Now that the year 2012 is coming to a close us here at WKNC look back at our top five albums of the year once again. Although we might not always agree on what is the most amazing, the love of great music not only kept us excited throughout 2012, but we look forward to the amazing music that it will bring as well. Take a gander at what are a few of the albums we loved throughout this year, as chosen by WKNC DJs. See you in 2013!

 

Sarahnade

1. Caspian – Waking Season
2. El Ten Eleven – Transitions
3. Spider Bags – Shake My Head
4. Pinback – Information Retrieved
5. Divine Fits – A Thing Called Divine Fits

 

C. Deuce

1. Yeasayer – Fragrant World
2. Alt-J – An Awesome Wave
3. Hundred Waters – Hundred Waters
4. Sweet Valley – Eternal Champ
5. Miike Snow – Happy to You

 

CMYK

1. Japandroids – Celebration Rock
2. Andrew Bird – Break It Yourself
3. Beach House – Bloom
4. The Mountain Goats – Transcendental Youth
5. Oceanics – Bright People

 

JKG

1. Dan Deacon – America
2. MAKE – Trephine
3. The Album Leaf – Forward/Return
4. Dads – American Radass (this is important)
4. El Ten Eleven – Transitions

 

Zaps

1. Father John Misty – Fear Fun
2. First Aid Kit – The Lion’s Roar
3. Bowerbirds – The Clearing
4. Lost In The Trees – A Church That Fits Our Needs
5. Jukebox the Ghost- Safe Travels

 

Seagull

1. DIIV – Oshin
2. Tame Impala – Lonerism
3. Ty Segall Band – Slaughterhouse
4. Mac Demarco – 2
5. Beach House – Bloom

 

DJ DiGiorno

1. Howler – America Give Up
2. Beach House – Bloom
3. Dirty Projectors – Swing Lo Magellan
4. Father John Misty- Fear Fun
5. Dr. Dog- Be The Void

 

DJ GRZA

1.  Flying Lotus – Until The Quiet Comes
2.  Andrew Bird – Break It Yourself
3.  Frank Ocean – Channel Orange
4.  Kendrick Lamar – good kid, M.A.D.D city
5.  Alt-J – An Awesome Wave

 

The Mattador

1. Grouplove – Never Trust a Happy Song (Released 2011)
2. Dr. Dog – Be the Void
3. Passion Pit – Gossamer
4. Cloud Nothings – Attack on Memory
5. Supreme Cuts – Whispers in the Dark

 

DJ Smitty

1. The Menzingers – On The Impossible Past
2. Red Collar – Welcome Home
3. Japandroids – Celebration Rock
4. Murder By Death – Bitter Drink, Bitter Moon
5. Hop Along – Get Disowned

 

DJ Ones

1. Andrew Bird – Break if Yourself
2. Tame Impala – Lonerism
3. Sharon Van Etten – Tramp
4. Dirty Projectors – Swing Lo Magellan
5. Grizzly Bear – Shields

 

DJ Salinger

1. The Avett Brothers – The Carpenter
2. Grimes – Visions
3. The XX – Coexist
4. Toro y Moi – June 2009
5. Oberhofer – Time Capsules II

 

Muta

1. GRiZ – Mad Liberation
2. Purity Ring – Shrines
3. Submotion Orchestra – Fragments
4. Badbadnotgood – BBNG2
5. XXYYXX – XXYYXX

 

May Day

1. Beach House – Bloom
2. Purity Ring – Shrines
3. The Walkmen – Heaven
4. The Helio Sequence – Negotiations
5. Oberhofer – Time Capsules II

 

Billy

1.Stripmines – Crimes of Dispassion
2. Oiltanker/No Tomorrow – Split LP
3. The Sword – Apogryphon
4. High On Fire – De Vermis Mysteriis
5. Mob Rules – The Donor

 

Walter-Ego

1. Dan Deacon – America
2. Death Grips – The Money Store
3. Spider Bags – Shake My Head
4. The Mountain Goats – Transcendental Youth
5. Dr. Dog – Be The Void

 

