Categories
Weekly Charts

Daytime Charts 3/30

ArtistRecordLabel
1JULIEN BAKERLittle OblivionsMatador/Beggars Group
2REALLY FROMReally FromTopshelf
3IAN SWEETShow Me How You DisappearPolyvinyl
4TIGERS JAWI Won’t Care How You Remember MeHopeless
5ADULT MOMDriverEpitaph
6ANTONIONIAntonioniLauren
7CHAD VANGAALENWorld’s Most Stressed Out GardenerSub Pop
8CITRUS CLOUDSColliderLolipop
9SHYGIRLALIAS [EP]Because
10GRIMESMiss Anthropocene (Rave Edition)4AD
11ALICIA CLARAOutsider/UnusualHot Tramp
12BEAU DEGAHoly CannoliSelf-Released
13MYDMoving Men Remixes [EP]Because/Ed Banger
14SMERZBelieverXL/Beggars Group
15CASHINOVABig DragonStophouse
16MOLLY BURMAN“Fool Me With Flattery” [Single]Prolifica/PIAS
17ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS
18BLU AND EXILEMilesDirty Science
19BUTCHER BROWN#KingButchConcord Jazz
20NATIVESON 91Come Back DownInner Tribe
21PINK SIIFU AND FLY ANAKINFlySiifu’sLex
22SMINOShe Already DecidedSelf-Released
23MISS GRITImpostor [EP]Self-Released
24MAGDALENA BAYA Little Rhythm And A Wicked Feeling [EP]Luminelle
25JORDANASomething To Say To YouGrand Jury
26FRUIT BATSThe Pet ParadeMerge
27RHYEHomeLoma Vista
28RON GALLOPEACEMEALNew West
29RICO NASTYNightmare Vacation [Advance Tracks]Sugar Trap
30SPIRIT OF THE BEEHIVEEntertainment, Death [Advance Tracks]Saddle Creek

TOP ADDS

ArtistRecordLabel
1COOL GHOULSAt George’s ZooEmpty Cellar
2XIU XIUOH NOPolyvinyl
3ANTONIONIAntonioniLauren
4TUNE-YARDSsketchy.4AD/Beggars Group
5NISAGuilt TripSelf-Released
6BLANKETMANNational Trust [EP]PIAS
7ALICE PHOEBE LOUGlowSelf-Released
8HAUNTED SHEDFaltering LightStrolling Bones
9SHOW ME THE BODYSurvive [EP]Loma Vista
10MANNEQUIN PUSSY“Control” [Single]Epitaph
Categories
Weekly Charts

Chainsaw Charts 3/30

ArtistRecordLabel
1CANNIBAL CORPSE “Murderous Rampage” [Single]Metal Blade 
2BORN OF OSIRIS “White Nile” [Single]Sumerian 
3ABOMINABLE PUTRIDITY Parasitic Metamorphosis Manifestation Inherited Suffering 
4SUFFERING HOURThe Cyclic ReckoningProfound Lore
5ROB ZOMBIEThe Lunar Injection Kool Aid Eclipse ConspiracyNuclear Blast
6BEARTOOTH “Devastation” [Single]Red Bull
7CYTOTOXINNuklearthUnique Leader
8WARDRUNAKvitravnAISA
9THERIONLeviathanNuclear Blast
10BOUNDARIES Your Receding WarmthUnbeaten 
Categories
Weekly Charts

Afterhours Charts 3/23

ArtistRecordLabel
1AVALANCHES, THEWe Will Always Love YouAstralwerks
2CARIBOUSuddenly RemixesMerge
3CRIJuvenileAnjunadeep
4OVERMONOEverything U Need [EP]XL
5ADRYIANO100% AUTHENTIC VIP LOUNGE TRAXX [EP]100% VIP APPROVED MATERIAL
6YAEJIWhat We DrewXL/Beggars Group
7BICEPIslesNinja Tune
8GALCHER LUSTWERKInformation (Redacted)Ghostly International
9FIT OF BODYPunks Unavailable [EP]2MR
10BELLA BOOOnce Upon A Passion RemixesStudio Barnhus
Categories
Weekly Charts

