Categories
Concert Review

I went to a COVID-safe concert after one year without any live shows

Yes, you read the title right. “In the middle of a pandemic?!”, you may ask. I would have had the same reaction if I were you. As someone who takes COVID very seriously, I can assure you that the show in question was safe — and that it was far from being your typical gig experience.

A friend of mine told me a while back that her partner plays the bass in a band. “It’s too sad we won’t get to see any of his live shows together while you’re here”, she said, sad to see how COVID was ruining the American experience for a French girl like me. I didn’t think much about it until recently, when North Carolina officials announced that venues could re-open at 30% of their capacity. My friend instantly reached out to me and told me tickets were going to be sold for her partner’s band Tumbao’s show at Pour House Music Hall on Mar. 5, 2021. “They’re only allowing the venue to open at 19% capacity just to be extra safe, so we have to be quick to get tickets!”

Long story short, we got the tickets. I was both ecstatic to see live music again after a year and skeptical regarding how safe the venue would really be. We ended up receiving very clear instructions before the show: wear a mask, arrive with your entire group before you get seated, only leave your table to go to the restroom, order drinks through a QR code. Typical guidelines, but here was my favorite COVID-related instruction: “We have limited space and a very specific seating layout to adhere to covid distancing guidelines. Feel free to stand at your seat and wiggle those hips and shake those booties, but we ask you stay in place and save those wild dance moves for another day.” The absurdity of being told not to stand or dance at a concert was proof that no one was going to expose themselves to COVID that night. We were allowed to drink under our double layer of masks and stare at the musicians for one hour and a half — and that’s already a lot, considering that I didn’t think I would get to see any concert before 2022.

The venue was… empty. There were people at every table they had set up, but the venue looked empty. I was seating upstairs and had an overall view of the audience. A young couple, two guy friends, another young couple, an older couple — that’s all I could see from where I was seating. The tables were all between 6 and 12 feet apart from one another. It felt like I was attending a secret underground show held under the Prohibition in the 1920’s, except it was 2021 Downtown Raleigh and everything happening at Pour House that night was perfectly legal. I know I make it sound like it was a dull experience — it wasn’t — but I just want to make sure that everyone reading this knows the venue did everything it could to keep us safe.

Now that I’ve made it clear that Tumbao’s show was COVID-safe, let’s talk about how fun it actually was. I had no idea what kind of music the band was going to play that night — I didn’t look them up on Google before the show to keep it a surprise. Their Facebook bio describes them as “a New, Fresh Latin-infused Funk, R&B, Jazz & Rock head turnin’ blend”. Well, from what I saw live, I can tell you that their music is indeed a blend of Latin, Funk and Rock music; it’s fun, fast-paced, uplifting and would make even the shyest person in the room want to dance the night away to their rhythmic beat. The guitarist was celebrating his birthday that day, and I’m pretty sure that getting to play a live show in the middle of a pandemic is probably the best birthday gift any musician could ask for. Turns out that the girl from the young couple in the front row was celebrating her birthday that day, too. “Pisces!”, she shouted, and I couldn’t help but smile. How I had missed the surreal one-word conversations one can only witness between an audience and artists on stage. The band played a Latin-Funk version of “Happy Birthday” right after, and everyone in the audience sang in unison.

I stayed at my seat the whole show, just enjoying the music and drinking my local craft beer, but the two couples downstairs would dance whenever they could. Don’t worry, they had their masks on the whole time and stayed at least 6 feet away from everyone else. They were “wiggling their hips” and trying to pull off moves mixing rumba and waltz while still standing at their assigned seats. Everyone else at the show was seated the whole time, so both of their romantic dances were, in addition to being very cute to watch, safe, although barely compliant with Pour House’s guidelines. The whole time I was listening to the music, I couldn’t believe I was there. Live music. Instruments. A band on stage. I could mostly see the bassist and the drummer from where I was seating, and I still couldn’t help but think: is this concert even real? Yes. Yes it was. It was amazingly real. At some point, I got so lost in the music that I almost forgot that I was wearing two masks and that I was sitting in an almost empty venue. My body had been craving the sensations of live music for too long, so I let myself feel them all fully. The band ended the concert by playing a Latin cover of “Electric Feel” by MGMT, and everyone screamed the lyrics along, just like in the good old days pre-COVID. The last thing I remember about the concert is another friend of ours at the show telling us, “I have a Pour House gift card I’ve been waiting to use for a year now, so drinks are on me.” Free drinks at my first gig in forever. What a way to end this surreal night.

