Hello internet, and welcome to my album review of “Top Ten most Epic fish of all time” by Sintel! It’s a pretty unique album, with its silly gimmick belying some genuinely beautiful fish in it. That out of the way, let’s dive right in!
Category: Blog
We’re witnessing the musical changing of the guard and it could not be a more excitingly bittersweet time to love music.
The 2024 line-up for the Outlaw Music Festival was nothing short of legendary rolling into Raleigh’s Coastal Credit Union Music Park at Walnut Creek; Celisse, Alisson Krause & Robert Plant, Bob Dylan and Willie Nelson all taking the stage.
But as best laid plans are apt to do, the line up fell through.
The danger, you see, is in relying on octo- and nonagenarians for your entertainment is the general precarity of old age.
Friday, June 21st Willie Nelson’s team released a statement announcing the country singer’s departure from four of the ensuing tour dates due to medical concerns.
In his place, son Lukas Nelson and the Nelson Family Band stepped in with an abridged tribute set.
But it wasn’t necessarily a bad thing to let the younger Nelson take the stage in his father’s wake.
If anything, it reaffirmed what we already knew about Willie’s songs — they’re timeless country-western staples for a reason.
And more importantly, Lukas Nelson is far too talented to stay in his father’s shadow.
Freed from the albatross of an elderly father, Nelson’s voice quite literally soared through the shortened tribute set – simply put, he sounded like his father for a new age.
Waffling between original compositions and Willie-standards, Nelson was able to effortlessly bridge the divide between new fans and old, bouncing between the soulful growl present on Promise of The Real track “Find Yourself” to his father’s signature warble on songs like “Blue Eyes Crying In the Rain.”
Speaking of soul, I would be remiss not to mention one of the freshest faces amongst the lineup: Celisse.
The Oakland born singer and guitarist easily won over unsure and unfamiliar audiences with more than just sweet talk and charm, she won them over with her sound.
Bombastic in every sense of the word, her belt and her shred equally silenced the normally rowdy “lawnies” of Coastal Credit Union – her cover of Bill Withers’ “Use Me” met with earthshaking applause and shouts.
For a woman who has been making music for well over a decade, touring as supporting acts for some of the biggest acts in folk and easy listening rock both old and new – Brandi Carlisle and Joni Mitchell, to name a few – I have a sneaking suspicion that Outlaw Music Festival is only the beginning of her just desserts.
So yes, Bob Dylan and Robert Plant were once-in-a-lifetime, bucket list artists to see, but perhaps more importantly, I walked away with not just hope, but a feverish excitement to see what the next wave of Americana, Soul and whatever-the-hell-else-you-want-to-call-it will be.
Long story short, it is sad to see the old god’s fade away, but my god, I cannot wait to see the nebulous eruptions of the new.
– Bodhi
Oh, Justin Timberlake.
It’s been a rough year or so hasn’t it, bud?
From Brittany’s slightly dubious tell all to an ill-fated romp in the Hamptons, he’s has had a tough go of it as of late.
And my, what a sight to see.
Celebrity implosions, especially of such long standing figures, are always a spectacle – but I’ve yet to see one that reeks of desperation quite like Timberlake’s.
From the hallowed halls of the Mickey Mouse Club to Gen X thirst trap World Tours, Timberlake has a knack for keeping himself in the spotlight.
For better or worse, the common man has a half-baked notion of what — or rather, who — he is.
But there’s something that feels different about this latest scandal.
Perhaps it’s because I had the pleasure of seeing him at PNC Arena a week before his DUI.
Or maybe it’s the comical coverage of the incident — considering the pouty celebrity mugshot, perp walk and the beautifully oblivious cop making the arrest.
Either way you spin it, there’s something distinctly and pitifully funny about Timberlake’s snafu.
Rockstars and rappers go through their own legal issues and brushes with the law, but when it happens to a pop star, people pay attention.
Even more so to someone of Timberlake’s caliber.
For people 35 and over, he’s been a tried and true standard for a large part of American pop-culture.
From childhood to adulthood, he’s been a prominent spotlight feature, and he’s desperately grasping at the edge of the stage as he’s being played out.
As far as the soundscape of popular culture goes, he’s by and far left behind.
His stage show proves it to, sadly: asses really only left seats for old standards like “Sexy Back,” “Suit and Tie” and “Cry Me A River” — even more so for the throwback reliant DJ opener.
Not to besmirch the opening band, but there’s something wrong with your act if more people are amped for a DJ playing the dancehall classics of yesterday than your set.
Consistently, he’s released albums every four to five years since 2002. Yet, his sound hardly changes.
Since he’s left NSYNC, the only evolution I can truly see is a semi-annual media scandal of either infidelity or inebriation.
When your entire career is based upon the affection of young girls, what happens when those girls grow up?
What happens when you grow up?
Somewhere within the pandering, paltry pastiche of the “Forget Tomorrow” world tour and the relatively tame release “Everything I Thought I Was,” you’ll find the answer.
It was a good show, don’t get me wrong.
Justin Timberlake is an entertainer first and foremost, to which he most certainly delivered.
But as the times catch up with the now 43-year old, fading pop star, the whirling dervish of past and present controversy seems to loom large over him.
From Britney to Janet, inebriation, infidelity and unknown world tours, perhaps Timberlake should take to the mirror himself and truly reckon with his next steps.
Because let’s be fair, humoring an aging audience in flights of fantasy feels like a desperate cash-grab preying on the hardwired need of women past a certain age to feel relevant — to feel important.
In a world where artists are more accessible than ever, feeling more real than ever, the thin line between artifice and artistry has never been more apparent.
And artists who are unwilling to step beyond their predestined imagery are not only doing their audiences a disservice, they are doing one to themselves.
-Bodhi
Quasi Comes to Motorco
Quasi burst onto stage amidst a flurry of bird sounds, with bandmates and former spouses Sam Coomes and Janet Weiss taking places behind their respective instruments, huge grins on their faces.
On June 7, 2024, Knocked Loose played at The Ritz in Raleigh for their tour promoting their new album, “You Won’t Go Before You’re Supposed To.” The metalcore band hailing from Kentucky has properly solidified itself over the past half-decade within the hardcore hall of fame. With their brutal riffs, poetically miserable writing and satisfying band synergy that beckons stadium-spanning mosh pits, Knocked Loose is truly a force to be reckoned with.
Chainsaw Charts 6/24/24
Chainsaw Charts
# | Artist | Record | Label |
1 | CANDY | It’s Inside You | Relapse |
2 | CAVE SERMON | Divine Laughter | Self-Released |
3 | SELBST | Despondency Chord Progressions | Debemur Morti |
4 | REPLICANT | Infinite Mortality | Transcending Obscurity |
5 | ULCERATE | Cutting The Throat Of God | Debemur Morti |
6 | THOU | Umbilical | Sacred Bones |
7 | FALLINGWITHSCISSORS | The Death and Birth of an Angel [EP] | Zegema Beach |
8 | HOPLITES | Παραμαινομένη | Self-Released |
9 | FINAL RESTING PLACE | Prelude To Extinction [EP] | DAZE |
10 | WHITECROSS | Fear No Evil | Dark Star |
Afterhours Charts 6/24/24
Afterhours Charts
# | Artist | Record | Label |
1 | BASSVICTIM | Basspunk | Self-Released |
2 | ABADDON | Liar | Geometric Lullaby |
3 | KILL ALTERS | Suffocating Xpansion | DEATHBYSHEEP |
4 | THE PEPPERWOOD ENSEMBLE AND ATP | train of thought. | Self-Released |
5 | CAR CRASH AND SIREN | VARIOUS ARTISTS | Lost Frog |
6 | HAKUSHI HASEGAWA | “Gone” feat. KID FRESINO [Single] | Brainfeeder |
7 | FAX GANG AND PARANNOUL | Scattersun | Topshelf |
8 | KISS CARE AND PAR | Fan Club [EP] | Poclanos |
9 | MUEH | His | Self-Released |
10 | ABADDON | Perfect Fake | Geometric Lullaby |
Afterhours Adds
# | Artist | Record | Label |
1 | ABADDON | Liar | Geometric Lullaby |
2 | TURQUOISEDEATH | The Obelisk | Self-Released |
3 | MUEH | His | Self-Released |
4 | ABADDON | Perfect Fake | Geometric Lullaby |
5 | HALOGEN STAR | Pressure Points [EP] | Vivarium |
Underground Charts 6/24/24
Underground Charts
# | Artist | Record | Label |
1 | NXWORRIES | Why Lawd? | Stones Throw |
2 | DEEM SPENCER | all these crying birds [EP] | drink sum wtr |
3 | TOKIMONSTA | “Switch It” feat. GAWD & Cakes Da Killa [Single] | Young Art |
4 | ROZET | “Feelings Aren’t Facts” [Single] | Young Art |
5 | MO TURK | “Refresh (Single)” [Single] | Self-Released |
6 | KHAL!L | HEART: Melodies Of The Eternal Flame | EQ |
7 | GROOVY | Crying In The Club [EP] | Warner |
8 | TIKI JENKINS | “Who Told You (Single)” [Single] | Self-Released |
9 | DENZEL CURRY | “Hot Ones” feat. TiaCorine & A$AP Ferg [Single] | Loma Vista/Concord |
10 | CADENCE WEAPON | Rollercoaster | MNRK |
Underground Adds
# | Artist | Record | Label |
1 | MARIAS, THE | Submarine | Atlantic |
2 | THEE SACRED SOULS | “Lucid Girl” [Single] | Daptone |
3 | CATPACK | Catpack | Tru Thoughts |
4 | KAZY LAMBIST | Moda | Cinq 7/Wagram |
5 | TIM DALY | “Driftin'” [Single] | Crown Jewel Clique |
Jazz Charts 6/24/24
Jazz Charts
# | Artist | Record | Label |
1 | AUDREY POWNE | From The Fire | BBE |
2 | KAMASI WASHINGTON | Fearless Movement | Young |
3 | SHELLY BERG | Alegria | ArtistShare |
4 | AROOJ AFTAB | Night Reign | Verve |
5 | SARAH HANAHAN | Among Giants | Blue Engine |
6 | JONATHAN BARBER | In Motion | Vision Ahead |
7 | GERALD CANNON | Live At Dizzy’s Club: The Music Of Elvin & McCoy | Woodneck |
8 | BADBADNOTGOOD | Mid Spiral: Order [EP] | XL |
9 | PAULA MAYA | Mar Da Minha Terra | Yellow House |
10 | KEN PEPLOWSKI | Unheard Bird | Arbors |
Jazz Adds
# | Artist | Record | Label |
1 | AROOJ AFTAB | Night Reign | Verve |
2 | SHELLY BERG | Alegria | ArtistShare |
3 | JONATHAN BARBER | In Motion | Vision Ahead |
4 | GERALD CANNON | Live At Dizzy’s Club: The Music Of Elvin & McCoy | Woodneck |
5 | PAULA MAYA | Mar Da Minha Terra | Yellow House |
Top Charts 6/24/24
Top Charts
# | Artist | Record | Label |
1 | MEAN JEANS | Blasted | Fat Wreck Chords |
2 | ADRIANNE LENKER | Bright Future | 4AD |
3 | GLITTERER | Rationale | Anti- |
4 | MANNEQUIN PUSSY | I Got Heaven | Epitaph |
5 | SPRINTS | Letter To Self | City Slang |
6 | YUNGATITA | Shoelace & A Knot | Self-Released |
7 | BLACKWINTERWELLS | mortal | Amuseio |
8 | DANNY BROWN | Quaranta | Warp |
9 | KYLE MARTUCCI | Late Night Thai | Tooch |
10 | MEI SEMONES | Kabutomushi [EP] | Bayonet |
11 | MILAN RING | Mangos | Astral People/PIAS |
12 | MINT FIELD | Aprender A Ser | Felte |
13 | MYRA KEYES | Flower In The Brick | Self-Released |
14 | OFFICE DOG | Spiel | New West/Flying Nun |
15 | POWERWASHER | Everyone Laughs | Strange View |
16 | ROSIE TUCKER | Utopia Now! | Sentimental |
17 | SLEATER-KINNEY | Little Rope | Loma Vista/Concord |
18 | STALEFISH | Stalefish Does America | Happen Twice |
19 | SWEET PILL | Starchild [EP] | Hopeless |
20 | YEULE | softscars | Ninja Tune |
21 | BLADEE | Cold Visions | Trash Island |
22 | BRISTLER | Cascades At Play [EP] | Mint 400 |
23 | BUTCHER BROWN | Solar Music | Concord Jazz/Concord |
24 | CHEEKFACE | It’s Sorted + Sort Of (B-Sides) | Self-Released |
25 | CHERRY GLAZERR | I Don’t Want You Anymore | Secretly Canadian/Secretly Group |
26 | CRUMB | AMAMA | Crumb |
27 | CZARFACE | Czartificial Intelligence | Silver Age/Virgin |
28 | GLASS BEACH | Plastic Death | Run For Cover |
29 | GOAT GIRL | Below The Waste | Rough Trade |
30 | GOTTS STREET PARK | On The Inside | Blue Flowers/PIAS |
Top Adds
# | Artist | Record | Label |
1 | THE SOFTIES | “I Said What I Said” [Single] | Father/Daughter |
2 | ISLANDS | What Occurs | Elf |
3 | JAPANESE HOUSE, THE | “:)” [Single] | Dirty Hit |
4 | SWIM SURREAL AND ZERO 7 | In The Half Light | Make |
5 | WHY BONNIE | “Dotted Line” [Single] | Fire Talk |
6 | MODEL CHILD | Get There | PopCan |
7 | SARAH KINSLEY | “Last Time We Never Meet Again” [Single] | Verve Forecast |