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# | Artist | Album | Label |
1 | ANTICHRIST SIEGE MACHINE | Purifying Blade | Profound Lore |
2 | CARCASS | Torn Arteries | Nuclear Blast |
3 | BLOODY KEEP | Bloody Horror [EP] | Grime Stone |
4 | MORBID MESSIAH | Disgorged in the Coffin | Chaos |
5 | ANNIHILUS | Follow a Song From the Sky | Federal Prisoner |
6 | ANDREW WK | God Is Partying | Napalm |
7 | CHARRED | Prayers Of Malediction | Entertainment One |
8 | BLACK WOUND | Unending Labyrinth | Dry Cough |
9 | MALIGNAMENT | Hypocrisis Absolution | Primitive Reaction |
10 | IXTLAHUAC | Teyacanilitztli Nahualli | Nuclear War Now! |
# | Artist | Album | Label |
1 | AMON TOBIN | How Do You Live | Nomark |
2 | KEDR LIVANSKIY | Liminal Soul | 2MR |
3 | DUTCHIAN SOUL | Love Talk [EP] | Salted |
4 | ARCA | “Born Yesterday” [Single] | XL |
5 | CORBU | Bad Trip Reports Vol. 1 (Original Soundtrack) | Trash Casual |
6 | MACHINEDRUM | Psyconia [EP] | Ninja Tune |
7 | WAVESHAPER | Mainframe | Self-Released |
8 | AURORA | “Cure For Me” [Single] | Glassnote |
9 | SHYGIRL | ALIAS [EP] | Because |
10 | FJAAK | SYS03 [EP] | Self-Released |
# | Artist | Album | Label |
1 | ILLUMINATI HOTTIES | Let Me Do One More | Snack Shack Tracks/Hopeless |
2 | LITTLE SIMZ | Sometimes I Might Be Introvert | AGE 101 |
3 | SHYGIRL | ALIAS [EP] | Because |
4 | STRANDED | Midnight Sun | Double Phantom |
5 | LAVA LA RUE | Butter-fly [EP] | Marathon |
6 | FLYING LOTUS | Yasuke | Warp |
7 | INJURY RESERVE | By The Time I Get To Phoenix | Self-Released |
8 | TYLER THE CREATOR | CALL ME IF YOU GET LOST | Columbia |
9 | FILM SCHOOL | We Weren’t Here | Sonic Ritual |
10 | JIMMY EDGAR | Cheetah Bend | Innovative Leisure |
11 | AMYL AND THE SNIFFERS | Comfort To Me | ATO |
12 | EVIDENCE | Unlearning Vol. 1 | Rhymesayers |
13 | DEAFHEAVEN | Infinite Granite | Sargent House |
14 | HOVVDY | True Love | Grand Jury |
15 | NEAR BEER | Sleeping Is For Suckers | Self-Released |
16 | TIACORINE | The Saga of 34Corine | South Coast |
17 | WE WERE PROMISED JETPACKS | Enjoy The View | Big Scary Monsters |
18 | TOBI | Elements Vol. 1 | Same Plate/RCA |
19 | DAWN RICHARD | Second Line | Merge |
20 | JAPANESE BREAKFAST | Jubilee | Dead Oceans/Secretly Group |
21 | LALA LALA | I Want The Door To Open | Hardly Art |
22 | MACHINEDRUM | Psyconia [EP] | Ninja Tune |
23 | SPELLLING | The Turning Wheel | Sacred Bones |
24 | GUSTAF | Audio Drag For Ego Snobs | Royal Mountain |
25 | ONE STEP CLOSER | This Place You Know | Run For Cover |
26 | SNAIL MAIL | “Valentine” [Single] | Matador |
27 | SPUD CANNON | Good Kids Make Bad Apples | Good Eye |
28 | LOW | HEY WHAT | Sub Pop |
29 | INDIGO DE SOUZA | Any Shape You Take | Saddle Creek |
30 | GREENTEA PENG | Man Made | EMI |
# | Artist | Album | Label |
1 | GUSTAF | Audio Drag For Ego Snobs | Royal Mountain |
2 | HOVVDY | True Love | Grand Jury |
3 | PUBLIC SERVICE BROADCASTING | Bright Magic | PIAS |
4 | IDLES | “The Beachland Ballroom” [Single] | Partisan |
5 | BLACK COUNTRY NEW ROAD | “Chaos Space Marine” [Single] | Ninja Tune |
6 | AUDIOBOOKS | Astro Tough | Heavenly/PIAS |
7 | NYLON SMILE | “Only You Know” [Single] | Self-Released |
8 | LALA LALA | I Want The Door To Open | Hardly Art |
9 | WOMBO | Keesh Mountain [EP] | Fire Talk |
10 | NEAR BEER | Sleeping Is For Suckers | Self-Released |
# | Artist | Album | Label |
1 | ILLISM | Family Over Everything | The CRWN |
2 | MCKINLEY DIXON | For My Mama And Anyone Who Look Like Her | Spacebomb |
3 | SKIIFALL | WOIIYOIE TAPES Vol. 1 [EP] | Self-Released |
4 | INJURY RESERVE | By The Time I Get To Phoenix | Self-Released |
5 | SMOKEY SMOTHERS | “Go Nutz” feat. Chakara Blue [Single] | Destine |
6 | SHAD | TAO | Secret City |
7 | COMMON | A Beautiful Revolution Pt. 2 | Loma Vista/Concord |
8 | LAVA LA RUE | Butter-fly [EP] | Marathon |
9 | SHYGIRL | ALIAS [EP] | Because |
10 | TYLER THE CREATOR | CALL ME IF YOU GET LOST | Columbia |
Hermajesty has taken his Crew of Eubanks, 3 Bears in a Coat, Rainbow Riot, T-Time, and Taylor on a variety show each week where anything and everything can happen based around a very loose Idea of what should be accomplished every week and what comes out of this is an hour and half of friends having fun. Join us.
In this episode of You’ll Never Believe Me But… After Dark WKNC’s Interview Content Creator and Cutter’s noted coworker Owen comes on to talk about his experience camping in Maine and misadventures at band camp involving his high school girlfriend.
During Parquet Courts’ set at Hopscotch Festival, the bass player, Sean Yeaton, broke one of his bass strings. He didn’t have extra strings or a second base. While discussing with the band about whether he should pick up a guitar or try and play with one less bass string, Eric Johnson, the guitarist for Archers of Loaf brought out Matt Gentling, their bassists, bass for Yeaton to use. Yeaton played the rest of the set with Gentling’s bass and the show went on. This is the perfect story to show the sense of community the Hopscotch Festival created.
The Hopscotch Festival took place over a month ago, but I still think about this moment. I was so excited to go back to festivals and be around people who were eager to see the same artists as me, and that moment reminded me why I love seeing live music. It is so delightful to see your favorite artists interacting with each other, and it’s even better when it’s happening in the city you live in.
Large and small bands came together in Raleigh to perform to an excited crowd, for many of the people there it was probably their first shows back since the pandemic. I got to talk to some of the artists about their festival going experience and they all had nothing but nice things to say about Hopscotch.
For Hannah Jadagu, a young indie-pop artist from New York, Hopscotch was the first festival she’s ever performed at. She had a prime spot on the City Plaza stage at 4:30, before Anjimile.
“I was really nervous to play a festival, especially on the big stage, but I felt the performance went really well and I got more comfortable on stage as time went on,” Jadagu said. “ I was also really happy to see the crowd filling in during my set and I was able to play off of the crowd’s energy.”
Jadagu was just as thrilled to be at the festival as the audience. She noted she was excited she was able to catch the Caroline Polachek and Flying Lotus sets. One of her current favorite artists is Caroline Polachek and she took inspiration from her confidence on stage.
Wednesday, another act who played Hopscotch was excited to be back in Raleigh and at Hopscotch. This was their first time playing one of the main stages at Hopscotch and the lead singer, Karly Hartzman was excited to finally perform songs from her new album, Twin Plagues, for a responsive audience.
“It was so validating to play on one of the main stages, we played a few day parties in 2019 which were great, but it was so exciting to come back and be asked to perform on a main stage,” Hartzman said.
She was also happy to be able to play after the Pandemic at all outdoor sets because the band and audiences felt more comfortable being outside.
“The last time we were at Hopscotch was really stressful because we were playing sets and still wanted to go see other acts, so we were running around all weekend.” Hartzman continued, “It was overwhelming because there were so many places we wanted to or had to be. This year it was a lot easier to go back and forth between the two main stages and play the next day [at Ruby Deluxe].”
Playing her new songs for the Hopscotch crowds was also very rewarding for Hartzman. Her lyrics are so vulnerable and she was thrilled to share them with the crowds.
“Practicing can be mind numbing because I have to put myself back in the place I was when I wrote these songs, but knowing my songs are being accepted and recognized by listeners was amazing,” Hartzman said.
The last act I got to talk to was Archers of Loaf, who like Wednesday are also North Carolina Natives. Archers of Loaf headlined the Moore Square stage on the last day of the festival, and hundreds of people came out to see them return to Raleigh.
“When we first started as a band it was really hard to break into the scene in Raleigh, there were so many good bands and it took us a while to get our name out there,” Guitarist Eric Johnson said. “It’s so gratifying that we are now headlining a festival in Raleigh.”
The band was pleased with the turnout and the energy from the crowd at Hopscotch. It’s nice to know that the artists enjoyed the festival as much as I did, because it makes me want to attend even more next year. Having a great music scene in Raleigh is an exciting privilege and I can’t wait to see who will come through the city next.
Link to Harmabee event details: https://calendar.ncsu.edu/event/harambee
From her bedroom to the main stage at Hopscotch, Hannah Jadagu is starting to make a name for herself in the indie music scene.
Hannah Jadagu is an indie-pop artist who now lives in New York City, but is originally from Mesquite, Texas. The 19-year-old singer only started her music career a few years ago when she was in High School. She was 16 when she first learned how to play guitar, and instantly felt connected to the instrument. She started writing songs and recording them on her iPhone and released a few online.
Now, a few years later she is signed to Sub Pop Records and is starting to play live shows. Her first festival performance was at Hopscotch in Raleigh, and we got to share that sweet experience with her.
As she took center stage she felt nervous about how the set would go over. She had two other people in her band, a drummer and a member who jumped around between playing guitar, bass, and samples on his computer. Overall she felt their set went really well and she was excited to play in Raleigh for the first time.
With this show in the bag, Hannah felt ready and excited for her upcoming tours and projects. She is currently working on an album and is opening for Beach Fossils and Wild Nothing on their North American tour. She also announced that she will be opening for Ritt Momney in 2022.
Because of Covid she wasn’t able to share her music with as many people face to face, but it gave her the opportunity to work on her music and create music videos and more content for fans.
“I took a leave of absence from school so that I could tour and focus on my music,” Jadagu said. “It was too much to balance, and I’m so happy with my choice because now I get to have these amazing experiences like playing festivals.”
Hannah started her musical career by putting the songs she was working on out, and spread the word through her instagram which landed her a record deal with Sub Pop.
“It was such a surreal moment, I got a DM on instagram from a manager at Sub Pop saying they loved my music and wanted to work with me, I didn’t think it was real at first but after a few zoom calls I signed to Sub Pop and now they’re helping me put out my music,” Jadagu said.
Jadagu takes inspiration from any music and media she is consuming at the moment and turns them into her own interpretation.
“Usually I just start strumming my guitar and see where that takes me. I like to freestyle and record all of my ideas so I have a basis to work off of when I’m ready to put the song together. When I play something that makes me excited I hone in on that part and work around it.”
Hannah was excited that she could perform her songs to crowds again and not just for her computer in her bedroom. Many artists probably feel the same way now that shows are being set up again.
You can listen to her new single “All my Time is Wasted” here.