Now that the year 2012 is coming to a close us here at WKNC look back at our top five albums of the year once again. Although we might not always agree on what is the most amazing, the love of great music not only kept us excited throughout 2012, but we look forward to the amazing music that it will bring as well. Take a gander at what are a few of the albums we loved throughout this year, as chosen by WKNC DJs. See you in 2013!

 

Sarahnade

1. Caspian – Waking Season
2. El Ten Eleven – Transitions
3. Spider Bags – Shake My Head
4. Pinback – Information Retrieved
5. Divine Fits – A Thing Called Divine Fits

 

C. Deuce

1. Yeasayer – Fragrant World
2. Alt-J – An Awesome Wave
3. Hundred Waters – Hundred Waters
4. Sweet Valley – Eternal Champ
5. Miike Snow – Happy to You

 

CMYK

1. Japandroids – Celebration Rock
2. Andrew Bird – Break It Yourself
3. Beach House – Bloom
4. The Mountain Goats – Transcendental Youth
5. Oceanics – Bright People

 

JKG

1. Dan Deacon – America
2. MAKE – Trephine
3. The Album Leaf – Forward/Return
4. Dads – American Radass (this is important)
4. El Ten Eleven – Transitions

 

Zaps

1. Father John Misty – Fear Fun
2. First Aid Kit – The Lion’s Roar
3. Bowerbirds – The Clearing
4. Lost In The Trees – A Church That Fits Our Needs
5. Jukebox the Ghost- Safe Travels

 

Seagull

1. DIIV – Oshin
2. Tame Impala – Lonerism
3. Ty Segall Band – Slaughterhouse
4. Mac Demarco – 2
5. Beach House – Bloom

 

DJ DiGiorno

1. Howler – America Give Up
2. Beach House – Bloom
3. Dirty Projectors – Swing Lo Magellan
4. Father John Misty- Fear Fun
5. Dr. Dog- Be The Void

 

DJ GRZA

1.  Flying Lotus – Until The Quiet Comes
2.  Andrew Bird – Break It Yourself
3.  Frank Ocean – Channel Orange
4.  Kendrick Lamar – good kid, M.A.D.D city
5.  Alt-J – An Awesome Wave

 

The Mattador

1. Grouplove – Never Trust a Happy Song (Released 2011)
2. Dr. Dog – Be the Void
3. Passion Pit – Gossamer
4. Cloud Nothings – Attack on Memory
5. Supreme Cuts – Whispers in the Dark

 

DJ Smitty

1. The Menzingers – On The Impossible Past
2. Red Collar – Welcome Home
3. Japandroids – Celebration Rock
4. Murder By Death – Bitter Drink, Bitter Moon
5. Hop Along – Get Disowned

 

DJ Ones

1. Andrew Bird – Break if Yourself
2. Tame Impala – Lonerism
3. Sharon Van Etten – Tramp
4. Dirty Projectors – Swing Lo Magellan
5. Grizzly Bear – Shields

 

DJ Salinger

1. The Avett Brothers – The Carpenter
2. Grimes – Visions
3. The XX – Coexist
4. Toro y Moi – June 2009
5. Oberhofer – Time Capsules II

 

Muta

1. GRiZ – Mad Liberation
2. Purity Ring – Shrines
3. Submotion Orchestra – Fragments
4. Badbadnotgood – BBNG2
5. XXYYXX – XXYYXX

 

May Day

1. Beach House – Bloom
2. Purity Ring – Shrines
3. The Walkmen – Heaven
4. The Helio Sequence – Negotiations
5. Oberhofer – Time Capsules II

 

Billy

1.Stripmines – Crimes of Dispassion
2. Oiltanker/No Tomorrow – Split LP
3. The Sword – Apogryphon
4. High On Fire – De Vermis Mysteriis
5. Mob Rules – The Donor

 

Walter-Ego

1. Dan Deacon – America
2. Death Grips – The Money Store
3. Spider Bags – Shake My Head
4. The Mountain Goats – Transcendental Youth
5. Dr. Dog – Be The Void

 

DJ Sweet D

1. Grimes – Visions
2. Purity Ring – Shrines
3. First Aid Kit – The Lion’s Roar
4. Andrew Bird – Break It Yourself
5. Grizzly Bear – Shields

 

