Categories
Band/Artist Profile

The Saw’s Choice Cuts: Whitechapel

What’s going on Butcher Crew?! It’s your Master Butcher, The Saw, and I have the next band up on the slab in The Saw’s Choice Cuts! And you all will not be surprised by the band that we are talking about today. We will be talking about a band that has been one of my favorites for years now, a band that I have seen countless times, and the band that influenced my DJ name. If you guessed Whitechapel, then you guessed right!  
 
Today, I will be highlighting some of my favorite songs by my boys in Whitechapel. This was really difficult for me because I love so many of Whitechapel’s songs! But I had to narrow down my songs because if I didn’t this blog would just be a list of every single Whitechapel song. I think my favorite thing about this band is their evolution. Throughout each of their albums, you can hear the progression of the band throughout the years. If you were to listen to Whitechapel’s first album, “The Somatic Defilement,” and then listen to their most recent album, “The Valley,” the band sounds very different. Although they can still be picked out by Phil Bozeman’s powerful vocals and their chunky black metal/deathcore riffs, the overall structure and theme of their albums change. Although all of the albums are brutal and heavy in their own way, each album incorporates different musical components that help the sound of the band evolve. I think that is why I enjoy Whitechapel so much; not one album sounds the same, there is always something different going on. I think this evolution is important and beneficial not only for the listeners to hear the cabler of the musician’s musical talent, but also for the band. They are able to try things and fully embrace themselves into the music so it can continue to be fun and enjoyable for them. 
 
And without further ado, here is the list of my favorite Whitechapel songs! 
 
·      The Saw Is The Law
·      The Somatic Defilement
·      Ear to Ear
·      Vicer Exciser
·      This Is Exile 
·      Possession 
·      Breeding Violence 
·      Reprogrammed to Hate 
·      Make It Bleed
·      I, Dementia 
·      Let Me Burn 
·      Mark of the Blade
·      Elitist Ones 
·      Forgiveness is Weakness 
·      Brimstone 
·      When a Demon Defiles a Witch 
·      Hickory Creek (the original, and the acoustic version) 
 
 
Stay Metal, 
 
THE SAW 

Categories
Miscellaneous

Behind the Cover: “Vacation in Hell” by Flatbush Zombies

In my previous series “Album Art Gems,” I shared my favorite album art of all time. This time, I wanted to do a deep dive into the coolest stories behind how some of the most iconic covers were made. The creation of album art goes much farther than a designer or photographer’s concept. Oftentimes, there’s an incredible narrative at the root of the covers we know and love.

This week, we’ll be looking at Flatbush Zombies’ 2018 album, “Vacation in Hell.” It was shot by long-time musician photographer Jessica Lehrman (@jessierocks on Instagram). She was inspired by the classic 1968 photoshoot of the Jimi Hendrix Experience in Hawaii (pictured below).

The day of the shoot was miserable. It was a dreary, rainy day in California but it was the only time that the models, FBZ, and the photographer were available. It was their one shot. Meech, Juice, and Erik spent most of the day hiding under umbrellas, helping their fully-glittered models keep warm. Their photographer tried to get as many photos as she could under the cloudy skies, but they all knew the day was pretty much ruined. Suddenly, just as they were packing up their bags in defeat, the sun burst through the clouds, right at sunset. As they scrambled to get the shot before the light disappeared, a rainbow appeared overhead. The Zombies described the moment as “the final piece of the Vacation In Hell puzzle,” and “an image that will live forever as a piece of rap history.”

One members of FBZ walks with one of the models under an umbrella
One of the members from FBZ walks with a model in the rain. Photo via @flatbushzombies on Instagram.

You can read the full “Vacation in Hell” story here. Look out for more “Behind the Cover” blogs in the future!

– DJ Butter

Categories
Concert Review

Laser Floyd

What’s going on Butcher Crew?! It’s your Master Butcher, The Saw, and we are going to talk about a laser show that I went to this past weekend. The light show was hosted by Cabin Fever and this drive-in laser show is the best way to get out of the house with you family or friends while during the Pandemic! There are two different light shows that you can choose from: A regular laser show, which played 40 second snippets of songs, paired along with some lasers! These songs can range from classic hits, to what is trending and popular today! This is even great for those with young children. The other light show that you can choose is Laser Floyd. That is the one that I chose. What is Laser Floyd you ask? It is the most action packed 40 minutes that will leave you mesmerized!! This light show consists of the play-through of Pink Floyd songs with the visual effects done by lasers. 
 