– Lise Nox

Categories
Classic Album Review

Album Review: Punisher – Phoebe Bridgers

ALBUM: “Punisher” by Phoebe Bridgers

RELEASE YEAR: 2020

LABEL: Dead Oceans

RATING /10: 10 – an emo-folk masterpiece

BEST TRACKS: “Moon Song”, “Halloween” and “ICU”

FCC: (none)

Phoebe Bridgers got nominated in March 2021 in the Spotify Awards as “Best New Artist of 2021”, and as someone who’s been a fan of her music ever since her first album came out, I thought I’d write something about her second album “Punisher”, which led her to slowly but surely rise to the success she’s always deserved. If I had one dollar for every time I’ve cried listening to Phoebe Bridgers, I’d be filthy rich by now. If you’re not familiar with her music, let me try to describe it metaphorically for you. While Phoebe’s first album “Stranger In The Alps” sounded like a quiet whisper coming from the French mountains, “Punisher” sounds like a mellow cry for help coming from the nocturnal abyss of the desert. That’s the closest I can get to describing her style, which fits into the folk, indie and emo genres all at the same time. Each song off the album perfectly renders her emo-folk apocalyptic universe: low reverbed notes, a slow strumming of the guitar and Phoebe’s soft voice as an echo — that’s how “Punisher” sounds like as a whole. The only songs that are not quite like the others are surprisingly “Kyoto”, which has been her most famous single off the album, and “Graceland Too”. While every other song makes me want to curl up under a blanket and stare endlessly at the ceiling, “Kyoto” is more on the upbeat and fast-paced side, and the banjo in “Graceland Too” makes for a really great country-folk ballad.

That being said, if you really want to appreciate Phoebe’s music, pay attention to the lyrics. As far as I’m concerned, I could spend hours reading about “Punisher”’s lyrics on Genius. If you look into it, you’ll quickly realize that what sounds like your regular sad folk song actually depicts obscure stories about drugs, death, dead relationships and Phoebe’s existential crisis – all at the same time. The album cover matches perfectly what she writes about: Phoebe is standing alone in the desert in a skeleton suit, bathing in bright red light, while the world around her is engulfed in dark blue.  In an interview with “Our Culture Mag”, Olof Grind, the Swedish photographer behind the cover, describes Phoebe as “standing completely still, waiting to be beamed up by aliens” and it reminded me instantly of “Chinese Satellite” where she mentions wanting to believe in extraterrestrial life: “I look at the sky and I feel nothing / You know I hate to be alone / I want to be wrong”. Phoebe is desperately looking for “a new place to be from” (“I Know The End”) by staring at the stars in the sky, but can hardly bring herself to believe in anything supernatural.

What fascinates me most about Phoebe is her ability to incorporate contemporary poetry techniques into her songwriting, by bringing together completely unrelated themes in a way that feels oddly normal. “Always surprised by what I do for love / Some things I never expect / They killed a fan down by the stadium / Was only visiting and they beat him to death”. These lines from “Halloween” correlates codependent tendencies with the literal murder of a hooligan after a game, and while it doesn’t really make sense, it somehow does. Passion and death always seem to find their way back to each other in Phoebe’s universe.

I firmly believe you have to listen to “Punisher” as one long poem to truly get its essence. If this is your first time listening to this album, I would recommend playing the songs in order and listen to each one of them until the very end. It’s the only way you’ll be able to fully indulge in their melancholy. However, if you’re looking for a specific song to drown your sadness in, “Moon Song” struck me as one of the most heartbreaking song on the album. “You couldn’t have / Stuck your tongue down the throat of somebody / Who loves you more / So I will wait for the next time you want me / Like a dog with a bird at your door” – these lines crushed me instantly when I heard them for the first time, and they still do even after my 100000th time listening.