Major Tom

1. Alt-J – An Awesome Wave
2. Cloud Nothings – Attack On Memory
3. Tame Impala – Mind Mischief
4. The Shins – Port Of Morrow
5. Beach House – Bloom

 

DJ ACORN

1. Micachu & The Shapes – Never
2. Daughn Gibson – All Hell
3. The Music Tapes – Mary’s Voice
4. Schoolboy Q – Habits & Contradictions
5. Murder by Death – Bitter Drink, Bitter Moon

 

Anastassia

1. Japandroids – Celebration Rock
2. Ty Segall Band – Slaughterhouse
3. DIIV – Oshin
4. Grass Widow – Internal Logic
5. Grimes – Visions

 

Spaceman Spiff

1.  Chromatics – Kill for Love
2.  Cloud Nothings – Attack on Memory
3.  Wild Nothing – Nocturne
4.  Grimes – Visions
5.  Divine Fits – A Thing Called Divine Fits

 

DJ CJ

1. Neil Young and Crazy Horse – Psychedelic Pill
2. Carolina Chocolate Drops – Leaving Eden
3. Steep Canyon Rangers – Nobody Knows You
4. Trampled By Turtles – Stars & Satellites
5. Old Crow Medicine Show – Carry Me Back To Virginia

 

ALASKA

1. Amanda Palmer & The Grand Theft Orchestra – Theatre is Evil
2. Sharon Van Etten – Tramp
3. White Lung – Sorry
4. Perfume Genius – Put Your Back N 2 It
5. La Sera – Sees the Light

 

DJ Mason

1. Lost in the Trees – A Church That Fits Our Needs
2. Beach House – Bloom
3. Death Grips – The Money Store
4. Grimes – Visions
5. Here We Go Magic – A Different Ship

 

July 11, Hopscotch Music Festival released its entire schedule featuring over 15 venues and 175 bands in downtown Raleigh. In light of the announcement, Adam Kincaid, host of the Local Beat, and Michael Jones sat down to discuss the schedule, band conflicts, festival expectations, and their general excitement at what the festival has to offer this year. To view the entire lineup check out it out here.

 

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Lower Dens have had a good year. With the release of “Nootropics” in early May and overwhelmingly positive reviews afterwards, they have had one of the greatest stretches in their still young career. On top of this recent success recording, I took the trip to see how it would translate live at Kings during their show on Thursday June 21.

The evening kicked off with a non-musical act, something not expected and pretty entertaining. Alan Resnick took the stage as a man who has created the perfect digital copy of himself. His set continued as the comfortably awkward, passive-aggressive comedian interacted with his computer generated likeness albeit somewhat unsuccessfully, all as a part of the joke. It was a new and pleasing experience, as his set was fast enough to keep things moving and different and entertaining enough to keep the experience fresh.

Next it was time for No Joy to shine, a band I had only the minimal amount of experience with before. Their mid-tempo rock could range everywhere from slower hazy surfer rock to faster paced, mid-tempo Yuck-esque drone. If anything, their show demonstrated the growing sense of potential that the band has moving forward, something altogether exciting to look forward to.

However, the highlight of the night was clearly to be expected in Lower Dens’ performance. It was a fairly even mixture of tracks from their new album “Nootropics” and “Twin-Hand Movements.” The sound, which was once again excellent in Kings, proved to be one of the key factors in the success of the show. Their tracks came across as clearly as the record would have intended, and their precision was so spot on that you could tell there was a real sense of chemistry between each of the members. There was a consistently dreamy atmosphere surrounding Kings, as constantly changing patterns reflected on the band and the back of the stage complimented the beautiful shoe-gaze tracks that Lower Dens played. For a show that was not particularly long, it felt as if the show had been going on for days. However, this was the kind of show where you would not mind. One beautiful track after another accumulated for a hypnotizing performance and an amazing night for music in downtown Raleigh.

 

While performing an incomplete version of what would become “Eyeoneye,” Andrew Bird remarked to the TED audience, “Songwriters can sort of get away with murder. You can throw out crazy theories and not have to back it up with data or graphs or research.” Although Bird only occasionally touches in the theories of the absurd, he would not need an alibi to get away with his sixth studio album Break it Yourself.

In the TED speech and in music as well Bird has become a master of addressing his audience.  Much of the power within Break it Yourself is based on how he speaks to the listener, and the message that he delivers is made all the more significant because he knows how to take the listener wherever he would like.

