Categories
Concert Review

The Front Bottoms @ The Fillmore

A week ago I had the pleasure of attending The Front Bottoms//Basement//Bad Bad Hats show in Charlotte at The Fillmore. Not only are The Front Bottoms my FAV band, but I love Bad Bad Hats as well and really enjoyed Basement’s set. 

Pop-punk, folk-punk, and indie rock are the genres I would say encapsulate TFB, and while normally at a show like this I’m nervous the crowd might be too rowdy or filled with some unsavory characters, however I’m pleased to say everyone there was more than polite, had a great energy, and were respectful to everyone attending! From the distance I watched as people glided over the crowd, surfing up to the front where security kindly grasped them like a mother would hold a newborn baby and safely took them to the side of the stage where many surfers made their way to the back to do it all again. 

The nearly sold-out show was one of the best I’ve been to recently, and each set had me dancing away in the photo pit between snapping some of these excellent photos below:

This was definitely a show you should be sad you missed, as the chorus of voices singing along to Brian’s vocals mimicked angels, stage banter from the bands produced more than your average chuckles, and the tears of joy ran down my cheeks. 

If you like these photos and want to hear more coverage of shows, let us know! We’d also love to hear from you about your favorite shows. 

Double Duchess

Categories
Podcasts

Pack is Life 15: 11/15/17-11/29/17

Categories
Concert Review

mewithoutYou: A To B Life in Greensboro, NC

It’s perfectly normal for a band to change over time. They work through different projects, experiment with different sounds, express different ideas, etc. In fact, it’s hard to find a band that has stayed true to a single “vibe” for a long time. It’s even harder to find one that has done it well.

mewithoutYou is one of those few. I remember hearing Brother, Sister in middle school and instantly becoming a fan. When It’s All Crazy! It’s All False! It’s All A Dream! It’s Alright! came out in 2009, I guess you could say I “got back into the band”. I developed a love for that unapologetically loud, pull-no-punches style with which they poured emotion and story into their songs. I grew up listening to my dad’s bluegrass and classic rock, genres with big name influences such as Earl Scruggs, Boston, and The Who, but otherwise plenty of rather formulaic music. mewithoutYou was one of my first big steps away from these styles, and thus it had an air of novelty to it for me before I knew hardly anything about music. Now in 2017, after years or curating and recording music across many genres, I still remember that feeling.

mewithoutYou recently came to The Blind Tiger in Greensboro on tour playing through A To B Life to celebrate its release 15 years ago. If you follow mewithoutYou, you will recognize this as their 1st full album and not one of their softer. Naturally I had to go. My roommate and I, both long time fans who had not followed mewithoutYou as closely since coming to college, drove to Greensboro to crack some PBRs and reminisce in the angst of our middle school days. I’ll be honest with you. I was surprised. I was surprised by how much I still loved this band. mewithoutYou has released 5 more albums and plenty of singles and collaborations since A To B Life, but still held true to form. They played songs from most all of their albums, a few acoustic pieces, and some improv edits. Aaron Weiss, sporting 2 mics covered in flowers (one distorted, one clean, as per usual), told stories about the album, the inspirations for the songs, and his own life throughout the show. The band has, in my opinion, had a very successful 15 years of growing immensely, yet changing little at all.

The moral of the story is go listen to those bands you used to love. Go find their new stuff. Go rediscover their old stuff. Maybe go see their show? Who knows, maybe a brush with nostalgia and a few beers is just what you need to get through finals next week…

image source: https://mewithoutyou.bandcamp.com/

Categories
Band/Artist Profile

ARTIST SPOTLIGHT: BIG K.R.I.T.

IMAGE COURTESY OF BET

Big K.R.I.T. should be so prominent that an artist spotlight on him would be unnecessary. He should be an artist with the same reach as artists like Kendrick Lamar and J. Cole. Poor management by his former label stunted the growth of the Big K.R.I.T. brand, and left him in a weird gray area in regards to his relevancy. K.R.I.T. has a large fanbase and is far above the underground artist status, but he lacked the overall pull that some of his peers have. With the release of his double album, 4eva Is a Mighty Long Time, Big K.R.I.T. has put hip-hop fans on notice and shows everyone he deserves to be considered a top tier hip-hop artist.

Big K.R.I.T gained momentum through the release of various mixtapes, and it became very clear that he was a special talent. However, his debut album left a lot to be desired and his other album releases were good but not great. K.R.I.T.’s inability to connect on his albums could be linked to his label at the time, Def Jam Recordings. K.R.I.T. had everything you wanted in a hip-hop artist from versatility to style, but it seemed it all never came together on an album. Freeing himself from Def Jam seemed to be the answer as this latest release showcases all the the skills in Big K.R.I.T.’s catalogue.

K.R.I.T. embraces his southern roots from the accent in his voice as he raps to the production he puts together for his songs. He uses his ability to produce, rap, and sing to create a variety of songs. From southern bangers to reflections on him and his career to church-inspired tracks, K.R.I.T. provides the variety necessary to make sure things never get dull. He always makes for an interesting listen and can give you a lot of substance, whether that be commentary on others or himself. 4eva Is a Mighty Long Time is a double album that highlights all of the things that make K.R.I.T. great, but that greatness can be seen in a lot of his mixtapes and in flashes on some of his albums. It might have taken a might long time, but it is safe to say Big K.R.I.T. has arrived, not just as the “King of the South” but possibly as the “King of Hip-Hop”.

