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Concert Review

Dutchess and the Duke, Dodos, and New Pornographers Rock Memorial HallFriday, July 25

Despite the dearth of good things on UNC’s campus, Memorial Hall put on a spectacular show Friday, June 25. The Dutchess and the Duke and Dodos opened for the super group New Pornographers in a jaw-dropping concert.

The Dutchess and the Duke were joined by another member due to an accident with a food processor leaving the lead guitarist wounded. They played a set of strong folk rock with heavy vocals and light percussion.

I had been told that Dodos do not put on a good live show, but after their performance Friday, I beg to differ. These three guys—Meric Long, Logan Kroeber, and Keaton Snyder—played a percussion-filled set of their high-energy songs mainly off albums Visitor and Time to Die. They were obviously quite tired from traveling on tour for the past two weeks, for their between-song banter was admittedly lackluster, but, luckily, this did not carry over to their music.  Fellow DJ Sarah-nade enjoyed the vibraphone, which we found added a deeper sound to the music.

I don’t need to tell you how amazing the New Pornographers are. You’re probably singing your favorite New Pornographers’ song in your head right now (mine is Myriad Harbour). The acoustics in Memorial Hall worked perfectly with the sound emanating from A.C. Newman’s guitar, Neko Case and Kathryn Calder’s beautiful voices, and all musicians making up this Canadian super group. As we listened, I pictured colorful threads of sound coming together to form one beautiful tapestry. They played a great set, starting off with “Sing Me Spanish Techno” and kept the energy high with “Myriad Harbor” and songs off their new album, Together, like “Your Hands” and “Crash Years.” They played songs off almost all of their five albums.

Categories
Concert Review Local Music

6/17 LBLB Photos, and what to expect this Thursday, 6/24

Photos by WKNC photographer Katie Hill

White Tiger and the Bed of Roses

Created with Admarket’s flickrSLiDR.

Colossus

Created with Admarket’s flickrSLiDR.

Come down to WKNC and Tir Na Nog’s Local Beer Local Band Night on Thursday, June 24 to see Trekky Records’ Embarrassing Fruits, Charlotte natives Yardwork, and Raleigh’s Whatever Brains! The show is FREE! Starts at 9:30 p.m.  Plus, there are mighty yummy local beers on tap.  I think I will hit up Big Boss Diablo this Thursday…

EMBARRASSING FRUITS
http://www.myspace.com/embarrassingfruitsband

“Over a breezy melody, lazily strummed chords and cymbal splashes, frontman Joe Norkus recounts fond memories of poolside dances and conversations about coffee with the girl he’s met on the corner. When lightning hits their town and Jesus Christ comes down for a visit, the people scatter—except for Norkus and his summer affection. Hell, they’re even making babies while the town burns.”
—Spencer Griffith, Independent Weekly

Read more:http://www.myspace.com/embarrassingfruitsband#ixzz0rE6MxOh7

YARDWORK
http://www.myspace.com/yardworknc

Yardwork is a sick band hailing from Charlotte, NC.   Listening to them while I write this blog, I’d say they are wonderful, catchy and happy, songs to rock to.  A friend of mine is buddies with the band, so of course all of us are going to be there!

WHATEVER BRAINS
http://www.myspace.com/whateverbrains

Whatever Brains is loud.  So loud and so awesome.  They have real talent turned up as high as the volume knob can go.  If they have T-Shirts for sale at the nOg, I recommend the hamburger one.

“Whatever Brains is, allegedly, a punk band gobbing guitar fuzz on songs paced like they were penned by a kid with ADHD and no meds.”  –Independent Weekly

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Concert Review

Hooray For Earth, Surfer Blood and The Pains of Being Pure at Heart rock the Cat’s Cradle

by Tommyboy and Spaceman Spiff

Atmosphere is not the only thing that matters for a show, but few will argue against it’s utmost importance.  The atmosphere at the Cat’s Cradle on the 15th was, forgive the term, awesome.  Laid back and congenial, the three bands on the bill obviously got along like good friends.  The Cradle was one of the last stops on their long tour together and the amicable vibe that evening was reinforced when each band mentioned the stop to be of personal significance.

