Google Music Beta
The mini-festival, which will hit Raleigh July 22 and 23, will be bringing some huge names in both Local and nationwide artists to the area. Working alongside the fine people at Hopscotch Music Festival, the free two-day event will bring the likes of Hooray for Earth, Free Energy, Wye Oak, Surfer Blood, and much more.
The events kick off on Friday starting at 6pm with acts playing venues including Kings, The Pour House, Tir Na Nog, Slim’s, and Neptunes. Saturday acts play from 1pm to 11pm with outside of Lincoln Theatre with the after party taking place inside the venue.
For more information visit hopscotchmusicfest.com
Recently I had the chance to talk to Sarah Jaffe before her show at Local 506. We discussed everything from her current tour, to the recent re-release of her 2008 EP Even Born Again. Sarah mentioned everything from how she started, to her time with Kirtland Records, and labels reaction to the success of her debut album Suburban Nature. We also had the chance to talk about the process behind recording her upcoming EP The Way Sound Leaves a Room and her next full length. Listen to the full interview below!
Soulful singer-songwriter Liz Janes will be stopping by WKNC this Saturday, June 25th at 2pm for an in-studio interview with DJ Elly May. Janes began her interest in music at a young age and then went from being involved in the Northwestern noise scene to making her own bluesy folk music; now she has made a splash at WKNC with her new album Say Goodbye. Despite its title, it certainly is not a goodbye from the artist who is in fact saying hello to the Triangle through two performances this weekend besides her on-air interview. She’ll be performing Friday at the Wild Goose Festival taking place at Shakori Hills this weekend and will be following up her interview with us with a show at Open Eye Café in Carrboro. Be sure to tune in to find out more about this artist and be sure to leave a comment below if there’s a question you’d like asked during the interview.

I sure as hell do! Anaal Nathrakh has released another ear-shattering gut-pulverizing mind-munching limb-decapitating lung-popping skull-smashing brain-bursting intestinal-disemboweling album, Passion.
This album is to family friendliness as loaded guns are to baby pacifiers. Unless you’re the Manson family. The guitars are raw and brutal, but never approach blandness as they’re broken up with slight melodies, industrial undertones, guitar solos, and even growling solos! Their songs encompass a certain stand-alone uniqueness missing amongst the more grind core-oriented bands. This does mean that there are clean vocals, which at first put me off like an undefiled grave. However, upon listening to the entire album, it’s clear that they’re a great juxtaposition against the pure, raw, and grotesque microphone-swallowing exercises these guys do. And it doesn’t take away from the horn-rising head-banging factor at all.
In totality, this is one ear-splitting album with many differing embellishments that are sparsely used to recreate the old “put this album on repeat” syndrome, thought to have been eradicated by its bastard cousin “put this song on repeat” syndrome that big music industries have let flourish.
If anyone looks at you funny for listening to this album, such as family, friends, or significant others, just be sure to tell them that there is nothing wrong with liking Anaal.
By C Creature
Saturday night at Kings Barcade brought a packed house and good tunes from the killer line-up of headliner Annuals, Luego and Jenna & the Jintlemen. I was super excited about Luego as I saw them a few months ago and knew they put on a good show. I had heard good things about Jenna & the Jintlemen and after meeting the lead, Jenna Smith, a few weekends ago while out with friends, I was excited to see her and her “Jintlemen” do their thing. Headliner, Annuals, had their national debut on Late Night with Conan O’Brien, so having never seen them perform, my expectations were high.
When I got there Jenna & the Jintlemen were just finishing up with two songs left in their set; however, I only needed to hear about 30 seconds to know that I loved her voice and band. She’s got a sweet, dreamy and delicate voice, which makes listening to her easy and ever-so-pleasant. Since I was late, I’m not sure if she played “Marcello, Marcello,” but that is one of my favorites by her and it showcases her voice beautifully.
After Jenna & the Jintlemen exited stage left, Luego took the spotlight to bring us some indie/alternative country rock, a few of the songs laced with a soft Spanish influence (especially those from the Ocho album). Lead, Patrick Phelan, has a unique voice and is unmistakable for anyone else’s in the Triangle and definitely makes you think of voices like Paul McCartney’s and Bob Dylan’s…maybe a little Rod Stewart. Dressed in a simple white v-neck decorated only by an ambiguous rectangle rolled into his sleeve (he claimed they weren’t “real” cigarettes), grey Levi’s and cowboy boots, he convinced me we were in years bygone. His songs have lyrics that are simple and melodic with out being kitschy. Supported by Peter Holsapple, William Moose, Mark Connor, Cameron Lee, Charles Cleaver, Jeff Crawford and Will Goodyear, Luego is a collective band of friendly, endearing outlaws just singing about what they know. I’m honestly struck by how classic the themes of their songs are and how good they pull it off. Some bands try and seem like they can sing songs like “You Better Run,” or “Atta Boy,” or “Jesse James,” or “How ‘Bout Them Rules,” but can’t with out sounding painfully cliche. Luego has a great talent for using their inspirations to make fresh songs that only later make you think, “Wow, that sounded kind of like ’_______’.”
