Categories
Weekly Charts

Daytime Charts 11/9

#ArtistAlbumLabel
1JPEGMAFIALP!EQT
2PARQUET COURTSSympathy For LifeRough Trade
3BLACK MARBLEFast IdolSacred Bones
4INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
5LAVA LA RUEButter-fly [EP]Marathon
6FILM SCHOOLWe Weren’t HereSonic Ritual
7ILLISMFamily Over EverythingThe CRWN
8LIILYTV Or Not TVFlush
9LITTLE SIMZSometimes I Might Be IntrovertAGE 101
10DAWN RICHARDSecond LineMerge
11ZEBRA KATZLess Is MoorZFK
12GUSTAFAudio Drag For Ego SnobsRoyal Mountain
13ONE STEP CLOSERThis Place You KnowRun For Cover
14CRUMBIce MeltSelf-Released
15GENESIS OWUSUSmiling With No TeethHouse Anxiety/Ourness
16SKIIFALL“Ting Tun Up” [Single]Self-Released
17SPIRIT WASHeaven’s Just A CloudDanger Collective
18HATCHIE“This Enchanted” [Single]Secretly Canadian
19TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
20LALA LALAI Want The Door To OpenHardly Art
21LOWHEY WHATSub Pop
22WEDNESDAYTwin PlaguesOrindal
23XENO AND OAKLANDERVi/DeoDais
24BLACK COUNTRY NEW ROAD“Chaos Space Marine” [Single]Ninja Tune
25FJAAKSYS03 [EP]Self-Released
26HOVVDYTrue LoveGrand Jury
27IDLES“The Beachland Ballroom” [Single]Partisan
28NEAR BEERSleeping Is For SuckersSelf-Released
29JIMMY EDGARCheetah BendInnovative Leisure
30IAN SWEETShow Me How You DisappearPolyvinyl

Daytime Adds 11/9

#ArtistAlbumLabel
1XENO AND OAKLANDERVi/DeoDais
2PRETTY EMBERSUnderSelf-Released
3UNION OF KNIVESEndless From The StartDisco Piñada
4MITSKI“Working For The Knife” [Single]Dead Oceans
5SPIRIT OF THE BEEHIVE“The Door Is Open” b/w “The Door Is Closed” [Single]Saddle Creek
6SLACK TIMESAt The Blue Melon Rendezvous [EP]Earth Libraries
7RARE OCCASIONS, THEBig WhoopSelf-Released
8EARLY INTERNETYou’re Just In Time To Miss EverythingSelf-Released
9GLOOMIES, THELet Me Know When It’s OverSelf-Released
10OSCAR AND THE WOLFThe ShimmerPlay It Again Sam
Categories
Weekly Charts

Underground Charts 11/9

1INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
2JPEGMAFIALP!EQT
3ZEBRA KATZLess Is MoorZFK
4ILLISMFamily Over EverythingThe CRWN
5GENESIS OWUSUSmiling With No TeethHouse Anxiety/Ourness
6LITTLE SIMZSometimes I Might Be IntrovertAGE 101
7LAVA LA RUEButter-fly [EP]Marathon
8TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
9NATIVESON 91Come Back DownInner Tribe
10EVIDENCEUnlearning Vol. 1Rhymesayers
Categories
Weekly Charts

Chainsaw Charts 11/9

#ArtistAlbumLabel
1WHEN THE DEADBOLT BREAKSHope Valley Burns: EulogyElectric Talon
2BLOODY KEEPBloody Horror [EP]Grime Stone
3ZETARDevouring DarknessSpirit Coffin
4ANDREW WKGod Is PartyingNapalm
5MASTIFFLeave Me The Ashes Of The EarthEntertainment One
6ANNIHILUSFollow a Song From the SkyFederal Prisoner
7BLACK WOUNDUnending LabyrinthDry Cough
8MALIGNAMENTHypocrisis AbsolutionPrimitive Reaction
9IXTLAHUACTeyacanilitztli NahualliNuclear War Now!
10DESTRUCTIONLive AttackNapalm
Categories
Weekly Charts

Afterhours Charts 11/9

#ArtistAlbumLabel
1DREAMWEAVERCloud9MagicCrafters
2BICEPIsles (Deluxe)Ninja Tune
3DAWN RICHARDSecond LineMerge
4FJAAKSYS03 [EP]Self-Released
5PARK HYE JINBefore I DieNinja Tune
6COFFINTEXTS8700 [EP]Club Qu
7DOSS4 New Hit Songs [EP]LuckyMe
8SHYGIRL“Cleo” [Single]Because
9ANZAll Hours [EP]Ninja Tune
10KEDR LIVANSKIYLiminal Soul2MR
Categories
Band/Artist Profile

The Music of Swiss Army Man

Header for The Music of Swiss Army Man created by me!

