Champagne Champagne
Album: Champagne Champagne
by: Jose Jose

Champagne Champagne’s debut album finally got released for purchase and download this month, and it rises to every bit of anticipation that was generated by their earlier EP.  The group, comprised of Pearl Dragon, Sir Thomas Gray, and DJ Gajamagic [Mark Gajadhar from the pop-metal band The Bloodbrothers], composed a great mix of dancified hip-hop that is overflowing with themes of love, lust, and reckless disregard for anyone that would get in their way. The album takes your soul from the depths of betrayal to ecstatic party mode, and you’ll be nodding your head to the beat the entire time.

The first track, “Soda & Pop Rocks”, strikes out with a deep, pounding bass that sets the mood for the whole album. The song is a shout-out to the hoods of Seattle, so as you’re tapping your feet to the beat Pearl Dragon calls out: “in the CD [Central District] bumpin’ CD’s/ my city’s not pretty, it’s gritty.” He makes it clear that no one can stop them from “blowing up like soda and pop rocks.”  They carry the aggressiveness and determination of S&PR into “Radio Raheem” and depict the struggle their friends and family have been put through by violent police actions. The distorted guitar in the back only adds to the gritty reality of Seattle painted in S&RP.

Most of the album, however, is about girls. “Molly Ringwald” is a slow dance tune with spaced out and trippy synths behind it in which GajaMagic sings about his love of a girl that looks similar to Molly Ringwald. It turns out to be so sad because after a one-night stand she never talks to him again. The pain doesn’t stop there, though. In “Cover Girls” Pearl Dragon rhymes about a girl he dated that cheated on him with his friends. The synths and haunting backing vocals make it very heartfelt and depressing when he says ”I didn’t know that you could be influenced by some other guy/ every time I look into your eyes I know it’s a lie.” Insult is added to injury when, later in the song, the girl comes back only to give him “what she gave every other guy – the clap.” After hearing this song, it’s obvious that Pearl Dragon never wants to love another woman.

The group has no qualms about hooking up with girls, though, because in “Champagne Loves Your Brain” they aren’t talking about your intellect.  The quick bass and playful guitar will have you bouncing again as you hear about the group’s physical desires. They aren’t selfish, though, as evidenced in “What’s Your Fantasy.” Over a funky bass and seductive saxophone, every sexy girl gets an account of the services they could receive, which sounds quite extensive.

It is quite clear from their name and album cover that Champagne Champagne is simply trying to have a good time. This album shows that even with a broken heart or police trouble you can still dance and live your life like a party.

Raekwon at Cat's Cradle

During a year in which hip-hop seems to be coming back into the hands of actual emcees and leaving the hands of industry-supported artists, an album was dropped on September 8, 2009. An album that many, after 14 years, thought would never see the light of day. That album was the highly anticipated sequel to Raekwon the Chef’s Only Built 4 Cuban Linx…, the album said to introduce the mafioso aspect to hip-hop back in 1995. Definitely being one of the hip-hop albums released this year, and in a very long time, it was only fitting that the Chef go on tour to promote his album. After a month or so in Europe, he finally hit the States and landed in the middle of North Carolina on December 6, 2009 at Carrboro’s Cat’s Cradle, when Raekwon, with the help of two special guests, put on a show just as equally dope as the album.

Of course, before getting to the main show, it must be brought to the attention that not all things started off with a bang at Cat’s Cradle. One of the opening acts, recently signed by Raekwon’s Ice H2O Records, came on stage for their performance. Having been to quite a few shows at Cat’s Cradle now, this was by far the worst performance I had ever seen. The name of this group is easily forgotten, as was their performance. Five guys bouncing on stage, bringing rhymes that you would hear from Gucci Man or Lil Wayne — and they were straight from North Carolina. Definitely not a great way to start the night. But thankfully, Raekwon’s arrival on stage pushed away all the horrible memories of that performance.

A couple of weeks ago, I went to see the God MC on stage, kicking a hole in the speaker, pullin’ the plug and then jetting. And I thought that was the greatest show I had been to. And while Rakim will always be the greatest rapper in my opinion, Raekwon destroyed the live show. The hunger was there — the drive, the passion. It was like watching a ghost from the past. And it reminded you why the members of the Wu-Tang clan still have the one of the biggest followings of any rap group in the world.

