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Concert Review Festival Coverage

Day for Night 2017 Review

This past weekend I had the pleasure of attending Day for Night Festival in Houston, Texas from December 15-17th with fellow WKNC staff member Double Duchess and some other various college radio kids. Having never been to either Houston or a music festival that wasn’t multi-venue, I was both very excited and not sure what to expect.

Friday

Tickets for DFN were sold either ‘weekend’ (Saturday and Sunday) or ‘3 day’ which included the so-called Friday Summit, consisting of talks during the afternoon and performances in the evening, The Friday events were all at the indoor blue stage, one out of four used during the festival. Unfortunately, we missed the talks (given by the likes of Laurie Anderson and Chelsea Manning- the latter of whom will be speaking next year at Moogfest) but arrived just in time to see one of my most anticipated acts of the festival, Jenny Hval. I’d seen her several years ago at Hopscotch on a much smaller and lower-tech scale and was blown away again by her performance.

 Following Hval were Earl Sweatshirt (at which point I had to leave because the crowd became too packed). Kaytranada closed out the night with a fun, high-energy set that had everyone dancing.

 I was very impressed by the venue itself; it was spacious and very industrial-looking, which made sense as it was formerly a post office warehouse.

Saturday

 I didn’t bring my camera this day because heavy rain was on the forecast. I’m very glad about this, as I ended up standing in the rain for hours!

I started my afternoon by catching a few minutes of Perfume Genius’s set and then dashing over to a set I was very excited to see- Lil B. The most fun part of Saturday was definitely the Based God bouncing around on stage, forgetting his lyrics, and very earnestly taking his sunglasses off to “show everyone how based he was” before throwing them into the audience and instantly seeming regretful.

My intent was to see a bit of Cardi B next, but I honestly got bored after she stalled with an opener and a DJ and I left after waiting for half an hour to catch some of Forest Swords, who provided an incredible atmosphere inside the hazy abandoned warehouse.

I bought some disgusting $10 wine beverage (legally, thx) and settled in to watch Laurie Anderson. She spent the first portion of her set basically giving a Ted talk- I’m not complaining, she has some great stuff to say. Heed my advice, though, never talk while Laurie Anderson is talking. My friend and I were standing in the back of the crowd whispering to each other and someone demanded he shut up with so much rage in their voice I really thought a fight was going to break out.

Finally, because I love rough transitions, I ended the night by seeing Nine Inch Nails in the absolute pouring rain. I felt like I was in another dimension and it was incredible. Immediately afterwards everyone I rode to the festival with and I high-tailed it to Whataburger.

Sunday

Sunday started with a bang- I got to see Jessy Lanza for the second time this year!! Her set got cut a little bit short unfortunately but I had an excellent time dancing.

Next up was Rabit and House of Kenzo, a show I went into completely unprepared for but was very pleasantly surprised by. There were a thousand things happening at every moment but I loved it and the crowd was definitely getting into it.

I followed that up with a little bit of En Vogue, which was a flawlessly executed set down to the smallest choreography and harmonies.

Babyfather was probably the act that the most people had recommended I catch so I was definitely excited to see them. I’m very glad I did. I’ve only ever listened to Dean Blunt’s solo project but his stage presence is magnetic and there’s no denying that he is a talented musician and performer.

Continuing in the trend of great performances, next up was The Jesus Lizard. David Yow began the set by leaping into the crowd and snatching the beanie off the head of a security guard. He continued to crowd-surf and swagger around the stage, breathlessly shouting quips such as “Good evening, we’re Led Zeppelin!”

Corbin (FKA Spooky Black) was the next artist I caught. I wasn’t quite sure what to make of his album, but I enjoyed his performance- he seemed very genuine whereas his recorded music borders on cheesy to me.

Finally, I closed out my weekend with the beautiful drones of Tim Hecker. I don’t have much to say about this set other than it was a little bit cathartic being in a dark warehouse vibrating with the sheer volume of ambient sound.

