Last week on the Local Beat was a lot of fun, as we had two bands in the studio for 2.5 hours of good conversation. Maria Albani, bass player of Schooner, came in to chat about her new solo project Organos at 5 p.m which is having a debut album release for the brand new EP, Limbs, this Friday at the Pinhook in Durham (it is already getting airplay on Satellite Radio).  Organos is an interesting band in which Maria plays an assortment of unorthodox instruments such as spoons, glass, cardboard, boxes, shaker eggs, and sticks among other interesting sounds to create a unique yet immensely satisfying minimalist folk rock sound.  On the album Maria performed most of the parts herself but live Organos is a whole different animal.   A mini local super group of sorts, Organos live claims the likes of Reid Johnson (Schooner), Wes Phillips (solo, North Elementary, Rosebuds), Theresa Phillips (North Elementary), Nathan White (Nathan Oliver), and John Harris0n (Nathan Oliver, North Elementary), not to mention Maria herself.  In our conversation Maria, Theresa, and I chatted about the album, the band members, the show, and also her past bands which include Pleasant, Tennis and the Mennonites, Un Deux Trois, & The Pox Family Singers.  Listen to the podcast below:

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Organos is playing at the Pinhook this Friday, February 5 alongside Birds and Arrows and Ye Old Shoppe (with members of Wild Wild Geese).  The show is at 9:30 p.m., and you get a free copy of the album with price of admission!

At 6 p.m., local bluegrass favorites The Hotwires stepped in to chat about an assortment of different topics, but mostly to encourage our listeners to head to the Haiti Relief Benefit show at the Pour House Thursday, February 4th.   The Hotwires are playing in the middle of the show after Andy Bilinski, Roger Gupton, and the Debonzo Brothers, and before Chatham County Line, Filthybird, and A Rooster For The Masses.  The show is $12 and all proceeds are going to the Red Cross in support of Haiti Relief efforts.  The fellas and I spent quite a bit of time chatting about bluegrass as a genre, the history of bluegrass, as well as their upcoming album which is hopefully going to be released at some point this spring.   We even got a little touchy when talking about their old band name, No Strings Attached.  They also brought in some instruments and played some live tunes for me.  Check out the reverbnation player below to listen to the songs or listen to the entire podcast:

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I also interviewed Hank Smith for this past Monday’s Eye On the Triangle program here on WKNC about the benefit. You can listen to that segment here.

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One of the first local bands I was ever introduced to and also one of the most influential in our area, Bellafea has been gradually building quite a following since their first split 7″ with Des Ark back in 2005.

Though often overlooked by local indie pop groups with a more comfortable sound, once you see this threesome live you will forever be forced to compare every live show to the raw energy, hardcore attitude, and head-bobbing punch you in the mouth feel that they electrify your ears with.  No North Carolina band rocks harder, plays louder, and gets in your face as Bellafea does.

It is strange that such force comes from such a petite lady.  You might have seen Heather McEntire playing solo from time to time sitting in a chair strumming her acoustic without a microphone or amplifier, her voice barely breaking a whisper as she is surrounded by an attentive audience, entranced by her angelic voice.  Perhaps you have heard her from her side projects Un Deux Trois or Mount Moriah as the sweet sounding front lady of the two soft folky pop groups that has everyone’s ears buzzing.

But with Bellafea the shy placid persona falls off her and is replaced by an alter-ego of sorts, a powerful and inflamed diva whose personal demons come out in the form of a woman possessed, obliterating her guitar while bursting into her lyrics with a post hardcore attitude.  Along side Heather is Eddie Sanchez (also in Fin Fang Foom and Death Came Down the Mountain) whose blistering and electrifying bass playing ignites the crowd.   Always jumping, banging, and seemingly tearing his bass apart, he is the fire that ignites the group and transcends them into the local punk gods that they are.  Add on to that Nathan Buchanan’s crushing drums and pounding beats and you have a remarkable live act that sends your mind into a whirlwind of loud music madness that is sure to get your head rocking and your feet moving.  They are not a band you want to miss live.

Bellafea will take the stage for night one of Double Barrel Benefit 7 on Friday, February 5 at The Pour House along with The Light Pines, Veelee,, and Max Indian.

For the complete Double Barrel schedule and ticket information, click here.

We packed quite a bit into an hour and half last Friday on the Local Beat.

At 5:00, Kim Gray brought a rather large posse with her, including Megan and Ian from Pistil, Paul and Junko from Scientific Superstar, Teresa from The Virgo 9, and Shirle from Free Electric State.  We chatted about the upcoming Pick n Bitch Festival at the Pinhook in Durham.  Our topics of discussion ranged from Durham’s (undue?) status as official “underdog of the triangle” to the word bitch and its connotation.

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Then at 6:00, Liza Kate and Jenks Miller (Mount Moriah, In the Year of the Pig, un deux trois, Horseback) of Holidays for Quince Records joined us.  Liza had her release show that night for her new album, Don’t Let the Dogs.  We chatted a bit about the label and the weekend-long Holidays for Quince block party, and she was kind enough to play a few songs in studio for us.  Check it out below.

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An in-studio performance of an untitled song:

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An in-studio performance of “No Good”:

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