Categories
Weekly Charts

Daytime Charts 2/15

#ArtistAlbumLabel
1REPTALIENSMultiverseCaptured Tracks
2FREDDIE GIBBS AND MADLIBBandanaKeep Cool/RCA
3LAVA LA RUE“For You” [Single]Marathon Artists
4SHYGIRL“Cleo” [Single]Because
5BIG THIEFDragon New Warm Mountain I Believe In You4AD/Beggars Group
6JIMMY EDGARCheetah BendInnovative Leisure
7WAVEFORMLast RoomRun For Cover
8BLUE HAWAII“L.O.V.E.” [Single]Arbutus  
9FLYING LOTUSYasukeWarp
10KILLS BIRDSMarriedKRO
11MILAN RINGI’m Feeling HopefulAstral People/PIAS
12TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
13YARD ACTThe OverloadZen F.C.
14AEON STATIONObservatorySub Pop
15BROCKHAMPTONROADRUNNER: NEW LIGHT, NEW MACHINEQuestion Everything/RCA
16BROKEN SOCIAL SCENEOld Dead Young: B-Sides & RaritiesArts & Crafts
17CIRCUIT DES YEUX-ioMatador
18DENZEL CURRY“Walkin” [Single]Loma Vista
19EELSExtreme WitchcraftE Works/PIAS
20ELIJAH ROSARIOGenuine Truths1496748
21EVIDENCEUnlearning Vol. 1Rhymesayers
22FLY ANAKINPixoteMutant Academy
23ILLISMFamily Over EverythingThe CRWN
24JOESEFDoes It Make You Feel Good? [EP]Bold Cut
25JPEGMAFIALP!EQT
26NATIVESON91Come Back Down [EP]Spear Head
27ST PANTHERThese Days [EP]Nice Life/How So
28SUN JUNESomewhere (Expanded)Run For Cover
29WESLEY JOSEPHUltramarineEEVILTWINN/Transgressive
30ZEBRA KATZLess Is MoorZFK

Daytime Adds

#ArtistAlbumLabel
1MITSKILaurel HellDead Oceans
2EELSExtreme WitchcraftE Works/PIAS
3HIPPO CAMPUSLP3Grand Jury
4SEAFOAM WALLSXVIDaydream Library
5MYTHLESSWe [EP]Joyful Noise
6YEULEGlitch PrincessBayonet
7AMANDA TRUUE“Fallen Angel” [Single]Self-Released
8TAMBINOSin Miedo [EP]Self-Released
9EXESDon’t Give Up On Me NowIndependent
10A PLACE TO BURY STRANGERSSee Through YouDedstrange
Categories
Weekly Charts

Chainsaw Charts 2/15

#ArtistAlbumLabel
1THE (JOHN) CANDY28 Samples LaterRad Dudes, Inc.
2STANGARIGELNa Severe SrdcaHexencave Productions
3TRIP TO THE NETHERLANDSVARIOUS ARTISTSWeedian
4GREEN LUNGBlack HarvestSvart
5FORTRESSDon’t Spare The WickedSelf-Released
6ANATOMY OF HABITEven If It Takes A LifetimeSelf-Released
7NOVA SPEISequentisBam&Co. Heavy
8EMPLOYED TO SERVEConqueringSpinefarm
9RUNDGARDStronghold Of Majestic RuinsSignal Rex
10WHEN THE DEADBOLT BREAKSHope Valley Burns: EulogyElectric Talon
Categories
Weekly Charts

Underground Charts 2/15

#ArtistAlbumLabel
1FREDDIE GIBBS AND MADLIBBandanaKeep Cool/RCA
2LAVA LA RUE“For You” [Single]Marathon Artists
3MARKEE STEELEVet & A Rook [EP]Thee Marquee
4MILAN RINGI’m Feeling HopefulAstral People/PIAS
5TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
6BROCKHAMPTONROADRUNNER: NEW LIGHT, NEW MACHINEQuestion Everything/RCA
7FLY ANAKIN“Ghost” b/w “Sean Price” feat. Nickelus F [Single]Lex
8ILLISMFamily Over EverythingThe CRWN
9INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
10JIMMY EDGARCheetah BendInnovative Leisure
Categories
Weekly Charts