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Concert Review

Show Review: Converge

What better way to end a brutal 18 credit semester than to blow off some steam at a Converge show, Dec. 13 at Motorco in Durham?

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I have now seen Converge in three different decades and they only get better. Staying power like that is rare in hardcore but these guys keep bringing it year after year, album after album. How Jacob Bannon’s voice has survived is beyond me. Converge is touring to promote their new album “The Dusk in Us.” The new album follows their career arc of metal influenced hardcore music. When the band started out no one had defined the word “metalcore” yet, but bands like Converge, Integrity and Hatebreed invented the genre. All three of those bands are still active so there must have been something special going around in the 90’s hardcore scene.

Converge played a set heavy with new material but still pulled from most of the back catalog. I was amazed at how heavy Converge can be with only one guitarist. At some points, the bassist would strap on a guitar and make it even heavier. The songs “The Dusk in Us” and “Worms will Feed/Rats will Feast” show that Converge can slow down, get sludgy and explode with heaviness. Then the band would flip a switch to rip off bangers like “A Single Tear” and “The Broken Vow” and chaos would ensue. 

The crowd was pretty active for this show. Stage dives, mic grabs and sing-a-longs happened throughout the night. At one point toward the end of the show, the band asked a guy in the crowd to go to the bathroom and stop the bleeding from his head. Then they proceeded to joke about pathogens and the old hardcore band Bloodlet. Bannon even handed off the mic to various crowd members a few times who did a pretty good job covering his vocal duties. One person was so spot on that Bannon even called them out for being the best thing that had happened that night.  

In other words, the show was a blast. There were fewer kids taking selfies and no sea of screens filming for YouTube fame. There were more people having a great time being involved with the music, the band, and the process. It really did feel like old times.

– Chris Eaves

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Concert Review

The Front Bottoms @ The Fillmore

A week ago I had the pleasure of attending The Front Bottoms//Basement//Bad Bad Hats show in Charlotte at The Fillmore. Not only are The Front Bottoms my FAV band, but I love Bad Bad Hats as well and really enjoyed Basement’s set. 

Pop-punk, folk-punk, and indie rock are the genres I would say encapsulate TFB, and while normally at a show like this I’m nervous the crowd might be too rowdy or filled with some unsavory characters, however I’m pleased to say everyone there was more than polite, had a great energy, and were respectful to everyone attending! From the distance I watched as people glided over the crowd, surfing up to the front where security kindly grasped them like a mother would hold a newborn baby and safely took them to the side of the stage where many surfers made their way to the back to do it all again. 

The nearly sold-out show was one of the best I’ve been to recently, and each set had me dancing away in the photo pit between snapping some of these excellent photos below:

This was definitely a show you should be sad you missed, as the chorus of voices singing along to Brian’s vocals mimicked angels, stage banter from the bands produced more than your average chuckles, and the tears of joy ran down my cheeks. 

If you like these photos and want to hear more coverage of shows, let us know! We’d also love to hear from you about your favorite shows. 

Double Duchess

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Concert Review

mewithoutYou: A To B Life in Greensboro, NC

It’s perfectly normal for a band to change over time. They work through different projects, experiment with different sounds, express different ideas, etc. In fact, it’s hard to find a band that has stayed true to a single “vibe” for a long time. It’s even harder to find one that has done it well.

mewithoutYou is one of those few. I remember hearing Brother, Sister in middle school and instantly becoming a fan. When It’s All Crazy! It’s All False! It’s All A Dream! It’s Alright! came out in 2009, I guess you could say I “got back into the band”. I developed a love for that unapologetically loud, pull-no-punches style with which they poured emotion and story into their songs. I grew up listening to my dad’s bluegrass and classic rock, genres with big name influences such as Earl Scruggs, Boston, and The Who, but otherwise plenty of rather formulaic music. mewithoutYou was one of my first big steps away from these styles, and thus it had an air of novelty to it for me before I knew hardly anything about music. Now in 2017, after years or curating and recording music across many genres, I still remember that feeling.