DJ Sweet D

1. Grimes – Visions
2. Purity Ring – Shrines
3. First Aid Kit – The Lion’s Roar
4. Andrew Bird – Break It Yourself
5. Grizzly Bear – Shields

 

Major Tom

1. Alt-J – An Awesome Wave
2. Cloud Nothings – Attack On Memory
3. Tame Impala – Mind Mischief
4. The Shins – Port Of Morrow
5. Beach House – Bloom

 

DJ ACORN

1. Micachu & The Shapes – Never
2. Daughn Gibson – All Hell
3. The Music Tapes – Mary’s Voice
4. Schoolboy Q – Habits & Contradictions
5. Murder by Death – Bitter Drink, Bitter Moon

 

Anastassia

1. Japandroids – Celebration Rock
2. Ty Segall Band – Slaughterhouse
3. DIIV – Oshin
4. Grass Widow – Internal Logic
5. Grimes – Visions

 

Spaceman Spiff

1.  Chromatics – Kill for Love
2.  Cloud Nothings – Attack on Memory
3.  Wild Nothing – Nocturne
4.  Grimes – Visions
5.  Divine Fits – A Thing Called Divine Fits

 

DJ CJ

1. Neil Young and Crazy Horse – Psychedelic Pill
2. Carolina Chocolate Drops – Leaving Eden
3. Steep Canyon Rangers – Nobody Knows You
4. Trampled By Turtles – Stars & Satellites
5. Old Crow Medicine Show – Carry Me Back To Virginia

 

ALASKA

1. Amanda Palmer & The Grand Theft Orchestra – Theatre is Evil
2. Sharon Van Etten – Tramp
3. White Lung – Sorry
4. Perfume Genius – Put Your Back N 2 It
5. La Sera – Sees the Light

 

DJ Mason

1. Lost in the Trees – A Church That Fits Our Needs
2. Beach House – Bloom
3. Death Grips – The Money Store
4. Grimes – Visions
5. Here We Go Magic – A Different Ship

 

Recently inspired by an NME post that had their staff discuss what the first albums they every bought were, I thought it would be interesting to figure out what the WKNC kids had first picked up.  After a bit of work this is what they sent me!

 

Professor X

Spice Girls- Spice

 

 

 

 

 

 

 

DJ Elly May

Natalie Merchant- Tigerlily

 

 

 

 

 

 

 

The first album I ever bought with my own money was Natalie Merchant’s ‘Tigerlily.’  Laugh if you dare.

 

Dr. J

Billy Ray Cyrus- Some Gave All

 

 

 

 

 

 

Back in 1992 or 1993, before most of the staff had started kindergarten, a young Jamie Lynn saved up her allowance to purchase a CD player and one CD to go with it: Billy Ray Cyrus’s “Some Gave All,” featuring the hit single “Achy Breaky Heart.”

 

K’nuckles

Queens of the Stone Age- Songs for the Deaf

 

 

 

 

 

 

 

From Walmart aw yea.

 

.jose jose.

System of a Down- Toxicity

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Real original, I know.

 

D-Cutta

Run-D.M.C.- Raising Hell

 

 

 

 

 

 

 

 

DJ Ones

Michael Jackson- Thriller

 

 

 

 

 

 

 

I used to dance my ass off to some Thriller, still do when given the opportunity.

 

The Chancellor

Franz Ferdinand- Franz Ferdinand

 

 

 

 

 

 

 

 

DJ Switch

Led Zeppelin- Best of Led Zeppelin

 

 

 

 

 

 

 

Still listen to it once a month or more.

 

Chuck

The Smashing Pumpkins- Mellon Collie and the Infinite Sadness

 

 

 

 

 

 

 

 

The Voice of Reason

Sum 41- All Killer, No Filler

I bought Sum 41′s All Killer No Filler. Embarrassing now, totally radical back then.

 

Mayday

Baha Men- Who Let the Dogs Out

 

 

 

 

 

 

 

I saved up my lunch money to buy this.

 

Cannibal Cory

Metallica- Master of Puppets

 

Bigfatsac

Ray Parker Jr.- Ghostbusters

 

 

 

 

 

 

 

It was the 45 single.  I was 6 years old and I believe I used my birthday money.