What makes Break it Yourself so powerful is the strength in making music that feels personal. This is not simply an interaction between the musician and some far off idea or some other individual; throughout the album, you feel as if you are the agent around which his songs revolve. Through making an album that feels to its very core personal, Bird can make the most relatable of human emotions more significant and engaging for the listener.

The agent of the nostalgia that Bird will reflect on in songs like “Danse Caribe” exemplifies how he can turn the metaphorical camera on the audience away from him. When singing, “You were a shameless child…” he clearly focuses on the listener as the agent, not himself. In doing this early in the album there is always this feeling of intimacy in the songs. Although he does not intend to tell the story of the listener, it is hard to come away from the song without having recalled your own childhood.

This is accompanied by the fact that Bird has become an expert at the craft of conveying emotion through instrumentals. Controlling tones, pace, and precise layers of construction, Bird is able to guide the song exactly where he always intended. This on top of his prowess as a personal yet fictional storyteller makes the message of the songs take on more meaning.

It is the realm of relationships where this craft of making songs feel personal and sincere shines the brightest. In “Eyeoneye” Bird says that when we try to get back to the realm of fixation on oneself we become the agents of our own destruction. And although this does seem a bit hokey in many respects, Bird makes it feel natural. He takes the listener through this journey that describes “you” as someone who has become intensely fixated on attempting to fix “yourself” that it took “you” way too long to eventually recognize that “you” need help. It is the most personal of relationships: the relationship we have with ourselves.

Bird moves this focus onto the relationships people have with one another, onto the “you and I” aspect. This makes you feel as if you are the agent in the song with Bird and reemphasizes the personal nature of the entire album.

In “Lazy Projector” Bird shows how this feeling can be grounded in the reality of relationships, particularly their sometimes-ugly aftermath. The theme of the song revolving around how we become the editors of our own stories, especially in hindsight of what happened. As a coping mechanism we skew the sense of what actually happened with our own story, and in frustration Bird sings, “I can’t see the sense in us breaking up at all.”

“Sifters” provides one of the most powerful moments in the entire album when Bird takes this personal interaction between two individuals and speculates, “What if?” Bird sings, “What if we hadn’t been born at the same time? Would you tell me all the stories from when you were young and in your prime?” This scratches the surface of what becomes a beautiful and touching moment in the record and certainly not one to be forgotten.

The album finishes with that feeling left over. This is simply not an album that will be forgotten. Its personal and relatable nature, masterful instruments, paces, and imagery makes Break it Yourself one of the best albums of the year.

Although the full lineup has yet to be revealed, the fine folks at Hopscotch Music Festival have announced two artists that will play in September. Danny Brown, coming off of the successful release of his 2011 album XXX was announced to play the festival March 29.

Two days earlier Sunn O))) were put on the bill. This will mark the first show for the doom metal rockers in North America since 2010. They will play Saturday, Sept. 8, in the Memorial Auditorium, showing how one of the festival’s latest venues will be put to work.

The full lineup will be announced April 18. For more information about Danny Brown and Sunn O))) check out Hopscotch Music Festival’s site here and here, respectively.

The excellent new album from Bowerbirds which is out March 6 via Dead Oceans now has a video to accompany one of the standout tracks, “Tuck the Darkness In.” The video for the track from The Clearing features an inquisitive child’s journey with fish. Although that sounds silly, the video might have you in tears by the end.

 

Joy Division‘s Unknown Pleasures has one of the most iconic album covers of all time, and throughout the years individuals of all merchandising types have been able to capitalize on Peter Saville’s design. However, with the release of the new Mickey Mouse shirt that takes inspiration from the iconic album cover, one can’t help but ask, “Why?”

Firstly, it’s easy to see why this is such a great idea. Working on the pure novelty of it, music nerds of all shapes and sizes might be brought into the idea of having the altered album cover on their chest. It’s subtle enough to show Mickey’s legendary profile yet still have the essence of that original cover. Combine the love of Joy Division with Mickey Mouse and it’s easy to see why one could fall for this in a heartbeat.

