Last year was my first Bonnaroo, and I knew as I left the arch still dazed by Explosions in the Sky’s performance that I would return for the 2012 installment. And it didn’t disappoint.

Being a little more well-versed this year in what to bring (water water water water water..and glowsticks) we packed up the car and headed on the 9-hour drive to Tennessee.

DJ Kligz made some killer flower crowns for everyone:

Thursday, Centeroo opened before any bands started, so we explored the not-as-music-related activities:

Once the music got going, we checked out Rubblebucket at the Solar Stage. If you’re a triangle native, you may be familiar with them from Shakori Hills or when they opened for Tin Can Sailor at The Pour House. Funky and dancey, they put on one of the most fun shows all weekend. Word around the farm was Feist went to oneof their performances during the weekend too.

Next, I pretty much stayed at The Other Tent: The Cave Singers, Dale Earnhardt Jr. Jr., White Denim and Phantogram. The crowd was absolutely massive for all of these — we luckily had a spot on the right side up against the fence for most of this though. Sing-a-longs and long jam sessions kept the crowd happy.

Friday was packed with some of my favorite performances of the weekend.

At the Kooks, we ran into DJ Bex in front of Which Stage. They were as fun as you’d expect them to be and covered old songs as well as tunes from their most recent album, “Junk of the Heart (2011).”

I hopped over to That Tent to see Ben Howard — easily one of the best feeling concerts of the weekend. I realize I put Tune-yards on the back burner for this (still caught the last 30 minutes of their set, which included “Gangsta,” “Bizness,” and “My Country”), and I don’t regret it one bit. If you haven’t listened to Ben Howard, you should. The crowd was mesmerized and the band’s instrumentation was beautiful. Ben, I love you.

Two Door Cinema Club, who played at This Tent (these names aren’t confusing at all, right?), had a crowd so large that is was backed up to the Mushroom fountain — where paint-covered patrons cool off and attempt to get faux-showers. We went to see Laura Marling instead, who is as beautiful as you’d expect with effortless and smooth playing. After our ice-filled bandanas melted, we claimed some space at What Stage for The Avett Brothers. Their opening song was “Will You Return” which I couldn’t have been happier about. They play both slow and fast hits throughout their performance, as well as covered two Doc Watson songs. As NC natives, there’s no doubt he was a big influence on them.

As with any music festival, you should always check out the bands a little off the beaten path — hit the smaller stages and tents. Jukebox the Ghost followed The Avett’s performance at the Destination Escape Tent. The band’s energy was contagious. They not only played songs off their June release “Safe Travels,” but also did a super fun cover of “I Will Love You Forever.”

And there was no way I couldn’t reminisce about middle school and stop to dance when Ludacris played classics like “Roll Out,” “Move B*tch,” and “Stand Up.” Apparently there was also a life-size Justin Beiber cardboard cutout floating around the crowd, too. Foster the People had an equally large crowd, backed up to the point you could hardly see, despite the single big screen on the side of the stage. They had a cool set up though, with lights, neat backdrops — oh, and at least a two-story inflatable ghost monster thing that came out during “Pumped Up Kicks.” There was a mad rush to What Stage in preparation for Radiohead’s 10PM performance. They had puppet lights set up, which were moveable LED panels that changed position with each song. This was an iconic performance, and after Thom Yorke dedicated “Supercollider” to Jack White with a cryptic message, we can only wonder what’s next for them.

Saturday Agenda: Charles Bradley and His Extraordinaires, The Temper Trap, Punch Brothers, SBTRKT, Mogwai, Red Hot Chili Peppers, Alice Cooper, Superjam (?estlove with D’Angelo), Skrillex

We waited in line for the pit for The Temper Trap, giving us a front and center view of the show. Not to mention watching Charles Bradley was a great start to the day with his feel-good soulful tunes. Seeing The Temper Trap without colorful lights was a little odd to me,  but they still did the water-filled drum solos they’re known for. Drawing a lot of the songs from their self-titled June release, they still hit on most of the favorites from their previous album “Conditions (2009)” (“Drum Song,” “Science of Fear,” “Down River,” “Sweet Disposition”).

Punch Brothers were somehow dressed in suits. While they looked classy, I can’t fathom how they weren’t dying. The heat was as bad as last year by any means and I believe stayed under 90 the whole weekend, but I still think anyone wearing long sleeves was a little insane. Seeing them perform, regardless, made me respect them a lot more. I’m fairly sure Chris Tile (mandolin, vocals) can rock harder and play faster than most speed-metal guitarists.

Switching from bluegrass to electronic, we moved over to SBTRKT, the London-based DJ.  Usually I’m not a fan of seeing electronic music live for the musicianship — I expect them to press a few buttons and dance around with a hint of emceeing. This was different. Moving all around the stage with his collaborator Sampha, they really made it something to watch to. There was even a drum set for a song or two.

Their final song came and Kligz and I pushed our way to the front as fast as we could. If you know me, you know I love post rock, and if you love post rock, you love Mogwai. Around since 1997 (“Mogwai Young Team“), they’ve made their heavy mark on the genre. And being from Scotland, they don’t frequent the US very much. Needless to say, I was ecstatic. The only thing that broke my hypnotic trance during their stellar performance was a band of Teletubbies that danced to the front of the crowd, hugged everyone, and left. Hashtag Bonnaroo.

