed up by a moan. Oh yes, a moan.  A moan eases into a growl by the next blast. The drums kick in: Bigley’s cue to slip comfortably into an unhinged persona who dry heaves out poisonous gravel.   His (or hiss) vocals lurch while his rhythm section doubles his vocal line, proving that his performance isn’t meandering by adding a distorted structure to the song’s belching path.  The U-Men sound as if they are panicking through their caricature of Americana romanticism. But Whilstin’ Pete is only an introduction to the rest of the album, and by the time its growls are fully audible the listener has likely surrendered to a feverish catharsis.  The remainder of the album offers episodes of the same ridiculous frenzy in Juice Party or Flea Circus. Unflinching, the Brothers U only begin to slow things down in Papa Doesn’t Love His Children, a mocking ballad which acts as another reminder of the bands’ classic country blues, uh, roots.  Solid Action is crazy.

The U-Men’s, and Step on a Bug’s, popularity has unfortunately been relegated to a study of the conditions which made bands like Nirvana, Soundgarden, and Pearl Jam possible.  It’s not a malicious connection, they could fill the hypothetical gap between hardcore punk and the Seattle sound, but it is an oversimplified one. To afford the U-Men a proper appreciation, they have to be treated as a force of themselves. Their unbridled madness is unlike anything I’ve ever listened to.  There is no discernable goal within it: no violent rebellion and no camp for the sake of theatrics. The U-Men seemed to have been sick and depraved before they recorded their first song.

Cliff Jenkins

Categories
New Album Review

REVIEW: AA BONDY- Enderness

Best Tracks: Diamond Skull, In the Wonder, Images of Love  

FCC Violations: Diamond Skull

Okay…A.A. Bondy…what can I say? His new record Enderness was my first experience with the artist. After doing some mindless “computer research,” it turns out this is his first record in eight years but I have to say it’s excellent though its musical foundations are usually not my cup of tea, coming from a heavy all-around rock and metal background.

Initially, I felt a cerebral vibe from the record and come to find out, that’s Bondy’s niche. Though the Alabama folk singer/songwriter has turned to more electronic devices, leaving guitars few and far between for this outing, the record still boasts his in-depth analysis of the social times we are currently surrounded with, tackling big pharma, the internet, and the environment.

With the subject matter and ensuring implementation, the record could easily come off as gimmicky but it doesn’t. Instead, it takes the listener on a euphoric ride of fluidity and melancholy – you know, the kind that makes you sad but good at the same time.

As a lover of guitar instrumentation, I’d have to say the first song ‘Diamond Skull’ was my favorite. Somewhere between a blend of blues, the old west, and a splash of Frusciante, this song is a heavy-hitter. The chorus takes you on an ascending, slow ride from the initial “Oh la la,” and the singing out of text and internet acronyms O.M.G. and L.M.A.O.

“In the Wonder” was another cool song. The vocal tracks had a tremolo effect through its entirety, giving them that bouncy and wavy feel that normally go to an instrument in the rhythm section via stompbox.

Even though I’m in unfamiliar territory, I feel that naming my least favorite song is splitting hairs at this point. The record really is fantastic but if I had to name one it would be “I’ll Never Know.” I felt the synthesizer, even though it was the prominent sound of this album, was used as a quick escape in notching on another track.

Overall, Enderness was excellent and I’m glad this record made its way into my realm. I like that feeling of finding an artist I’ve never heard before so I can take a light jog down their discography.

Justin Capoccia

Categories
Weekly Charts

Underground Charts 5/23

image

# Artist Record Label
1 ALT-J “3WW” [Single] Atlantic
2 RICO NASTY “Sandy” [Single] Self-Released
3 DENZEL CURRY “RICKY” [Single] Loma Vista
4 BONES Failure TeamSesh
5 KIDS SEE GHOSTS Kids See Ghosts G.O.O.D.
6 OPEN MIKE EAGLE What Happens When I Try To Relax [EP] Auto Reverse
7 BUSDRIVER Electricity Is On Our Side Temporary Whatever
8 AMINE Onepointfive Republic
9 KOOLEY HIGH Monogamy Mass Appeal
10 MALIBU KEN Malibu Ken Rhymesayers