 

DJ Shorty Shorts

Dashboard Confessional- A Mark, a Mission, a Brand, a Scar

 

 

 

 

 

 

 

 

Spaceman Spiff

Smash Mouth- Astro Lounge

 

 

 

 

 

 

 

Rian Regal

Spin Doctors- Pocket Full of Kryptonite

 

 

After an impossibly long week, I had hoped that last Saturday’s show at the Cat’s Cradle would be great. I was in no way prepared for the powerful emotional journey I would experience. Each band attempted impossibly, yet successfully, to up the ante of intensity by giving a more impassioned and stirring performance than the previous band. Incredibly, even with their considerable body of recorded material, all three groups performed better live than on their albums.

Peter Wolf Crier took the stage first and stunned with their short and blistering set. Peter Pisano and drummer Brian Moen played with soulful, biting fervor. At times the duo’s dynamics recalled the consonance of the drums-and-guitar pair Dodos, but for most of the show, Pisano dominated the stage; the very air in the room became an extension of his body. Like a stationary one-man band, his myriad of amplifiers and effects pedals became a playground for his manic and maximalist compositions.

Crier’s performance would have been tough for any band to follow, but Midlake followed in stride. Appropriately, the band walked onstage just as Fairport Convention’s brilliant rendition of “Tam Lin” faded to a close over the venue’s speakers. A pastoral, electric folk ballad, “Tam Lin” is exactly the sort of song that underlies Midlake’s sound.

The seven musicians crowded the front of the stage in the best approximation of a democracy they could muster. Singer Tim Smith began the set crouched low in a folding chair, his presence subdued until the songs began to take shape. As guitar lines melded with flutes, close vocal harmonies and restrained drumming, the songs would weave and swell into evocatively textured sonic tapestries.

Rogue Wave took the stage without much fanfare. With their intentions clearly set on playing great songs, the band impressed with their joyous musicianship and their impeccable craft. Even after two great performances leading up to their set, Rogue Wave was the highlight of the night. Zach Rogue played with a fiery glint in his eye, and his bandmates deftly followed his every move. Fan favorites such as “Eyes” didn’t simply soar, they filled the room with their beauty.  As I drove home later that night, I realized something: this is why I go to concerts—to be moved.

by Tommyboy and Spaceman Spiff

Atmosphere is not the only thing that matters for a show, but few will argue against it’s utmost importance.  The atmosphere at the Cat’s Cradle on the 15^th was, forgive the term, awesome.  Laid back and congenial, the three bands on the bill obviously got along like good friends.  The Cradle was one of the last stops on their long tour together and the amicable vibe that evening was reinforced when each band mentioned the stop to be of personal significance.

The first to play was NYC-based Hooray For Earth (who had earlier in the day paid a visit to the WKNC studio for a live interview with our very own DJ Ones).  Several of their instruments appeared to be held together with duct tape, an eccentric detail that complimented the marvelously ramshackle nature of their music.  Their songs were slightly off-kilter and poppy and their set was high in energy.  Especially intense was the presence of two on-stage percussionists.

Following in rather quick succession, as opposed to the customary half-hour wait between bands, the much-lauded West Palm Beach, Florida, natives Surfer Blood took the stage.  The performance was prefaced with lead singer JP Pitts voicing the notion that “we’re all the same; you guys are just like us, and we are just like you.”  After plucking the opening notes of “Take It Easy,” Pitts slyly asked the audience, “Do you want the guitar on or off?”  His question was met with a few seconds of stunned silence.  Surely the musicians behind one of the best guitar albums of recent memory, Astro Coast, would want to thrill us with their riffs?  The response for “on” was overwhelmingly enthusiastic, and for the rest of their set Pitts ran around the stage taking power stances, holding his ax like a gun.  The energy of the evening built to the soaring one-two punch of “Swim” (for which all willing guests were invited onto the stage) and “Anchorage.”  With calm confidence, the band masterfully captured the rich and spacious sound of their album.

