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Concert Review

Last Saturday at Cat’s Cradle: Here We Go Magic, Beach Fossils, LightPines

I’m a fan of Here We Go Magic; I am a fan of Beach Fossils. Their respective live performances were both reflective of their energetic,  loopy recordings that exist, in my mind at least,  as  sharpened, present day iterations of the old shoe gazey stuff . I maybe blended their sounds together too much there. (If I overgeneralized, I am sorry. Beach Fossils is the more “gazey” of the two, to be sure.) Both bands are great on record, great live, and certainly worth seeing again (not to mention, worth it for you to see one or both of them when you get the chance).

BUT, I’ll go ahead and be honest. (I have the megaphone!)

Light Pines dude.  This was my Ffffifth? Sixth? time seeing this outfit in action, and, as usual, they failed miserably to disappoint. “Knowing what to look for” may be an appropriate good phrase, but I’m barely a musician. I just know to look for the awesome, I guess.

No nonsense. No garrulous banter between songs. No distracting movement.  Just a terse, diligent, and damn-solid entertaining performance. A change of lighting and, if you’re lucky, a modest “thank’yeh”  after each song is all you’re gonna get.  And what would (or possibly could) you do with anything extra?

Nope, I didn’t take pictures.  Flashes are annoying.

T.A.

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Concert Review

Paul McCartney Performs in Kansas City (Hey Hey Hey)

Paul McCartney  has been traveling around the world on his “Up and Coming Tour” this year. Because of a job I took in Lawrence, KS, I had the amazing opportunity of seeing Paul McCartney perform at the Sprint Center in Kansas City, MO on Saturday, July 24. I had amazing seats on the floor about 30 rows away from my musical role model and first love, Sir James Paul McCartney.The concert was everything I hoped it would be; his childish banter and energy kept me laughing, while the emotion in songs such as “Here Today” and “Something” made me cry, as he dedicated them to the late John Lennon and George Harrison, respectively.

McCartney dedicates a ukelele (and guitar) version of “Something” to the late George Harrison.

He played many Beatles’ songs like “Ob La Di Ob La Da,” “All My Loving,” “Sgt. Pepper’s Lonely Hearts Club Band,” “Hey Jude,” “Let It Be,” and many others. He played music he wrote in Wings, such as “Jet,” “Band on the Run,” and of course, a fire-filled “Live and Let Die.” He even played a few songs from his solo career; “Dance Tonight” was specifically used to lift a melancholy move after dedicating “My Love” to his late wife, Linda.

I have never met nicer people than those attending the sold-out concert in Kansas City. I sat next to a woman, Katie, who told me how she saw the Beatles perform in San Diego, CA, in 1965. When I screamed as he came on stage and jumped up and down as he played, she smiled at me and said, “You remind me of me 35 years ago.” Although Katie may have gotten the better end of the deal, having seen The Beatles in their prime, Paul McCartney played an awe-inspiring three-hour set that did not show his 68 year-old age.

As has been tradition with this tour, he ended the concert with “The End,” with ever-fitting lyrics, “And in the end, the love you take is equal to the love you make.”

Categories
Concert Review Local Music

Loved Language- A Look Back on the Libraries CD Release Show

For those who pride themselves on being familiar with local indie music within the Triangle, it would be a cardinal sin to overlook The Love Language’s rise within our tight knit music community in recent months. Indy Week gave the Raleigh band a nice cover photo and article last week, which chronicled the almost Cinderella story of Stu McLamb’s personal setbacks with the broken band this past December and his ability to bounce back to release Libraries on Merge Records, Love Language’s second album. Personally, The Love Language’s recent openings for international band Phoenix this June in Raleigh and Charlotte have cemented their growing momentum.

Although I admit that Libraries did not top their self-titled first album, I could not deny the raw energy that was present on stage at Cat’s Cradle Saturday night. The lead singer was composed, on point, and looked sincerely grateful to play the sold out show. He opened the night playing solo in deep spotlight, embodying the loneliness but also the his perseverance through the past few months. As McLamb finished quietly, the rest of the band transitioned perfectly in with “Horophones,” which symbolically represented the new band members’ solidarity. Although the show was aimed at showcasing Libraries, fans were treated with old favorites and special guests such as members from local band Lost in the Trees.

I couldn’t help but notice the various types of people that packed into the spacious Cradle, which signified that McLamb and friends are producing wide appeal. However, the Cradle wasn’t just teeming with life before the headliners walked on stage. Although I made a late appearance that night (due to an unscheduled pit-stop to gather some delicious French fries,) I luckily caught most of The Light Pines’ set. Last time I saw these guys was at the largest Local Beer Local Band night I’ve experienced where they attracted a huge crowd. Thankfully, things haven’t changed much since then. The boys seemed in step with one another producing their familiar haunting melodies. Guitarist Carter Gaj’s riffs were so rewarding that they warranted an impromptu and ecstatic Facebook status update.

