Electronic music has been on a swift rise throughout the past few years. While some folks may write it off due to the bro-step phenomenon, that discredits all of the fantastic sounds that are coming out of this still burgeoning scene. When one looks into electronic music, the beacon of light–at least for me–comes from Flying Lotus’ Brainfeeder label based out of L.A. Flying Lotus, grandnephew of the legendary Alice Coltrane, rose to prominence with his jazzy, psychedelic take on electronic music. Since his rise to fame, he’s used his label Brainfeeder to put the spotlight on equally talented acts from across the globe.
One of the label’s most recent standouts is Essex’s Lapalux. The U.K producer crafts a mesmerizing blend of soulful R&B with contemporary beat music to create a hazy, yet infectious brand of electronic music. Lapalux’s music strikes both the mind and the body. He’s capable of both slow-brooding, pensive beats and outright bangers. Throughout the past few years he’s been honing his craft, releasing four EPs since 2008. But his full-length debut on Brainfeeder, Nostalchic, displays a full realization of these aforementioned themes. Heady beats are embellished by smooth vocal samples and shuffling percussion, making for an entrancing listening experience.
Lapalux sat down with me for an interview on the first day of Hopscotch, hours before his stellar set at The Pour House. Lapalux was embarking on his first U.S. tour, so we spoke a bit about the difference between stateside shows and those in other areas of the globe, how his style came about, and some of his major influences when he first began making music.
