Categories
Weekly Charts

Chainsaw Charts 11/2

#ArtistAlbumLabel
1EYEMASTERCharcoaled Remains / Festering Slime [EP]Caligari
2CREEPING DEATHThe Edge Of ExistenceEntertainment One
3HOODED MENACEThe Tritonus BellSeason Of Mist
4MORBID MESSIAHDisgorged in the CoffinChaos
5ZETARDevouring DarknessSpirit Coffin
6MASTIFFLeave Me The Ashes Of The EarthEntertainment One
7AZZRIELL“Cycle of Shadows” [Single]Self-Released
8VENUS SYNDROMECannibal SarRockshots
9BORISNoThird Man
10CHARREDPrayers Of MaledictionEntertainment One
Categories
Weekly Charts

Afterhours Charts 11/2

#ArtistAlbumLabel
1ROCHELLE JORDANPlay With The ChangesYoung Art
2ERIKA DE CASIERSensational4AD/Beggars Group
3JULESDelta Ajax [EP]Happy Life
4WESTCOAST GODDESSU Up? [EP]Infinite Pleasure
5LSDXOXODedicated 2 Disrespect [EP]XL
6PARTIBOI69Mutual Pleasure 002 [EP]Self-Released
7NEGATIVE GEMINI“Utopia” [Single]100% Electronica
8MAGDALENA BAYMercurial WorldLuminelle
9CECILE BELIEVEPlucking A Cherry From The VoidSelf-Released
10FJAAKSYS03 [EP]Self-Released
Categories
Concert Review

My favorite Songs at Hopscotch

I am so grateful that I got to go to Hopscotch last month and see so many of my favorite artists perform live, most of whom I’ve never got to see before. Here are some of my favorite songs that I heard and saw being performed at Hopscotch. 

Caroline Polacheck

It’s hard to pick just a few songs from Caroline’s set to talk about because every song she played was my favorite. I was in awe of her performance the whole time. She has an amazing voice and range, and I couldn’t take my eyes off of her as she danced around the stage; throwing kicks in the air, spinning around, and mimicking her lyrics with specific moves. Of course “So Hot You’re Hurting my Feelings” is up there for my favorite performance, it was the first song I heard by her and it instantly became one of my favorite pop songs. The crowd was super into it and her energy during this song, and the whole set, was infectious. Another one of my favorites was “Caroline Shut Up” because she does an amazing vocal run during a breakdown before going into the last chorus and I was mesmerized, it’s hard to explain what she does without listening to the song, so I would suggest checking it out if you haven’t. She also played three unreleased songs that were all wonderful, and I can’t wait for them to be released so I can listen to them on repeat. 

Wednesday

Unfortunately I missed Wednesday’s set on Thursday at the Moore Square Stage, but I was able to see them at Ruby Deluxe the next day and it was amazing. I just recently got into them after they released Twin Plagues in August, and seeing them live made me an even bigger fan. I loved seeing “How Can You Live If You Can’t Love How Can You If You Do,” because it is one of my favorites off that album. It’s a slower song, different from most on the album that are layered with fuzzy guitars, loud thumping drums, and strong bass lines, but this one is stripped down and the lead singer, Karly Hartzman, is at the center of the song. The lyrics are beautifully written and vulnerable, which I admire about all of Hartzman’s writing, but this one sticks out the most to me. I also loved hearing “Cody’s Only,” “Handsome Man,” and “Fate Is…” which is from their second record I Was Trying to Describe You to Someone

Dr. Dog

My dad actually introduced me to Dr. Dog a while ago. I remember he would play them around the house and I always loved hearing “Shadow People,” “Jackie Wants a Black Eye,” and more from Shame, Shame, but my favorite song he would play was always “Broken Heart.” I haven’t gotten super into Dr. Dog and didn’t know many songs they played, but I was really excited when they played this one because it reminded me of my childhood. Of course I had to enjoy the song a bit for myself, but I was also focused on taking a video of it and sharing it with my dad so he could somewhat experience it with me. They played “Shadow People” before it too, so I was excited by that two song run. The band sounded great live and were really tight. 