Tommyboy was able to fill me in on opening act, Shit Horse, whom I knew relatively nothing about. However, apparently I missed a great deal of antics as the front man was extremely charismatic, soliciting responses now and then from the crowd. On their final number, they brought out a topless girl (both nipples pierced as I’m told) wearing a horse mask. Certainly, it had to have been an unforgettable performance.

Categories
Concert Review Local Music

Photos from Kooley High and King Mez!

Photographs taken by WKNC photographer Katie Hill

King Mez

Created with Admarket’s flickrSLiDR.

Kooley High

Created with Admarket’s flickrSLiDR.

Tir na nOg and WKNC bring you, once again, the fun time that is Local Beer Local Band Night! Remember, these shows are 21 and up, FREE, and always a great way to spend your Thursday evening.

Both bands offer long, epic, and ambient instrumentals that, for me at least, really make you think. This week’s bands cater to the fans of our Post Rock Block on Sunday’s from 6-7 p.m.  So check that out as well!

The Bronzed Chorus

These two guys seem to make enough noise to sound like a band with a good four or five members. The music is instrumental and very post-rock. Here in the station, while listening to The Bronzed Chorus, I overheard our deejay Escher say, “I could definitely see two giant robots battling to this.” He couldn’t be more spot on.

Negrido

This group is similar in sound to the Bronzed Chorus but a bit harder.  This band is actually from Atlanta, GA, but will be touring with The Bronzed Chorus across the nation this summer.

Categories
Concert Review Local Music

Wildwood release party Saturday at the Cradle

Magic happened in the form of live local music Saturday night at the Cat’s Cradle as Chatham County Line had their album release show for Wildwood.

Birds & Arrows were invited to open for a late arriving crowd who were chit-chatting quite loudly at the start of the set. That was until the war painted lead singer Andrea Connolly opened her mouth for the first time and her strong but enchanting voice immediately silenced the entire venue as B&A jumped right into one of their favorites, “Honeymoon Song.” The group debuted several brand new songs including their new single “Pride of Lions” which is slated to be released this Friday evening in Durham. Needless to say, I believe many in the crowd were not followers of our local music scene, and I heard nearly a dozen people exclaim how impressed they were with this “unknown” band. After their set, the crowd gave B&A a well deserved rousing applause.

Birds & Arrows are playing this Friday in downtown Durham for the release of their new 7" single off of 307 Knox Records. Billy Sugarfix who is also on the release and Schooner are playing as well.

Chatham County Line took the stage a short time later to a cheering and delightful near-sellout crowd. There was an immediate hush followed by an ecstatic breakout as the acoustic band dived right into to a couple of brand new songs off of Wildwood. If you still have not had the opportunity to hear the new album yet, which is being released officially tomorrow, you will be happy to know that it is the band’s best to date, even outshining its famous last release, IV. Where IV was poppy, Wildwood is hesitant, teetering on the edge of a jumpy hook and laidback mountain picking culminating in a highly pleasing and overall satisfying listen that keeps you coming back (I’ve had it on repeat for almost two weeks now). The crowd in Carrboro was kind enough to stay mostly quiet through the show until the end of each song (save for a few drunken loudmouths) as the group plays acoustic and using only one microphone stand to play around. Dave Wilson even commented that “Carrboro was always more polite than our hometown of Raleigh.” In total, CCL played 22 songs (by my count) in its entire set including 7 from Wildwood bringing the audience to their knees at the end of the final encore begging for even more.  After this show, it is obvious that CCL owns the Triangle and the entire Southern bluegrass scene.

Chatham County Line is playing several shows on Tuesday including free ones at Sadlack’s Heroes in support of Schoolkid’s Records and another at Flyleaf Books in Chapel Hill.

Listen to CCL on the Local Beat 7/2/10:
Chatham County Line on the Local Beat 7/2/10

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Concert Review

Sleigh Bells (7/6/10)

The show began with a deafening start by NERVE CITY that made us grateful to have our earplugs. Although not unpleasant, the duo played a short and forgettable set. They were followed by PO PO; a quirky pair that put on a good show.

The wait for Sleigh Bells was impressive (almost as long as their set!) but definitely well worth it. The stage was a mass of speakers, and, as soon as band took the stage, the crowd became a dense, sweaty mass. The next 40 minutes was electro-rock dance madness.