The first to play was NYC-based Hooray For Earth (who had earlier in the day paid a visit to the WKNC studio for a live interview with our very own DJ Ones).  Several of their instruments appeared to be held together with duct tape, an eccentric detail that complimented the marvelously ramshackle nature of their music.  Their songs were slightly off-kilter and poppy and their set was high in energy.  Especially intense was the presence of two on-stage percussionists.

Following in rather quick succession, as opposed to the customary half-hour wait between bands, the much-lauded West Palm Beach, Florida, natives Surfer Blood took the stage.  The performance was prefaced with lead singer JP Pitts voicing the notion that “we’re all the same; you guys are just like us, and we are just like you.”  After plucking the opening notes of “Take It Easy,” Pitts slyly asked the audience, “Do you want the guitar on or off?”  His question was met with a few seconds of stunned silence.  Surely the musicians behind one of the best guitar albums of recent memory, Astro Coast, would want to thrill us with their riffs?  The response for “on” was overwhelmingly enthusiastic, and for the rest of their set Pitts ran around the stage taking power stances, holding his ax like a gun.  The energy of the evening built to the soaring one-two punch of “Swim” (for which all willing guests were invited onto the stage) and “Anchorage.”  With calm confidence, the band masterfully captured the rich and spacious sound of their album.

Kip Berman of The Pains of Being Pure at Heart took the stage after a short break to play a solo rendition of “Contender” before his full band took their places behind him.  With his band poised to start, Berman shyly asked the crowd, “Are you ready to rock?”  The band proceeded to breeze through pop gem after glorious pop gem only to peak with the catchy fuzz of “Young Adult Friction” and their new single “Say No To Love.”  If Surfer Blood is a guitar band, then the Pains are certainly a drums band.  Kurt Feldman, who also fronts the equally fuzzed-out band The Depreciation Guild, plays enchanting beats to which many people in the audience were enthusiastically air drumming.  JP Pitts of Surfer Blood and Gary Benacquista of Hooray For Earth gleefully appeared at the right moments to dance onstage and add frantic shakes of their tambourines.

As if the aggregate experience of these acts was not enough, members of all three bands took the stage for the encore, abiding by the crowd’s fervent request for their rendition of Lit’s “My Own Worst Enemy” (see below for a video of a similarly energetic performance of the song in Orlando).  With everyone in the room grooving along to the song, it wasn’t clear who was enjoying themselves more: the musicians or the audience.  Quite simply, everyone was experiencing the joys of celebrating music together.

http://www.youtube.com/watch?v=uvGwGSBUDfQ&feature=player_embedded

(Video source: Pitchfork)

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Concert Review

Why I Love Bluegrass: Del McCoury Band

I received the privilege of attending a traditional bluegrass show last night.  I watched the Del McCoury Band perform at Lincoln Theatre Friday, June 4. This show reminded of why I enjoy bluegrass:

  • The way all of the men in the band dress. The coat and tie get me every time.
  • Each musician looks like he is completely enjoying himself.
  • Each instrument gets a solo—in every song!
  • Simple lyrics get the point across (yep, you’re in love… okay, you’re sad… oh, you’re drunk…) and complex instrumentals make every song into a masterpiece.
  • The adoration of fans from every walk of life.  This show was full of older folks who had probably followed Del McCoury since the 60s,  Southern men in camouflage hats,  hip 20-somethings new to the scene, and of course, me (DJ Mollypop) and my bluegrass companion, Rob.

Del McCoury just celebrated 50 years of making music, starting out as a Pennsylvanian banjo player and making it to Nashville decades later with his music-making sons. Del and his band have earned numerous awards from the International Bluegrass Music Association.

Called “the best bluegrass band, period” by fellow musicians, this show epitomizes why I love bluegrass.  They played older originals like “Rain and Snow,” even older bluegrass tunes, such as “Bluegrass Breakdown” and “Get on Your Knees and Pray,” and covered a few famous songs by artists like Willie Nelson and Slim Whitman. Del and his band played songs “Hello Lonely” and “I Remember You” off their new album, Family Circle.