Without even saying a word,  the presence of Raekwon on stage was enough to send the crowd in a frenzy. The Chef had arrived and the symbol of the Wu-Tang Clan had immediately gone up, with choruses of “Wu-Tang!” echoing through the venue. And then the saga continued. From the legendary joint, “C.R.E.A.M.” to “Da Mystery of Chessboxin’”, Rae kicked it off properly with joints from the classic Wu debut, 36 Chambers. And then, getting the crowd pumped up and talking about bringing real hip-hop back to the scene, Rae went straight into Cuban Linx I, grooving on stage to the song sampled in “Ice Cream” before launching into the actual song, accurately taking on verses by both himself & Wu-Tang brother, Ghostface Killah. Then it was on to the next one, ripping apart the song, “Criminology” and takin’ us back to “the good ol’ days”. But the Chef, already down with a cold and slowly losing his voice, decided to take a brief intermission and introduced to special, special guests on to the stage…

CNN. Capone-N-Noreaga. Bringing us a special “War Report”, and serving us up with classic tracks, including the amazingly dope cut, produced by DJ Premier, “Invincible.” For about 10 to 20 minutes,  CNN tore up the stage, leaving none in their path. And you could tell they were going hard. Capone came back on stage for a brief minute to talk about iPhone apps, of all things, and could barely speak above a whisper because he lost his voice from the performance. And for all of you looking for the next CNN album, keep on the lookout for The War Report 2, due out on Ice H2O records sometime in early 2010.

Of course, after the brief intermission, the Chef came back up to the front and got right back in the swing of things, giving praise, respect and love to his brother, Ason Jones, also known as Ol’ Dirty Bastard and then destroying track after track after that was on the Only Built 4 Cuban Linx II, from “House of Flying Daggers” to “10 Bricks” and “Black Mozart”, Chef ended the saga with a bang, effectively closing up the sequel and conclusion to the original Cuban Linx album.

by DJ Wise

Bull City band an ‘academic super group’
Silence Fiction – The Beast
Chakra Con Music/Robust Records
4/5 stars
By Mike Alston

I always say that if you’re going to be a nerd, you shouldn’t apologize. Be proud!

Herein lies my justification for being unapologetically nerdy about some things. I suppose the same applies for being a band: if you’re going to be socially conscious, be unabashedly so.

Judging by their first full-length release, “Silence Fiction,” Durham-based band The Beast must agree. Almost every track is infused with laments, celebrations, and everything in between concerning matters of religion, race, politics, Bojangles, and other matters of pertinence.

And there’s no vacillating on some of these issues. The Beast is in your face about words like freedom and about race issues. It’s no wonder, then, that emcee Pierce Freelon is a visiting professor in the political science department at the UNC-Chapel Hill and the founder of the blog blackademics.org.

Additionally, The Beast’s recorded lyrics are less the product of writing than freestyling, so Freelon’s messages are genuine, if a little overbearing at times. But if issues don’t get you excited about music, then that’s okay too. The Beast is anything but a one-trick pony. I’ll get to that shortly, but their formative process is a prerequisite to understanding their sound.

The Beast could be called an academic super group. Freelon — whose mother is Grammy-nominated jazz singer Nnenna Freelon — needed a backing band for his thesis work in Pan African Studies at Syracuse University. He went asking at his alma mater, UNC-CH, and came back with three musicians all studying jazz.

While Freelon, Eric Hirsh, Pete Kimosh and Stephen Coffman were scoring the music for a film relating to the thesis work, they decided to stick together longer than originally intended. The result has been two EPs and an imminent LP that are refreshingly unique.

This distinctive sound is what, in my mind, makes The Beast noteworthy.