Afterhours Charts 2/15

#ArtistAlbumLabel
1ROCHELLE JORDANPlay With The ChangesYoung Art
2YEHNOTomorrow We’ll Be Here [EP]Disques Durs
3BICEPIsles (Deluxe)Ninja Tune
4CFCFMemorylandSelf-Released
5JULESDelta Ajax [EP]Happy Life
6ROSS FROM FRIENDSTreadBrainfeeder
7HUMAN MOVEMENTKineticOf Leisure
8MACHINEDRUMPsyconia [EP]Ninja Tune
9PIXEL GRIPArenaFeeltrip
10PLANET 1999Devotion (Deluxe)PC
Categories
Concert Review

Phoebe Bridgers’ Reunion Tour

In September of 2021, on a complete whim, I bought a $40 pit ticket to what would be the best night of my entire life. It has been quite a few years since I’ve been to a concert. A mix of being in college and COVID-19 has made it hard to find locations close to me that also worked with my schedule. The pandemic has made live music incredibly hard to achieve, as you all know.

My partner and I made our way to Raleigh’s Red Hat Amphitheater to see Phoebe Bridgers in concert, with MUNA opening. As we waited in line, we saw our fair share of skeleton onesies and all black outfits. We had our vaccine cards checked and then the line started to move. I was a bit apprehensive about this experience because of COVID, but everybody kept their mask on around me in the pit and the vaccination screening eased my nerves. 

MUNA, who I had learned about not long before seeing them, brought so much enthusiasm. Such a fun and eclectic group, and I’ve become quite a fan of theirs since seeing them. Phoebe came out to sing Silk Chiffon and left MUNA to finish their set. They played “Number One Fan,” “I Know A Place,” “Crying On The Bathroom Floor,” and other songs from their albums About U and Saves The World. Their music was more upbeat than Phoebe, so I was curious if the energy would continue once MUNA left the stage.

When I say that the production value of Phoebe’s concert was insane, I mean it. With all of her songs, there was a storybook projected behind her and the band that related to whichever song she was singing. Most of the songs came from Punisher, but she also played “Funeral,” “Motion Sickness,” and “Scott Street” off of Stranger in the Alps. We were also lucky enough to hear “Me & My Dog” and “That Funny Feeling”. The images on the storybook pages would change as the songs went on. My favorite was the house that gradually burned during “I Know The End.” As former band kids (both my boyfriend and I), the trumpet player absolutely amazed us.

The way she interacted with her fans was so laid back yet so engaging. My boyfriend and I laughed and cried, and mostly I was in awe that I was watching my favorite artist on stage. Now for my movie moment – it started to lightly drizzle at one point, and I was dancing and singing to Phoebe with my best friend. I felt like nobody else there was watching or judging, and I let myself have so much fun. It couldn’t have been a more perfect first-pit experience or first concert since the pandemic really started. I’ve soaked this in for 5 months, and this concert is still one of the best experiences I’ve ever had. 

Categories
DJ Highlights

Set Highlight: Liminal Spaces with cow ball, “Warm Rain at Night”

A liminal space is: “a location which is a transition between two other locations, or states of being.” Liminal spaces like airports or staircases are fascinating to conceptualize and a DJ at WKNC, cow ball, has a new show dedicated to putting a soundtrack to these kinds of spaces. So far, she has done a set about art museums, sparse snow, twilight, and this past week she did a set about warm rain at night. 

These sets truly transcend you into another space, and for an hour bring an otherworldly sense of peace. And cow ball is truly dedicated to bringing listeners to this world with her: finding images every week that correspond with the theme and uploading them to her Spinitron. She describes these sets as “​​an exploration into various moods and atmospheres, often ones best described by images.” On Liminal Spaces, you can expect to hear artists like Broadcast, Hop Along, Stereolab and Sylvan Esso  (although it varies from week to week).

If you missed her “Warm Rain at Night”  set, you can find it on Spinitron, and the songs are also listed below.