Indeed it might be the sheer impulse buy that Disney is seeking, however, from looking at such a limited market, production could be seen as incredibly confusing. The market necessary for Disney to see this as a worthwhile investment is incredibly limited. Your average Joe won’t be shelling out the money for such a silly purchase. This is also going on the assumption that people who like Joy Division are Disney shoppers or would be willing to pay for some Disney-based product. Personally I couldn’t see the two matching up in perfect harmony. That’s not to say it won’t work, but the odds that this thing is successful seems incredibly low. Like most things, it will be the dollar vote of the consumer that decides the ultimate failure or success of this perplexing item.

It hasn’t taken too long for the boys from England to start working on their next album. The follow-up to last year’s Pala has already begun, and the trio is looking for inspiration in different places.

Friendly Fires is channeling the atmosphere of Stanley Kubrick’s classic The Shining for their next album.  In a recent interview with 6Music, guitarist Edd Gibson stated, “I think we are trying to force on an element of the film The Shining, or the book The Shining, as a cultured gentleman who reads and doesn’t just watch films… We’re trying to alienate ourselves into a world of music alone and see what we come up with.”

The group is changing their location to Sweden, where a log cabin will provide a setting all too familiar among the musicians. Although their time will be short-lived, as their stay will be under two weeks, the group is trying to make the most of their time in their frozen living quarters.

What could this all possibly mean for the group? They won’t be trying to pull off any Bon Iver tricks any time soon, and any attempts to do so will be interesting. Despite the implication of channeling The Shining I highly doubt their next release would be able to pull off a longer, slow-paced sound. Hopefully, the next album won’t leave us wanting to murder our families. Additionally, listening to it won’t be able to make us communicate with each other telepathically (unfortunately). If the band can develop the telepathy The Shining gives its name to, the band will be able to craft an album more refreshing than Pala and if lucky, one better than their debut as well.

It’s that time of the year again, and as we say farewell to 2011 and greet 2012 many of us here at WKNC reflected on what the best albums of the year were. Much like the previous two years I sent out a request to the Daytime staff to see what their favorite albums of 2011 were, and below are their top five individual favorites.

 

Sarahnade

 

 

 

 

1. The Dodos- No Color
2. The Decemberists- King is Dead
3. Fleet Foxes- Helplessness Blues
4. Givers- In Light
5. Future Islands- On the Water

 

Hurricane Julia

 

 

 

 

1. tUnE-yArDs- w h o k i l l
2. Darwin Deez- Wonky Beats
3. Sallie Ford and the Sound Outside- Dirty Radio
4. Tom Waits- Bad as Me
5. Bonnie “Prince” Billy- Wolfroy Goes to Town

 

John

 

 

 

 

1. James Blake- James Blake
2. Rangers- Pan-Am Stories
3. Amen Dunes- Through Donkey Jaw
4. Thee Oh Sees- Carrion Crawler/The Dream
5. Grouper- A I A: Alien Observer/Dream Loss

 

Psychonaut

 

 

 

1. TV on the Radio- Nine Types of Light
2. M83- Hurry Up We’re Dreaming
3. Zola Jesus- Conatus
4. Bon Iver- Bon Iver, Bon Iver
5. Coma Cinema- Blue Suicide

 

DJ Walter-Ego

 

 

 

 

1. Andrew Jackson Jihad- Knife Man
2. Metronomy- The English Riviera
3. Crystal Stilts- In Love With Oblivion
4. Black Lips- Arabia Mountain
5. Starfucker- Reptilians

 

Mollypop

 

 

 

 

1. Sarah Jarosz- Follow Me Down
2. Chris Thile & Michael Daves- Sleep With One Eye Open
3. Bombadil- All the Rain Promises
4. The Decemberists- The King Is Dead
5. Mandolin Orange- Haste Make, Hard Hearted Stranger

 

DJ Radio Dead

 

 

 

 

1. Shabazz Palaces- Black Up
2. St. Vincent- Strange Mercy
3. tUnE-yArDs- w h o k i l l
4. Jay Z and Kanye West- Watch The Throne
5. Radiohead- The King of Limbs

 

DJ Ones

 

 

 

 

1. Wye Oak- Civilian
2. The Dodos- No Color
3. St. Vincent- Strange Mercy
4. Fleet Foxes- Helplessness Blues
5. James Blake- James Blake

 

May Day

 

 

 

 

1. The Drums- Portamento
2. Future Islands- On the Waterfront
3. Fleet Foxes- Helplessness Blues
4. The Dodos- No Color
5. The Joy Formidable- The Big Roar

