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Podcasts

EOT 338- Textbook Lending

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Weekly Charts

Chainsaw Charts 10/19

#ArtistAlbumLabel
1ANTICHRIST SIEGE MACHINEPurifying BladeProfound Lore
2CARCASSTorn ArteriesNuclear Blast
3BLOODY KEEPBloody Horror [EP]Grime Stone
4MORBID MESSIAHDisgorged in the CoffinChaos
5ANNIHILUSFollow a Song From the SkyFederal Prisoner
6ANDREW WKGod Is PartyingNapalm
7CHARREDPrayers Of MaledictionEntertainment One
8BLACK WOUNDUnending LabyrinthDry Cough
9MALIGNAMENTHypocrisis AbsolutionPrimitive Reaction
10IXTLAHUACTeyacanilitztli NahualliNuclear War Now!
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Weekly Charts

Afterhours Charts 10/19

#ArtistAlbumLabel
1AMON TOBINHow Do You LiveNomark
2KEDR LIVANSKIYLiminal Soul2MR
3DUTCHIAN SOULLove Talk [EP]Salted
4ARCA“Born Yesterday” [Single]XL
5CORBUBad Trip Reports Vol. 1 (Original Soundtrack)Trash Casual
6MACHINEDRUMPsyconia [EP]Ninja Tune
7WAVESHAPERMainframeSelf-Released
8AURORA“Cure For Me” [Single]Glassnote
9SHYGIRLALIAS [EP]Because
10FJAAKSYS03 [EP]Self-Released
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Weekly Charts

Daytime Charts 10/19

#ArtistAlbumLabel
1ILLUMINATI HOTTIESLet Me Do One MoreSnack Shack Tracks/Hopeless
2LITTLE SIMZSometimes I Might Be IntrovertAGE 101
3SHYGIRLALIAS [EP]Because
4STRANDEDMidnight SunDouble Phantom
5LAVA LA RUEButter-fly [EP]Marathon
6FLYING LOTUSYasukeWarp
7INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
8TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
9FILM SCHOOLWe Weren’t HereSonic Ritual
10JIMMY EDGARCheetah BendInnovative Leisure
11AMYL AND THE SNIFFERSComfort To MeATO
12EVIDENCEUnlearning Vol. 1Rhymesayers
13DEAFHEAVENInfinite GraniteSargent House
14HOVVDYTrue LoveGrand Jury
15NEAR BEERSleeping Is For SuckersSelf-Released
16TIACORINEThe Saga of 34CorineSouth Coast
17WE WERE PROMISED JETPACKSEnjoy The ViewBig Scary Monsters
18TOBIElements Vol. 1Same Plate/RCA
19DAWN RICHARDSecond LineMerge
20JAPANESE BREAKFASTJubileeDead Oceans/Secretly Group
21LALA LALAI Want The Door To OpenHardly Art
22MACHINEDRUMPsyconia [EP]Ninja Tune
23SPELLLINGThe Turning WheelSacred Bones
24GUSTAFAudio Drag For Ego SnobsRoyal Mountain
25ONE STEP CLOSERThis Place You KnowRun For Cover
26SNAIL MAIL“Valentine” [Single]Matador
27SPUD CANNONGood Kids Make Bad ApplesGood Eye
28LOWHEY WHATSub Pop
29INDIGO DE SOUZAAny Shape You TakeSaddle Creek
30GREENTEA PENGMan MadeEMI

Daytime Adds

#ArtistAlbumLabel
1GUSTAFAudio Drag For Ego SnobsRoyal Mountain
2HOVVDYTrue LoveGrand Jury
3PUBLIC SERVICE BROADCASTINGBright MagicPIAS
4IDLES“The Beachland Ballroom” [Single]Partisan
5BLACK COUNTRY NEW ROAD“Chaos Space Marine” [Single]Ninja Tune
6AUDIOBOOKSAstro ToughHeavenly/PIAS
7NYLON SMILE“Only You Know” [Single]Self-Released
8LALA LALAI Want The Door To OpenHardly Art
9WOMBOKeesh Mountain [EP]Fire Talk
10NEAR BEERSleeping Is For SuckersSelf-Released
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Weekly Charts

Underground Charts 10/19

#ArtistAlbumLabel
1ILLISMFamily Over EverythingThe CRWN
2MCKINLEY DIXONFor My Mama And Anyone Who Look Like HerSpacebomb
3SKIIFALLWOIIYOIE TAPES Vol. 1 [EP]Self-Released
4INJURY RESERVEBy The Time I Get To PhoenixSelf-Released
5SMOKEY SMOTHERS“Go Nutz” feat. Chakara Blue [Single]Destine
6SHADTAOSecret City
7COMMONA Beautiful Revolution Pt. 2Loma Vista/Concord
8LAVA LA RUEButter-fly [EP]Marathon
9SHYGIRLALIAS [EP]Because
10TYLER THE CREATORCALL ME IF YOU GET LOSTColumbia
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Podcasts

No Thingz Considered

Hermajesty has taken his Crew of Eubanks, 3 Bears in a Coat, Rainbow Riot, T-Time, and Taylor on a variety show each week where anything and everything can happen based around a very loose Idea of what should be accomplished every week and what comes out of this is an hour and half of friends having fun.  Join us.

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Podcasts

After Dark – Maine Campsites and Band Camp Carpools

In this episode of You’ll Never Believe Me But… After Dark WKNC’s Interview Content Creator and Cutter’s noted coworker Owen comes on to talk about his experience camping in Maine and misadventures at band camp involving his high school girlfriend.

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Festival Coverage

How Hopscotch Created a Sense of Community for Artists

During Parquet Courts’ set at Hopscotch Festival, the bass player, Sean Yeaton, broke one of his bass strings. He didn’t have extra strings or a second base. While discussing with the band about whether he should pick up a guitar or try and play with one less bass string, Eric Johnson, the guitarist for Archers of Loaf brought out Matt Gentling, their bassists, bass for Yeaton to use. Yeaton played the rest of the set with Gentling’s bass and the show went on. This is the perfect story to show the sense of community the Hopscotch Festival created. 

The Hopscotch Festival took place over a month ago, but I still think about this moment. I was so excited to go back to festivals and be around people who were eager to see the same artists as me, and that moment reminded me why I love seeing live music. It is so delightful to see your favorite artists interacting with each other, and it’s even better when it’s happening in the city you live in. 

Large and small bands came together in Raleigh to perform to an excited crowd, for many of the people there it was probably their first shows back since the pandemic. I got to talk to some of the artists about their festival going experience and they all had nothing but nice things to say about Hopscotch. 

For Hannah Jadagu, a young indie-pop artist from New York, Hopscotch was the first festival she’s ever performed at. She had a prime spot on the City Plaza stage at 4:30, before Anjimile. 

“I was really nervous to play a festival, especially on the big stage, but I felt the performance went really well and I got more comfortable on stage as time went on,” Jadagu said. “ I was also really happy to see the crowd filling in during my set and I was able to play off of the crowd’s energy.” 

Jadagu was just as thrilled to be at the festival as the audience. She noted she was excited she was able to catch the Caroline Polachek and Flying Lotus sets. One of her current favorite artists is Caroline Polachek and she took inspiration from her confidence on stage. 

Wednesday, another act who played Hopscotch was excited to be back in Raleigh and at Hopscotch. This was their first time playing one of the main stages at Hopscotch and the lead singer, Karly Hartzman was excited to finally perform songs from her new album, Twin Plagues, for a responsive audience. 

“It was so validating to play on one of the main stages, we played a few day parties in 2019 which were great, but it was so exciting to come back and be asked to perform on a main stage,” Hartzman said. 

She was also happy to be able to play after the Pandemic at all outdoor sets because the band and audiences felt more comfortable being outside. 

“The last time we were at Hopscotch was really stressful because we were playing sets and still wanted to go see other acts, so we were running around all weekend.” Hartzman continued, “It was overwhelming because there were so many places we wanted to or had to be. This year it was a lot easier to go back and forth between the two main stages and play the next day [at Ruby Deluxe].” 

Playing her new songs for the Hopscotch crowds was also very rewarding for Hartzman. Her lyrics are so vulnerable and she was thrilled to share them with the crowds. 

“Practicing can be mind numbing because I have to put myself back in the place I was when I wrote these songs, but knowing my songs are being accepted and recognized by listeners was amazing,” Hartzman said. 

The last act I got to talk to was Archers of Loaf, who like Wednesday are also North Carolina Natives. Archers of Loaf headlined the Moore Square stage on the last day of the festival, and hundreds of people came out to see them return to Raleigh.

“When we first started as a band it was really hard to break into the scene in Raleigh, there were so many good bands and it took us a while to get our name out there,” Guitarist Eric Johnson said. “It’s so gratifying that we are now headlining a festival in Raleigh.” 

The band was pleased with the turnout and the energy from the crowd at Hopscotch. It’s nice to know that the artists enjoyed the festival as much as I did, because it makes me want to attend even more next year. Having a great music scene in Raleigh is an exciting privilege and I can’t wait to see who will come through the city next. 

Categories
Podcasts

EOT 337- 30th Anniversary of Witherspoon

Link to Harmabee event details: https://calendar.ncsu.edu/event/harambee 

Categories
Band/Artist Profile Festival Coverage

Artist interview & profile: Hannah Jadagu

From her bedroom to the main stage at Hopscotch, Hannah Jadagu is starting to make a name for herself in the indie music scene. 

Hannah Jadagu is an indie-pop artist who now lives in New York City, but is originally from Mesquite, Texas. The 19-year-old singer only started her music career a few years ago when she was in High School. She was 16 when she first learned how to play guitar, and instantly felt connected to the instrument. She started writing songs and recording them on her iPhone and released a few online. 

Now, a few years later she is signed to Sub Pop Records and is starting to play live shows. Her first festival performance was at Hopscotch in Raleigh, and we got to share that sweet experience with her. 

As she took center stage she felt nervous about how the set would go over. She had two other people in her band, a drummer and a member who jumped around between playing guitar, bass, and samples on his computer. Overall she felt their set went really well and she was excited to play in Raleigh for the first time. 

With this show in the bag, Hannah felt ready and excited for her upcoming tours and projects. She is currently working on an album and is opening for Beach Fossils and Wild Nothing on their North American tour. She also announced that she will be opening for Ritt Momney in 2022. 

Because of Covid she wasn’t able to share her music with as many people face to face, but it gave her the opportunity to work on her music and create music videos and more content for fans. 

“I took a leave of absence from school so that I could tour and focus on my music,” Jadagu said. “It was too much to balance, and I’m so happy with my choice because now I get to have these amazing experiences like playing festivals.” 

Hannah started her musical career by putting the songs she was working on out, and spread the word through her instagram which landed her a record deal with Sub Pop. 

“It was such a surreal moment, I got a DM on instagram from a manager at Sub Pop saying they loved my music and wanted to work with me, I didn’t think it was real at first but after a few zoom calls I signed to Sub Pop and now they’re helping me put out my music,” Jadagu said. 

Jadagu takes inspiration from any music and media she is consuming at the moment and turns them into her own interpretation. 

“Usually I just start strumming my guitar and see where that takes me. I like to freestyle and record all of my ideas so I have a basis to work off of when I’m ready to put the song together. When I play something that makes me excited I hone in on that part and work around it.”

Hannah was excited that she could perform her songs to crowds again and not just for her computer in her bedroom. Many artists probably feel the same way now that shows are being set up again. 
You can listen to her new single “All my Time is Wasted” here.