  • “Apartment Song” – Really From
  • “Al oeste” – Juana Molina
  • “Yonder Blue” – Tortoise 
  • “Chegada” – Joyce, Baba Vasconcelos & Mauricio Maestro
  • “Find It” – L’Rain
  • “Trouble Found Me” – Hop Along
  • “Hey, Who Really Cares” – Linda Perhacs
  • “You Are Not an Island” – Vanishing Twin
  • “Midnight, The Stars and You” – Deerhoof
  • “Poly Blue” – Jessica Pratt
  • “Orange Moon” – Erykah Badu
  • “Run” – Andie
  • “I Found the End” – Broadcast

You can listen to Liminal Spaces with cow ball every Wednesday at 5 p.m. 

Happy listening,

Caitlin

Categories
Blog New Album Review

“Year Of The Snake” by Softcult EP Review

“Year Of The Snake” has been a long time coming. The first single, “Spit It Out”, was released in July 2021 and the other singles have trickled out since then, building anticipation for the final product that was released on February 4, 2022. And while all of the singles are individually brilliant, hearing them in one coherent order with the flow the artist intended really highlights the sonic intention behind every line.

The energy of the tracks is probably my favorite part. There’s an extremely fine line where music is able to sound effortless and be drowning in feedback-laden guitars without also sounding bored and laconic, and Softcult spends the 6-song EP dancing on that line. Verses are often broken up by instrumental sections creating a disjointed structure that adds to the nervous excitement that defines “Year Of The Snake.” Album highlight “House Of Mirrors” uses a very call and response setup for the chorus – “Who knows? Who cares? (It hurts to see the truth)” before quickly bleeding into the next verse, and both of those were propelled by the staccato guitar solo that happened before it.

Lyrics are also a crucial part of the world Softcult builds on this EP. Lead singer Mercedes Arn-Horn puts a lot of emphasis on vocal deliveries that approach shouting, which sounds really cool over the instrumental, but pay attention to what she’s saying and the songwriting is just as interesting, with lots of clever wordplay that fleshes out the characters and events depicted. “Looking back at a face, barely recognize you // But the eyes are a shade of the same perfect blue //I watched you change into someone new // Saw it all degrade into deja vu” off the track “Perfect Blue” is an entire emotional arc, and this is the chorus, this attention to detail and straightforward yet intriguing method of building imagery in the mind of the listener.

When I listen to music, I imagine a void, a corner of deep space, and the song fills that void with something; a guitar line so memorable I can picture the artist playing it or a moment of songwriting clarity that paints a mental picture. Softcult embraces this darkness and blends perfectly into the void, with instrumentation that is often minimal in scope but feels expansive and evocative, drawing you in alongside the songs about conflict and danger, a film noir made of sound that would make Hitchcock proud.

-Erie

Categories
New Album Review

“That’s Our Lamp” by Mitski: Track Review

Mitski’s sixth album, “Laurel Hell,” came out on Friday, February 4. While I haven’t had time to collect my thoughts on the album as a whole, I know one thing for certain: “That’s Our Lamp” is one of my new favorite songs of all time.

The song opens with bouncy-sounding synths and steady percussion and quickly blossoms into full-blown 80s synth-pop inspired instrumentation. The lyricism is simple, and consists of Mitksi accepting that her relationship with someone has come to an end. 

The crux of the song lies in a collection of lyrics. In verse one, she states “You say you love me / I believe you do / But I walk down and up and down / And up and down this street.” Immediately following this, the first chorus kicks in: “’Cause you just don’t like me / Not like you used to.” Finally, in the second verse and second chorus, Mitski lets go of this love: “We may be ending / I’m standing in the dark / Looking up into our room / Where you’ll be waiting for me / Thinking that’s where you loved me / That’s where you loved me.” The outro then repeats “That’s where you loved me” over and over into eventual oblivion.

These lyrics tap into a feeling that’s hard for me to put into words besides the ones she used to make me feel them. The hopelessness that comes with knowing you’ve grown out of someone’s love, and they’ve grown out of yours. Being in the places where you used to love each other into ecstasy, and feeling foreign in them. Knowing that time is waiting to embrace you with open arms, but not totally being ready to move on from the past– pushing forward anyways.