Kip Berman of The Pains of Being Pure at Heart took the stage after a short break to play a solo rendition of “Contender” before his full band took their places behind him.  With his band poised to start, Berman shyly asked the crowd, “Are you ready to rock?”  The band proceeded to breeze through pop gem after glorious pop gem only to peak with the catchy fuzz of “Young Adult Friction” and their new single “Say No To Love.”  If Surfer Blood is a guitar band, then the Pains are certainly a drums band.  Kurt Feldman, who also fronts the equally fuzzed-out band The Depreciation Guild, plays enchanting beats to which many people in the audience were enthusiastically air drumming.  JP Pitts of Surfer Blood and Gary Benacquista of Hooray For Earth gleefully appeared at the right moments to dance onstage and add frantic shakes of their tambourines.

As if the aggregate experience of these acts was not enough, members of all three bands took the stage for the encore, abiding by the crowd’s fervent request for their rendition of Lit’s “My Own Worst Enemy” (see below for a video of a similarly energetic performance of the song in Orlando).  With everyone in the room grooving along to the song, it wasn’t clear who was enjoying themselves more: the musicians or the audience.  Quite simply, everyone was experiencing the joys of celebrating music together.

(Video source: Pitchfork)

by Jacob and Spaceman Spiff

On Friday evening, the paragons of the independent age of music, Superchunk, played a night for the fans at the stage they helped build at the Cat’s Cradle.  The show was a warm-up for the summer music festival season and an east coast tour in the fall that will coincide with the release of their first full length album in nine years Majesty Shredding.   Fears that the show would highlight a laid back set from Superchunk stemming from the inclusion of Ryan Gustafson on the bill were quickly alleviated by Gustafson’s inclusion of friends from the Drughorse Collective to add a full band sound to his twangy pop.  Gustafson’s set was fantastic, the crowd was dancing and bobbing heads in approval as he performed his catchy songs with heartfelt conviction.

Superchunk took the stage at 10:00 p.m. brimming with intensity, vitality and volume.  Mac McCaughan owned the stage with moves that would put most Guitar Hero avatars to shame, Laura Balance is still a master of control with the bass, Jon Wurster’s drums told the packed house when to dance and when to jump, and—self-deprecating humor aside—Jim Wilbur’s guitar knew the potpourri of songs spanning the bands 20+ career better than anyone in the room.  What really set the show apart was that the majority of the set wasn’t forged to promote an album or conform to the bands comfort zones, but it was instead fueled and filled with requests taken by the band over email from the previous week.  It was a thrill to hear “Slack Motherfucker,” “Precision Auto,” and “Water Wings” in the same evening, and fans responded with great fervor.

As the night wore on, the magnetic energy in the room became tangible.  Superchunk was good enough to preview two songs from their new album Digging For Something and Everything at Once.  John Darnielle of The Mountain Goats, who will be a guest on Majesty Shredding, came out to lend backup vocals to “Digging For Something” and was in the envious position of getting to dance around on stage with Superchunk.  An easy highlight of the evening, the fast and furious “Everything at Once” may be giving fans’ favorite songs a run for their money.  The only downside of the night was that it took the tech crew at the Cradle the first three songs of Superchunk’s set to blend the audio levels properly, but this may be a testament to the band’s rowdy enthusiasm. For an hour and a half they rocked hard, and we were all mesmerized.

Superchunk’s setlist:

1. Tower

2. For Tension

3. Skip Steps 1&3

4. Learned To Surf

5. Digging For Something (ft. John Darnielle)

6. Ribbon

7. Sidewalk

8. I Guess I Remembered It Wrong

9. Florida’s On Fire

10. Water Wings

11. European Medicine

12. Package Thief

13. Everything At Once

14. Precision Auto

Encore:

15. On The Mouth

16. From The Curve

17. Slack Motherfucker

Encore 2:

18. Hyper Enough (ft. John Darnielle)

19. Throwing Things

I think the Magnetic Fields said it best: music comes from love.  On Monday, February 15 from 5 to 7 p.m., DJs Vice, Justin and I will be hanging out in the studio to bring you a show about music’s greatest muse!  Of the millions and billions of songs inspired by love we have handpicked some of our favorites–songs of tender care and understanding and of bitterness and longing.  We’ll explore such topics as the Indie Pop Infatuation, the Acoustic Heartache and the Malevolent Power-pop Lament.