 Saying that “Punisher” is one of my favorite albums of all time would be an understatement. Listening to Phoebe strumming the guitar and singing about dead relationships, supernatural entities and the end of the world strangely makes me feel safe, like I’ve found a home in her peaceful yet dark post-apocalyptic universe. If you haven’t listened to “Punisher” yet but plan to, let this be your final content warning: you can let Phoebe sing you to sleep, but you must expect her to come haunting your dreams afterwards.

  • Lise Nox

Categories
Podcasts

EOT 322 Blakely Hildebrand: SELC’s Smithfield Biogas Lawsuit; Dr. Monica Osburn: COVID-19 Pandemic and Mental Health 3/14/21

Blakely Hildebrand of the Southern Environmental Law Center talks about her lawsuit to stop a Smithfield and Dominion Energy-owned biogas facility in eastern North Carolina. Executive Director of the NC State University Counseling Center Dr. Monica Osburn discusses the COVID-19 Pandemic’s impact on college students’ mental health. The North Carolina News Service brings you stories on the 2020 Census’ impact on redistricting in NC and the pandemic’s impact on dental care.

Categories
Weekly Charts

Chainsaw Charts 3/9

ArtistRecordLabel
1ABOMINABLE PUTRIDITY Parasitic Metamorphosis Manifestation Inherited Suffering 
2GULCH“Gulch/Sunami Split” [Single]Triple B
3GOD’S HATE “God’s Hate” [Single]Closed Casket Activities 
4SUFFERING HOURThe Cyclic ReckoningProfound Lore
5ASPHYXNecrocerosCentury Media
6TERRORTrapped In A WorldWar
7CYTOTOXINNuklearthUnique Leader
8WARDRUNAKvitravnAISA
9THERIONLeviathanNuclear Blast
10BOUNDARIES Your Receding WarmthUnbeaten 
Categories
Weekly Charts

Daytime Charts 3/9

ArtistRecordLabel
1ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS
2MISS GRITImpostor [EP]Self-Released
3GOAT GIRLOn All FoursRough Trade/Beggars
4JULIEN BAKERLittle OblivionsMatador/Beggars Group
5BLACK COUNTRY NEW ROADFor The First TimeNinja Tune
6CLAP YOUR HANDS SAY YEAHNew FragilityCYHSY/Secretly
7POM POKOCheaterBella Union/PIAS
8PINK SIIFU AND FLY ANAKINFlySiifu’sLex
9STEVE LACYThe Lo-FisL-M
10AVALANCHES, THEWe Will Always Love YouAstralwerks
11CASHINOVABig DragonStophouse
12CECILE BELIEVEPlucking A Cherry From The VoidSelf-Released
13FAT TONYExoticaCarpark
14FREDDIE GIBBS AND MADLIBPiñata (Deluxe Edition)Keep Cool/RCA
15GALCHER LUSTWERKInformation (Redacted)Ghostly International
16GRIMESMiss Anthropocene (Rave Edition)4AD
17KIWI JRCooler ReturnsSub Pop
18MAGDALENA BAYMini Mix Vol. 2 [EP]Luminelle
19MAMALARKYMamalarkyFire Talk
20NAVY BLUESong Of Sage: Post Panic! Freedom Sounds
21SHYGIRLALIAS [EP]Because
22SPIRIT OF THE BEEHIVEEntertainment, Death [Advance Tracks]Saddle Creek
23XIU XIU“A Bottle Of Rum” feat. Liz Harris [Single]Polyvinyl
24BANANAGUNThe True Story Of BananagunFull Time Hobby
25YVES TUMORHeaven To A Tortured MindWarp
26BLESSEDiii [EP]Flemish Eye
27BUTCHER BROWN#KingButchConcord Jazz
28JORDANASomething To Say To YouGrand Jury
29GEORGE CLANTON AND NICK HEXUMGeorge Clanton And Nick Hexum100% Electronica
30CARIBOUSuddenlyMerge