Mitski brings a new light to this hopelessness, juxtaposing her lyrics with the aforementioned 80s synth-pop backing instrumentals. The end builds and builds, layering in sounds of people laughing and talking, representing that there’s always a new love after old loves and friendships fade away. So it goes.

Mitski is going on tour in support of her sixth album “Laurel Hell,” starting in North Carolina. The first two dates are in Asheville and Raleigh, on February 17 and 18 respectively.

Categories
Playlists

Valentine’s Day with DJ Mozzie

Howdy y’all! I hope you’ve been doing well. This week, I wanted to put together the ultimate Valentine’s Day playlist for you and yours. I love Valentine’s Day – the pink and red color combination, the fun candy, and getting to express just how much you love the people in your life (although I don’t think you need a holiday to do that). Admittedly, I pulled quite a few of these songs from my Twilight playlist on Spotify, but nonetheless, they make me feel mushy and gushy and grossly in love. Here’s to hoping you get to live out your rom-com dreams this weekend!

Valentine’s Day History

For our history enthusiasts reading this week’s blog, here’s a bit about Valentine’s Day. The specifics about Saint Valentine are quite contested. One legend tells the tale of Saint Valentine marrying young lovers after Emperor Claudius II banned marriage for young men in the name of making them better soldiers. While some believe that Valentine’s Day is in the middle of February to commemorate the saint’s death, others believe it was the Christian church trying to rewrite the Pagan celebration Lupercalia. Valentine sentiments date back to the Middle Ages, while written valentines appeared around 1400. Americans started swapping valentines around the early 1700s, and they became more mass-produced around the 1840s. Now, about 145 million Valentine’s Day cards are sent annually.

  • Stubborn Love by The Lumineers
  • Home by Edith Whiskers
  • Lover Of The Light by Mumford & Sons
  • Flightless Bird, American Mouth by Iron & Wine
  • Falling in Love at a Coffee Shop by Landon Pigg
  • I’m With You by Vance Joy
  • The Night We Met by Lord Huron
  • Sea of Love by Cat Power
  • All I Want by Kodaline
  • Turning Page by Sleeping At Last
  • Even If It’s a Lie by Matt Maltese
  • I’m Happy You Exist by Angus Maude
  • Beach Baby by Bon Iver
  • I Love You Too by Peter McPoland
  • Sweet Creature by Harry Styles
Categories
New Album Review

“Posey Hollow Quartet” by Ably House Album Review

It’s not an ordinary day when you stumble upon a hidden gem of an album. The kind of album that you try to talk to your friends about, only to be met by blank stares. The kind of album that you expect to be the magnum opus of an already famous band, only to discover they have less than 1,000 monthly Spotify listeners. That’s the kind of day I had last March when I discovered “Posey Hollow Quartet” by Ably House.

The whole album has an eerie feel, fitting for a band named after a famous haunted house. Many tracks have strange, unidentifiable instruments and distorted, experimental guitar parts that are simultaneously satisfying and suspenseful. Not only that, but the album is incredibly cohesive; I am a strong believer in the art of the album, and Ably House knocked it out of the park with this one. Some tracks blend seamlessly into one another, while others have small breaks in between them for the listener to get a breath.

Along with being an incredibly cohesive album, “Posey Hollow Quartet” encompasses multiple different vibes. “Melancholia,” my favorite track on the album, has a distinct 90s indie feeling to it. Meanwhile, “Balcony” and “Down on the Farm” have the feel of a Revolver or Sgt. Pepper-era Beatles song with a more modern twist. And “Grave Song,” with its rhythmic bassline and impressive guitar solo, reminds me of a psychedelic rock song from the 60s; if you told me it was a cover of a Creedence Clearwater Revival or the Doors deep cut, I’d probably believe you.

I’m still not completely sure how I stumbled across such a diamond in the rough. With its so few monthly listeners and almost no social media presence, I know close to nothing about the band itself, but there is one thing I do know: they created a no-skip gem of an album with “Posey Hollow Quartet.”