McCoury senior kept up a lively banter with the audience, whether it be to admit that he forgot the lyrics, or to take shouted requests. He introduced the members like a proud father (or father figure): Ronnie McCoury on mandolin, Rob McCoury on banjo, Jason Carter on fiddle, and Alan Bartram on bass.  These boys were all significantly younger than him, but I think even they sometimes had a hard time keeping up with 71 year old Del McCoury.

Inspiring to any musician, Jason Carter worked with a broken string in the last song of their two-song encore; he quickly re-tuned his violin to make up for the lost E string and finished off the song with the rest of the band impeccably.

Maybe it’s the suits, maybe it’s the smiles, maybe it’s just the twang, but the multiple standing ovations the Del McCoury Band received Friday night proves their place in bluegrass.

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Concert Review

Of Montreal at it again

“Go with what you know”  can be a dangerous adage to follow when deciding what to spend your hard-earned money on in the ways of live music.  Seeing the same band, or the same types of bands, unwaveringly can make you bored, poorly-rounded, and generally not fun to be around.  Conversely, excessive experimentation and willy-nillyness in your show-going can lead to tired feet, confusion, and a real skinny wallet. Appropriate balance is key; of Montreal is your huckleberry.

Wednesday was the third time (for second time at the Cradle) I’ve seen the much-lauded Elephant Six troop from Athens. And, as always, they failed in every way possible to disappoint.

When you see of Montreal, you know you’re going to hear great music; you know you’re going to get a great live performance. What keeps you coming back, to quote my favorite political actor of the late 20th and early 21st centuries, are the “known unknowns.” The on-stage theatrics, the costume changes, the audience involvement: you know they’re all coming, you just don’t know how.

Kevin Barnes has a way about picking out great openers, too. (E.g., They tapped the now teen-infectious MGMT well before they worked their way into cute girls’ iPods and everyone else’s guilty conscience (don’t lie), as well as the oh-so-fabulous Sugar and Gold.) This time,the opener was the densely-populated (two divas, a bad-ass sax player, a helmet-wearing keys player, two exceedingly talented guitar players, and a drummer who somehow managed to keep up the rhythm) Noot d’Noot:

an Atlanta-based freak-funk hipswaying acid jazz group up to whom the crowd warmed quite well. Oh yeah, and a lead male vocalist (seen in the above with his hands in the air) who looked a whole lot like this guy:

Like I said, of Montreal failed miserably to disappoint. Alas, there was no coffin filled with shaving cream, no on-stage faux-hanging (both featured when I saw them last, in Durham), but there were plenty of gas mask-wearing bishops:
and, of course, the obligatory trash can-mounted feather blaster:

I’ll certainly see these guys (and gal) next time they pop up in the triangle.  It’s a safe way to spend your show-cash: you know what you’re gonna get, but there are sufficient “unknowns” to keep you coming back.

T.A.

Categories
Concert Review Local Music

Kooley High and Carlitta Durand at the Pour House

If you live around Raleigh, Kooley High is one of those groups that everyone seems to be familiar with through word of mouth or after seeing one of their many concert posters promoting their next gig around town.  They perform regularly around the Triangle, yet, somehow, I had yet to see one of their shows until now.  After procuring a pair of tickets to their show at the Pour House on Friday, May 28, I was pumped to finally see them live.

It was a good thing I was pumped because, rather than letting the unexpected downpour dampen my mood, I used it as a funny conversation starter when seeing other concert goers who had obviously suffered the same water soaked journey from their car to the venue.

The opening artists got the crowd warmed up by the time Carlitta Durand took the stage.  Her energy was positive, quirky, and contagious from the get go.  When she started singing, everyone was captivated by her soulful lyrics and smooth sound.  Her backup singers blended perfectly, and the band played with such energy and passion that almost seemed old school.  Undoubtedly, Carlitta performed a beautiful and moving set.

As Kooley High took to the stage, the crowd was ready and the energy was intense.  Kooley High did not disappoint and used the energy of the crowd to push it further.  Each individual of the group brought something fresh and new to their sound, while still managing to rhyme effortlessly as a group without one person overbearing the others.  Their set was tight and powerful.  For all of the people in attendance, it was a great way to spend their Friday night.