TOP ADDS

ArtistRecordLabel
1TIGERS JAWI Won’t Care How You Remember MeHopeless
2ADULT MOMDriverEpitaph
3DJANGO DJANGOGlowing In The DarkBecause
4FRUIT BATSThe Pet ParadeMerge
5FITNESSFull WellSad Cactus
6IAN SWEETShow Me How You DisappearPolyvinyl
7HAR MAR SUPERSTARRosevilleSelf-Released
8RECORD SUMMER, THELay It BareBodan Kuma
9MARINA ALLEN“Oh, Louise” [Single]Fire
10JOHANNA SAMUELS“Nature’s Way” [Single]Mama Bird
Categories
Weekly Charts

Afterhours Charts 3/9

ArtistRecordLabel
1KACY HILL“Six (umru Remix)” [Single]Self-Released
2GALCHER LUSTWERKInformation (Redacted)Ghostly International
3CECILE BELIEVEMade In HeavenSelf-Released
4GEORGE CLANTON AND NICK HEXUMGeorge Clanton And Nick Hexum100% Electronica
5AUSCULTATIONIII100% Silk
6STEMLINES Harsh Riddims Vol. 4 Self-Released
7COM TRUISEIn Decay, TooGhostly International
8ELA MINUSActs Of RebellionDomino
9JESSIE WAREWhat’s Your Pleasure?Virgin EMI
10ROCHELLE JORDAN“Got Em” b/w “All Along” [Single]Young Art
Categories
Podcasts

Let’s Get Psyched About Reading: When All You’ve Ever Wanted Isn’t Enough with Ela Perez (Part 1)



Description: 

Have you ever wondered what the meaning of life is? 
That isn’t the question Harold Kushner thinks we should ponder. A simpler (and more manageable) question is “How can we make our lives more meaningful?”.
In this podcast, Ela and I discuss some of the biggest themes from this self-growth oriented book, including: living by our values, fearing vulnerability, recognizing greed and excess, and finding what brings meaning to our lives (despite the popular views of our modern world).
Things get a bit heavy, so I do want to make sure I’m being inclusive and share that this podcast discusses religious views, mainly christianity, and is based on a book that also focuses mainly on american society.
Our discussion question this week is: What brings value to your life? What is most meaningful to you?


Mentioned in this Episode:

Goodreads Book Club Link: https://www.goodreads.com/topic/show/21894001-when-all-you-ve-ever-wanted-isn-t-enough
When All You’ve Ever Wanted Isn’t Enough by Harold Kushner
Lost Connections by Johann HariMan’s Search For Meaning by Viktor Frankl

To learn more about the Get Psyched Mission:
You can Get Psyched on…

Instagram

Twitter

Facebook

Youtube


Checkout my friend and fellow creator
PME On Spotify
(Producer PME has given me permission to use his beat ‘300k’ as the Get Psyched intro/outro beat)

Categories
Miscellaneous Non-Music News

WKNC to Host Book Drive in March to Support Prison Books Collective

In continuing their efforts to support the Triangle community and at-risk individuals at-large, WKNC is partnering with Prison Books Collective to host a book drive. 

Prison Books Collective is a Carrboro-based nonprofit that distributes paperback books and zines to incarcerated people across North Carolina and Alabama. Prison Books Collective believes that “the prison system in the United States is fundamentally unjust and perpetuates systems of economic, racial, gender, psychological, and social oppression.” The work done by Prison Books Collective upholds the fact that “incarcerated people deserve support and resources and that the many injustices of prison must be resisted.” WKNC supports this mission and looks to contribute to their work with the following donation drive. 

Donations will be collected outside WKNC from 9 a.m. to 5 p.m. during the weeks of March 15-19 and March 22-26. The station is located within the Witherspoon Student Center on NC State’s main campus, in suite 343. Please be aware that the building is closed to the public on weekends and outside normal business hours. If you are unable to donate in-person, Prison Books Collective also has a Flyleaf wish list of titles that have been specifically requested by inmates.

“The past year has been extremely difficult for incarcerated people, with increased restrictions and no access to the small amount of literature available in libraries only a few prisons might have,” says Prison Books Collective’s Outreach Coordinator Ivy Shelton. “COVID-19 has limited the operations but, Prison Books Collective (PBC) has been working hard the past year to fulfill book requests. PBC has continued to send 35-45 packages of books on average a week to individuals based on letters of request. The book drive WKNC 88.1 is hosting makes PBC’s continued work possible. Paperback donations from the WKNC 88.1 book drive will make a difference in someone’s life.”

