Greg and Nathan from Hopscotch Music Fest LLC stopped by the station last week to chat with me about the state of the festival, its future, the triangle community, and music in general. You can listen to the extensive interview here. 

Our conversation had me thinking on some of the highlights from my experiences at past years attending the festival. Many of the most fun times I’ve had at Hopscotch or in Raleigh, or at live concerts in general have been sparked by the somewhat spontaneous nature of Hopscotch’s design. By so excellently pairing such interesting and unknown artists together with local acts or more established groups the festival creates an atmosphere that breeds discovery.

But while there are great sets at single venues at the same time the range of diversity and general quality of the festival brings always brings up conflicts and scavenger hunt style show attendance hopping. 

I remember at last year’s festival I went to CAM to see Horse Lords on a completely blind suggestion from a friend. Horse Lords have been described as “polyrhythmic krautrockers” that use intonation and repeating tropes in an entrancing psychedelic rock and roll kind of way. It doesn’t sound like the kind of thing that could be catchy or fun but IT WAS. The live performance had multitudes of energy and on top of that I got to have a conversation with Wye Oak’s Jenn Wasner in the crowd. 

Its that kind of liberating feeling that any show you could walk into could be your next favorite band that has kept me coming to Hopscotch year after year and I hope you consider making some spontaneous choices this year as well.