mewithoutYou recently came to The Blind Tiger in Greensboro on tour playing through A To B Life to celebrate its release 15 years ago. If you follow mewithoutYou, you will recognize this as their 1st full album and not one of their softer. Naturally I had to go. My roommate and I, both long time fans who had not followed mewithoutYou as closely since coming to college, drove to Greensboro to crack some PBRs and reminisce in the angst of our middle school days. I’ll be honest with you. I was surprised. I was surprised by how much I still loved this band. mewithoutYou has released 5 more albums and plenty of singles and collaborations since A To B Life, but still held true to form. They played songs from most all of their albums, a few acoustic pieces, and some improv edits. Aaron Weiss, sporting 2 mics covered in flowers (one distorted, one clean, as per usual), told stories about the album, the inspirations for the songs, and his own life throughout the show. The band has, in my opinion, had a very successful 15 years of growing immensely, yet changing little at all.

The moral of the story is go listen to those bands you used to love. Go find their new stuff. Go rediscover their old stuff. Maybe go see their show? Who knows, maybe a brush with nostalgia and a few beers is just what you need to get through finals next week…

image source: https://mewithoutyou.bandcamp.com/

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Concert Review

Whitechapel – Decade of Defilement Tour 2017 @The Underground 11/14/17

I was looking forward to this show because Whitechapel is my all-time favorite band! This was my third time seeing them and every time it’s like it’s my first. I got to the venue four hours before the show started and I sat there in the front of the line until the doors opened. I have “Show Buddies” – friends that I meet-up with at various venues and festivals – who were also there! It was like a small reunion for all of us. This was my first time going to the Underground in Charlotte, NC and I really liked the venue. It was very spacious and there was plenty of room for everyone.

The first band to play was So This Is Suffering. It was my first time seeing them, and I was impressed. The singer is a good front man and really knows how to work a crowd. Speaking of the crowd, there was a little movement, a few pits, and some diehard fans that yelled every word to every song. Some of the songs that they played were: Sleeper Hold, Surveil, Dreameater, and Palace.

Next up was a band called, Entheos. I have never heard of them, but they put on a good show! I was getting Arch Enemy vibes from them (and not just because the lead singer is a girl) – there were great melodies and the singer was entertaining to watch. The crowd responded as with the first band, there were some pits but they weren’t as rowdy as other pits that happened that night. Among other songs in their set, they played: The World Without Us, Inverted Earth, Sunshift, and Pulse of a New Era.

Rings of Saturn played next and I was really looking forward to seeing them! I have been listening to them for quite some time and this was my first time seeing them live. Their sound was really good, but there wasn’t a stage show. Because of this, the crowd wasn’t getting into their set. Some of the songs that they played were: Margidda, The Relic, Harvest, and Inadequate.

The second-to-last band to play was Carnifex. This is my second time seeing them and they are amazing, live! Their stage show was insane!! They had pentagrams on stage, and they were all dressed up. The entire band were wearing spiked pants, and dark eye makeup. It gave them a creepy vibe that completed their overall stage presence. They had a good mixture of older songs and newer songs. The crowd was ROWDY! Everyone was moving, there wasn’t a single person in that venue that was standing still. Everyone was moshing, and singing with the band. Some of the songs that they played were: Slit Wrist Savior, Slow Death, Lie to My Face, and Hell Chose Me.

And finally, the band that I have been waiting to see all night was up: Whitechapel. While waiting for the band to come on, the crowd was singing “Sweet Caroline.” I was in Charlotte, and the Panthers just won a game, so you could say we put the “lit” in Charlotte. I was on the barricade; in the front for Whitechapel, and I was jamming! The light show was impressive and their live sound was the same as if I was listening to their albums. The crowd was absolutely insane and was hyped the entire time. The band was feeding off our energy too and kept egging us on to get even more rowdy. They played some of my all-time favorite songs such as: Mark of the Blade, Elitist Ones, The Saw Is the Law, and This is Exile. Shout out to Ben for giving me a guitar pick, and Gabe for giving me the set-list for the show. In my opinion, I would say that the show was a success.