Flying Lotus

I don’t know many names of Flying Lotus’s songs, I really like his 2010 album Cosmogramma, and he did play “ Do the Astral Plane,” but I haven’t listened to much of his other releases. That didn’t matter though, because one of the great things about his set was that you didn’t need to know his songs, you just had to let loose and jump around. He played some remixes, one which included a Kero Kero Bonito song that made me super excited, a song off of Drake’s new album, and “Wesley’s Theory” from To Pimp a Butterfly. The crowd was super energetic and it was fun to dance with friends and watch others enjoy themselves too. 

Parquet Courts

The Parquet Courts set was so great, they were energetic and had great stage banter that made the breaks in their set super entertaining. They performed some new songs off of their album Sympathy for Life, which were all good and made me excited for the release of the album. I was most excited when they played “Almost Had to Start a Fight/ In and Out of Patience,” because I’ve listened to that song so many times and it was enjoyable to watch them play it. I also loved when they played “Wide Awake” because they had another member join them to play all of the bells and whistles that are on the recorded version, which add so much to the atmosphere of the song. The bass line is so dancey, and I did not see one person not moving around during that song. 

Archers of Loaf

This was my second time seeing Archers live, unfortunately I had to leave halfway through their set to catch Animal Collective, but they played most of my favorite songs pretty early. Like most angsty teens, discovering Icky Mettle was a very important part of my high school experience. There’s nothing quite like shouting the lyrics in your room to “Wrong” or “Might”, and it’s even better to be able to do it live with the band. “Web in Front,” was one of my favorite songs to hear live. I love the dynamic between Eric Bachman and Matt Gentling as Gentling shouts “All I ever wanted was to be your spine,” and Bachman powerfully sings over him about a failed relationship. They are still able to put so much emotion behind songs that are over 20 years old and I found that to be really special knowing they put so much effort into their performances. 

Animal Collective

Animal Collective is one of those bands that I really love, but I never thought I would see them in my lifetime. I’m not sure why, it’s possibly because I am much more attached to their earlier releases than their new ones and that’s what I’d really want to hear live, but surprisingly they did throw in some old songs in their set. They played “In the Flowers,” the opening track to Merriweather Post Pavilion, and one of my favorites from that record. It sounded beautiful live. My favorite song they played was “The Purple Bottle” from their 2005 release Feels. The song is so energetic and Avey Tare does a lot of screaming in the song, and of course I had to yell along and jump around. I made it to the barrier for their set and I had a great time watching each member make their unique sounds come to life. 

Categories
Blog Miscellaneous

Soundtrack Comparison: “Blade Runner” and “Palm Springs”

I recently watched “Blade Runner” and “Palm Springs” back to back. These are two movies that, while both technically being sci-fi, are very different in tone and worldbuilding. And when viewed so close together, it becomes a lot easier to compare elements of the two, such as their soundtracks. 

For all the flying cars and flashing button panels of “Blade Runner”, the world depicted is not an optimistic version of the future. Characters are lashed with rain the moment they step outside into a grimy world of corporate overlords and murderous androids, and all of this is evoked in the soundtrack. Composer Vangelis was playing with synthesizers before it was cool and from the get-go his mark was made on the movie. “Opening Titles”, the iconic theme, hits with the intensity of a heavy guitar solo but with a futuristic bent that never veers into cheesiness, instead ringing out over the bustling streets and feeling if not triumphant, at least pioneering.

The presentation of “Palm Springs” is in sharp contrast to this. Where the rainclouds of “Blade Runner” felt like a weight on that movie’s shoulders, there is barely a cloud in the California sky, with bright and warm colors that contribute to the movie’s generally upbeat atmosphere. The soundtrack mirrors this with a playful backing that glides over the unfolding scenes. The track playing during the movie’s climax (whose title I won’t give away because it’s kind of a spoiler) was the high point: a subtle melody  not so much propelling the action along as matching it step for step.

These are distinctly different experiences, but there’s a reason I’m comparing them here. Both stay with the listener long after the credits roll with sneaky but very present earworms present. Being soundtracks, they rely heavily on repeated motifs and even tracks being used multiple times to create a narrative just through music and to call back to earlier scenes. “Blade Runner” uses these thematic threads to turn up the tension as the titular android hunter closes in on his targets. “Palm Springs” does this in a similar fashion, but as this is a romantic-comedy first and foremost, it races alongside the plot towards the inevitable conclusion without ever feeling formulaic.

