Categories
Concert Review

Beach House bring dreamy sound to Cradle

This past Saturday, WKNC DJ’s made the trek to Cat’s Cradle to experience the breathtaking and moving music of Beach House. After waiting in traffic for an hour, possibly parking illegally, and missing all but thirty seconds of Washed Out’s set, we made it in and were ready to be swept away by the mesmerizing music of Baltimore’s Beach House.

After much anticipation, vocalist/organist Victoria Legrand and mulit-intrumentalist Alex Scally took the stage and reeled the audience in with “Walk in the Park.” The duo smoothly transitioned from song to song, playing many songs off their recent release, “Teen Dream,” but also keeping the crowd pleased with favorites like “Gila” off of their 2008 album Devotion. The sold out crowd swayed to “Silver Soul” and “Lover of Mine”, but the excitement really heightened when the first notes of “Zebra” kicked in. During the song, lead singer Victoria Legrand, fittingly dressed in black and white, wafted her hands emulating a “black and white horse.”

Adding to the ethereal atmosphere of the dreamy set was the fog emanating from the stage, pastel colored pom poms dangling from the ceiling, and what can only be described as giant, rotating diamonds covered in multi-colored foil which hypnotized the audience and added to the cavernous vibe of the music. As the show wound down, Legrand jokingly asked the audience if they were depressed, and without response, dramatically commenced “Used to Be”. In between songs, the group referred to their first time playing Chapel Hill, at the Nightlight, jokingly commenting they preferred playing for six people. Beach House ended their hour-long set with an incredible “Take Care”, followed by an encore and closing the show with the epic “10 Mile Stereo”.The show was, without a doubt, one of the best any of those in attendance will likely see this year.

Categories
Concert Review

My Morning Jacket makes My Friday Night

Friday night I had the pleasure, nay the privilege, of seeing My Morning Jacket in concert at Cary’s Koka Booth Amphitheatre.  I had never been to the amphitheater before and had heard mixed reviews about the acoustics and general atmosphere of the place, but upon arrival I found the woodsy setting to be quite appropriate for the show.  It was hot, and it didn’t get any cooler when the sun went down since the lawn was completely amass with people.  Fortunately, I had a spot saved for me by some people who had gotten there earlier and was able to grab a seat at the very front of the lawn seating, stage left.

The hush and then the screams when the band took the stage were reminiscent of so many major concerts I had been to, and unfortunately, so was the performance.  Everything seemed sort of quiet and lacking energy.  I kept waiting for the emotionally electrifying display of musicianship I had seen on a DVD of My Morning Jacket performances, but it didn’t arrive – at least not until about three or four songs from the end of their set.  Finally, things seemed to blow up but I was so tired and hot by that point that it was difficult to enjoy.  Don’t get me wrong.  I had a great time and the music was good.  Maybe next time I’ll try to catch the boys from Kentucky in a smaller venue.

Categories
Concert Review Local Music

4/29 LBLB Photos

Photographs taken by WKNC photographer Katie Hill

The Moaners

Created with Admarket’s flickrSLiDR.

Raised by Wolves

Created with Admarket’s flickrSLiDR.

Categories
Concert Review

The quest to see The Tallest Man On Earth

And so it began, on a gusty Monday afternoon…

Riff Raff was perusing concert listings for the last week of April and stumbled across an unexpected gem.  Without delay she messaged her beloved co-host, Hot Tamale, and shared the joyous news.  Immediately

Hot Tamale cried out, “Can this be?”

“Yes, Hot Tamale, it is so!” replied Riff Raff.

And so they departed without hesitation or fear, despite the fact that they were headed straight into the dreaded land known as Chapel Hill.  They were on the quest to find The Tallest Man On Earth.

Captivation.  That word singularly sums up the experience of watching The Tallest Man On Earth live.  In  a small auditorium that could house maybe 200 people, the talented musician gave the kind of performance that makes you feel as if you are experiencing something that will never happen again.  Despite the fact that you were surrounded by others, you couldn’t help but feel that he was solely singing to you; it was this connection that allowed Kristian Matsson to silence the whole room with little more than a whisper.

Playing almost his entire first album, Shallow Grave, Matsson wowed the crowd with the popular track, “I Won’t Be Found,” and jealous narrative, “The Gardener.”  You could feel those around you holding their breath, not daring to break the spell that his musical tales cast.  As he fitfully moved about the stage, the audience as a whole moved with him.

With his birdlike mannerisms and sudden bursts of passion, often accompanied by bellowing vocals or even stomping, The Tallest Man On Earth captured the attention of the audience.  It was understood that there was never any chance, or hope, of escape.  Continuing his 90-minute set, he performed favorites off of his newest release, The Wild Hunt, including “King of Spain,” “Burden Of Tomorrow,” and “Love Is All.”

In a recent interview, Kristian Masson shared that one of the current albums he was listening to was Gather, Form & Fly by the local band Megafaun.  He also praised the music of the Avett Brothers and the Bowerbirds – which is fortunate since Phil Moore and Beth Tacular were taking pictures of him from the third row.

In conclusion, if you ever get the chance to have an encounter with the legendary Tallest Man On Earth, prepare yourself for an encounter with something much bigger than the name.

Categories
Concert Review

Rabbits conquer the Cat’s Cradle

I don’t know about you, but I have a thing for bands with accents.  This is just one area where the Scottish band Frightened Rabbit does not disappoint – with their sincerely frank lyrics, earnest vocals and throbbing music, it’s hard to listen to these guys and feel indifferent.