Categories
Concert Review Local Music

Aquatic Americana and Counting to Ocho

Friday night I had the privilege of seeing three great acts at the Pour House. The night started off with a solo show by BJ Barham of American Aquarium. He played some of his own material as well as stripped down versions of songs by the band. One gentleman in the balcony took the opportunity between songs to heckle, and BJ quickly turned the tables. Several minutes of hilarious banter ensued and by the end of it, BJ had clearly conquered the room. Besides hilarity, the music was great, even if some of the lyrics were a bit worn.

Luego took the stage after BJ and played tunes from both their Taped-Together Stories album as well as their forthcoming Ocho album. The performance lacked some of the energy I had seen in previous Luego shows, but the sound was amazing and the new songs had just as much confidence and southern swagger as the older songs.

During Luego, I also had the tremendous privilege of meeting Caitlin Cary. Caitlin was formerly a member of Whiskeytown with Ryan Adams and has now teamed up with The Proclivities front-man Matt Douglas to form Small Ponds. She still puts out great Americana, and she’s even sweeter in person than the thoughtfully romantic lyrics she belts out on-stage. Douglas still croons and swoons with the greatness of The Proclivities, but the new depth added by Caitlin and her violin made for an amazing ending to my Friday night.

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Concert Review

Superchunk schools audience on the power of Rock and Roll

by Jacob and Spaceman Spiff

On Friday evening, the paragons of the independent age of music, Superchunk, played a night for the fans at the stage they helped build at the Cat’s Cradle.  The show was a warm-up for the summer music festival season and an east coast tour in the fall that will coincide with the release of their first full length album in nine years Majesty Shredding.   Fears that the show would highlight a laid back set from Superchunk stemming from the inclusion of Ryan Gustafson on the bill were quickly alleviated by Gustafson’s inclusion of friends from the Drughorse Collective to add a full band sound to his twangy pop.  Gustafson’s set was fantastic, the crowd was dancing and bobbing heads in approval as he performed his catchy songs with heartfelt conviction.

Superchunk took the stage at 10:00 p.m. brimming with intensity, vitality and volume.  Mac McCaughan owned the stage with moves that would put most Guitar Hero avatars to shame, Laura Balance is still a master of control with the bass, Jon Wurster’s drums told the packed house when to dance and when to jump, and—self-deprecating humor aside—Jim Wilbur’s guitar knew the potpourri of songs spanning the bands 20+ career better than anyone in the room.  What really set the show apart was that the majority of the set wasn’t forged to promote an album or conform to the bands comfort zones, but it was instead fueled and filled with requests taken by the band over email from the previous week.  It was a thrill to hear “Slack Motherfucker,” “Precision Auto,” and “Water Wings” in the same evening, and fans responded with great fervor.

As the night wore on, the magnetic energy in the room became tangible.  Superchunk was good enough to preview two songs from their new album Digging For Something and Everything at Once.  John Darnielle of The Mountain Goats, who will be a guest on Majesty Shredding, came out to lend backup vocals to “Digging For Something” and was in the envious position of getting to dance around on stage with Superchunk.  An easy highlight of the evening, the fast and furious “Everything at Once” may be giving fans’ favorite songs a run for their money.  The only downside of the night was that it took the tech crew at the Cradle the first three songs of Superchunk’s set to blend the audio levels properly, but this may be a testament to the band’s rowdy enthusiasm. For an hour and a half they rocked hard, and we were all mesmerized.

Superchunk’s setlist:

1. Tower

2. For Tension

3. Skip Steps 1&3

4. Learned To Surf

5. Digging For Something (ft. John Darnielle)

6. Ribbon

7. Sidewalk

8. I Guess I Remembered It Wrong

9. Florida’s On Fire

10. Water Wings

11. European Medicine

12. Package Thief

13. Everything At Once

14. Precision Auto

Encore:

15. On The Mouth

16. From The Curve

17. Slack Motherfucker

Encore 2:

18. Hyper Enough (ft. John Darnielle)

19. Throwing Things

Categories
Concert Review Local Music

Lost In The Trees plays to a captivated crowd

On Saturday night, little j and I ventured to the other side of the Triangle, Carrboro to catch local favorite Lost In The Trees in action at their CD Release Party at Cat’s Cradle. The band has recently signed with record label Anti- to rerecord their album All Alone In An Empty House. little j and I gave up the chance to see Inflowential for free in downtown Raleigh and hoped that our decision would not let us down. We didn’t have to worry about that because the show at the Cradle was a good time for both of us.

