Categories
DJ Highlights

Ride Along with Chancellor Randy Woodson

Friday, October 1 was World College Radio Day. WKNC had a jam-packed 24 hour schedule that included nonstop DJs on HD-1, various sets on HD-2, and a full livestream of the event on our YouTube channel. We’re still processing all the footage from the event, so stay tuned for a video recap.

The climax of the entire event was a special guest appearance by Chancellor Randy Woodson, who appeared as a guest on 3 Bears in a Coat’s show Ride Along at 3 p.m.

Chancellor Woodson split his set into three parts; the Muscle Shoals sound, Southern Rock, and songs he’s enjoying now. Although we can’t share his recorded set due to music copyright law, we can provide the playlist– which we also uploaded to Spotify for you to enjoy.

Below you can find 3 Bears in a Coat’s reflection on the event, a transcript of Randy’s air breaks, as well as some pictures from the event.

Categories
Miscellaneous

My Year Writing for WKNC

Although my first blog “Best of Phoebe Bridgers” wasn’t published until the end of November, I first expressed interest in being a contributor to WKNC’s blog around a year ago now. I have come a long way since that first blog, and want to reflect on my year writing for the best college radio station in the world (or, at the very least, in my world). 

Firstly, what started as a hobby, has resulted in a complete change in my life. If I never began writing for WKNC, I most likely would have never become a DJ, never been hired as a content creator, or changed my concentration (previously interpersonal communication, now communication media). I’ve slowly but surely dipped my toe into the wonderful world of radio, meeting wonderful people along the way. I’ve gained friends, experiences I’ve only dreamed of, and have fulfilled my dream of writing about music. To think I was just bored at home for the semester, looking for a way to pass the time, and walked unknowingly into this world feels nothing short of a miracle.

I figured I’d pull back the curtain just a bit and let you know what are my favorite blogs I’ve ever written, in case you missed them and are looking for a good read (or 5).

  • Struggle Making Playlists? Have Some Playlist Prompts: This is a semi-recent addition to the blog but a favorite nonetheless. If you struggle organizing your music, I recommend following some of the tips outlined in this blog. Who knows? It just might help you.
  • “Take the Sadness Out of Saturday Night” New Album Review: I, despite being a longtime Bleachers fan, was disappointed in their recent release.  I was very proud of myself for being able to convey that through my writing without being too scathing. Hooray for constructive criticism.
  • The “Rosyln” Mystery: This mystery still bugs me even though I seem to have gotten to the bottom of it. If anyone has any information as to why the name of “Rosyln” by Bon Iver and St. Vincent on the “Twilight: New Moon” soundtrack is a typo, please let me know.
  • How to Find New Music: I know far too many people that say they struggle with this. Finding new music is a delight, so why not find a way to do it that suits your fancy?
  • The Timeless Magic of “The Parent Trap” (1998) Soundtrack: My favorite movie of all time, and a concept I’ve been discussing for years, all wrapped up into one blog. I’m no movie buff, so it’s likely that this may be the last time you see me writing about a movie’s soundtrack.