 

DJ Flipside

 

 

 

1. St. Vincent- Strange Mercy
2. Yuck- Yuck
3. Real Estate- Days
4. Delicate Steve- Wondervisions
5. Ponytail- Do Whatever You Want All the Time

 

DJ Mason

 

 

 

 

1. tUnE-yArDs- w h o k i l l
2. Braids- Native Speaker
3. Youth Lagoon- The Year of Hibernation
4. Panda Bear- Tomboy
5. Deerhoof- Deerhoof vs. Evil

 

Anastassia

 

 

 

 

1. Yuck- Yuck
2. Braids- Native Speaker
3. Girls- Father, Son, Holy Ghost
4. Balam Acab- In Motion
5. Real Estate- Days

 

Chuck

 

 

 

 

1. Balam Acab- Wander/Wonder
2. Bon Iver- Bon Iver, Bon Iver
3. Holy Other- With U
4. The Weeknd- House of Balloons
5. Liturgy- Aethethica

 

What are your favorite albums of the year? Comment below.

In keeping with the holiday spirit, Arcade Fire has set out to help raise money for Kanpe, an organization helping to rebuild Haiti. The band has promised to match donations up to $300,000. Along with helping raise money for Haiti, band members Régine Chassagne and Win Butler have stated that they will send a personally signed postcard to each individual that donates.

On their website lead singer Butler wrote:

Hi Guys,
This is Win from Arcade Fire. If you are having a hard time deciding what to get your friends and family for gifts this year, give them our money! For any donation you make to Kanpe this holiday season, the band will match it. We will also send a nifty little post card, signed by Regine and I, to put under the tree, or wherever you put your gifts (it’s not our business). For any silicone valley jerks who might try to bankrupt us, let’s put the upper limit at 300,000$… Have a great holiday!
Luv, Win

For those interested in donating you can visit Arcade Fire’s website here.

 

This year’s Grammy Award nominations have been announced, and among those in the independent circle, Bon Iver came away with four nominations: Record of the Year, Song of the Year, Best New Artist, and Best Alternative Music Album. His song “Holocene” receives the nod for both record and song of the year.

A handful of nominations for other independent artists were also included in the list of Grammy candidates. Alongside Bon Iver, The Decemberists picked up nominations for Best Rock Performance and Best Rock Song for their track “Down By the Water.” Wilco’s album The Whole Love was nominated for Best Rock Album.

 

To view the full list of nominees you can check out the entire shortlist here.

Sleigh Bells are scarce on details these days about the follow-up to their excellent 2010 album Treats. However, they recently announced that their new album will be titled Reign of Terror.

Although the date is not set in stone for the release of their sophomore album, they do have a trailer for  it. You can watch it below.

 

 

Azealia Banks may be a name unfamiliar to most listeners out there, and that’s because she hasn’t recorded her debut yet and her touring history has been rather scarce compared to most artists. But this isn’t stopping Banks from being one of the most heralded up and coming artists; among those singing her praises, NME decided to put her atop their Cool List for 2011.

The list itself seeks each year to organize a handful of artists that NME has deemed cool for that year. What exactly that means is still quite vague. Regardless, NME has the task each year of sorting out which music makers go where, and each year it seems as if NME has to dip into a pool of artists that don’t seem as repetitive. However, this year features the return of several artists who seem to garner a large amount of NME press as it is.

With all this in mind it doesn’t surprise me that NME would change their focus in terms of who makes the list. Although they seem to regurgitate a lot of individuals each year (Jarvis Cocker, Arctic Monkeys, Kasabian, and so on to a ridiculous extent), this year seems to highlight some of the biggest up and comers. This includes the likes of Lana Del Rey, and Ellery Roberts (of Wu Lyf). With the desire not to keep chucking out the same handful of artists each year it makes sense that Banks would reach the top. This is not to say that NME has forgotten their old favorites as they still dominate the list. They are back and in great force as expected, but I digress.

There is a lot more to Banks’ topping of the 2011 NME Cool List. Her initial touchdown as a proper recording artist is based heavily in England. Banks recently finished up one of her first small tours in the United Kingdom with dates earlier in November in Glasgow and London. Banks will also be soon moving to London to record her debut alongside Paul Epworth.