Categories
New Album Review

Album Review: Arch Enemy – Will To Power

Will to power is the second album with Alissa White-Glutz as their singer. She replaced Angela Gossow in 2014. Like the other records by Arch Enemy, their sound (instrumentally), is constant. This record has the classic Arch Enemy sound while Alissa adds her own personal style throughout the entire album. Only the vocals have changed throughout each album. This record came out back in September. The sound in this record has a very 80’s-ish during some of the chorus’ and the melodies of the instruments. For instance, the songs “A Fight I Must Win” and “The Race” are good examples. In every song, there are amazing melodies, and chants that will get stuck in your head all day. If you like the old Arch Enemy sound, the song “The Race” has the components that is very similar to their older sound. And if you like metal ballads, the song “Reason to Believe” is for you. This song shows the diversity and range in Alissa’s voice. She does some clean vocals but also has her signature growls. Now, I am a history buff, so in the song “Blood in the Water” when Alissa says, “an eye for an eye, a tooth for a tooth…” I got really excited because Hammurabi’s Law Code is legendary (I literally just took a test on it). Alissa has developed her voice and she is now doing different styles and tones throughout this record. This record show how Arch Enemy is evolving and is demonstrating how talented this band really is.

Favorite songs: First Day in Hell, The World is Yours, and Reason to Believe  

Rating: 8/10 

The Saw 

Categories
Podcasts

Oak City Move 27: Muslim Women For


Sara and Jenaye speak to Muslim Women For, a local advocacy group.

Categories
Podcasts

EOT250 Interview With Provost Warwick Arden 11/27/2017

Categories
Podcasts

Oak City Move 26: Groove in the Garden and Girls Rock NC

Categories
Concert Review

Whitechapel – Decade of Defilement Tour 2017 @The Underground 11/14/17

I was looking forward to this show because Whitechapel is my all-time favorite band! This was my third time seeing them and every time it’s like it’s my first. I got to the venue four hours before the show started and I sat there in the front of the line until the doors opened. I have “Show Buddies” – friends that I meet-up with at various venues and festivals – who were also there! It was like a small reunion for all of us. This was my first time going to the Underground in Charlotte, NC and I really liked the venue. It was very spacious and there was plenty of room for everyone.

The first band to play was So This Is Suffering. It was my first time seeing them, and I was impressed. The singer is a good front man and really knows how to work a crowd. Speaking of the crowd, there was a little movement, a few pits, and some diehard fans that yelled every word to every song. Some of the songs that they played were: Sleeper Hold, Surveil, Dreameater, and Palace.

Next up was a band called, Entheos. I have never heard of them, but they put on a good show! I was getting Arch Enemy vibes from them (and not just because the lead singer is a girl) – there were great melodies and the singer was entertaining to watch. The crowd responded as with the first band, there were some pits but they weren’t as rowdy as other pits that happened that night. Among other songs in their set, they played: The World Without Us, Inverted Earth, Sunshift, and Pulse of a New Era.

Rings of Saturn played next and I was really looking forward to seeing them! I have been listening to them for quite some time and this was my first time seeing them live. Their sound was really good, but there wasn’t a stage show. Because of this, the crowd wasn’t getting into their set. Some of the songs that they played were: Margidda, The Relic, Harvest, and Inadequate.

The second-to-last band to play was Carnifex. This is my second time seeing them and they are amazing, live! Their stage show was insane!! They had pentagrams on stage, and they were all dressed up. The entire band were wearing spiked pants, and dark eye makeup. It gave them a creepy vibe that completed their overall stage presence. They had a good mixture of older songs and newer songs. The crowd was ROWDY! Everyone was moving, there wasn’t a single person in that venue that was standing still. Everyone was moshing, and singing with the band. Some of the songs that they played were: Slit Wrist Savior, Slow Death, Lie to My Face, and Hell Chose Me.

And finally, the band that I have been waiting to see all night was up: Whitechapel. While waiting for the band to come on, the crowd was singing “Sweet Caroline.” I was in Charlotte, and the Panthers just won a game, so you could say we put the “lit” in Charlotte. I was on the barricade; in the front for Whitechapel, and I was jamming! The light show was impressive and their live sound was the same as if I was listening to their albums. The crowd was absolutely insane and was hyped the entire time. The band was feeding off our energy too and kept egging us on to get even more rowdy. They played some of my all-time favorite songs such as: Mark of the Blade, Elitist Ones, The Saw Is the Law, and This is Exile. Shout out to Ben for giving me a guitar pick, and Gabe for giving me the set-list for the show. In my opinion, I would say that the show was a success.

To make things even better, while I was waiting in line to get inside the venue, my mom went to get some food and literally ate dinner with some of the members of Whitechapel. She got me some autographs, and also a video. What is that video you ask? It’s a video that has Whitechapel saying, “We are Whitechapel and we love Erika, The Saw, and WKNC 88.1.” So yeah, that literally made my life.

The Saw 

Categories
Podcasts

Pack is Life 14: 11/08/17-11/15/17