Chainsaw Charts 3/23

ArtistRecordLabel
1ROB ZOMBIEThe Lunar Injection Kool Aid Eclipse ConspiracyNuclear Blast
2BORN OF OSIRIS “White Nile” [Single]Sumerian 
3ABOMINABLE PUTRIDITY Parasitic Metamorphosis Manifestation Inherited Suffering 
4SUFFERING HOURThe Cyclic ReckoningProfound Lore
5ASPHYXNecrocerosCentury Media
6BEARTOOTH “Devastation” [Single]Red Bull
7CYTOTOXINNuklearthUnique Leader
8WARDRUNAKvitravnAISA
9THERIONLeviathanNuclear Blast
10BOUNDARIES Your Receding WarmthUnbeaten 
Categories
Weekly Charts

Daytime Charts 3/23

ArtistRecordLabel
1JULIEN BAKERLittle OblivionsMatador/Beggars Group
2MISS GRITImpostor [EP]Self-Released
3CLAP YOUR HANDS SAY YEAHNew FragilityCYHSY/Secretly
4ADULT MOMDriverEpitaph
5BLACK COUNTRY NEW ROADFor The First TimeNinja Tune
6ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS
7FRUIT BATSThe Pet ParadeMerge
8MOLLY BURMAN“Fool Me With Flattery” [Single]Prolifica/PIAS
9SPIRIT OF THE BEEHIVEEntertainment, Death [Advance Tracks]Saddle Creek
10AVALANCHES, THEWe Will Always Love YouAstralwerks
11TIGERS JAWI Won’t Care How You Remember MeHopeless
12BLESSEDiii [EP]Flemish Eye
13BLU AND EXILEMilesDirty Science
14CASHINOVABig DragonStophouse
15CITRUS CLOUDSColliderLolipop
16FAT TONYExoticaCarpark
17LAVA LA RUEButter-fly [EP]Marathon
18STEVE LACYThe Lo-FisL-M
19ALICIA CLARAOutsider/UnusualHot Tramp
20ANTONIONIAntonioni [Advance Tracks]Lauren
21BRENT FAIYAZ“Gravity” feat. Tyler, The Creator [Single]Lost Kids
22DEZRON DOUGLAS AND BRANDEE YOUNGERForce MajeureInternational Anthem
23DON TOLIVERAfter PartyWMG Atlantic
24GALCHER LUSTWERKInformation (Redacted)Ghostly International
25KELLY LEE OWENSInner SongSmalltown Supersound
26MATT MARTIANSThe Last Party3qtr
27SERENA ISIOMASensitive [EP]AWAL
28SHYGIRLALIAS [EP]Because
29SMERZBelieverXL/Beggars Group
30SMINOShe Already DecidedSelf-Released

TOP ADDS

ArtistRecordLabel
1REALLY FROMReally FromTopshelf
2DOOHICKEY CUBICLEDon’t Fix Anything 😉Self-Released
3RON GALLOPEACEMEALNew West
4CHAD VANGAALENWorld’s Most Stressed Out GardenerSub Pop
5LO TALKERA Comedy Of ErrorsArts & Crafts
6ADULT BOOKSGrecian UrnTaxi Gauche
7CRUMB“Trophy” [Single]Self-Released
8SQUID“Paddling” [Single]Warp
9PACKS“Slivertongue” [Single]Fire Talk
10CONTROVERSIAL NEW SKINNY PILL, THE“No Path Forward” b/w “Welcome 2 Your Show” [Single]Guilt Ridden Pop
Categories
Concert Review

I went to a COVID-safe concert after one year without any live shows

Yes, you read the title right. “In the middle of a pandemic?!”, you may ask. I would have had the same reaction if I were you. As someone who takes COVID very seriously, I can assure you that the show in question was safe — and that it was far from being your typical gig experience.

