Categories
Miscellaneous

K-Pop: The New Rising Genre of Our Generation or Just a Current Fad?

I’m sure everyone by now has heard PSY’s international hit “Gagnam Style”; whether you hate it by not or not may be a test of endurance as this trendy tune has swept the nation. Flash mobs and radio stations alike have jumped on the bandwagon. However, arguably before PSY, K-Pop appears to have been picking up publicity and popularity in the United States since the debut of groups such as Super Junior and Girl’s Generation.

But what is K-Pop, and what distinguishes it from other genres besides the language sung? What is making is so popular?

Is it just a temporary fad thanks to the sweeping explosion of “Gagnam Style”? Perhaps not…

Since about the end of 2011, K-Pop has been capturing the music hearts of many with their appealing style very nostalgic to our 1990s N.S.Y.N.C. or Backstreet Boys. A majority of the artists in K-Pop are actually in groups ranging from two to more commonly six or seven. The music is typically made with synthetic instruments, distinguished by their catchy beats and elaborate dances. K-Pop artists take music to the next level by presenting a variety of different moves to their music, calling the listener to not only enjoy the music from their headphones, but to actually make a physical exercise. Perhaps they go onto try to impress their friends with their newly-learned footwork. It becomes a means of an activity for the ambitious dancer, or a group of friends wanting to hang out in a new way.

Each song is unique in their own way, ranging from different emotions and cultural shifts occurring in South Korea at the time. For example, the incredibly popular “Gagnam Style” was actually PSY’s jest to the younger female and older, wealthier male populations. He targeted the superficiality and materialism present as younger women focus more rich older men instead of the young men of their generation. Definitely a lot deeper than what you’d expect from such a upbeat-sounding song? Each song has their own meaning, but of course it’s a little more difficult to understand as we are not all fluent in Korean.

Which brings me to my next point: if we can’t understand it, why is it still becoming so popular? Perhaps this day and age our generation is becoming more tolerant of other cultures and respecting the language differences. Next to math, it’s said that music is a universal language. As the internet has been tying different countries together through sites such as YouTube, it is evident that diversity is becoming more and more known, and while intolerance continues to grow, perhaps tolerance and acceptance is growing faster in the world. The growing popularity of K-Pop may be signaling the birth a new mindset and furthermore a new genre that distinguishes our generation as pioneers of a whole new level of music diversity.

In it’s own way, K-Pop is starting off the promotion of international music. At this rate, it won’t be before long other genres of music pick up. Perhaps K-Pop will stay at the top under its many awesome artists, rhythmic beats, and enjoyable dances.

Interested in listening to more than just Gagnam Style and curious about other awesome K-Pop artists out there such as EXO-K, Two X, E-7, and NU’EST? WKNC has a K-Pop show known as “KJAMZ”! Tune in every Saturday from 12PM-1PM to rock out to awesome beats!

 

 

 

 

 

 

Categories
Playlists

Crystal Beth’s Halloween Playlist: “BOO-yah!”

Here are my top five songs to start off a Halloween playlist. Some of the first albums mentioned have several other spooky songs that are more than appropriate so be sure to check them out!

 

1.      They Are Night Zombies!! They Are Neighbors!! They Have Come Back From The Dead!! Ahhhh! – Sufjan Stevens. Here’s a song from “Come on feel the Illinoise” while Stevens’ was toying with the concept of a 50 states project. During this project, Stevens’ did actual research on the state of Illinois to use as song material. Many songs on this album make references to some of the scary but true things he found such as UFO sightings, serial killers, and ghost towns.

http://www.youtube.com/watch?v=_e0Ju4eDROE

2.      Cemetery Lawn- The Rosebuds. This song is pulled from the album “Night of the Furies” that is made up entirely of dark fantastical stories. “The Furies” are mythological creatures of torment and evil. “In the dead of night, better hold on tight to your loved ones. The rumor is the truth: the Furies are here upon us.”

http://www.youtube.com/watch?v=DxDrn92Cwk8

3.       The Killing Moon- Echo & the Bunnymen.  A great song from the post-punk English band with an impressive cult following. One day Ian McCulloch woke up with the soon to be lyrics “fate up against your will” stuck in his head. This song, in my opinion, is David Bowie meets The Doors in the best and most haunting way possible.

http://www.youtube.com/watch?v=aX1PwkgwsG0

4.       Lose Your Soul- Dead Man’s Bones. First of all, it is scary how hott Ryan Gosling is and how his band just adds even more to his appeal. Sometimes it’s overkill for celebrities to take on more projects but Gosling’s band is a very cool and unique venture for him. For the album, he invited the Silverlake Conservatory Children’s Choir to sing with him. Their chants about monsters, werewolves, graveyards, etc. make it even creepier.

http://www.youtube.com/watch?v=rnEkboR86h0

5.       The Monster and the Count- The Extraordinaires. This band turns all sorts of stories into songs. They went so far as to release two albums in hardback handmade and fully illustrated books.

http://www.youtube.com/watch?v=JzhnaWXiOrw

 

Everyone expects you to have Thriller and The Monster Mash so throw those in IF YOU MUST and then here are 10 more songs to make your playlist last roughly about an hour! Sip on some Beetle Juice or a Bloody Mary and get yo dance on!

6.       Black River Killer- Blitzen Trapper

7.       Dance for the Dead- Cloud Cult

8.       Satin in a Coffin- Modest Mouse

9.       Walking with a Ghost- Tegan and Sara

10.   Phantom Limb- The Shins

11.   Vampire- Dr. Dog

12.   Shape Shifter- Local Natives

13.   Animal Backwards- Minus the Bear

14.   Psycho Killer- Talking Heads

15.   The Ghost of you Lingers- Spoon

 

Happy Halloween from WKNC!

 

 

Categories
Non-Music News

Early Voting rocks Triangle

If you haven’t been brought to your front door by the knocks of canvassers urging you to vote early yet… well, you may be the only one. But the efforts to encourage early voting here in the triangle have taken a more enjoyable turn, and a turn away from your front door.

This Friday, October 26, Durham’s Central park will host a midday early voting rally. The rally will kick off at 11am and will feature three amazing acts and delicious soup to warm your heart and soul. Mac McCaughan (Superchunk, Portastatic), the triangle’s own Spider Bags, and Titus Andronicus will all play to urge potential voters to get out and vote early. If you missed Spider Bags at Kings on September 20, let’s just leave it at you don’t want to miss these guys again.

Early voting kicked off in NC on October 18 and will continue until 5pm on November 3. NC State’s own Talley Student Center is an early voting location this year, but there are 20 other locations through Wake and Orange counties housing early voting this year. To find your early voting location, check out the early voting websites for Wake and Orange counties. And don’t forget – even if you’ve forgotten to register to vote here in NC, you can still register AND vote in one stop at early voting.

Have your voice heard and get out to hear some awesome bands this election year!

Categories
Concert Review

Suburban Nightmare Festival 2012

The Apex Masonic Lodge, although not your typical show space, had a great turnout Saturday, October 13th, for Suburban Nightmare Festival. This event was thrown by David Baird (of Asheville’s Drunk In A Dumpster) as his own pre-birthday gathering. Although this is the first time Baird has put on Suburban Nightmare fest, he wishes to make it a yearly event!

Raleigh’s Last Words opened with a display of their own brand of purely viral piercing screams and crushing high-speed hardcore punk riffs. This female-fronted act set the mood for the night as their mosh parts commanded a handful of the individuals present to stomp violently from one side of the room to the other.

After Last Words was Baird’s band, Drunk In A Dumpster, based out of Asheville. Their punk rock assault induced fear in the audience as David moved along the front of the crowd, pushing away anyone who dared stand in his path. I really enjoyed Baird’s stage presence.

Just Die! – picture by Alex Altgibers

Next was Just Die!, another band from Asheville. Just Die! plays melodic hardcore yet stays true to hardcore punk roots – a good mix of styles! The vocalist made a point to explain the meaning of each song before played. It was definitely inspirational, anything but preachy! Nice dudes playing good music – awesome! Really enjoyed their set.

After Just Die! were punk rockers Commonwealth of American Natives (Tennesse) and oldschool punk band Random Conflict (Alabama). Both played high-energy sets with decent crowd interaction. I unfortunately missed a large portion of C.O.A.N.’s set, but what I saw I enjoyed! As for Random Conflict, you’ve really got to respect them for still playing music after all these years.

Abuse – picture by Mike Deloatch

Raleigh’s Abuse unleashed hell with their brutal onslaught of truly devastating fastcore/power violence. These guys seriously get better each time I see them! Can’t get enough of their unforgiving blast beats and fresh riffs. They ended their set with their infamous Infest cover.

No Tomorrow (Wilmington) shed blood with their soul-churning d-beats and deep, groaning vocals. No Tomorrow’s absolutely filthy crust destructionwas relentless and crushing. After having seen them a handful of times, I can honestly say this was my favorite time seeing them!

Mutilation Rites – picture by Alex Altgibers

Last, but not least, was Mutilation Rites, a black metal act from New York.  The drummer’s blast beats did not cease for a single second. The vocalist’s high-pitched, strangulated vocals cast a grim shadow over the audience as a wall of tremolo-picked madness violently moved in on the crowd.

Overall, I had a great time at this festival! I’m glad so many people from Raleigh, and surrounding areas, made it out to Apex on a Saturday night. Would love to see shows at that space more. Let’s hope that Baird has another Suburban Nightmare fest next year with equally crushing bands!

Categories
Non-Music News

Live Cybercast from CBI

Listen to DJ DiGiorno and C’est La Bri live from the College Broadcasters, Inc. National Student Electronic Media Convention at the Sheraton in Atlanta – Thursday from 10 a.m. to noon.

Categories
Non-Music News

Eye on the Triangle Podcasts coming soon!

Hey Everyone,

I know that I’m a bit behind in the Podcasts currently, but no worries, we will be completely up to date tonight. All of our great shows in past few weeks will be accessible through iTunes within 12 hours.

Thanks for bearing with me,

Deondre’ Jones

Public Affairs Assistant Director

 

EDIT: Might take a little bit longer, technical difficulties.

Categories
Weekly Charts

WKNC’s Charts and Top 5 Adds – Oct. 22

Each week, the WKNC music directors tally up spins for new releases and submit their top charts to CMJ.

Adds:

1 TAMARYN Tender New Signs Mexican Summer

2 BLACK MOTH SUPER RAINBOW Cobra Juicy Rad Cult

3 CHELSEA WOLFE Unknown Rooms: A Collection Of Acoustic Songs Sargent House

4 TITUS ANDRONICUS Local Business

5 DIAMOND RINGS Free Dimensional Astralwerks

Top 30:

1 ALT-J An Awesome Wave Canvasback

2 JENNIFER CASTLE Jennifer Castle

3 MUSIC TAPES Mary’s Voice Merge

4 MELODY’S ECHO CHAMBER Melody’s Echo Chamber Fat Possum

5 TY SEGALL Twins Drag City

6 BLACK MARBLE A Different Arrangement Hardly Art

7 TAKEN BY TREES Other Worlds Secretly Canadian

8 MOON DUO Circles Sacred Bones

9 TAME IMPALA Lonerism Modular

10 DUM DUM GIRLS End Of Daze SUB POP

11 TILLY AND THE WALL Heavy Mood Team Love

12 SEAPONY Falling Hardly Art

13 THE XX Coexist XL

14 SOFT PACK Strapped Mexican Summer

15 DARK DARK DARK Who Needs Who Supply And Demand

16 BAND OF HORSES Mirage Rock Brown-Columbia

17 WILD NOTHING Nocturne Captured Tracks

18 MOUNTAIN GOATS Transcendental Youth Merge

19 DJANGO DJANGO Django Django Ribbon

20 GRIZZLY BEAR Shields Warp

21 ARIEL PINK’S HAUNTED GRAFFITI Mature Themes 4AD

22 CORIN TUCKER BAND Kill My Blues Kill Rock Stars

23 POOR MOON Poor Moon SUB POP

24 JUNK CULTURE Wild Quiet Illegal Art

25 FERGUS AND GERONIMO Funky Was The State Of Affairs Hardly Art

26 FRESH AND ONLYS Long Slow Dance Mexican Summer

27 LUYAS Animator Dead Oceans

28 HOW TO DRESS WELL Total Loss Acephale

29 HEAVY Curse Me Good Counter

30 CULT OF YOUTH Love Will Prevail Sacred Bones

Categories
Weekly Charts

WKNC Afterhours’ RPM Charts and Adds – Oct. 22

Each week, WKNC compiles a list of charts and adds.

Charts:

1 TODDLA T Watch Me Dance: Agitated By Ross Orton And Pipes Ninja Tune

2 BASTINADO The Hard Six

3 LORN “Weigh Me Down” [Single] Ninja Tune

4 GRAHAM KNOX FRAZIER House Instrumentals II Simply Deep

5 A TRIBE CALLED RED A Tribe Called Red Self-Released

6 BLACKBURNER Planet Earth Attack Cleopatra

7 FLYING LOTUS Until The Quiet Comes Warp

8 NEIL DAVIDGE Original Soundtrack Remixes

9 TWO FINGERS Stunt Rhythms Big Dada

10 APOLLO 440 The Future’s What It Used To Be RADIKAL

Adds:

1 BOYS NOIZE  Out Of The Black Boysnoize

2 DJ VADIM don’t be scared bbq

3 3:33 In The Middle Of Infinity Alpha Pup-Parallel Thought

4 MADEON Finale" & “The City” Popcultur

5 FALTY DL Straight & Arrow Ninja Tune

Categories
Concert Review

Show Review: Father John Misty woos the Cats Cradle

Father John Misty

Friday night proved to be another fantastic time at The Cat’s Cradle, as the freak-folk rock act of Father John Misty took the crowd by storm with their swagger and prowess.  Father John Misty is the moniker taken on by J. Tillman, former drummer of Fleet Foxes for his latest musical project.  Bored with the pedantic, sad-sack songwriting of many of his peers, Tillman took a road trip with no destination and a bag full of mushrooms, eventually leading him to Los Angeles in an unexpected turn of events.  Tillman hulled up and found himself writing with a new voice, one that’s filled with equal parts of self deprecation and self aggrandizement.  With a bit of snark and honesty, Tillman has created a unique and captivating sound that serves as the perfect outlet for his oftentimes poetic lyricism.

Fear Fun is the debut full-length from Father John Misty and it’s been filling my ears for quite some time now, but hearing the songs live breathes a new life into them.  Father John Misty is a refreshing take on the current folk music trend, the songs feel grounded with familiar themes, but explore content that contemporary folk artists wouldn’t dare.  If your average songwriter spends his albums licking his wounds, Tillman takes an approach of patching them up and raring past the bad times for a drug-filled haze of enlightenment and wonder.  Father John Misty feels like classic country clasping on to its rustic roots while adapting to the commercial and occasionally vapid world we’re surrounded with.  Tillman had a presence that I doubt anyone could have expected, he crooned and swayed across the stage for an enchanting and lively set that felt more like a rock n roll show than a display of one man’s lyrical prowess.  It’s always awesome going to a show where you can thoroughly enjoy all of the acts that you see, and The Cat’s Cradle usually provides just that.