Synopsis

Is there anything that can make being stranded on an uninhabitable island bearable? Insert dreamy orchestral indie-rock music by two members of Manchester Orchestra and a character played by Daniel Radcliffe. In Swiss Army Man, main character Hank (Paul Dano) finds himself lost on an island, feeling hopeless and wanting to give up on life. That is until he sees a corpse named Manny (Daniel Radcliffe) wash up on shore. Hank now has a new reason for living, and we follow him as he teaches Manny what it means to be human. We watch Hank and Manny become closer as they journey together to find their way home.

How Music is Used

The music mirrors the sentiments of hopelessness and hopefulness felt by the pair as they run into many obstacles. Radcliffe and Dano are featured both together and alone in a number of the tracks, making them feel even more intimate and emotional. We hear recognizable tunes like Cotton Eye Joe and Jurassic Park sung by the pair. Endearing and emotional, those covers add a bit of humor and lightheartedness. Uniquely, the other lyrics in the songs written for the movie narrate what is going on in the film, which is so incredibly witty and matches the movie’s eccentric plot. 

Musical Masterminds

Who do we have to thank for the music of Swiss Army Man? None other than Andy Hull and Robert McDowell. Andy Hull is the frontman for Manchester Orchestra. He makes a cameo as the news crew camera man in the movie. Robert McDowell is the lead guitarist and backing vocalist for Manchester Orchestra. He has ventured on to work on his solo project named Gobotron. My favorite song from this soundtrack has to be Montage, which features Paul Dano and Daniel Radcliffe. The two sing about starting a fire, hunting critters using Manny’s body’s skills, and letting their friendship blossom. Swiss Army Man is an absolutely heart wrenching story of friendship, enhanced by its capella-esque soundtrack. I hope you get a chance to watch this movie and bask in the music of Swiss Army Man

<3 dj mozzie

Categories
New Album Review

“New Shapes” by Charli XCX Track Review

Charli XCX has had a very interesting career trajectory. She first really came into public consciousness on the hook of an Icona Pop song and stayed in the mainstream radio friendly sphere for some time, crafting hits like “Boom Clap” that are still her most popular songs to this day. But for a solid five years now she’s almost been a brand ambassador for hyperpop, the experimental candy coated shock to the system that has seen a massive rise in popularity recently. For me, her music was a gateway into this world, and her last two albums, 2019’s “Charli” and “how i’m feeling now”, a meditation on the pandemic that was equal parts reflective and cathartic, were each my favorite albums of their respective years.

On Thursday, November 4, she kicked off the rollout of her upcoming album, “CRASH”, set to release in March of 2022 and with an accompanying tour. “New Shapes” is the second single off this project, and already it’s clear that the album will be a shift in style from her previous work. “Good Ones”, the first single, was an 80s-inspired pop rumination on lost love accompanied by an aesthetic straight out of that decade, down to her permed hair on the washed out album cover. I thoroughly enjoyed this song and have listened to it a lot since its release, but in a lot of ways it felt like a step back from the highs of “how i’m feeling now”, less adventurous both sonically and lyrically.

Which finally brings me to “New Shapes”. Part of the reason I took this long to talk about the actual three and a half minutes of music was because the context is very important to its appreciation. There are a lot of elements I really like. Charli’s vocal performance is great, and the minimal instrumental really sits back and puts her center stage. I love the quiet but still very present synths occasionally punctuating the track and adding some nice flair. Christine and the Queens, who are Charli XCX feature royalty thanks to her amazing work on “Gone”, are here and put in a great verse to keep the song chugging along.

There were a few elements, though, that drag the song down. The chorus is both too long and somewhat weak for the climax it’s built to be, the concept of loving “in new shapes” is a bit vague and the song could generally use a more clear direction. And while I love Caroline Polacheck’s music (and her amazing set at Hopscotch earlier this year), her feature on the third verse here was just not it. It wasn’t entirely her fault, the instrumental just completely recedes into the background, but her lines were just very awkward and it lacked the sharp edges of recent work like the absolute bop that was “Bunny is a Rider”.

And that’s my biggest frustration with this song. On its own merits it’s fine, good even, but as a Charli XCX song with big name features? It just doesn’t reach the standard her last few albums have forged through their inventive production and just by being a unique voice in a very crowded field. I’ll never forget listening to “claws” for the first time and being blown away by the energy on that track, but I don’t know if I’ll be revisiting “New Shapes” next week, much less next year. I’m still very excited to hear the full album, but it’s a different kind of excitement then I had going into her last few releases, more of how I anticipate a Marvel movie than an Oscar contender. Oh I’ll have fun with it, and take away some memories, but if “New Shapes” is an indication of the direction of the project, I won’t be blown away, and that’s something I had been getting used to from her music.