I was super excited to go to Laser Floyd because I love Pink Floyd. I have heard people in real life and in TV shows talk about Laser Floyd and that is what first piqued my interest. I am also a big fan of light shows. Back when shows were a thing, I would observe the light show that the bands would use and comment on them. We all know how much The Saw loves a good light show!! Laser Floyd was a light show on steroids. The show kicked off with the song “Time” and it really puts you in a trance. There were two jumbo screens that had tiny laser projecting images and pictures onto them during the songs. These images were telling the story of the songs that were playing which I found super interesting. When “Time” came on, all you see is a clock on the jumbo screen, and as soon as the vocals kick in, the lasers appeared throughout the sky and the trees. It was so beautiful when I first saw it that I got chills. 
 
They then went on to play “Money,” “Another Brick in the Wall Pt.2,” and “Eclipse,” along with many others! The colors of the lasers blended beautifully to give the viewer a type of psychedelic experience. I literally sat there in awe with my mouth wide open for the entire 40 minutes. The lasers and the laser images kept my attention the entire time and it was truly a great experience. The vibe overall was very relaxing. Attendees were free to either sit in their car or sit around their car to view the light show. They had the music playing on speakers so you could hear it, but at 11PM when the sound ordinance went into effect, the music could be heard on your radio! I ended up sitting in my car and listening to the music through my stereo during the show. 
 
It was an awesome experience to see Laser Floyd! Drive-in laser shows are perfect for children and up to adults! There is something for everyone to enjoy at the laser shows! 
 
Stay Metal, 
 
THE SAW 

Categories
Music Education

Music and Mental Health

Written by Miranda 

Any casual listener can tell that music can help improve your mood. Listening to songs can help you process what you’re going through, give you new perspectives, or distract you from the difficulties you face. Music allows us to relate to one another, whether we are creating our own music or enjoying others’ performances. Most music lovers know the helpful effects of music on mood, stress, and mental health, but what does science say about this relationship? 

Researchers from New York studied stress levels of surgical patients. They compared the stress levels of patients who listened to (self-selected) music during and after their surgical operations and measured the differences. On average, their research showed lower blood pressure and reported stress levels for the patients who were listening to music. Other related studies gave similar results. 

According to NAMI, the National Alliance on Mental Illness, music therapy is beneficial for multiple mental health conditions such as depression and PTSD. Music therapy is the process of using “musical interventions” to accomplish therapeutic goals and is performed by a credentialed professional. According to NAMI and the American Music Therapy Association, Inc., music therapy can help explore mental illness issues and meet the needs of many different people. This therapy involves exploring expression of thought and feeling, focusing on positive moods and emotions, and developing coping and relaxation skills; among other opportunities. 

It’s clear that not only is music beneficial to the casual listener, there is evidence-based research showing that music is helpful to improve stress levels and mood and through musical therapy can improve one’s mental health. 

I will always be so grateful for the artists who created music that helped me through difficult times; I also have increased appreciation for musical therapists and those participating in the music and musical education industries. 
Sources: I, II, III

Categories
New Album Review

St Vincent Shakes Things Up on New Single

It’s hard to believe that St Vincent has been around for 15 years now. Her unique blend of Art Pop and Classic Rock hasn’t seen any dramatic changes during her career, and yet her style hasn’t worn off either. In fact, Vincent’s style is arguably more relevant now than it was in 2007, with the massive resurgence in popularity for some of her main influences, like David Bowie or Kate Bush. It would be easy for her to just coast on the sound of “Masseduction” and ride another wave of positive reviews and good sales. And yet, she decided to take notes from her idols by keeping one step ahead of the curve once again on her latest single.

“Pay Your Way in Pain” is a funk and disco track at its core. However, Vincent takes these influences in a bit of a different direction than the smooth and sleek Nu-Disco of Dua Lipa or Jessie Ware. Her take on funk is a bit more raw, reminiscent of  Parliament-Funkadelic, who mixed rock and dance music in a way very similar to what Vincent is doing here.