To make things even better, while I was waiting in line to get inside the venue, my mom went to get some food and literally ate dinner with some of the members of Whitechapel. She got me some autographs, and also a video. What is that video you ask? It’s a video that has Whitechapel saying, “We are Whitechapel and we love Erika, The Saw, and WKNC 88.1.” So yeah, that literally made my life.

The Saw 

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Concert Review

Arch Enemy – North American Tour 2017 @ The Masquerade 10/28/17

I was very excited for this show because Arch Enemy is one of my favorite bands. The last time Arch Enemy was in North America was 10 years ago, so I was looking forward to seeing them perform for the first time! I traveled to Atlanta, Georgia to see Arch Enemy, Trivium, While She Sleeps, and Fit For An Autopsy. Now, the tour was coming to Charlotte, North Carolina at the Fillmore, but I wanted to see them perform at the famous Masquerade. This venue is very well known not only to metalheads, but to all. There are actually three venues within the Masquerade: Heaven, Hell, and Purgatory.  Heaven (where this show was hosted) is the biggest venue. It was very impressive, too! It was very spacious with a lot of room for a lot of people. My only complaint concerns the wood floor in front of the stage. Spilled (and dropped) drinks means a wet and slippery mosh pit. I fell a couple of times. But it was still a great time, regardless! If you ever get the chance, I would defiantly try to see a show at the Masquerade.

The first band that played was Fit For An Autopsy. I really, really like this band. I saw them on After The Burial’s ‘Carry The Flame Tour’ and I was impressed by them. They are groovy and have some jamming songs! They played some of their famous hits such as “Heads Will Hang,” “Still We Destroy,” and “Black Mammoth.” The crowd was (just) okay. There was one crowd surfer and a couple of mosh pits. I was in the front for them and I was jamming! But the people around me weren’t jamming at all. Metal Lesson #666: If you are in the front for the show, and you’re just standing there with your arms crossed, not jamming at all, go to the back. Anyway, I got to meet the lead singer of Fit For An Autopsy, after their set, and he is a super nice guy! The next band to play was While She Sleeps. I have never seen (or listened to) this band, but they were really good live! They interacted with the crowd the entire time and they also joined the crowd on some occasions. The crowd got into this band more and there was more interaction and energy. They also played some of their well-known songs such as “You Are We,” “Brainwashed,” and “Silence Speaks.” Trivium was the third band to play and I’ve seen them once before at the Carolina Rebellion of 2016. Like at the Rebellion, I was really impressed with them during the show at the Masquerade. The light show was really good and the band was all up in the crowd and interacting with them. And the crowd, during Trivium, was LOUD! You could barely hear the singer because everyone was singing along. The mosh pits were very impressive (I broke my finger in one of the pits), and I crowd surfed during their set. They were so much fun to watch and I was jamming the whole time. They played “The Sin and the Sentence,” “Until the World Goes Cold,” and “In Waves” along with many more. Arch Enemy headlined the show in Atlanta. They and Trivium are co-headlining the show and they alternate in each city who is the last band to perform. I was very excited when they came out; they put on a phenomenal live show. The singer was interacting with the crowd and she was very energetic. The whole crowd was into their set and were jumping around the entire time. There were a lot of pits, crowd surfers, and a lot of people just having a good time singing along with the band. The light show was also amazing and was very nice to watch. I got to meet Arch Enemy before the show, and they are really cool. They were super nice and it was great to meet one of my favorite bands. Among the many songs they played were “War Eternal,” “As the Pages Burn,” and “Nemesis.” This was one of the best shows that I have ever been to. If you ever get the chance to see Arch Enemy, Trivium, While She Sleeps, or Fit For An Autopsy, do it! I promise you won’t regret it!