A friend of mine told me a while back that her partner plays the bass in a band. “It’s too sad we won’t get to see any of his live shows together while you’re here”, she said, sad to see how COVID was ruining the American experience for a French girl like me. I didn’t think much about it until recently, when North Carolina officials announced that venues could re-open at 30% of their capacity. My friend instantly reached out to me and told me tickets were going to be sold for her partner’s band Tumbao’s show at Pour House Music Hall on Mar. 5, 2021. “They’re only allowing the venue to open at 19% capacity just to be extra safe, so we have to be quick to get tickets!”

Long story short, we got the tickets. I was both ecstatic to see live music again after a year and skeptical regarding how safe the venue would really be. We ended up receiving very clear instructions before the show: wear a mask, arrive with your entire group before you get seated, only leave your table to go to the restroom, order drinks through a QR code. Typical guidelines, but here was my favorite COVID-related instruction: “We have limited space and a very specific seating layout to adhere to covid distancing guidelines. Feel free to stand at your seat and wiggle those hips and shake those booties, but we ask you stay in place and save those wild dance moves for another day.” The absurdity of being told not to stand or dance at a concert was proof that no one was going to expose themselves to COVID that night. We were allowed to drink under our double layer of masks and stare at the musicians for one hour and a half — and that’s already a lot, considering that I didn’t think I would get to see any concert before 2022.

The venue was… empty. There were people at every table they had set up, but the venue looked empty. I was seating upstairs and had an overall view of the audience. A young couple, two guy friends, another young couple, an older couple — that’s all I could see from where I was seating. The tables were all between 6 and 12 feet apart from one another. It felt like I was attending a secret underground show held under the Prohibition in the 1920’s, except it was 2021 Downtown Raleigh and everything happening at Pour House that night was perfectly legal. I know I make it sound like it was a dull experience — it wasn’t — but I just want to make sure that everyone reading this knows the venue did everything it could to keep us safe.

Now that I’ve made it clear that Tumbao’s show was COVID-safe, let’s talk about how fun it actually was. I had no idea what kind of music the band was going to play that night — I didn’t look them up on Google before the show to keep it a surprise. Their Facebook bio describes them as “a New, Fresh Latin-infused Funk, R&B, Jazz & Rock head turnin’ blend”. Well, from what I saw live, I can tell you that their music is indeed a blend of Latin, Funk and Rock music; it’s fun, fast-paced, uplifting and would make even the shyest person in the room want to dance the night away to their rhythmic beat. The guitarist was celebrating his birthday that day, and I’m pretty sure that getting to play a live show in the middle of a pandemic is probably the best birthday gift any musician could ask for. Turns out that the girl from the young couple in the front row was celebrating her birthday that day, too. “Pisces!”, she shouted, and I couldn’t help but smile. How I had missed the surreal one-word conversations one can only witness between an audience and artists on stage. The band played a Latin-Funk version of “Happy Birthday” right after, and everyone in the audience sang in unison.

I stayed at my seat the whole show, just enjoying the music and drinking my local craft beer, but the two couples downstairs would dance whenever they could. Don’t worry, they had their masks on the whole time and stayed at least 6 feet away from everyone else. They were “wiggling their hips” and trying to pull off moves mixing rumba and waltz while still standing at their assigned seats. Everyone else at the show was seated the whole time, so both of their romantic dances were, in addition to being very cute to watch, safe, although barely compliant with Pour House’s guidelines. The whole time I was listening to the music, I couldn’t believe I was there. Live music. Instruments. A band on stage. I could mostly see the bassist and the drummer from where I was seating, and I still couldn’t help but think: is this concert even real? Yes. Yes it was. It was amazingly real. At some point, I got so lost in the music that I almost forgot that I was wearing two masks and that I was sitting in an almost empty venue. My body had been craving the sensations of live music for too long, so I let myself feel them all fully. The band ended the concert by playing a Latin cover of “Electric Feel” by MGMT, and everyone screamed the lyrics along, just like in the good old days pre-COVID. The last thing I remember about the concert is another friend of ours at the show telling us, “I have a Pour House gift card I’ve been waiting to use for a year now, so drinks are on me.” Free drinks at my first gig in forever. What a way to end this surreal night.

– Lise Nox

Categories
Classic Album Review

Album Review: Punisher – Phoebe Bridgers

ALBUM: “Punisher” by Phoebe Bridgers

RELEASE YEAR: 2020

LABEL: Dead Oceans

RATING /10: 10 – an emo-folk masterpiece

BEST TRACKS: “Moon Song”, “Halloween” and “ICU”

FCC: (none)

Phoebe Bridgers got nominated in March 2021 in the Spotify Awards as “Best New Artist of 2021”, and as someone who’s been a fan of her music ever since her first album came out, I thought I’d write something about her second album “Punisher”, which led her to slowly but surely rise to the success she’s always deserved. If I had one dollar for every time I’ve cried listening to Phoebe Bridgers, I’d be filthy rich by now. If you’re not familiar with her music, let me try to describe it metaphorically for you. While Phoebe’s first album “Stranger In The Alps” sounded like a quiet whisper coming from the French mountains, “Punisher” sounds like a mellow cry for help coming from the nocturnal abyss of the desert. That’s the closest I can get to describing her style, which fits into the folk, indie and emo genres all at the same time. Each song off the album perfectly renders her emo-folk apocalyptic universe: low reverbed notes, a slow strumming of the guitar and Phoebe’s soft voice as an echo — that’s how “Punisher” sounds like as a whole. The only songs that are not quite like the others are surprisingly “Kyoto”, which has been her most famous single off the album, and “Graceland Too”. While every other song makes me want to curl up under a blanket and stare endlessly at the ceiling, “Kyoto” is more on the upbeat and fast-paced side, and the banjo in “Graceland Too” makes for a really great country-folk ballad.

That being said, if you really want to appreciate Phoebe’s music, pay attention to the lyrics. As far as I’m concerned, I could spend hours reading about “Punisher”’s lyrics on Genius. If you look into it, you’ll quickly realize that what sounds like your regular sad folk song actually depicts obscure stories about drugs, death, dead relationships and Phoebe’s existential crisis – all at the same time. The album cover matches perfectly what she writes about: Phoebe is standing alone in the desert in a skeleton suit, bathing in bright red light, while the world around her is engulfed in dark blue.  In an interview with “Our Culture Mag”, Olof Grind, the Swedish photographer behind the cover, describes Phoebe as “standing completely still, waiting to be beamed up by aliens” and it reminded me instantly of “Chinese Satellite” where she mentions wanting to believe in extraterrestrial life: “I look at the sky and I feel nothing / You know I hate to be alone / I want to be wrong”. Phoebe is desperately looking for “a new place to be from” (“I Know The End”) by staring at the stars in the sky, but can hardly bring herself to believe in anything supernatural.

What fascinates me most about Phoebe is her ability to incorporate contemporary poetry techniques into her songwriting, by bringing together completely unrelated themes in a way that feels oddly normal. “Always surprised by what I do for love / Some things I never expect / They killed a fan down by the stadium / Was only visiting and they beat him to death”. These lines from “Halloween” correlates codependent tendencies with the literal murder of a hooligan after a game, and while it doesn’t really make sense, it somehow does. Passion and death always seem to find their way back to each other in Phoebe’s universe.

I firmly believe you have to listen to “Punisher” as one long poem to truly get its essence. If this is your first time listening to this album, I would recommend playing the songs in order and listen to each one of them until the very end. It’s the only way you’ll be able to fully indulge in their melancholy. However, if you’re looking for a specific song to drown your sadness in, “Moon Song” struck me as one of the most heartbreaking song on the album. “You couldn’t have / Stuck your tongue down the throat of somebody / Who loves you more / So I will wait for the next time you want me / Like a dog with a bird at your door” – these lines crushed me instantly when I heard them for the first time, and they still do even after my 100000th time listening.

 Saying that “Punisher” is one of my favorite albums of all time would be an understatement. Listening to Phoebe strumming the guitar and singing about dead relationships, supernatural entities and the end of the world strangely makes me feel safe, like I’ve found a home in her peaceful yet dark post-apocalyptic universe. If you haven’t listened to “Punisher” yet but plan to, let this be your final content warning: you can let Phoebe sing you to sleep, but you must expect her to come haunting your dreams afterwards.