Local band The Strugglers started things off that night and we were both glad to have gotten to the show early enough to catch their performance. The Strugglers are local at heart, but are partly based in Washington D.C. for the time being, so catching them live in North Carolina is kind of tricky at the moment. The performance featured a nine-piece version of the band accompanied by a string quartet.

Old Bricks was next, giving a moving performance to the growing crowd at Cat’s Cradle. Live, the band sounds a lot different than what you hear on the recordings available. The sound is fiercer and contains even more emotion, if that is even possible. Old Bricks ended the set with a brutal beat on drums by different members of the band, and WOW was it a great end.

Lost In The Trees was the final band of the night and the obvious one everyone was waiting for. Combining old favorites with a couple of new, jazz-inspired songs accompanied by a guest tenor saxophonist, the band sounded pristine in the dark room at Cat’s Cradle. I think the only song I failed to hear was “Love On My Side”, but the good thing about a band being local is that you’re sure to catch them here again (Lost In The Trees is playing at TRKfest in Pittsboro on June 26.)

Over all, little j and I had a grand time going to Carrboro to catch some amazing local acts. Being caught in that freak thunderstorm after might be the only negative thing about Saturday night…

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Concert Review

Josh Ritter at Carolina Theatre

I had the opportunity to acquire tickets to the Josh Ritter concert on Tuesday, May 11 at Carolina Theatre in Durham, NC through the amazing giveaways on WKNC.

We sat on the balcony level, which only somewhat took away from the concert’s intimacy, something I have grown fond of in some of the Triangle’s smaller venues. I knew the night would turn out well as I sat down and found the pre-show music to be Spoon’s Transference. The opening was an adorable 3 person folk group called  Dawn Landes and the Hounds, which I found out to be Josh Ritter’s wife’s band. Their pieces were upbeat and about memories, love and lollipops. They were all too excited to show off their new toy, those awesome bells you can play with your feet! I, along with the rest of the full house, really enjoyed their music and the energy they exuded.

from http://www.dawnlandes.com/newsite/index.html

Interesting fact about Josh Ritter – he went to Oberlin College (a school I applied to!), intending to major in neuroscience. Instead, he changed his major to American history through narrative folk music. He certainly practiced what he learned in that small Ohio liberal arts college at his show Tuesday night. Songs about war, radio, old men, and stories of the stars filled the air. Ritter and the Royal City Band kept the crowd pleased, whether it be with mournful ballads like “Folk Bloodbath”, to more upbeat and borderline rock numbers, to the Josh Ritter I know and love with “To The Dogs or Whoever” and “Good Man.” No matter the genre of choice, the crowd was extremely responsive to the 5 person band. My only complaint is with the band playing background music at parts– clearly providing musical sounds not produced by any member of the band at that time.

Josh Ritter and the Royal City Band kept a consistent pace of music, usually allowing themselves one slow song and two upbeat folk or twanging southern rock. There was a different feel as Josh Kaufman, of The Hounds, recited Edgar Allen Poe’s Annabel Lee to a background of contra bass and steel guitar as provided by The Royal City Band as a set up for the Josh Ritter song “Another New World”. In between songs Ritter kept up a jovial banter for the audience– discussing mustaches, Baby Spice, and his need to brush his hair.

As Ritter left the stage, the crowd of course demanded more. Ritter then played a three part encore consisting of a song dedicated to Matt Douglas of The Proclivities, a love song that included all members of The Hounds and The Royal City Band behind the musical couple, Josh Ritter and Dawn Landes, and of course, “Harrisburg”.

All in all, Josh Ritter and the Royal City Band put on a great show. The crowd loved them, and all of the members of both bands seemed to rightfully enjoy themselves too.