I arrived just in time for the end of Jeffertitti’s Nile, placing myself dangerously close to the speakers.  Just my style.  The psychedelic sounds of Jeffertitti’s Nile swirled garage punk with folk for a brief yet welcome encounter.  I wish I’d gotten to see more than three songs from the band, their songs weren’t breaking the mold or anything, but I’ll be damned if they weren’t a blast to kick off the evening with.  As the bands loaded in and out I pondered upon the state of my hearing and found myself a bit taken aback by the off-kilt crowd at the Cradle.  Filled with chatter like, “Yeah, I don’t really go to shows anymore.  Nobody good plays around here!” and endless Obama/Romney chatter, I couldn’t have screamed louder when L.A’s La Sera took the stage.

La Sera

La Sera is a bright, upbeat pop act led by Katy Goodman of Vivian Girls.  Their songs were the spark of energy needed to get the crowd moving and as the set went on the crowd packed tighter and tighter.  La Sera’s music isn’t groundbreaking, but the trails that they blaze for themselves are certainly worth walking down.  Their lyrics are intelligent, yet approachable, never too dense to lose yourself in but with enough attention to detail to leave the listener satisfied and waiting for more.  Songs like “Please Be My Third Eye” display this perfectly, Goodman prefaced the track with a simple, “This song is about telepathy”, then jumped into another short blast of pop goodness.  With soaring vocals and a driving rhythm section, La Sera was a welcome addition to this diverse lineup and the perfect lead-in for Father John Misty.

 

Father John Misty

As Tillman and company took the stage I turned around to see a surprisingly dense crowd that was arguably more excited than me for this show, something thats always wonderful to experience.  The energy was palpable, and as “Fun Times In Babylon” kicked off the set it was clear that the crowd was in for a treat.  Tillman played perfectly off of the crowd, his stage banter opening the door for adoring shouts from the audience.  An obligatory “I love you” was shouted before the band even began and Tillman responded quickly, “Let me prove my worth first!”, setting the tone with his quick wit and obvious excitement.  Tracks like “Only Son of the Ladiesman” and “Nancy From Now On” were songs that took a brand new form on stage, Tillman opens up his soul as he glides across the stage often taking the mic stand with him wherever he pleased.  Through his smooth vocals and commanding stage presence, Tillman had the crowd in the palm of his hands.  Blasting through staples of the album, the show felt like it was over before it started simply because of how fun it is to watch this band perform.  As Tillman sang, “Look out Hollywood here I come” the crowd shouted with joy, and this line can perfectly sum up the new vibe of Tillman’s music.  Gone are the days of the sad, sappy songwriter and here’s a new headstrong, vivacious young man that is ready to take on the world in its fucked up glory.  As the show was coming to a close with the powerhouse “Hollywood Forever Cemetery Sings”, my ears rang loudly and my soar throat was begging me to stop shouting along.  The crowd sang along proudly to the helpless reprise, “Someone’s gotta help me dig!” and I couldn’t help but feel overwhelmed at how perfect the show was.

I weaved in and out of the crowd as the song was ending, evidently missing the tail end of the show and a bottle being thrown on stage.  Tillman apparently shrugged it off as excitement, an endearing snapshot of the character displayed by this act.  My old mannish tendencies were rearing their heads on the ride home, the yawns set in, my ears were ringing, and my back was aching…but I’ll be damned if it wasn’t worth it.  I know I for one will be making a point of seeing Father John Misty whenever they stop through the area, mostly because it would have been hard to walk away from that show without a smile on.  Another night at the Cradle filled with incredible tunes!

 

Categories
Non-Music News

EOT106 College Republicans and Democrats 10/16/12

Last week our contributor Jay Tomblin interviewed a representative of the Young Americans for Liberty, a Libertarian group here at NC State. What you didn’t know was that Jay also interviewed some college Democrats and Republicans. Here to shed some light on the perspective of the two main parties is Taylor McLamb of the college Republicans, and Rashad Hamilton of the college Democrats.

Andrew profiles the last of the Third Party Candidates running for President.

Deondre’ Jones spoke with a member of the anti-drug group Narcanon, an international organization that operates in over forty countries, educating people about the dangers of drugs.

Listen to episode 106.