A soundtrack is maybe a movie’s most underrated asset. When a soundtrack really hits, you often won’t consciously notice it because of how interwoven it is with the events onscreen. “Blade Runner” and “Palm Springs” both use music to skillfully walk the line between letting the plot play out without interruption and enhancing the emotions the audience takes away from the movie. The dark dystopia of 2019 Los Angeles and the sunny, maybe even too sunny, titular desert come to life with strings and synthesizers and without the works of Vangelis and Cornbread Compton, these amazing movies wouldn’t be the same.

-Erie

Categories
Classic Album Review

Classic Album Review: “Pool” by Porches

There is a lot of music dedicated to the concept of transience and that resonates due to its exploration of the moment slipping away. And as the saying goes, life imitates art. There’s something poetic about a band who introspectively details attempts to capture the moment doing the same thing artistically. Here that band is Porches, and that moment is Feb. 5, 2016, the release date of their masterpiece “Pool”.

I want to start off by saying that Porches have been and remain a very solid band and I’ve enjoyed their albums released since that day. It’s just that “Pool” was lightning in a bottle and from “The House” onward, there seems to be an effort to recapture what made that album so special.

“Pool” was Porches second studio album and it marked a major departure from the style of the first. 2013’s “Slow Dance in the Cosmos” is a fun indie rock record with light, jangling guitars and lyrics drenched in liminality. In hindsight the sonic departure Porches would take was a logical evolution of “Cosmos”, but hindsight is of course 20/20. In the three years that passed between it and “Pool”, lead singer and bandleader Aaron Maine would record the album out of his apartment and reshaped Porches from a rock band to a synthy electronic outfit. The result was an album that was at once polished to a sheen and beautifully flawed.

The instrumentals are the star of the show here. Every track glistens like the surface of the titular pool. The synths on “Glow” add a distinctive bounce, turning a meditative track that could have dragged a little into a breezy experience that gets in and out while leaving a lot for the listener to chew on. Pacing is a huge focus, other than a slightly awkward 30-second outro on “Be Apart” there’s not an ounce of fat on this album. The structure of the songs never get in their own way; choruses aren’t distinct entities but instead bleed out of the verses they follow. The aforementioned “Be Apart” might be my favorite song on the album and the way the instrumentals melt around “cause I want to be apart” along with the way the “I” is drawn out across for syllables has imprinted this chorus into my memory in a way few have.

There are a lot of unlikely lyrics that somehow work perfectly with their surroundings. Over a shimmering synth line and skeletal drums Aaron Maine turns “Hi there, Franklin underwater” from a Frankie Cosmos reference into a triumphant nexus for relationship swan song “Underwater”. Porches detractors have called Maine’s vocal deliveries “flat” and complain that they drag down the music but I couldn’t disagree more. His voice is so distinctive and the way it blends with the instrumentals on this album evokes a swimmer bobbing up and down through waves.

On this album is an important qualifier because, like I said earlier, this really was a high water mark for Porches’ output. Something was missing from later albums that really made this one soar, and while they were still standout tracks like “Find Me” and “Back3School”, these stood out because of how they felt like “Pool” castoffs rather than a genuine advancement of the band’s sound. I think there has been some improvement here; 2021’s “All Day Gentle Hold!” was my favorite album of theirs since 2016 and I snapped up tickets to their April 15 show at Cat’s Cradle as soon as they dropped. But “Pool” was one of my favorite albums of the last decade, such a weird and wonderful collection of songs, that anything short of that feels like Porches aren’t reaching their true potential, and are instead stuck looking in the rearview mirror. Here’s hoping they can find the way forward again and deliver a masterpiece for the 2020s like they did for the 2010s.

-Erie

Categories
Playlists

Old, New, Borrowed, Blue: A Wedding Playlist

Recently, a few couples I follow on TikTok have gotten married and I feel like everywhere I look there’s a wedding. I love romance and I have an insatiable desire to go to a wedding after not going to many large events over the past few years. So, the following twenty songs are songs that I think are beautifully romantic and great for a wedding (although, perhaps they’re not the most danceable). 

Of course, I had to start with “L-O-V-E” by Nat King Cole and punctuate the playlist with “This Will Be (An Everlasting Love)” by Natalie Cole as an homage to my favorite movie “The Parent Trap” (who’s soundtrack I have written about here on the blog). As always, you can stream this playlist on Spotify.