The band members are all students of jazz and manage to mix a vast array of musical influences. Their MySpace page will tell you they fit into the “Hip Hop/Jazz/Soul“ genre, but that is a bit disingenuous. The song “Translation” illustrates this point perfectly. It begins with an intense beat with Freelon rapping, but around the one-minute mark the band turns the song into what sounds like a salsa number, with some of the accompanying lyricism in Spanish. Such a tightly executed change of pace indicates quality musicianship and great production — courtesy of Sound Pure Studios.

The entire album is full of surprises similar to this one, as well as several points during which Freelon’s contagious energy culminates with a chant of “Whoo!”

Messages, influences, and production aside, this album is carried by its songs, each a unique story — some of them approaching didactic. Each song adds something new to the list of the things that The Beast does well, which in turn gives the album great replay value. “Silence Fiction” is long awaited but worth that very wait.

88.1 WKNC Pick of the Week is published in every Thursday print edition of the Technician, as well as online at technicianonline.com and wknc.org.

Inflowential just released a new music video for “Sheriff”, their contribution for the Hear Here local music compilation.  The video was made by Jason Arthurs, and features footage of Inflowential recording at Flying Tiger Sound.  The song addresses the issue of police brutality and references the Bob Marley classic, “I Shot The Sheriff”.  Check it out!

Inflowential will be playing with The Love Language and Motorskills on Saturday, October 3rd, for the Hear Here finale show at the Pour House Music Hall.  The doors open at 8pm, the show starts at 10pm, and tickets are $7.  See you out there!

The top 10 hip hop albums played in our Underground format this past week:

J Cole

1. J Cole - Lights Please
2. XV – Life Vs. Living
3. KRS – One and Buckshot – Survival Skills
4. Perfekt and Chance - She’s Dat Gurl
5. Saigon – “Believe It” [Single]
6. Slaughterhouse – The One
7 . Charlie Smarts - Bonanza
8. Dirty Money -Angels [Single]
9. So Supreme – Sha Stimuli
10. Pittsburgh Slim – “Girls Kiss Girls” [Single]

All this week, be listening to Underground on 88.1 FM for your chance to see Lil’ Wayne in concert. Live Nation presents Lil’ Wayne with special guests Soulja Boy, Young Jeezy, Drake, and Jeremih on Saturday, Aug. 8 at the Time Warner Cable Music Pavilion at Walnut Creek. Former WKNC hip-hop music director DJ Nominal named Lil’ Wayne’s Carter III as one of his favorite hop-hop albums of 2008. Your first chance to win tickets is this Saturday, Aug. 1 during The 2.0 Show with D-Cutta.

The Independent Weekly has recognized Durham producer 9th Wonder in the 2009 Indies Arts Awards. Formerly a member of the Little Brother trio, 9th Wonder is an instructor at N.C. Central University and produces with artists such as Ludacris on the side. He also won a Grammy for his work with Mary J. Blige.

Read the full story about 9th Wonder’s award and other accolades here.

WKNC has been good to me over the past 4 years.  I had the privilege of sharing some awesome tunes with everyone through the Dance Dance Revolution, and during my term as General Manager over the past academic year we did some awesome things here at WKNC, we even launched this very blog.

Unfortunately as a recent graduate of NC State University society has pressured me into “moving on with my life” which entails me leaving Raleigh and the warm embrace WKNC.  But before I bid you all farewell please join me and listen in as I take control of the studio for 24 straight hours from Tuesday, June 23rd at noon to Wednesday, June 24th at noon. I will be pumping up all of your favorite WKNC jams for a whole day across Daytime, Local Lunch, Underground, and Afterhours formats. No artists will be repeated.

Stay classy, triangle. (Especially you, Durham)

“I’m the Izza Kizza” by the Izza Kizza is an intoxicating blend of electronic and hip hop perfect for a basement dance party filled with foam and smoke, flashing strobe lights,  and full of sweaty kids dressed up in some weird theme, like that “redneck track and field” design school party i went to.

Check out the music video for “I’m the Izza Kizza”.

Hailing from Valdosta Geogria, The Izza Kizza is very much still on the underground, but has received attention from some big timers, like Timbaland, Lil Wayne, and David Banner.  Look out for an Izza Kizza world wide take over coming soon!