More information on Prison Books Collective can be found on their website, while graphics and event specific information can be found on WKNC’s social media. On-air promos are in rotation to outline requests and necessary resources for this donation drive. WKNC and Prison Books Collective would like to thank the audience for their support.

WKNC 88.1 FM is 25,000-watt student-run non-commercial radio from North Carolina State University featuring indie rock, electronic, metal and underground hip-hop. WKNC is on social media @WKNC881.

Categories
Weekly Charts

Daytime Charts 3/2

ArtistRecordLabel
1ARLO PARKSCollapsed In SunbeamsTransgressive/PIAS
2SHYGIRLALIAS [EP]Because
3CASHINOVABig DragonStophouse
4JORDANASomething To Say To YouGrand Jury
5POM POKOCheaterBella Union/PIAS
6STEVE LACYThe Lo-FisL-M
7GOAT GIRLOn All FoursRough Trade/Beggars
8KIWI JRCooler ReturnsSub Pop
9MISS GRITImpostor [EP]Self-Released
10BILLY DEAN THOMASFor Better Or WorseSelf-Released
11BLACK COUNTRY NEW ROADFor The First TimeNinja Tune
12BLU AND EXILEMilesDirty Science
13DEZRON DOUGLAS AND BRANDEE YOUNGERForce MajeureInternational Anthem
14DON TOLIVERAfter PartyWMG Atlantic
15FAT TONYExoticaCarpark
16GEORGE CLANTON AND NICK HEXUMGeorge Clanton And Nick Hexum100% Electronica
17NANCYThe Seven Foot Tall Post-Suicidal Feel Good BluesB3SCI
18NAVY BLUESong Of Sage: Post Panic! Freedom Sounds
19PARK HYE JINHow Can I [EP]Ninja Tune
20PINK SIIFU AND FLY ANAKINFlySiifu’sLex
21PRINCESS NOKIAEverything Is Beautiful/Everything SucksSelf-Released
22SHAMEDrunk Tank PinkDead Oceans
23TOBIElements Vol. 1Same Plate/RCA
24SERENA ISIOMASensitive [EP]AWAL
25TY BRISweet LickSelf-Released
26BUTCHER BROWN#KingButchConcord Jazz
27CAKES DA KILLA, PROPER VILLAINSMuvaland [EP]Classic Company
28CHERRY GLAZERR“Rabbit Hole” [Single]Secretly Canadian
29GRIMESMiss Anthropocene (Rave Edition)4AD
30DREAMWEAVERCloud9MagicCrafters

TOP ADDS

ArtistRecordLabel
1JULIEN BAKERLittle OblivionsMatador/Beggars Group
2GLITTERERLife Is Not A LessonAnti-
3CLOUD NOTHINGSThe Shadow I RememberCarpark
4BACHELOR“Anything At All” [Single]Polyvinyl
5MIA JOY“See Us” [Single]Fire Talk
6JUICE WEBSTER“Wanna Be Held” [Single]Self-Released
7ALICE PHOEBE LOU“dirty mouth” [Single]Self-Released
8FIELD MUSIC“No Pressure” [Single]Memphis
9DENNIS ELLSWORTH“Becuz Of You” [Single]Pyramid Scheme
10DAMEERFor We Are Distant [EP]Majestic Casual
Categories
Weekly Charts

Chainsaw Charts 3/2

ArtistRecordLabel
1BRAND OF SACRIFICE “Altered Eyes” [Single]Blood Blast Distribution 
2ARCHITECTSFor Those That Wish To ExistEpitaph
3ASPHYXNecrocerosCentury Media
4CANNIBAL CORPSE“Inhumane Harvest” [Single]Metal Blade
5BODYSNARCHER “Take Me To Hell” [Single]Entertainment One
6GATECREEPERAn Unexpected RealityClosed Casket Activities
7OF MICE AND MENTimeless [EP] [Advance Tracks]Sharptone
8WAGE WAR“Surrounded” [Single]Fearless
9UPON A BURNING BODY Built From War [EP]Seek & Strike 
10BOUNDARIES Your Receding WarmthUnbeaten