Categories
Weekly Charts

Afterhours Charts 5/22

# Artist Record Label

1 GEOTIC Traversa Ghostly
2 TORO Y MOI Outer Peace Carpark
3 HURLEE Beating For You [EP] Apparel
4 LAURENCE GUY Making Music Is Bad For Your Self Esteeem [EP] Studio Barnhus
5 BOY HARSHER Careful Nude Club
6 DEVATA DAUN Pye Luis [EP] Pytch
7 TOURIST Everyday Monday
8 THE SAMPS Breakfast Gloriette
9 CHARLI XCX 1999 Remixes [EP] Asylum
10 YVES TUMOR Safe In The Hands Of Love Warp

Categories
New Album Review

REVIEW: MORABEZA TOBACCO- Morabeza Tobacco

Best Tracks: Kiss of Death, Rene

FCC: None

Morabeza Tobacco’s self-titled debut album is what you would expect from a dream pop release. With its overall ambiance, elegant synths, and groovy bass lines underneath male/female duo-lead vocals, the album provides a laid back and ethereal experience for the listener.

The introduction track ‘Almost Home’ made me feel a bit discouraged in listening to the album in its entirety. The song felt bland, resonating forgetful contemporary pop songs from the 80s with no real direction, making this my least favorite track. Surprisingly, it took a quick turn for the better, leading me on a curious journey as each track transitioned, but with a few hiccups along the way.

When the first song ends, ‘Kiss of Death’ comes in with an intriguing three-chord synth progression, giving way to a tight bass line, and entwined with a 4/4 drum beat which would carry the song on a journey reminiscent of Genesis. The lyrics come in with Gustave, the male vocalist, singing with what sounds like a vintage microphone or effect that emulates a similar sound. Vanilla, the female vocalist, sings the chorus with whispery tones that still manage to cut through the mix in a satisfying way. This was my favorite track on the album and served somewhat as a competent display of what the album offers.

‘Orinoco’ is another gem with funky guitars, an excellent chorus, and heavy bass fills that seem to come out of nowhere but blend well with the song. ‘Rene’ is solid as well, an instrumental that doesn’t showcase, but rather serves in maintaining the feel of the record.

With the exception of the first song, the album carries on in a productive way. The majority of it flows fluidly with a few lackluster tracks between the good ones but the good definitely outweighs the bad.

Here are a few takeaways: good overall bass and drum rhythms, complementary vocals, funky and interesting guitar parts, but lacks some consistency in regards to keeping the listener fully invested. Bypassing that minor lack of consistency, Morabeza Tobacco is a decent record that would be a good addition to the library of those familiar with the genre.

Justin Capoccia

Categories
Weekly Charts

Daytime Charts 5/21

image

# Artist Record Label

1 AA BONDY Enderness Fat Possum
2 TRUTH CLUB Not An Exit Tiny Engines
3 TACOCAT This Mess Is A Place Sub Pop
4 MORABEZA TOBACCO Morabeza Tobacco Luminelle
5 CHAI Punk Burger
6 BELLS ATLAS The Mystic Tender Loving Empire
7 SHARON VAN ETTEN Remind Me Tomorrow Jagjaguwar
8 IBIBIO SOUND MACHINE Doko Mien Merge
9 CLUB NIGHT What Life Tiny Engines
10 REPTALIENS Valis Captured Tracks
11 GREYS Age Hasn’t Spoiled You Carpark
12 GUERILLA TOSS Twisted Crystal DFA
13 WEYES BLOOD Titanic Rising Sub Pop
14 CRUMB Jinx [Advance Tracks] Self-Released
15 DILLY DALLY Heaven Partisan
16 BLESSED Salt Pirates Blend
17 BRASS BOX The Cathedral Dune Altar
18 BERLIN TAXI Contract [EP] Self-Released
19 MUNYA Munya Luminelle
20 COBRA MAN Toxic Planet Goner
21 FLAT WORMS Into The Iris [EP] GOD?
22 HOT FLASH HEAT WAVE Mood Ring Empire
23 DIRT BUYER Dirt Buyer Danger Collective
24 WESTKUST Westkust Run For Cover
25 GIRLPOOL What Chaos Is Imaginary Anti-
26 CATBATH Glitterbox Guilt Ridden Pop
27 JEFF THE BROTHERHOOD Magick Songs Dine Alone
28 ENTRACTE TWIST Entracte Twist Requiem Pour Un Twister
29 HATCHIE Keepsake [Advance Tracks] Double Double Whammy
30 KISSING PARTY, THE Mom & Dad Bbyv