-Erie

Categories
New Album Review

Album Review: “Queens of the Summer Hotel” by Aimee Mann

As fellow WKNC DJ Snapdragon remarked recently, the weather is no longer cute. It’s getting pretty wintery here in the Triangle, but if you’re looking for an album to hit that sweet cozy spot and make it feel like fall for forty minutes, “Queens of the Summer Hotel” is a sleeper pick.

It achieves this cozy aura by managing to capture the feel of an old record perfectly. This goes beyond the vintage-style album cover or the pianos and strings that are straight out of a 1950s living room, but in the subject matter as well. “Robert Lowell and Sylvia Plath” shows a snapshot of the titular pair walking “together down the primrose path” and slowly peels the layers away to detail their downfall. A certain Vermeer painting anchors the experiences of the characters in “At the Frick Museum”, while “You Could Have Been a Roosevelt” reminisces on legions of women who are entering a world that doesn’t treat them as an equal, equating it to being born in the wrong US political dynasty. These references act like a familiar blanket for the listener, while the subject matter isn’t always pleasant there is a sense of belonging that keeps you hooked.

When trying to capture a particular time period or style, it’s important to not get lost in the aesthetic and make a piece of art that can stand on its own, and “Queens” never loses sight of this. These settings are a backdrop for universal concepts of complicated romance and how life becomes very different as you grow up, all from an explicit focus on feminism and gender roles in a wider society. It doesn’t pull its punches with social critiques either. “Give Me Fifteen” is an unsettling narrative about a doctor who threatens women with “electroshock”, a stand-in for a broken system that grinds away at mental health and creates a cure that is often worse than the disease. Make no mistake, this is not a happy album, and if unflinching ruminations on mental illness is something that you don’t think you can handle, steer clear. But the way this all comes together creates a curiously warm tone that remains reflective, the quintessential fall vibe.

My first experience with Aimee Mann’s music was seeing her in a “Buffy the Vampire Slayer” episode where she made a cameo as part of a vampire band and played one of her songs, “Pavlov’s Bell”. It’s been several decades now since that episode came out, but something that struck me when I listened to “Queens of the Summer Hotel” was how much of what made her music from that era work is present here, even in this less-guitar based form. Her commanding vocal presence and ability to take listeners on a journey haven’t wavered, and if you’re a fan of Aimee Mann’s earlier work, definitely give this one a shot.

-Erie

Categories
Blog

North Carolina Writers’ Network- An Interview With Cat Warren

The North Carolina Writers’ Network Fall 2021 Conference will be held in Durham November 19-21. This is an opportunity for aspiring writers to hone their skills and work with a variety of professional writers. Registration is open through Friday November 12th. Today, I’d like to turn your attention to one particular conference led by retiring NCSU Professor Cat Warren, “To Tell the Truth.” I sat down with Cat to talk about her career and presentation this Sunday, you will be able to find that interview on our “Off The Record,” interview podcast series here in a few days, but for now, here are a few highlights.

Her Book and Creative Non-Fiction

Q: How has your career as a journalist and as a professor teaching science writing informed your creative non-fiction book “What the Dog Knows,” [a book detailing her work training cadaver dogs while on hiatus from the university]?

A: Well, environmental science writing has always been in my wheelhouse. My father was a fisheries biologist and studying water pollution was his jam. I kind of grew up in the country, and that connection between science, and dogs, and essentially crime fit. Because, when I was a reporter, crime and courts where part of my natural beat, so having those things come together made a lot of sense. And also, when I looked at the work I was doing, I realized that with [training] the dog, it was really about science. It made me wonder, what do we really know?

The North Carolina Writers’ Network

Q: Tell us a bit about what people can expect from your workshop on creative non-fiction at the North Carolina Writers’ Network.

A: I’m actually working on some of the presentation right now, and part of the concept of this is that many people who are part of the conference are writers of fiction. But not all of them. One of the things I learned early on as a reporter, is that everything, every piece of writing that people are going to invest their time in. The question of wanting to know what happens next, it’s so central to any fiction or non-fiction writing. People don’t have to pick up a book, magazine, or newspaper, they aren’t obligated to look it up on they’re not obligated to keep reading. I really think John McPhee said it best, “When you write non-fiction, your entry has to be a flashlight that leads into your story.” So I’ve been thinking about that and another then McPhee said which is that, when you’re writing fiction, certain techniques will just be so obvious, “Oh, that’s just a harlequin romance, or that’s just a cheaply written thriller.” But when you bring these same techniques to non-fiction, they end up working extremely well, because it’s the truth. And there are so many writers who do this, you add story and narrative to something that really happened, and I want to highlight those writers. And we’ll also then do some exercises where we’ll say “Okay, here’s the plot of a romance novel, and here’s some non-fiction facts, take fifteen minutes and write a quick romance.”