The Saw 

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Concert Review

Issues – Headspace Tour 2017 @ Ritz Raleigh 9/29/17

I was so excited for this show because it was going to be my first metal show in a month. Yes, I know a month isn’t a long time but I go to shows a lot. And I haven’t been able to go to shows in a while because I’ve been focused on school, and because all the bands that I wanted to see were either too far away, or were playing on a week night. But this show was on a Friday night and I honestly could not wait. I had two of my friends going with me. One of them is my show buddy. We go to almost every show together, I actually met him at a metal show so that’s pretty cool. My other friend that I met the first month in college was going with us. This was actually her first metal show so I was pretty pumped to see her experience the life of a “metal head.”

On the Headspace tour, Issues brought Volumes, Too Close To Touch, and Sylar with them. I was mainly excited for two of the opening bands: Sylar and Volumes. I’ve seen Sylar at the Carolina Rebellion and at Warped Tour – they put on a pretty good show. The crowd wasn’t really interacting or jamming to Sylar or Too Close To Touch. The crowd mostly just stood there during both sets. But when Volumes came on, the whole club exploded. There were at least 3 mosh pits going on at the same time, the whole set. They came out hyped and really got the crowd involved. They played some of their best-known songs such as: Feels Good, Waves Control, The Mixture, and Wormholes. I got into some of the pits and it was such a great time. Volumes is always great to see live, this was my fourth time seeing them and they never disappoint. My friend who has never been to a metal show was thrown into the pit, and she loved it. I’m friends with Myke Terry, one singer for the band and I interviewed him for WKNC. Up next were Issues, and honestly, I didn’t know how I would like their set, but I was pleasantly surprised by what I saw live. They put on a really, really good show. They were interacting with the crowd, and the crowd responded by going hard during their set. They had multiple mosh pits, and a lot of crowd surfers. The light show, too, was impressive. Their songs sounded heavier live, which I really liked; so, I got into some mosh pits here and there. I also crowd surfed twice and it was a good time. I got my friend to crowd surf for the first time. So, it’s safe to say that she will be going to more shows with me in the future. They played some of their best-known songs, as well: Disappear (Remember When), Love Sex Riot, Mad at Myself, and Slow Me Down. I was really impressed with this band and wouldn’t mind seeing them again.

-DJ Saw 

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Concert Review

Together PANGEA w Daddy Issues and Lala Lala @ Cat’s Cradle 9/27

Anyone who knows me knows that I love grungy girl-fronted bands, so when I heard Daddy Issues and Lala Lala were opening for Together PANGEA, I was ecstatic.  A new friend and I cruised down to Carrboro blasting Deep Dream, Daddy Issues’ newest full-length album, in my little busted-up Corolla.  Upon arrival, Lala Lala’s set was in full swing (and I was considerably disappointed), but it was well worth it to see them end their part of their show with Exorcism, my absolute favorite song from Sleepyhead.  Daddy Issues took the stage next, performing most of their songs from Deep Dream.  Lead guitarist and singer Jenna Moynihan played with such enthusiasm that she broke a string midway through a song and had to finish their set using one of PANGEA’s instruments.  Whilst tuning said instrument, they allowed a kid from the crowd to tell a joke on the stage, which fell flat.  However, they saved the show by performing their hit “In Your Head”.

Once Together PANGEA came on the vibe in the room changed – herds of adolescent boys showed up, donning Vineyard Vines and Southern Tide apparel.  They proceeded to mosh (if you can call it that) and their underage intoxication became more and more apparent.  And while I did make my exit before the end of PANGEA’s set, I left two band tees and one car sticker richer.  I certainly won’t be missing Daddy Issues or Lala Lala next time they come to town.

DJ Daria

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Concert Review

Beats n Bars Festival

This past weekend, KNC DJs JermE and chilimango attended the second year of Beats n Bars festival. Beats n Bars was a two day fest focused on hip-hop culture, and featured a variety of locally and nationally known artists.