  • “L-O-V-E” — Nat King Cole
  • “I Feel the Earth Move” — Carole King
  • “First Day Of My Life” — Bright Eyes
  • “Beyond” — Leon Bridges
  • “Apple Cider” — beabadoobee
  • “anything” — Adrianne Lenker
  • “Old College Try” — The Mountain Goats
  • “We Belong Together” — Vampire Weekend, Danielle Haim
  • “Mushaboom” — Feist
  • “Kiss Her You Fool” — Kids That Fly
  • “I Will” — The Beatles
  • “invisible string” — Taylor Swift
  • “Can’t Get Enough Of Your Love” — Barry White
  • “Lovesong” — The Cure
  • “Impregnable Question” — Dirty Projectors
  • “Friday I’m In Love” — Yo La Tengo
  • “Anything We Want” — Fiona Apple
  • “Wedding Song – Acoustic” — Yeah Yeah Yeahs
  • “Let’s Get Married” — Bleachers
  • “This Will Be (An Everlasting Love”) — Natalie Cole

Here’s to hoping I can go to a wedding ASAP.

Caitlin

Categories
Blog New Album Review

Album Review: “-io” by Circuit des Yeux

I didn’t have a traditional music upbringing. I barely knew what music was before sophomore year of high school barring some Soundgarden tracks I heard on YouTube. This meant that I skipped the slowly learning about the most famous artists and went from essentially nothing to experimental rap. While I could do a whole blog about what this has done to my music taste, something I notably missed out on was listening to any classical music growing up, and it’s only recently that I’ve been getting into that. And for anyone who wants a new album that brings the spirit of classical music with modern sensibilities for the discerning JPEGMAFIA fan, “-io” is the album for you.

Circuit des Yeux’s prior work exemplifies an appreciation of the old ways. Their only concert of 2021 will be playing at an opera house with a 16-piece orchestra and their last project was an original score for the 1923 silent film “Salomé”.

Structurally this is a departure from a typical verse-chorus set of builds and releases. Songs don’t come together in bursts, rather they start strong and finish even stronger, with a steady buildup of layering melodies. Oh there are both verses and choruses, but the songs don’t unfold around them, rather the lines are used as instruments, to evoke pure emotion with each word being delivered with its own passionate focus. “Zero is a hero” doesn’t sound inspiring, menacing and spiritually rousing when it’s in a lyric sheet, but when roared on album highlight “Vanishing” it’s downright iconic.

Haley Fohr, the mastermind behind Circuit des Yeux, has the perfect voice to anchor what otherwise could be a runaway train of furious strings and horns. Her 4-octave vocal range commands the listener to pay attention through the gale, able to draw you in alongside a single high note or descend into madness alongside forward marching drums and swirling strings. Moments of barely controlled aggression on songs like “Neutron Star” pair with the soft meditation of a “Sculpting the Exodus”, and the end of one song and the beginning of another often feel like arbitrary points; necessary divisions to turn one long saga into album form.

I need to get into more music like this. I’m not going to pretend I understand all of the themes Fohr is working with on this album, or that I’ll understand on the 100th listen. But the fun of experimental music is that you don’t really have to. If there’s one thing this album does it’s to take listeners on a wild ride, and I’m perfectly happy to sit back, prepare for anything and feel like just by listening to “-io” I’m furthering my education.

-Erie

Categories
Playlists

If You Like Rilo Kiley, Then Listen To…

As I’ve made very clear here on the WKNC blog (and many other places), Rilo Kiley takes the cake for my favorite band of all time. Jenny Lewis and Blake Sennett struck gold when they wrote together. So, I figured they would make a great installment of my “if you like… then listen to…” series that I’ve been doing here on the blogosphere.

If you’re not familiar with this series, I make a playlist of songs and artists that I think someone would enjoy if they like a certain artist/album. I’ve done it with Fiona Apple, “folklore” by Taylor Swift and “Punisher” by Phoebe Bridgers thus far.

Without further ado, here are fifteen songs you should check out if you’re a fan of Rilo Kiley.