Thank you WKNC, I’ll write for you as long as you let me,

Caitlin

Categories
Weekly Charts

Daytime Charts 10/5

#ArtistAlbumLabel
1SHYGIRLALIAS [EP]Because
2LOWHEY WHATSub Pop
3HIATUS KAIYOTEMood ValiantBrainfeeder/Ninja Tune
4INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
5LITTLE SIMZSometimes I Might Be IntrovertAGE 101
6MAMALARKY“Meadow” [Single]Fire Talk
7TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
8ZEBRA KATZLess Is MoorZFK
9JAPANESE BREAKFASTJubileeDead Oceans/Secretly Group
10JIMMY EDGARCheetah BendInnovative Leisure
11KILLS BIRDS“Glisten” b/w “Rabbit” [Single]KRO
12LAVA LA RUEButter-fly [EP]Marathon
13AMYL AND THE SNIFFERSComfort To MeATO
14SNAIL MAIL“Valentine” [Single]Matador
15TOBIElements Vol. 1Same Plate/RCA
16CHILDREN COLLIDETime ItselfSpinning Top
17FJAAKSYS03 [EP]Self-Released
18GREENTEA PENGMan MadeEMI
19MARKEE STEELEVet & A Rook [EP]Thee Marquee
20PLANET GIZADon’t Throw Rocks At The Moon [EP]Self-Released
21WEDNESDAYTwin PlaguesOrindal
22WE WERE PROMISED JETPACKSEnjoy The ViewBig Scary Monsters
23ZELMA STONEThe Best [EP]Self-Released
24ATLANTIC CANYONSSee The Hue [EP]Self-Released
25BLACK MIDICavalcadeRough Trade/Beggars
26FLYING LOTUSYasukeWarp
27CLAMMBeseech MeNevado
28GIRLPUPPYSwan [EP]Royal Mountain
29FIDDLEHEADBetween The RichnessRun For Cover
30LSDXOXO“Sick Bitch” [Single]XL

Daytime Adds

#AristAlbumLabel
1FILM SCHOOLWe Weren’t HereSonic Ritual
2STRANDEDMidnight SunDouble Phantom
3EKKSTACY“it only gets worse, i promise” [Single]UnitedMasters
4ONE STEP CLOSERThis Place You KnowRun For Cover
5METRONOMYPosse EP Volume 1 [EP]Because
6SHIVAS, THEFeels So Good // Feels So BadTender Loving Empire
7DELIVERY“Floored” [Single]Spoilsport
8BRIACuntry Covers Vol. 1Sub Pop
9BROKEN BABYLate Stage OptimismPoor Man
10LOS RETROSLooking Back [EP]Stones Throw
Categories
Weekly Charts

Chainsaw Charts 10/5

#ArtistAlbumLabel
1PREDICTOR…thus spoke death [EP]Iron Bonehead
2ZETARDevouring DarknessSpirit Coffin
3VENUS SYNDROMECannibal SarRockshots
4CURTA’N WALLCurta’n Wall [EP]Grime Stone
5BONEHUNTERDark Blood Reincarnation SystemHells Headbangers
6VALRAVNESome Kind of VampireSelf-Released
7IXTLAHUACTeyacanilitztli NahualliNuclear War Now!
8DESTRUCTIONLive AttackNapalm
9CRYPT CRAWLERFuture UsurperBitter Loss
10KROSSFYRERites Of ExterminationHell’s Headbangers
Categories
Weekly Charts

Underground Charts 10/5

#ArtistAlbumLabel
1TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
2ZEBRA KATZLess Is MoorZFK
3LAVA LA RUEButter-fly [EP]Marathon
4LITTLE SIMZSometimes I Might Be IntrovertAGE 101
5TOBIElements Vol. 1Same Plate/RCA
6JIMMY EDGARCheetah BendInnovative Leisure
7INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
8VINCE STAPLESVince StaplesBlacksmith/Motown
9EVIDENCEUnlearning Vol. 1Rhymesayers
10GREENTEA PENGMan MadeEMI
Categories
Weekly Charts

Afterhours Charts 10/5

#ArtistAlbumLabel
1FJAAKSYS03 [EP]Self-Released
2INDIA JORDANWatch Out! [EP]Ninja Tune
3SHYGIRLALIAS [EP]Because
4JULESDelta Ajax [EP]Happy Life
5SOFIA KOURTESISFresia Magdalena [EP]Technicolour
6BLUE HAWAIIUnder 1 House [EP]Arbutus
7EARTHEATERPhoenix: Flames Are Dew Upon My SkinPAN
8MACHINEDRUMPsyconia [EP]Ninja Tune
9DREAMWEAVERCloud9MagicCrafters
10ERIKA DE CASIERSensational4AD/Beggars Group
Categories
New Album Review

Kacey Musgraves Why?

            The divorce album has been a staple of country music for about the last century. It’s a powerful statement that you’ve moved into the depressed and alcoholic part of middle age, which is the prime productive period for good old fashioned ballads about misery and killing your ex. It’s pretty hard to mess up, and yet, Kacey Musgraves has managed to mess it up.