From the website:

The art of MCing, B-Boying, DJing and graffiti all are integral components that are culturally represented in our community and its importance of the sustainability of its kind or culture.

Beats n Bars mission is to build stronger community through the influence of urban culture and music.

The annual festival is hosted by Crystal Taylor, CEO of the Underground Collective, and John Laww (aka The Real Laww), the CEO of the Durm Hip-Hop Summit.

From DJ JermE:

I thought the Beats N Bars festival was a nice little festival. It was a good atmosphere and there was good music. This festival put me on to some  talented artists in the Raleigh Durham area, and  also featured some more well-known artists such as Cyhi the Prynce. The artists that left an impression on me were TheDeeepEndSean Kyd, and Jooselord Magnus. They brought that ENERGY and, most importantly, they had bars. I also enjoyed the Lion King; I caught him outside for a little bit he was more of a chill reggaeton type rapper. I also thought the battle of the beats was a necessary component to this festival since it’s called “Beats N Bars”–it was pretty hype.

Overall it was a good atmosphere. I feel like they should continue doing this, and try to make it an even bigger festival in the future. This would help promote the local rappers who are trying to use this as a platform to get more known.

From DJ chilimango:

While we were only able to catch the second day of the festival, I was impressed by what I saw. As press, I had the opportunity to interview some of the artists who would play that evening, including G Yamazawa and Nick Grant. The flow of the fest was well organized, from the interview sessions, to the layout of the stages and lineup. The artists were well curated, and I appreciated the focus not only on the music, but on other components of hip-hop as well (MCing, BBoying, DJing, and graffiti). One of my favorite acts was Maestra–she emanated poise and power, and has an amazing voice.

Because the festival is still young, there wasn’t a huge crowd attendance. While it could have been a little more hype, I did enjoy the intimacy that comes with smaller crowd–people knew each other, there wasn’t as much pushing and shoving to get to the shows, and you were able to meet many of the artists between sets. JermE and I were blessed with press passes, which granted us access to the front of the mainstage–that’s an experience I likely wouldn’t have gotten at a larger festival. I loved the people and the music, and hope Beats n Bars continues to grow in the coming years!

Stay tuned for a recap video, as well as a podcast featuring interviews with artists like Maestra, Nick Grant, and G Yamazawa! The audio story will be aired on our specialty show, the Oak City Move.

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Concert Review Festival Coverage

Beats n Bars: Mega Success

Last weekend I experience Durham’s ultimate jam-packed Hip-Hop festival: Beats N Bars!!! In its 2nd installment, the Bull City was blessed with an even more expansive and super-crazyfire line-up than last years (which was also super-crazyfire).

My personal favorite acts I caught include (but are not limited to): G Yamazawa, Jooselord Magnus, the DeeepEnd, Shame, Free the Optimus, Cayenne the Lion King, OC from NC, Nitty Scott, and of course, the legendary Cyhi the Prynce. 

In fact, the festival provided so many dope acts, that there was never a dull moment. And the plentiful supply of food and beer made for a hot Friday and Saturday in the sun to be quite the comfortable experience. And in my opinion, the best part was the option of an indoor venue or an outdoor venue, giving the attendee the choice of which environment that they want to experience dope Hip-Hop in. 

Additionally, it would be foolish not to mention the incredible B-boy group, the Raleigh Rockers who graced the place with a display of Hip-Hop dances, as well as an interactive lesson where bystanders were able to step in and participate. Throwing in the fact that a number of DJ’s showed their chops on the 1’s and 2’s, the festival did a great job of staying true to their mission, and that was the celebration of Hip-Hop, as Crystal stated: “not as something you do, but as something you live.”

On behalf of the Underground Department at WKNC, we would like to congratulate Beats n Bars for throwing another fantastic festival for Durham, North Carolina! 

DJ Rhythm