With this type of visibility and promise, alongside the growing need for NME to introduce some new artists to their list and Banks’ critical start within the UK, it makes sense that the magazine would put her atop their list this year.

Top 10 2011 NME Cool List:

1. Azealia Banks
2. Jarvis Cocker (Pulp)
3. Honor Titus (Cerebral Ballzy)
4.+5. Tom Meighan and Serge Pizzorno (Kasabian)
6. Lana Del Rey
7. Rhys Webb (The Horrors)
8. Theo Hutchcraft (Hurts)
9. Matt Helders (Arctic Monkeys)
10. Ellery Roberts (WU LYF)

Let me start by saying I had no intention of creating a definitive, all-encompassing Winter 2011 playlist. A feat like that should be left only to the people who can spend all of their hours sorting through thousands of albums, identifying the standouts, and only then would they be able to define what they believe a Winter 2011 playlist should consist of.

Knowing that my capacity as a human to waste away my days listening to music is limited, I instead turned to a modest sum of tracks that embody what I would describe as making for a pretty good Winter playlist that consist of songs released in 2011.

The problem for every individual’s list is that it means something unique or holds a special attribute to them, and I am no different when it came to my formula for selecting songs. For me it meant that this playlist would encapsulate a few things: some of the best tracks of the year, and those that would send off vibes for what I would describe as being that of a “winter nature.”

What exactly do I mean by something having a winter nature? It’s pretty simple. I looked for tracks that would be incredibly rewarding to listen to while trudging through the rough winter weather or those which would be pleasant to warm up to after a day filled with having to deal with the growing loss of daylight.

Either way, after limiting myself to only tracks that came out this year, I think I came up with a pretty decent set of songs to listen to for the next couple of months on those days where you feel as if the season may have gotten the best or worst of you. Is it subject to change? Absolutely, and your feedback is always welcome as to what should be added to the playlist. And I have a way to share it with everyone that has Spotify; you can open it up here and listen to the playlist.

For everyone else the current tracklist is below:

01 The Dodos- Companions
02 Chad VanGaalen- Do Not Fear
03 Future Islands- On the Water
04 The Drums- Days
05 Youth Lagoon- July
06 Bon Iver- Wash.
07 The Antlers- I Don’t Want Love
08 Atlas Sound- Te Amo
09 I Break Horses- Winter Beats
10 The Raveonettes- Recharge & Revolt
11 Deleted Scenes- Bedbedbedbedbed
12 Wye Oak- Fish
13 Wild Beasts- Deeper
14 Bombadil- Short Side of the Wall
15 Megafaun- Hope You Know
16 Fleet Foxes- Bedouin Dress
17 Real Estate- All the Same

 

What do you want to see on the Winter 2011 playlist? Leave your suggestions below.

Let me start by saying that on Wednesday, Nov. 16, a tiny woman in massive heels brought a packed venue to its knees. As one of my English pals so articulately put it, “She makes that guitar her bitch.”

St. Vincent brought out the largest crowd that I have seen at the Brudenell Social Club (although I haven’t been to that many), and rightly so. She has come off of one of her most successful and critically acclaimed releases, Strange Mercy. With anticipations high, the tension was palpable as the stage crew tuned the guitars, adjusted the lights, and kicked the fog machines into full gear, after a wait that seemed like an eternity.

When she did come out, the tiny Annie Clark in her high heels showed that big surprises come in small packages. Playing mostly off of the excellent Strange Mercy, the powerful sound of St. Vincent demonstrated the best of the recent album. Despite the amazingly forceful performance of many of her excellent new tracks, Clark came across as incredibly modest throughout those brief moments in between songs where she gave the audience a brief glimpse into everything from her music video for “Cruel” to her recent cover of The Pop Group’s “She Is Beyond Good and Evil.”

It wasn’t all constrained to the new work, as Clark and company provided some of the greatest moments performing older hits, including an excellent cover of “She Is Beyond Good and Evil.” It was St. Vincent’s performance of “Marrow” that they were able to give a much more intense life to, which cannot be given complete justice when listened to recorded. It was the encore that stole the show with an amazing rendition of “Your Lips Are Red.” It featured Clark jumping into the audience at the most intense moments of the track, and within seconds doing a complete turnaround and calming down the song to what was the end of one of the greatest performances I have seen in recent memory.

And on that night Clark certainly made that guitar her bitch.