Standing in the crowd officially feeling like if I walked out side I’d see cacti, tumbleweeds and maybe a sheriff, Luego finished and was rewarded with gracious applause from the crowd. Luego smiled, said thanks and introduced headliners, Annuals.
Now, as I previously stated, I’ve never seen Annuals perform before; however, I’ve heard nothing but great things from people whose music taste I respect AND they’ve played on Conan twice. While they were setting up, people continued to pour into the venue, showing me just how serious of a fan base they have and just why they headlined: people love them.
However.
I do not, I found out. I was actually really disappointed because I just knew that after Jenna & and the Jintlemin and Luego, two groups I love, Annuals would only further my “I’m at such a great show” high, but as it turned out, they did quite the opposite and sobered me up. Led by Adam Baker and supported by Kenny Florence, Mike Robinson, Zach Oden, Anna Spence and Nick Radford, they sang a bunch of songs I couldn’t understand the words to and really didn’t care to find out. I was reminded of too many songs I listened to when I was 16 and add that to Adam’s “yell-singing” as I call it, I just had to shake my head. I expressed my concern and confusion to a compadre of mine at the bar and he looked at me like I was crazy and went on to tell me how much he just “loved, loved, loved” Annuals and why they were so great. For the rest of the night he and many of my other friends witnessed to me and tried to convert me into a fan because apparently if you don’t like Annuals, you’re going to musical hell where Rebecca Black reins supreme.
In any case, none of them convinced me and since then I’ve tried to find a song I at least kind of like, but I just can’t. My ears do not like them and here is why: there is no real melody just a lot of yelling, loud guitars and drums.
That being said, are they talented? Yes. Do they know how to put on a show? Yes, very much so. Did they pack the house? Yes. Do I understand their appeal? Yes. So there it is, I can 100% endorse the fact that they did a great job at Kings, tickling the fancy of all their fans and never made a mistake that I could tell.
So IN CONCLUSION, anyone who went to Kings Saturday night had no excuse to not have a freakin’ awesome time. Every band rocked it out with their respective fans loving it. It was definitely one of my favorite shows of June and flawlessly executed by all groups involved.
Here are the chainsaw top ten this week, as compiled by Chainsaw Music Director, Cory Slep.
Enjoy these albums, compiled by The DJ Ones. [editors note: Those Darlins’ album art is quite interesting!]
| Artist | Album | Label | |
|---|---|---|---|
| #1 | Those Darlings | Screws Get Loose | Oh Wow Dang |
| #2 | Seapony | Go With Me | Hardly Art |
| #3 | Amor De Dias | Street Of The Love Of Days | Merge |
| #4 | Donkeys | Born With Stripes | Dead Oceans |
| #5 | Kids on a Crime Spree | We Love You So Bad | Slumberland |
| #6 | Vaccines | What Did You Expect From The Vaccines? | Columbia |
| #7 | Cults | In The Name Of | Columbia |
| #8 | Sallie Ford and the Sound Outside | Dirty Radio | Partisan |
| #9 | Thao and Mirah | Thao And Mirah | Kill Rock Stars |
| #10 | Tiger Darrow | Tiger Darrow | You Know Who You Are |
| #11 | Arctic Monkeys | Suck It And See | Domino |
| #12 | Dale Earnhardt Jr. Jr. | It’s A Corporate World | Quite Scientific |
| #13 | Gardens and Villa | Secretly Canadian | Secretly Canadian |
| #14 | Girls Names | Dead To Me | Slumberland |
| #15 | tUnE-YarDs | WhoKill | 4D |
| #16 | Rosebuds | Loud Planes Fly Low | Merge |
| #17 | Liam Finn | FOMO | Yep Rock |
| #18 | My Morning Jacket | Circuital | ATO |
| #19 | Friendly Fires | Pala | XL |
| #20 | Hooray For Earth | True Loves | Dovecote |
| #21 | Death Cab For Cutie | Codes And Keys | Columbia |
| #22 | Foster the People | Torches | Columbia |
| #23 | Balkans | Balkans | Double Phantom |
| #24 | Vetiver | The Errant Charm | SubPop |
| #25 | Black Lips | Arabia Mountain | Vice |
| #26 | Thurston Moore | Demolished Thoughts | Matador |
| #27 | David Bazan | Strange Negotiations | Barsuk |
| #28 | Danger Mouse and Danielle Luppi | Rome | EMI |
| #29 | David Fonseca | Between Waves | Castle Of The Amazing Cats |
| #30 | Matt Pond PA | Spring Fools | Altitude |
Here are the top ten albums in Afterhours.
| Rank | Artist | Recording | Label | |
| 1 | Friendly Fires | Pala | XL | |
| 2 | Austra | Feel It Break | Domino | |
| 3 | Toro y Moi | Underneath the Pine | CarPark Records | |
| 4 | Gold Panda | Companion | Ghostly International | |
| 5 | Bibio | Mind Bokeh | Warp Records | |
| 6 | Borgore | Delicious EP | White Label Nation | |
| 7 | Moby | Destoyed | Mute | |
| 8 | Blue Sky Black Death | Noir | Fake Four Inc. | |
| 9 | Daft Punk | TRON: Legacy RECONFIGURED | White Label Nation | |
| 10 | Gorillaz | The Fall | Virgin |