By the time the show came to a close, we had witnessed an onstage kiss between Alexis Krauss and a female audience member and the stage had to be cleared of 20 or more ecstatically dancing fans.

We left the show with our ears slightly ringing despite the ear plugs, but, overall, the Sleigh Bells were pure fun and their impressive sound translated undeniably well at the Cat’s Cradle.

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Concert Review

Caught on camera: A bluegrass surprise at a corporate dinner

I’m a photography intern at Advanced Energy, and this past Tuesday night was our annual Board of Directors dinner. It was a beautiful event held at NC State’s Dorothy and Roy Park Alumni Center on Centennial Campus. The dining room looked like it could also be used as a ballroom or even to inaugurate the next president. There were sparkling chandeliers, most likely bigger than the average car, ceiling-high windows, and an elegant fireplace.

Needless to say, I was incredibly nervous to be the 20-year-old intern who has been with the company for less than a month, and I would be mingling with expensive men and honored guests, among them a member of our state senate. I did that female thing—you know, with the skirt and the make-up and the cute shoes—I put on my best adult-pleasing smile, and I walked in with my Van Gogh umbrella and awkward camera bag.

After I got over my adolescent fear of adults, creeped on the guests with my 200mm zoom lens, and ate some delicious carrot cake, the night turned out to be quite enjoyable, and much less scary than my dramatic imagination anticipated. But the real treat at the end of the evening was the beautiful bluegrass music from the Durham duo, The Jaybirds

Created with Admarket’s flickrSLiDR.

Made up of Jamie, the male singer and acoustic guitar player, and Susie, female singer and fiddle/electric bass player, their soulful yet upbeat melodies wonderfully filled the enormous hall and immediately had me enchanted. While many of the adults continued with their small talk, I was completely enamored, and I knew I had to spread the word about their incredible talent. For us they played bluegrass and covered the oldie but goodie, “Proud Mary” by Creedence Clearwater Revival, but they said they also played rock and blues if the crowd so demanded. If you’re an Americana fan, think of the beautiful harmonies of the Small Ponds mixed with the cajun flavor of Langhorne Slim with the delicate soul of Meklit Hadero. If you don’t believe me, check out their Myspace page, or visit them on Facebook, even like them! They only have two demos to listen to, but those two songs are more than enough to showcase their raw talent and rare synchronicity.

Photography taken by WKNC photographer Katie Hill

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Concert Review

Dutchess and the Duke, Dodos, and New Pornographers Rock Memorial HallFriday, July 25

Despite the dearth of good things on UNC’s campus, Memorial Hall put on a spectacular show Friday, June 25. The Dutchess and the Duke and Dodos opened for the super group New Pornographers in a jaw-dropping concert.

The Dutchess and the Duke were joined by another member due to an accident with a food processor leaving the lead guitarist wounded. They played a set of strong folk rock with heavy vocals and light percussion.

I had been told that Dodos do not put on a good live show, but after their performance Friday, I beg to differ. These three guys—Meric Long, Logan Kroeber, and Keaton Snyder—played a percussion-filled set of their high-energy songs mainly off albums Visitor and Time to Die. They were obviously quite tired from traveling on tour for the past two weeks, for their between-song banter was admittedly lackluster, but, luckily, this did not carry over to their music.  Fellow DJ Sarah-nade enjoyed the vibraphone, which we found added a deeper sound to the music.

I don’t need to tell you how amazing the New Pornographers are. You’re probably singing your favorite New Pornographers’ song in your head right now (mine is Myriad Harbour). The acoustics in Memorial Hall worked perfectly with the sound emanating from A.C. Newman’s guitar, Neko Case and Kathryn Calder’s beautiful voices, and all musicians making up this Canadian super group. As we listened, I pictured colorful threads of sound coming together to form one beautiful tapestry. They played a great set, starting off with “Sing Me Spanish Techno” and kept the energy high with “Myriad Harbor” and songs off their new album, Together, like “Your Hands” and “Crash Years.” They played songs off almost all of their five albums.

Categories
Concert Review Local Music

6/17 LBLB Photos, and what to expect this Thursday, 6/24

Photos by WKNC photographer Katie Hill

White Tiger and the Bed of Roses

Created with Admarket’s flickrSLiDR.

Colossus

Created with Admarket’s flickrSLiDR.