In an interview with The Guardian Vincent likened her newest track to a blues song. This is surprisingly apt as well, since, under the rollicking beat and bass, the song is ultimately about struggle, more so than celebration. The effect is uplifting without being schmaltzy, a song about getting back up and out there despite your struggles. The song was almost certainly recorded prior to the pandemic and postponed, but it’s still easy to draw a comparison to our slow and troubled exit from… well you know.

St. Vincent has done it again, at least for this one song. It will be interesting to see how she expands this sound into a whole album. “Daddy’s Home,” (a reference to her father’s return from jail) will be released on May 14th of this year.

Categories
Classic Album Review

Album Review: Coastal Grooves by Blood Orange

ALBUM: “Coastal Grooves” by Blood Orange

RELEASE YEAR: 2011

LABEL: Domino Recording Co.

RATING: 9/10

BEST TRACKS: “Sutphin Avenue”, “Can We Go Inside Now” and “Champagne Coast”

FCC: Clean

Devonte Hynes, otherwise known as Blood Orange, is arguably one of the best composers of our generation. His experimentation with synths, falsettos, and dance music paired with compelling, emotional lyrics makes his music truly unforgettable. Through his songs, he tackles topics like sexuality, race, and gender identity.

The first time I heard Dev Hynes’ music I was a surly 14-year-old, rarely impressed by anything. However, I was obsessed with this indie movie called “Palo Alto,” which he produced the soundtrack for. Something about that score really stuck with me. It was so beautifully reflective of the nostalgic and free-spirited feeling of the movie.

“Coastal Grooves,” his first full-length album, is a masterpiece. Released in 2011, it has a distinct ’80s energy. Combining all of Dev’s strengths, it’s a powerful fusion of pop, indie, R&B, electronica, and post-punk. Dynamic, hard-hitting drums echo behind synth keyboards. His signature falsetto voice flows across each song in whispers rather than belts. Influenced by the New York night scene, Dev draws his inspiration for “Coastal Grooves” from drag clubs and gay bars. What I love about this album is his surfy plucking on the electric guitar; In songs like “Sutphin Boulevard” and “Are You Sure You’re Really Busy?,” the groove part of “Coastal Grooves” really stands out.

Above all else, this album is sultry, lush, and soulful. Though “Negro Swan” (2018) and “Freetown Sound” (2016) tend to get the most press out of all his discography, to me “Coastal Grooves” is a true gem. If you haven’t heard it already, give it a listen!

Stay tuned in!

– DJ Butter

Categories
Playlists

Friday Favorites (3/19)

Written by Miranda

MANGO (Remix) [ft. Adeline, Masego] – KAMAUU

The Masego remix of KAMAUU and Adeline’s gorgeous single, MANGO, adds an extra special layer of appeal. Masego’s vocals added to this track is just what it needed to make it an instant replay every time.

Good Girls (Don’t Get Used) – Beach Bunny

Pretty bedroom pop meets surf rock in this new Beach Bunny EP. This opening track is so catchy, it’ll stay in your head all day. I can’t get enough of this band and especially this song.

SHELTER (ft. Wyclef Jean, Chance The Rapper) – VIC MENSA

VIC MENSA takes on a whole new style in this new single. Raw lyricism and relevant themes including COVID and Black Lives Matter makes for a beautiful track. Chance The Rapper and Wyclef Jean’s additions to the song just add to the appeal.

Think About It – Verzache

Verzache’s new album is everything an anti-pop lover looks for. Chill enough for your daily car ride but upbeat enough to keep you coming back for more.

Trophy – Crumb

A dreamy, chill song to invigorate your morning. If you like Crumb, you’ll love this new single.

Listen to this week’s Friday Favorites, as well as my favorites from past weeks, on WKNC’s Spotify.

Categories
Concert Review

I went to a COVID-safe concert after one year without any live shows

Yes, you read the title right. “In the middle of a pandemic?!”, you may ask. I would have had the same reaction if I were you. As someone who takes COVID very seriously, I can assure you that the show in question was safe — and that it was far from being your typical gig experience.