And yes, we’re going all Delilah on you all (minus the relationship advice) and asking for your requests.  Please comment to this post between now and Monday or give us a call at our studio request lines (860-0881 or 515-2400)!  If you have any shout outs to loved ones we’d love to hear them!

This past Thursday was a busy day for Prabir and the Substitutes! After being stuck in traffic, the band dropped by the 5 o’clock Shadow for an in-studio interview with Mikey P and me. Then, the band headed to Tir Na Nog where they completely rocked out WKNC’s weekly Local Beer Local Band Night with Chapel Hill natives Embarrassing Fruits.

Considering their hectic touring schedule, I was excited to have such a relaxed discussion with the band about their music. Prabir and the Substitutes are a pop-rock group from Richmond, Virginia with a knack for melody and harmony and a keen appreciation for the joys of playing music. Appropriately enough, we discussed the trials and tribulations of touring and the many ways the band keeps their lives enjoyable (everything from maintaining an amusing website to smashing their instruments after their shows). We also spun some great tracks off of their new EP Hello. Check out the interview below!

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In today’s digital world, it’s great to see a band that cares so much about the physical release of an album. I love having something I can hold in my hands when I buy my music—the thrill of driving to my local record store, thumbing through the collection, talking with the clerk as I pay, peeling off that cumbersome sticky tape before prying open the cover, admiring the pictures in the liner notes—owning the physical CD connects me more with the artist and their work. In the 60s, the single was the primary means by which an artist released their music before bands like The Beatles and The Beach Boys demonstrated the artistic importance of the album. In 2007, Prabir and the Substitutes demonstrated their respect for the physical release of an album by intending for the duplicate copy included with their EP, Share, to be given to a friend. The group might not save the physical album from certain doom, but they’re putting up a valiant fight.

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As a precursor to what will be an awesome version of Local Beer Local Band tonight (Thursday, 5/7), we will be interviewing both Embarrassing Fruits and Prabir and the Substitutes today!

Embarrassing Fruits will be on air around 1:00 for a phone interview with the infamous Mikey P (our Local Beer, Local Band Coordinator) .

Then, during the 5 o’clock Shadow (not coincidentally, at 5:00 PM), DJs Spaceman Spiff and May Day will be interivewing Prabir and the Substitutes in studio.  As per usual, the FREE show will get started at Tir Na Nog around 10:00 tonight!  These you don’t wanna miss.

The Proclivities and Becca Stevens will be playing at our weekly event, Local Beer Local Band Night, at Tir Na Nog this Thursday 4/23.  It’s free to get in and Tir Na Nog has local brew specials. Come out and support your community!  See ya there!

Also, the Proclivities will be in the WKNC studio on Thursday for the 5 o’clock shadow!  DJ Spaceman Spiff and DJ May Day will be talking to the band and showcasing some of their tunes!  Tune in at 5pm.

If you have never listened to the 5 o’clock Shadow with DJs May Day and Spaceman Spiff, put it on today’s to-do list. After sitting down with Proof and Lonnie Walker in recent weeks, today’s special guests are I Was Totally Destroying It. The DBB6 alumni will be performing with North Elementary as part of WKNC’s Local Beer Local Band tonight at Tir Na Nog.

Proof, the guitar-heavy, Raleigh-based rock group who dropped their last album in 2003, will be on the 5 o’clock Shadow to interview with DJs May Day and Spaceman Spiff. Well known for their live concerts, the band will be promoting their show on Thursday night at the Berkeley Café alongside Medicine and Edie Sedgwick.

Be sure to tune in to the best radio station in the Triangle between 5pm and 6pm this Thursday to listen in!

Lonnie Walker, the lo-fi twang-folk band who performed at Double Barrel Benefit #6, will be giving an in-studio interview on the 5 o’clock Shadow, hosted by DJs May Day and Spaceman Spiff.   The Greenville/Raleigh-based band will be promoting their brand-new unreleased album and will also be headlining their show the same night for Local Beer Local Band night at Tir Na Nog Irish Pub and Restaurant off of 218 S. Blount Street in Raleigh.

Be sure to tune into the 88.1 between 5 and 6pm on Thursday to listen in.   It should be awesome!