This past Sunday night, Da Bear, May Day, and I arrived at the Cat’s Cradle in Carborro expecting an awesome show.  The opening bands included Bad Veins and Maps & Atlases – sadly, we got there just as Bad Veins ended their set with the song “The Lie,” but we were able to enjoy Maps & Atlases’ set in its entirety.  Opening with “Witch,” we were immediately impressed with the musicianship of the group, both in performance and composition.

By the time Maps & Atlases finished up their last number, the crowd was eagerly anticipating Frightened Rabbit.  Kicking off their set with the song “Skip the Youth” off of their newest release, The Winter of Mixed Drinks, they quickly shifted into a crowd favorite, “The Modern Leper” from the 2008 album The Midnight Organ Fight.

Continuing through an amazing set list including “The Twist” and their current single, “Swim Until You Can’t See Land,” Frightened Rabbit barreled through, hit after hit.

With the show coming to an end, there was no doubt of an encore.  Scott Hutchison returned to the stage to sing an acoustic version of “Poke,” and then the rest of the band emerged to finish the night with “Living in Colour” and the notorious “Keep Yourself Warm.”

The authenticity and ferventness of Frightened Rabbit’s performance created the kind of communal experience that defines the purpose of a concert.  I definitely recommend seeing them if you come across such an opportunity in the future – otherwise, you may end up wishing you had a “backwards walk” of a different kind.

Categories
Concert Review Local Music

Local Beer Local Band Photos on April 23

Kid Future

Created with Admarket’s flickrSLiDR.

Light Pines

Created with Admarket’s flickrSLiDR.

Categories
Concert Review Local Music

4/22 LBLB Photos

Photographs taken by WKNC photographer Katie Hill

Kid Future

Created with Admarket’s flickrSLiDR.

The Light Pines

Created with Admarket’s flickrSLiDR.

Categories
Concert Review

Cannibal’s Corner II: Cannibal Cory meets Cannibal Corpse!

I’m putting off my review of Borknagar’s latest album until next week, as the Cannibal Corpse concert at Volume 11 yesterday was total face-smashing. The pure brutal assault of the Lecherous Nocturne, Diabolic, Skeletonwitch, and Cannibal Corpse lineup left my neck hanging by a string, my eye bruised from crowd surfers, my ears ringing from pure shredding, and my mind liquefying with an excellent show.

Lecherous Nocturne started off the night with some great grinding, the kind of teeth-on-chalkboard sensation that makes you realize the only thing you can do is keep on knocking your head against the stage floor in rhythm. At one point the band offered the most dominant person in a pit a copy of their latest album. I watched as fellow metalhead bashed into more metalheads, listening to the soothing sound of bone hitting bone and the growls of encouragement. They were good at turning model citizens into flying guided missiles.

It’s sad that 1349 is stuck in Europe due to some visa issues, but Diabolic was a solid substitute that did not leave me wanting to kick a door with a toothpick under my toenail, which is how I usually handle things that are not brütal enough. The old school sound was perfect for preparing us for the maggots feasting on our guts that would be disemboweled by Cannibal Corpse’s earlier works.

Skeletonwitch hit the stage, and the crowd went bloodthirsty. People were squeezed so close to the stage that their eyes burst into white liquid, causing them to jump on stage and then back into the crowd. It seemed to rain frenzied metalheads, putting shoes into people’s noses with a bloody cracking sound and knees thudding against unlucky crowd members’ thick skulls. People ravaged so much in the Skeletonwitch set that people spontaneously combusted into bloody chunks. Some people may have helped themselves to a mid show snack.

In the end, though, it was Cannibal Corpse that devoured the crowd. They played songs from albums across the entire timeline. the exact order is a blur since that part of my brain got lobotomized at some point in the show, but I remember them starting with Scalding Hail. From that point on the brütality pulverized my legs, neck, and brain. Priests of Sodom, The Wretched Spawn, Evisceration Plague, They Deserve To Die all brought on the horns. They ended with a personal favorite of mine: Stripped, Raped and Strangled. I left the concert fully satisfied and limbless, earless, eyeless, with the stench of a thousand decomposing fellow fans around me. I think that my arms fought off their chainsaw of a grinding gory song, with my arms losing. My legs still seem to be MIA, though I don’t think I’ll need them anytime soon.

With that, I leave you more images of the concert!

Categories
Concert Review

Roman Candle puts on a great show in Carrboro

by Travis Hargett

Since taking over one of the local lunch shows with DJ Megan, Roman Candle has become a weekly favorite. I’m not sure there’s a song on Oh Tall Tree in the Ear that we haven’t played at least once, so when i saw the DJ pass for the show at the Cat’s Cradle last week, I snagged it.

Unfortunately we didn’t make it for either of the openers (The Parson Red Heads and Ravenna Colt), but the Roman Candle set was great. After months of listening to a bands cd it’s always great to hear them live. When we walked in they had just kicked it off with “That’s why modern radio is A-OK”… it’s probably their most popular and it was pretty good live. The next two songs “A heartbeat” and “Sonnet 46” were both backed up with some guys from The Old Ceremony. Other than that, they played through most of Oh Tall Tree in the Ear and it sounded like they played some older stuff I wasn’t too familiar with. Best of all, it was over by 11:40 p.m. – gotta love a weekday show.

Categories
Concert Review Local Music

LBLB Photos from April 15

Bellefea

Created with flickr slideshow.

In the Year of the Pig

Created with flickr slideshow.