Come down to WKNC and Tir Na Nog’s Local Beer Local Band Night on Thursday, June 24 to see Trekky Records’ Embarrassing Fruits, Charlotte natives Yardwork, and Raleigh’s Whatever Brains! The show is FREE! Starts at 9:30 p.m.  Plus, there are mighty yummy local beers on tap.  I think I will hit up Big Boss Diablo this Thursday…

EMBARRASSING FRUITS
http://www.myspace.com/embarrassingfruitsband

“Over a breezy melody, lazily strummed chords and cymbal splashes, frontman Joe Norkus recounts fond memories of poolside dances and conversations about coffee with the girl he’s met on the corner. When lightning hits their town and Jesus Christ comes down for a visit, the people scatter—except for Norkus and his summer affection. Hell, they’re even making babies while the town burns.”
—Spencer Griffith, Independent Weekly

Read more:http://www.myspace.com/embarrassingfruitsband#ixzz0rE6MxOh7

YARDWORK
http://www.myspace.com/yardworknc

Yardwork is a sick band hailing from Charlotte, NC.   Listening to them while I write this blog, I’d say they are wonderful, catchy and happy, songs to rock to.  A friend of mine is buddies with the band, so of course all of us are going to be there!

WHATEVER BRAINS
http://www.myspace.com/whateverbrains

Whatever Brains is loud.  So loud and so awesome.  They have real talent turned up as high as the volume knob can go.  If they have T-Shirts for sale at the nOg, I recommend the hamburger one.

“Whatever Brains is, allegedly, a punk band gobbing guitar fuzz on songs paced like they were penned by a kid with ADHD and no meds.”  –Independent Weekly

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Concert Review

Hooray For Earth, Surfer Blood and The Pains of Being Pure at Heart rock the Cat’s Cradle

by Tommyboy and Spaceman Spiff

Atmosphere is not the only thing that matters for a show, but few will argue against it’s utmost importance.  The atmosphere at the Cat’s Cradle on the 15th was, forgive the term, awesome.  Laid back and congenial, the three bands on the bill obviously got along like good friends.  The Cradle was one of the last stops on their long tour together and the amicable vibe that evening was reinforced when each band mentioned the stop to be of personal significance.

The first to play was NYC-based Hooray For Earth (who had earlier in the day paid a visit to the WKNC studio for a live interview with our very own DJ Ones).  Several of their instruments appeared to be held together with duct tape, an eccentric detail that complimented the marvelously ramshackle nature of their music.  Their songs were slightly off-kilter and poppy and their set was high in energy.  Especially intense was the presence of two on-stage percussionists.

Following in rather quick succession, as opposed to the customary half-hour wait between bands, the much-lauded West Palm Beach, Florida, natives Surfer Blood took the stage.  The performance was prefaced with lead singer JP Pitts voicing the notion that “we’re all the same; you guys are just like us, and we are just like you.”  After plucking the opening notes of “Take It Easy,” Pitts slyly asked the audience, “Do you want the guitar on or off?”  His question was met with a few seconds of stunned silence.  Surely the musicians behind one of the best guitar albums of recent memory, Astro Coast, would want to thrill us with their riffs?  The response for “on” was overwhelmingly enthusiastic, and for the rest of their set Pitts ran around the stage taking power stances, holding his ax like a gun.  The energy of the evening built to the soaring one-two punch of “Swim” (for which all willing guests were invited onto the stage) and “Anchorage.”  With calm confidence, the band masterfully captured the rich and spacious sound of their album.

Kip Berman of The Pains of Being Pure at Heart took the stage after a short break to play a solo rendition of “Contender” before his full band took their places behind him.  With his band poised to start, Berman shyly asked the crowd, “Are you ready to rock?”  The band proceeded to breeze through pop gem after glorious pop gem only to peak with the catchy fuzz of “Young Adult Friction” and their new single “Say No To Love.”  If Surfer Blood is a guitar band, then the Pains are certainly a drums band.  Kurt Feldman, who also fronts the equally fuzzed-out band The Depreciation Guild, plays enchanting beats to which many people in the audience were enthusiastically air drumming.  JP Pitts of Surfer Blood and Gary Benacquista of Hooray For Earth gleefully appeared at the right moments to dance onstage and add frantic shakes of their tambourines.

As if the aggregate experience of these acts was not enough, members of all three bands took the stage for the encore, abiding by the crowd’s fervent request for their rendition of Lit’s “My Own Worst Enemy” (see below for a video of a similarly energetic performance of the song in Orlando).  With everyone in the room grooving along to the song, it wasn’t clear who was enjoying themselves more: the musicians or the audience.  Quite simply, everyone was experiencing the joys of celebrating music together.

http://www.youtube.com/watch?v=uvGwGSBUDfQ&feature=player_embedded

(Video source: Pitchfork)