Categories
DJ Highlights

Underground 90’s Hip-Hop you probably haven’t heard

Do you consider yourself a big fan of old school hip hop? Do you know every song by Bone Thugs, Biggie, and Mobb deep already? Well if so, I’m here to show you some artists and songs you may not know! These are some of my favorite 90’s rap songs that never got as famous as they should have. There is a link to the playlist below. Most songs are not available on Spotify or Apple Music, so for convenience they have all been put into a YouTube playlist. Most can be found on SoundCloud too if you wanna do that.

– Plainview

Categories
Band/Artist Profile

What’s Hot on The Block- Cloudy Nueve

Yoooo, this is Lul Bulma and welcome to the first entry for 88.1 WKNC’s; “Hot on the Block”. In this segment we take a look into the underground scene and see what local artists are up to. Today’s entry is on the New Bern native and upcoming star; Cloudy Nueve. Known for his original sound and vibrant flow, he has made impressions that have landed him features on platforms such as Lyrical Lemonade and Elevator Magazine. He is originally from New Bern though he now resides in Raleigh and has gotten over 30k views on a single hit. Following the release of his 3-single EP, Cloudy With a Chance, he released Cloudy With a Chance Pt. 2, a dynamic continuum of the same rhythmic flow that has gotten him the audience that he has now.

Obviously, Cloud has been up to a lot in recently yet, he has so much more in store.

Though he tends to only do collabs that are run by his camp, he is now working on collabs out the ass. As Cloud is often seen in junction with local rap group, The Lost Gen (otherwise known as TLG), he most recent collabs include artists; Brody J, who is featured on Cloudy With a Chance Pt. 2 on the track; Break:  https://soundcloud.com/cloudynueve/break-feat-brody-j?in=cloudynueve/sets/cwac,

Emilio Zapata, who he joins on the single; Taki:

https://www.youtube.com/watch?v=JkWoZK_0iEU

And Jaheal, as seen in his most viewed hit, Hostage: https://soundcloud.com/cloudynueve/hostage-feat-jaheal-prod-jag-1.

As for what the future holds, he plans to work on a collab EP with Jaheal which will likely highlight  the complementary relationship between Cloud’s dynamic pitch range and Jaheals steady flow to create a storytelling masterpiece. He furthermore plans to release new music with local artists; Sangstaa, Stephen Jailon, and Les the Genius as they all compliment his melodic style. Nevertheless, he also plans to start collabing with the more urban local underground scene of Raleigh consisting of artists like; YSB Sunny, female rap group; BBO and, Marlee Savage, all artists who maintain the same “from the trenches” theme that Cloud carries throughout his music.

In all, I’d have to say that Cloudy Nueve is one of my top five favorite local artists. I bumped Cloudy With a Chance for a week after it came out (Faded Letterman is my fav: https://soundcloud.com/cloudynueve/sets/cloudy-with-a-chance) and I stand by my belief that if he doesn’t get famous sometime soon, the industry is rigged. He ranks top three in originality because of his raw sound, which is most easily observed through the broadness of his vocal range and extensity of  his timbre (Listen to Noddin Off and Repeat to hear exactly what I’m talking about). Lastly, I encourage y’all to look out for the From the Durt music video being released on Elevator Magazine’s website sometime soon and check out Cloudy Nueve on all social media platforms (Twitter) @cloudynueve, (Instagram) @cloudyxnueve. Tune in next week to see what’s hot on the block.

– Plainview