  • “Plea F
  • “Plea From a Cat Named Virtute” — The Weakerthans
  • “Kokomo, IN” — Japanese Breakfast
  • “Wrapped Up In Books” — Belle & Sebastian
  • “Cracked LCD – Live in Sofia” — Ladytron
  • “Why Can’t I?” — Liz Phair
  • “Madonna” — Snail Mail
  • “The Things We Did and Didn’t Do” — The Magnetic Fields
  • “Elevator Love Letter” — Stars
  • “Temporarily Blind” — Built To Spill
  • “Heavy” — Tegan and Sara
  • “Another Travelin’ Song” — Bright Eyes
  • “Summersong” — The Decemberists
  • “Basement Apt.” — Sarah Harmer
  • “Like U Crazy” — Mates of State
  • “Come Back Margaret” — Camera Obscura

As always, you can stream this playlist on Spotify.

Happy Listening,

Caitlin

Categories
Weekly Charts

Daytime Charts 10/26

# ArtistAlbumLabel
1NYLON SMILE“Conduit” b/w “We Don’t Need A Reason” [Single]Self-Released
2GUSTAFAudio Drag For Ego SnobsRoyal Mountain
3FILM SCHOOLWe Weren’t HereSonic Ritual
4LITTLE SIMZSometimes I Might Be IntrovertAGE 101
5SHYGIRLALIAS [EP]Because
6TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
7AUDIOBOOKSAstro ToughHeavenly/PIAS
8ILLISMFamily Over EverythingThe CRWN
9GALCHER LUSTWERKInformation (Redacted)Ghostly International
10ILLUMINATI HOTTIESLet Me Do One MoreSnack Shack Tracks/Hopeless
11SHANNON AND THE CLAMSYear Of The SpiderEasy Eye Sound/Concord
12MARKEE STEELEVet & A Rook [EP]Thee Marquee
13AMYL AND THE SNIFFERSComfort To MeATO
14WE WERE PROMISED JETPACKSEnjoy The ViewBig Scary Monsters
15ACID DADTake It From The DeadRAS/Greenway
16ZELMA STONEThe Best [EP]Self-Released
17MACHINEDRUMPsyconia [EP]Ninja Tune
18JPEGMAFIALP!EQT Recordings
19MAGDALENA BAYMercurial WorldLuminelle
20NATIVESON 91Come Back DownInner Tribe
21STRANDEDMidnight SunDouble Phantom
22CENTRAL HEAT EXCHANGECentral Heat ExchangeBirthday Cake/Citrus City/Sunroom
23GINGER ROOTCity Slicker [EP]Acrophase
24LAVA LA RUEButter-fly [EP]Marathon
25ONE STEP CLOSERThis Place You KnowRun For Cover
26SNAIL MAIL“Valentine” [Single]Matador
27KEDR LIVANSKIYLiminal Soul2MR
28JAPANESE BREAKFASTJubileeDead Oceans/Secretly Group
29IDLES“The Beachland Ballroom” [Single]Partisan
30HAND HABITSFun HouseSaddle Creek

Top Adds

#ArtistAlbumLabel
1CHURCH GIRLSStill BloomsAnchor Eighty Four
2SPIRIT WASHeaven’s Just A CloudDanger Collective
3JULIA SHAPIROZorkedSuicide Squeeze
4ODONIS ODONISSpectrumsFelte
5FURROWSFisher KingSelf-Released
6SPIRAL XPDrop Me In [EP]Royal Mountain
7BC CAMPLIGHT“I’m Alright In The World” b/w “I Can Almost See My Mind From Here” [Single]Bella Union/PIAS
8BEAMSEgo DeathSelf-Released
9BLOODY SUNDAYS, THE“What’s Going On” [Single]Silky And Milky
10DREAM DREAM“Chill Vibes” b/w “Blissin” [Single]Admirable Traits
Categories
Weekly Charts

Underground Charts 10/26

#ArtistAlbumLabel
1LITTLE SIMZSometimes I Might Be IntrovertAGE 101
2INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
3LAVA LA RUEButter-fly [EP]Marathon
4SHYGIRLALIAS [EP]Because
5EVIDENCEUnlearning Vol. 1Rhymesayers
6JIMMY EDGARCheetah BendInnovative Leisure
7ILLISMFamily Over EverythingThe CRWN
8MARKEE STEELEVet & A Rook [EP]Thee Marquee
9MASEGOStudying Abroad [EP]Capitol
10TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia