I’m not entirely convinced that Tanerélle isn’t a celestial being from a far-away Afrofuturist utopia. She brings to Earth her intergalactic take on R&B and neo soul in her newest album, “Electric Honey (Encore).”
The album features some beautiful artists like Machinedrum, who specializes in elegant breakbeat and IDM, and Sabrina Claudio, who has got the sense for sensuality on lock. Drawing from both worlds is something Tanerélle does often, so they seem like perfect collaborators for her vision.
I actually first heard Tanerélle on a Machinedrum track two years ago, called “Star,” and was transfixed. Spellbound. Bewitched. Her voice is like a thick silk velvet against the track’s delicate ambience, and there’s no shortage of that feel in “Electric Honey.”
The first track on the album is “For Her (Chemtrails),” featuring Machinedrum and IMANU. The very first synths sound Ark Patrol-adjacent (an IMANU staple), setting the stage for a lighter dance track that burns out like a blown-out birthday candle: we’re left with the kiss of smoke from its wick.
One of my favorite tracks on this album is “Let Me In – Cosmic Orchestra Ver.,” where Tanerélle takes a standard R&B melody and makes a spectacle of it. The strings are utter drama as she begs a lover to let her in: “Under your skin / Yearning for softness / No need for caution / I’ll be your saint.”
The grandiosity continues with the album’s title track, “Electric Honey.” It’s more of an interlude, bridging the gap between the longing of the orchestral version of “Let Me In” and the neo-soul-voltage of “Blink.”
A final favorite of mine from this album is “Overflow.” It starts off more somber than the others and is at points, more IDM than R&B. At others, it’s sacral like a call through a cavern, accompanied by sober clarity in the lyrics:
I close my eyes as I spy for relief
I sneak away in the night while you sleep
I beg the sky for some love and some peace
And a forever, one for you and one for me
But there’s never getting what you want
It’s an all-too-familiar surrender to truth, after trying to deny that something once complete has since succumbed to decay. I think the track does well the weird back-and-forth between the lightness from relief, and the weight of memory in those moments of realization.
Overall, I think “Electric Honey (Encore)” is a sweet little release with some versatility; I could both dance and cry to some of the songs, depending on the day. It’s slightly experimental, but it remains in the realm of easy listening.
I may play something from it on a set soon..
love & disco,
dirty chai