  • Lise Nox

Categories
Podcasts

EOT 322 Blakely Hildebrand: SELC’s Smithfield Biogas Lawsuit; Dr. Monica Osburn: COVID-19 Pandemic and Mental Health 3/14/21

Blakely Hildebrand of the Southern Environmental Law Center talks about her lawsuit to stop a Smithfield and Dominion Energy-owned biogas facility in eastern North Carolina. Executive Director of the NC State University Counseling Center Dr. Monica Osburn discusses the COVID-19 Pandemic’s impact on college students’ mental health. The North Carolina News Service brings you stories on the 2020 Census’ impact on redistricting in NC and the pandemic’s impact on dental care.

Categories
Weekly Charts

Chainsaw Charts 3/9

ArtistRecordLabel
1ABOMINABLE PUTRIDITY Parasitic Metamorphosis Manifestation Inherited Suffering 
2GULCH“Gulch/Sunami Split” [Single]Triple B
3GOD’S HATE “God’s Hate” [Single]Closed Casket Activities 
4SUFFERING HOURThe Cyclic ReckoningProfound Lore
5ASPHYXNecrocerosCentury Media
6TERRORTrapped In A WorldWar
7CYTOTOXINNuklearthUnique Leader
8WARDRUNAKvitravnAISA
9THERIONLeviathanNuclear Blast
10BOUNDARIES Your Receding WarmthUnbeaten 
Categories
Weekly Charts

Daytime Charts 3/9

ArtistRecordLabel
1ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS
2MISS GRITImpostor [EP]Self-Released
3GOAT GIRLOn All FoursRough Trade/Beggars
4JULIEN BAKERLittle OblivionsMatador/Beggars Group
5BLACK COUNTRY NEW ROADFor The First TimeNinja Tune
6CLAP YOUR HANDS SAY YEAHNew FragilityCYHSY/Secretly
7POM POKOCheaterBella Union/PIAS
8PINK SIIFU AND FLY ANAKINFlySiifu’sLex
9STEVE LACYThe Lo-FisL-M
10AVALANCHES, THEWe Will Always Love YouAstralwerks
11CASHINOVABig DragonStophouse
12CECILE BELIEVEPlucking A Cherry From The VoidSelf-Released
13FAT TONYExoticaCarpark
14FREDDIE GIBBS AND MADLIBPiñata (Deluxe Edition)Keep Cool/RCA
15GALCHER LUSTWERKInformation (Redacted)Ghostly International
16GRIMESMiss Anthropocene (Rave Edition)4AD
17KIWI JRCooler ReturnsSub Pop
18MAGDALENA BAYMini Mix Vol. 2 [EP]Luminelle
19MAMALARKYMamalarkyFire Talk
20NAVY BLUESong Of Sage: Post Panic! Freedom Sounds
21SHYGIRLALIAS [EP]Because
22SPIRIT OF THE BEEHIVEEntertainment, Death [Advance Tracks]Saddle Creek
23XIU XIU“A Bottle Of Rum” feat. Liz Harris [Single]Polyvinyl
24BANANAGUNThe True Story Of BananagunFull Time Hobby
25YVES TUMORHeaven To A Tortured MindWarp
26BLESSEDiii [EP]Flemish Eye
27BUTCHER BROWN#KingButchConcord Jazz
28JORDANASomething To Say To YouGrand Jury
29GEORGE CLANTON AND NICK HEXUMGeorge Clanton And Nick Hexum100% Electronica
30CARIBOUSuddenlyMerge

TOP ADDS

ArtistRecordLabel
1TIGERS JAWI Won’t Care How You Remember MeHopeless
2ADULT MOMDriverEpitaph
3DJANGO DJANGOGlowing In The DarkBecause
4FRUIT BATSThe Pet ParadeMerge
5FITNESSFull WellSad Cactus
6IAN SWEETShow Me How You DisappearPolyvinyl
7HAR MAR SUPERSTARRosevilleSelf-Released
8RECORD SUMMER, THELay It BareBodan Kuma
9MARINA ALLEN“Oh, Louise” [Single]Fire
10JOHANNA SAMUELS“Nature’s Way” [Single]Mama Bird