            This last year has apparently been bad for Musgraves, as it has been for all of us. She divorced her husband, fellow country singer Ruston Kelly. However, determined to make the best of it, Musgraves headed into the studio, taking her usual sound palate and collaborators with her, ready to make her very own divorce album, “Star Crossed.” Now, considering the overwhelming acclaim of Golden Hour, and the general tradition of country divorce albums, I had high hopes for the album. Kacey Musgraves has been a very cheery and bright artist, and while no one would ever wish for something to dampen her spirits, I was interested to see how she would handle darker subject matter.

However, in retrospect, the fact that Musgraves had never really taken on an angry or aggressive tone should have been a red flag. “Star Crossed” is about the nicest and vaguest divorce album on the planet. Kacey is an extremely sharp songwriter, and good at forging incisive lines that never feel brow-beating. And yet, we’re treated to nearly an hour of listless and melancholy reminiscence. While there’s nothing wrong with a sad breakup album, Musgraves seems to have nothing to say about her own personal tragedy, giving the whole affair a vibe of “Quick! Say something!”

Even the angry tracks like “bread-winner” are extremely general talking about “guys like that” who come in to ruin your week. No one individual guy in particular, just like, the vague idea of guys who do nonspecific bad things to the idea of women. This isn’t to say that Musgraves needed to go into any kind of detail, we aren’t owed any kind of insight into her personal life, but in a album framed entirely around her divorce, it seems like a rather critical oversight to not, you know, talk about the divorce.

I don’t want to just drag this album, there’s a more important lesson we might take from this specific type of failure. It might be that not all artists are built for the requisite messy personal album coming from tragedy that famous artists are expected to churn out. I can’t speak to whether Musgraves was personally pressured into making an album about her personal baggage (though it would certainly explain a lot). However, even if no agent, label executive, or fan asked her to make art out of her suffering, Musgraves was doubtlessly influenced by the general cultural expectation that a musician can’t go through personal tragedy without creating an album out of it. Not everyone is cut out for that kind of career move, it’s emotionally taxing and requires a specific type of person (read: a slightly narcissistic person) to be comfortable putting themselves out so completely.

I’m fairly confident Kacey Musgraves will bounce back from this. She’s still obviously very talented, and like I said at the top, country is perhaps the only genre where woman can expect greater success in middle age than they did in their twenties. So here’s hoping she can find a niche that suits a bit better, because Tammy Wynette she is not.

Categories
Concert Preview

Function / Newa @ Basement

The dark dancefloor of Basement
Photo Credit: Paper Magazine

Over a year and a half later, Basement is back open.

Facing financial uncertainty due to the COVID-19 pandemic, it was unclear whether the newly established Basement would ever reopen their doors. Until this past August Basement made a total of 6 social media posts, most of which centered around fundraising and live streamed DJ sets with proceeds going towards the NYC club scene. However, on July 27 they posted a simple image onto their Instagram reading “WE ARE BACK” followed by a lineup for the month of August.

The August lineup was stacked with some of my favorite DJs including LSDXOXO, DJ Stingray 313, and DVS1. The monthly lineups have only gotten better and October is shaping up to be the best month yet. Opening the October lineup this Saturday is none other than Function and Newa. Function is a New York City native and has been a part of the techno scene for over 25 years. His move to Berlin in 2007 alongside the formation of the duo-turned cult classic label “Sandwell District” solidified his influence in the underground techno scene, producing various EPs and singles which Octopus Agents described as “decentralizing the artist ego, blurring the lines between the artist, label and DJ; rearranging the DNA of modern dance music.” Playing alongside Function will be Bassiani resident Newa. Newa started out as a DJ in 2012 in her hometown of Tbilisi, Georgia, quickly making a name for herself through her deep basslines and intense melodies. Since 2016 she has co-ran the diverse Icontrax imprint, presenting undiscovered local talent from the flourishing Georgian techno scene.

I am extremely excited to be attending this show, not only to see the artists but also to experience the venue. Basement is the only one of its kind in the US, and soon enough I will find out why.

Categories
Blog Concert Review Festival Coverage

Hopscotch Music Festival 2021 Series: My Experience

Now that I’ve had some time to reflect, I’m finally ready to share my 2021 Hopscotch experience. While I didn’t see all of the performances, I did get to see most of the major acts: Helado Negro, Animal Collective, Flying Lotus, Hippo Campus, and Caroline Polachek.

I was somewhat surprised by how much I enjoyed Helado Negro; I’d never heard his music before, but his performance was lively, kind, and felt like home. I cannot say the same about Animal Collective. They played almost exclusively new music and the crowd was clearly disappointed. That being said, the unique vocals and skilled instrumentals were undeniable. Flying Lotus, while a whole lot of fun, was nearly too loud to enjoy. With my Photo Pass, I was able to shoot most of the performances from in front of the barrier, but I wasn’t able to shoot Flying Lotus because of the volume of his music. From the barely audible crowd mumblings, I could sense that I wasn’t the only one struggling with the volume. Hippo Campus was easy and enjoyable, and for the big fans, I’m sure it was the best. They even took to the floor after their set to meet people and explore the festival which I appreciated. Finally, Caroline Polachek. I am certainly in the minority with this opinion, but I just do not like her music. The performance was contrived (though I did like her outfit) and most of the songs had no appeal for me. 

Aside from the music, I was surprised by the lack of food and drink vendors. There were certainly some present, but a small amount compared to what I expected. That being said, it was the first Hopscotch of the COVID era so some things were just smaller. 

I appreciated the opportunity to attend Hopscotch and I’m looking forward to seeing Hopscotch return even bigger and better next year.

Here’s to the loose pug that ran around outside the Moore Square venue,

Silya Bennai

Categories
DJ Highlights

DJ Profiles: Big Hoss and DJ Lizzo

DJ Names: Big Hoss and DJ Lizzo

Show Name: Girls’ Guide to the Outlaw Spirit

Show Time: Thursdays 9-10am

Show Description: Feelings music – country, rock, Americana, cowpunk, alternative for listeners who enjoy Waylon Jennings, Liz Phair, Guided by Voices, Tom Waits, etc.


Where was the idea for “Girls’ Guide” born?

BIG HOSS: We both had shows originally on our own. And we were like we want to do a show together that would be fun, and the whole concept and the name and our first set pretty much was all conceived on her parents for the porch, one night at the end of summer over that first COVID summer.

DJ LIZZO: Yeah, we were like sitting on the porch, I guess maybe we were making a playlist first. And we were like, and we were trying to think of what to call it. And we spent like an hour just trying to think of a name. And there was this book called girls guide hunting and fishing that Big Hoss introduced me to and we were obsessed with and still are still are. 

BIG HOSS: And then we spent a long time trying to come up with what it was the “Girls’ Guide” to. I think we were going through colors for a while and listing color names we liked. But then we were looking on Wikipedia pages of music we liked trying to find common description words. And one of them was on the “Outlaw Country” Wikipedia page, it talks about the outlaw spirit. Yeah, so we were like, that’s it. 

How do you go about curating sets, is it a collaborative process or more of a trade off?

DJ LIZZO: Yeah, it’s definitely collaborative. Usually, it’s just like, throughout the week, one of us makes a playlist and then we both add songs. And sometimes it’s like, I don’t know we’ve gone through little “Girls’ Guide”phases… like, when was that, last fall?

BIG HOSS: Yeah, last fall we went through a really big, like, 90s girl phase, where we would play Poe and Garbage and stuff like that every week. We definitely have the phases and sometimes we’ll make the playlists together at night. 

DJ LIZZO: Yeah, that’s really that’s really fun. 

BIG HOSS: Those are some of our favorites. 

Do you guys have any guilty pleasure music, stuff that wouldn’t normally make it on “Girls’ Guide”?