A friend of mine told me a while back that her partner plays the bass in a band. “It’s too sad we won’t get to see any of his live shows together while you’re here”, she said, sad to see how COVID was ruining the American experience for a French girl like me. I didn’t think much about it until recently, when North Carolina officials announced that venues could re-open at 30% of their capacity. My friend instantly reached out to me and told me tickets were going to be sold for her partner’s band Tumbao’s show at Pour House Music Hall on Mar. 5, 2021. “They’re only allowing the venue to open at 19% capacity just to be extra safe, so we have to be quick to get tickets!”

Long story short, we got the tickets. I was both ecstatic to see live music again after a year and skeptical regarding how safe the venue would really be. We ended up receiving very clear instructions before the show: wear a mask, arrive with your entire group before you get seated, only leave your table to go to the restroom, order drinks through a QR code. Typical guidelines, but here was my favorite COVID-related instruction: “We have limited space and a very specific seating layout to adhere to covid distancing guidelines. Feel free to stand at your seat and wiggle those hips and shake those booties, but we ask you stay in place and save those wild dance moves for another day.” The absurdity of being told not to stand or dance at a concert was proof that no one was going to expose themselves to COVID that night. We were allowed to drink under our double layer of masks and stare at the musicians for one hour and a half — and that’s already a lot, considering that I didn’t think I would get to see any concert before 2022.

The venue was… empty. There were people at every table they had set up, but the venue looked empty. I was seating upstairs and had an overall view of the audience. A young couple, two guy friends, another young couple, an older couple — that’s all I could see from where I was seating. The tables were all between 6 and 12 feet apart from one another. It felt like I was attending a secret underground show held under the Prohibition in the 1920’s, except it was 2021 Downtown Raleigh and everything happening at Pour House that night was perfectly legal. I know I make it sound like it was a dull experience — it wasn’t — but I just want to make sure that everyone reading this knows the venue did everything it could to keep us safe.

Now that I’ve made it clear that Tumbao’s show was COVID-safe, let’s talk about how fun it actually was. I had no idea what kind of music the band was going to play that night — I didn’t look them up on Google before the show to keep it a surprise. Their Facebook bio describes them as “a New, Fresh Latin-infused Funk, R&B, Jazz & Rock head turnin’ blend”. Well, from what I saw live, I can tell you that their music is indeed a blend of Latin, Funk and Rock music; it’s fun, fast-paced, uplifting and would make even the shyest person in the room want to dance the night away to their rhythmic beat. The guitarist was celebrating his birthday that day, and I’m pretty sure that getting to play a live show in the middle of a pandemic is probably the best birthday gift any musician could ask for. Turns out that the girl from the young couple in the front row was celebrating her birthday that day, too. “Pisces!”, she shouted, and I couldn’t help but smile. How I had missed the surreal one-word conversations one can only witness between an audience and artists on stage. The band played a Latin-Funk version of “Happy Birthday” right after, and everyone in the audience sang in unison.

I stayed at my seat the whole show, just enjoying the music and drinking my local craft beer, but the two couples downstairs would dance whenever they could. Don’t worry, they had their masks on the whole time and stayed at least 6 feet away from everyone else. They were “wiggling their hips” and trying to pull off moves mixing rumba and waltz while still standing at their assigned seats. Everyone else at the show was seated the whole time, so both of their romantic dances were, in addition to being very cute to watch, safe, although barely compliant with Pour House’s guidelines. The whole time I was listening to the music, I couldn’t believe I was there. Live music. Instruments. A band on stage. I could mostly see the bassist and the drummer from where I was seating, and I still couldn’t help but think: is this concert even real? Yes. Yes it was. It was amazingly real. At some point, I got so lost in the music that I almost forgot that I was wearing two masks and that I was sitting in an almost empty venue. My body had been craving the sensations of live music for too long, so I let myself feel them all fully. The band ended the concert by playing a Latin cover of “Electric Feel” by MGMT, and everyone screamed the lyrics along, just like in the good old days pre-COVID. The last thing I remember about the concert is another friend of ours at the show telling us, “I have a Pour House gift card I’ve been waiting to use for a year now, so drinks are on me.” Free drinks at my first gig in forever. What a way to end this surreal night.