The Carolinas are finally getting their time to shine with the Second Annual Carolina Music Awards.  This award show allows you, the fans to choose North and South Carolina based nominees and winners. The show will take place on August 8th at the Progress Energy Center in downtown Raleigh. There will be weekly updates on Saturday Night Soul and R&B where I’ll let you guys know the latest news and nominees and we’ll also have late breaking updates from the Director of the Carolina Music Awards, Omar. Nominations end May 29th, so don’t delay! Nominate your favorite local Rock, Hip-Hop, Country, R&B artist or DJ now!  Head on over to:

www.carolinamusicawards.com

www.carolinamusicawardsnetwork.com.

Yamil Camacho
Technician Staff Writer

What is one day in the life of a rapper? Mainstream ideas of the life of a rapper show it composed of parties, high-price cars and questionable activities. Napoleon Wright’s documentary, One Day seeks to refute that stereotype. The film follows each member of Kooley High, a local group made up of N.C. State alumni.

One Day will be showing at Witherspoon Cinema on Monday, April 20, starting at 7:30 with DJ sets from DJ J. Wall, DJ Nominal and Kooley High’s own DJ Ill Digitz. The event is a collaboration between WKNC and the UAB.  It is free to all students.

Kooley High will open for Wale at the Cat’s Cradle April 16.

For more about the film and quotes from Kooley High’s Tab One, check out the full story here.

The [Abstract] Best Of Q-Tip Vol. 1

As a hip hop DJ, one of my biggest idols is DJ J.Period. J. Period has garnered numerous awards for his mixtapes including “Elemental Magazine “MIXTAPE DJ ROOKIE OF THE YEAR 2003″, “Source Magazine MIXTAPE DJ OF THE YEAR 2005″, “MTV TOP 5 DJs OF 2007″, and “Hip Hop DX 2008 Mixtape of the Year Runner Up” for “Design of A Decade Volume 1″ hosted by Skillz. Check out J. Period’s awards and press page for a complete list of his achievements.

The [Abstract] Best Of Q-Tip Vol. 1 describes Q-Tip’s journey through hip hop. In the “behind the scenes” mini-interviews, Q-Tip explains what influences him to make music and how well-known projects like “Scenario” came together. The [Abstract] covers Tip’s most popular songs with A Tribe Called Quest, his solo joints and his production projects.

Exclusive J. Period remixes for Getting Up, What The Fuss (that “Shook Ones” instrumental can make any remix hot), Give Up The Goods (which includes an an extra verse by Nas), Buddy and others are available only on this mixtape. In addition to the J.Period remixes, artists like Skillz, De La Soul, Consequence and Kid Cudi pay homage to Q-Tip by reinterpreting his classics with ‘tribute remixes”.

If you’re a DJ, aspiring artist, old head or a newcomer to hip hop, The [Abstract] massages away all the stress of commercial rap and even comes with a happy ending! That is, the end of the mixtape hints at The [Abstract] Best Of Q-Tip Vol. 2, which you can get if you buy the Limited Edition [Abstract] Best T-Shirt. The shirt, designed by Fuse Green, sports the mixtape’s cover on the front and has three options for the writing on the back. Q-Tip is a hip-hop legend and if you aren’t familiar with him, take a piece of advice from the (recreated) Midnight Marauders Tour Guide: “For an enhanced hip-hop experience, please know your history.”

Favorites : Vivrant Thing (J. Period Remix), What (Tribute Remix), What The Fuss (J. Period Remix), Give Up The Goods (J. Period Remix)

“One Day, introducing Kooley High,” is a 38min documentary that chronicles a day in the life of Triangle-based rap group Kooley High and their desire to be heard. The documentary is filmed throughout Raleigh-Durham, N.C and was filmed, edited and directed by Napoleon Wright II, founder of Becauseus.org ,in association with M.E.C.C.A Records.

Rapper Big Pooh will be calling in to the DJ Nominal Late Nite Mix Show on Thursday at 12am. He as a new album that is about to be released entitled Delightful Bars. The set release date is February 10, 2009. Rapper Big Pooh currently has a new single out entitled The Comeback. Tune in to WKNC on Thursday morning to here more details.