BIG HOSS: Yes, but sometimes I’m like “maybe we should put this on the show.” Yeah, we definitely do. Honestly it’s been really hard for me over the past year to not put Lana Del Rey. I don’t feel guilty about it, but you can’t play her on WKNC because she’s too big. But she is one of my top artists. 

DJ LIZZO: Actually the first night we planned out our name, it was like a week after “folklore” by Taylor Swift came out and we were listening to “mirrorball” all night.

How has your show evolved over time?

DJ LIZZO: I feel like in the beginning we had this specific sound in mind. I think a lot of it was like, both of us brought our music tastes from each of our separate shows. So we had an idea of what our sound would be and how our tastes overlapped. 

BIG HOSS: Yeah, I feel like our first set. We were like, this is the perfect set. And for a little while we thought “this is the formula for every other set” and were like, “we need a song that sounds like this and we need a song that sounds like this” and so on. I think over time, we’ve definitely loosened up the boundaries of our show.

What are the stories behind your DJ names?

BIG HOSS: Big Hoss is a country term of endearment and Waylon Jennings was called  that, people always called him “Hoss.” And it’s just like, what you would say to a country man: “Hey, hoss what’s the deal with this?” But I don’t remember how I came up with it,  it just appeared one day. 

DJ LIZZO: I guess not as many people called me “Lizzo” in college, maybe or something, but it was a nickname I’ve had since preschool and I wanted to carry it on into college. So I thought that like it being my DJ name would be good. But, pretty much everyone just calls me “Lizzo” at the station now. 

When I first saw your DJ name was Lizzo, it did not occur to me that Lizzo could be a nickname for something, so for a little while I thought you named yourself after Lizzo, the pop star. 

DJ LIZZO: I think that a lot of people probably think that. Sometimes I forget there’s an actual famous person who goes by Lizzo so that’s what everyone associates the name with. 

Favorite aspect of being a DJ?

DJ LIZZO: I like that I have an outlet for doing things I love, like making playlists or talking about music and  learning more about music. I’ve been given an amazing outlet to do that. And I get to do that with my best friend, it’s so fun.

BIG HOSS: Yeah, it’s something to focus our energy on. We both just enjoy making and creating things, And it’s nice to have something we can gravitate around and have it be the basis of what we’re doing.

DJ LIZZO: And it’s every week we have this thing that we work on together and create together.

BIG HOSS: I like our show being Thursday mornings. It’s nice to have that thing to wake up to and now Thursday is our favorite day of the week.

Do y’all have a favorite phone call you’ve ever gotten?

BIG HOSS: There have been a couple times where somebody will call and follow up with an email.

DJ LIZZO: When anyone calls, the fact that they had they cared enough to call in and tell us means a lot.

BIG HOSS: Yes, especially because you don’t have to do that, listeners can listen and just not do that. For people to take that extra step is very meaningful and we appreciate it a lot. I just remembered my favorite. Last fall, I played “The Highway Kind” by Townes Van Zandt, which is a soul crushing song and it’s a journey to get through because it’s a super harsh song on the soul. Someone called in and said “That song killed me.” I feel like sometimes when you play a song that you have a lot of emotion with, it can just go out there and you feel like nobody is responding. To me, it was proof that people are having an emotional experience with what I play.

DJ LIZZO: You can be connected to on a very intimate level that you’re having through the air waves, it’s so cool.

Do you hope to do radio after college?

DJ LIZZO: I definitely think working at KNC has given me an idea of what sort of job I would want to have post-college. I don’t know that it would necessarily be being on the radio but maybe something where I’m somehow involved with music. It would be cool to do radio as a side-thing still. I know a few people in the workforce that are able to do radio as a hobby and I would love to do that.

BIG HOSS: I’m not going into a career related to radio, but if there are ways I can do it outside of my career I would like to keep doing it, it’s just fun.


DJ Lizzo and Big Hoss have been creating a lot of content recently, including their Instagram for their show @girlsguidetotheoutlawspirit. They also recently attended MerleFest, and posted a few videos to the Youtube Channel as well as created a blog about their experience. Be sure to check that all out, and to listen to Girls’ Guide to the Outlaw Spirit every Thursday at 9am.