Journalism In The Digital Age

Q: How do you try to prepare your students for a modern career?

A: You know, I think its extraordinarily difficult when you have super creative passionate students where you’re essentially saying to them: “look, you’re probably not going to get a job as a full-time journalist.” And so what do you do? How do you prepare students for what is inevitably a really tough economy. A world that is filled with uncertainty. The inevitability that students are going to have, not just one or two or three jobs, but many jobs over the course of their careers. I think that there’s not real way to prepare people for a world that looks like this. The best you do is you understand that people are resilient, and this generation is having to be especially resilient, and especially flexible. Between, you know, climate change, and democracy being undermined, and jobs not really being guranteed anymore… So what do you say? You say that the mind is a marvelously plastic thing, and there are ways to do and find things that you love. I look at careers that students have, sort of gerrymandered for themselves, and I’m really impressed.

Categories
Miscellaneous

My Music Wishlist

It is nearly the holiday season, so I’ve been brainstorming gifts to get for my loved ones as well as items I may want for myself. But there are some things that I want that can’t be fulfilled by a gift wrapped up in a box, and most of those things are weird music concepts. Like for example, how is one supposed to ask for a Taylor Swift cover of the entire “XO” album by Elliott Smith? I’ve deemed these things my music wishlist, and I’d like to share it with you all.

The following is my music wishlist:

  • For the band Rilo Kiley to get back together and tour
  • A Fiona Apple Tour
  • For me to be able to see every artist I like in an intimate venue
  • Concert tickets to be less expensive
  • A Maggie Rogers and Phoebe Bridgers collaborative album
  • A time machine to see old artists/bands at their prime
  • A Taylor Swift “Hot Ones” Interview
  • “All I Wanted” by Paramore to be performed live
  • Fiona Apple to cover the entire “Let It Be” album by The Beatles
  • A Frank Ocean Tour

There are legitimate reasons that most (if not all) of these things will never happen, but, in my dream world, those barriers wouldn’t exist. Do you have any music-related pipe dreams that’ll probably never happen?

Happy dreaming,

Caitlin

Categories
New Album Review

“Any Shape You Take”: New Album Review

ALBUM: “Any Shape You Take” by Indigo De Souza

LABEL: Saddle Creek

RATING: 10/10

BEST TRACKS: “Pretty Pictures” “Real Pain” “Die/Cry”

FCC: None

Let me preface this entire review by saying that this album is my personal album of the year, at least thus far, and in my opinion, Indigo De Souza has yet to have a miss in her entire discography. Her sophomore album, “Any Shape You Take”  was released on August 27 of this year. The record is ten songs long and has a run-time of 38 minutes, an ideal length for an album.

In regard to collaboration, the album was co-produced by De Souza and Brad Cook (Alex Farrar and Adam McDaniel also have production credits). As far as songwriting goes, Owen Stone has a songwriting credit on two songs and Jake Lenderman has a credit on one. 

As a listener, I am lyricism focused, and this album’s biggest strength (although it has little to no weaknesses) are its lyrics. It very much has the honest detailed songwriting that has been emphasized in artists like Phoebe Bridgers as of late. However, De Souza juxtaposes this with repetition of phrases over and over again, that often turn into plea-like shouts. It makes for a dynamic and wonderful listening experience. As I often do in my album reviews, here is a list of just a few of my favorite lyrics from this album.

  • “Do you see me when you’re sleeping? / Do you even shut your eyes at night?” — “Die/Cry”
  • “I promise you I’ll always grow with you / And if my promise ever slips just trust I’ll have the heart to quit / I know when I am better off a friend” — “Pretty Pictures”
  • “I see you in colors, in reds and in oranges / But you can’t color me in fear” — “Way Out”
  • “Dirty the dishеs, stack them higher / We’rе not gonna wash them / We’ll throw them away / Kill me slowly, outside that diner / That we liked to go to / When things were okay”— “Kill Me”

This album is exactly what I needed this year. Other releases were somewhat lackluster, and I was losing hope in having an album I really enjoyed come out this year, but this North Carolina based artist flipped the script.

Happy listening, 

Caitlin