– Lise Nox

Categories
Playlists

The Art of the Musical Cover

One of my favorite aspects of music as an art form is that it inspires more music. It’s safe to say that every artist or band has once been inspired by someone else, and a clear way to show respect for a song or artist that you love, is by covering them. Covers, sometimes, can even become more popular than the original, as can be seen with Whitney Houston’s famous cover of “I Will Always Love You,” originally by Dolly Parton. No matter the context, I love covers, so here are some of my favorites. 


“Swingin Party” covered by Lorde (originally by The Replacements)

Lorde, one of my favorite pop artists, loves bringing theater and drama into her music, which can clearly be seen in her cover of “Swingin Party.” This cover is perfect in so many ways, but perhaps my favorite quality about it, is that it fits so beautifully into her album, “Pure Heroine (Extended).” It takes a lot of skill and mastery for an artist to truly make a cover their own, but I think Lorde does an exemplary job of doing just that.

“Tim McGraw” covered by Maggie Rogers (originally by Taylor Swift)

Maggie Rogers puts a beautiful folk-pop touch on this originally country tune. Like Lorde, Maggie Rogers does an excellent job of making “Tim McGraw” her own. This cover is a Spotify Single, which is a series that Spotify does where they let an artist do a live version of one of their own songs, as well as a cover of a song of their choice. This cover came out in 2018, and I’ve loved it since.

“Say It” covered by girl in red (originally by Maggie Rogers)

Speaking of Maggie Rogers, girl in red did a Spotify Studio cover of “Say It” by Rogers. She puts a rock spin on the once folk-pop song, by making it more up-tempo (she shaves almost a minute off of the song) and adding more percussion and guitar. This cover was released in May of 2020, and was on repeat for several months of quarantine.

“Across the Universe” covered by Fiona Apple (originally by The Beatles)

Fiona Apple covered “Across the Universe” for the “Pleasantville” (1998) soundtrack, a movie starring Reese Witherspoon and Tobey Maguire. I’ve been on a Fiona Apple kick for the last year or so, and when I discovered she had a cover of one of my favorite songs of all time, I was ecstatic. She doesn’t change much from the original, and it’s so lovely and dreamy. Her cover is just over five minutes long, but it floats by in an instant. 

“Such Great Heights” covered by Iron & Wine (originally by The Postal Service)

Even though “Such Great Heights,” by The Postal Service has over 100 million streams on Spotify, I still believe it’s an underrated love song. Iron & Wine puts an acoustic spin on this electronic track, making it all-the-more touching and intimate. Like much of Iron & Wine’s discography, this song feels like a warm hug on a rainy day.


I adore all of these songs and the originals as well. I have an entire Spotify playlist dedicated to these, titled “covers and their counterparts,” which I would love for you to check out. 

Until next time,

Caitlin

Categories
DJ Highlights Miscellaneous New Album Review

What I’m Listening to This Week

Does your weekly song rotation need an update? Well I’m here to help. Trust me, I know how easy it is to get stuck in a cycle of listening to the same few songs from the same genre on repeat, however breaking out of this routine feels so good once you start to find some new music. So here is my list of new finds for the week. 

“Trophy” by Crumb 
Crumb has such a unique, lovable style. You could pick out a song of theirs from a playlist with ease. With their wavy guitar riffs and distorted lyrics, Crumb’s music always transports me to a dreamscape. 

“Whisper (Want My Love) [feat. Steve Lacy]” by Patrick Paige II 
This new song is made by Patrick Paige II, one of my favorite members of The Internet. He and Steve Lacy blend together perfectly on this track as they complement each other’s styles. 

“Silver Lining” by Mount Joy
Ok this is definitely an older one, but I was recently reminded of its existence and honestly I’m at the perfect time in my life to where this song finally makes sense. Even if this semester isn’t turning out as planned, there’s still a silver lining in everything. 

“Sign Here” by Doohickey Cubicle 
I love the constant flow of this song. It’s relaxed yet upbeat; subtle but still has a lot to say. Something that I’d dance to while sitting down. It’s perfect. 

Other honorable mentions include “Never Gonna Give You Up” by the Black Keys, “Small Worlds” by Mac Miller, “Black Magic Woman” by Santana, and “Long Distance” by the Districts. 

Well that’s all for this week, hope you guys enjoy the tunes 
-The DJ Formerly Known as Chippypants