Just when I thought my mind had recovered from their show, Red Hot Chili Peppers started. As a side note, I should say RHCP were one of the bands that my parents and I all enjoyed, so it was one of the go-to’s growing up. I’ve probably listened to “Californication (1999)” more than any other rock album and Flea has been my favorite bassist since I knew what one was.  This show is partially why I’m just now regaining my voice.

I promised my mom I’d see Alice Cooper. It was cool, and everything you’d expect at an Alice Cooper show — eyeliner, studded jackets, raised drumset, cocky pacing around stage. He’s still got it.

I don’t have pictures of either of these, but the Superjam and Skrillex finished the night. The Superjam was killer, Roots drummer ?uestlove led the jam, with originals and covers ranging to Zeppelin. This was prematurely interrupted as soon as Skrillex turned on his computer, radiating bass from the What Stage to the Mushroom Fountain in front of This Tent. It was a weird place to be, the intersection of two polar opposite types of music. We gave in and went over. In a raised platform, Skrillex was illuminated by a huge LED screen behind him and it rained glowsticks everytime the beat dropped.

As soon as we got back to our camp, it started raining — very atypical for Bonnaroo. The rain continued until the next day, misting on and off for Sunday.

I found a band I hadn’t heard of on Sunday – Sister Sparrow and The Dirty Birds. Brooklyn-based with nine members, their sound is a blend of rock, ska, blues and soul. We saw Fruit Bats (lovely, as always) and Grouplove (it was too crowded to see them, which took away a lot of the splendor of their performace), and I wish I would have seen The Black Lips. While en route to other concerts, they sounded like a lot of fun. We endured what we could of Mac Miller (sorry if you like him — not my cup of tea at all.. but he had a big backwards neon hat-wearing crowd that was really into it) to get a good spot for Ben Fold Five. This was their second show after reuniting as a whole band. They were all smiling from ear to ear, and Ben snapped some pictures of the crowd. Between songs were some silly stories and comments about their weekend. They played so hard Ben broke a string — on a piano. When does that happen?

The last show I saw of the weekend was The Shins, who followed BFF. Besides being surrounded by hardcore fans, we also spotted some celebs, like McLovin’ and other artists from the weekend. Beach balls flew around, everyone danced, and somehow the webstream made it look like it was sunny outside. Maybe that’s just another effect The Shins have.

All in all, amazing weekend.

See you next time, roo.

Enjoy these albums, compiled by The DJ Ones.  [editors note: Those Darlins' album art is quite interesting!]

 

	Artist	Album	Label
#1	Those Darlings	Screws Get Loose	Oh Wow Dang
#2	Seapony	Go With Me	Hardly Art
#3	Amor De Dias	Street Of The Love Of Days	Merge
#4	Donkeys	Born With Stripes	Dead Oceans
#5	Kids on a Crime Spree	We Love You So Bad	Slumberland
#6	Vaccines	What Did You Expect From The Vaccines?	Columbia
#7	Cults	In The Name Of	Columbia
#8	Sallie Ford and the Sound Outside	Dirty Radio	Partisan
#9	Thao and Mirah	Thao And Mirah	Kill Rock Stars
#10	Tiger Darrow	Tiger Darrow	You Know Who You Are
#11	Arctic Monkeys	Suck It And See	Domino
#12	Dale Earnhardt Jr. Jr.	It’s A Corporate World	Quite Scientific
#13	Gardens and Villa	Secretly Canadian	Secretly Canadian
#14	Girls Names	Dead To Me	Slumberland
#15	tUnE-YarDs	WhoKill	4D
#16	Rosebuds	Loud Planes Fly Low	Merge
#17	Liam Finn	FOMO	Yep Rock
#18	My Morning Jacket	Circuital	ATO
#19	Friendly Fires	Pala	XL
#20	Hooray For Earth	True Loves	Dovecote
#21	Death Cab For Cutie	Codes And Keys	Columbia
#22	Foster the People	Torches	Columbia
#23	Balkans	Balkans	Double Phantom
#24	Vetiver	The Errant Charm	SubPop
#25	Black Lips	Arabia Mountain	Vice
#26	Thurston Moore	Demolished Thoughts	Matador
#27	David Bazan	Strange Negotiations	Barsuk
#28	Danger Mouse and Danielle Luppi	Rome	EMI
#29	David Fonseca	Between Waves	Castle Of The Amazing Cats
#30	Matt Pond PA	Spring Fools	Altitude

 

Another week, another Top 30 hits from your friendly daytime music director, Michael Jones.

	Artist	Album	Label
#1	Austra	Feel It Break	Domino
#2	Donkeys	Born With Stripes	Dead Oceans
#3	Thao and Mirah	Thao and Mirah	Kill Rock Stars
#4	Love Inks	E.S.P.	City Slang
#5	tUnE-YArDs	Whokill	4AD
#6	Kids on a Crime Spree	We Love You So Bad	Slumberland
#7	Girl Names	Dead To Me	Slumberland
#8	Amor De Dias	Street Of The Love Of Days	Merge
#9	Vaccines	What Did You Expect From The Vaccines?	Columbia
#10	Rosebuds	Loud Planes Fly Low	Merge
#11	Those Darlings	Screws Get Loose	Oh Wow Dang
#12	Generationals	Actor-Caster	Park The Van
#13	Dodos	No Color	Frenchkiss
#14	My Morning Jacket	Circuital	ATO
#15	Foster the People	Torches	Columbia
#16	Wild Palms	Until Spring	One Little Indian
#17	Dale Earnhardt Jr. Jr.	It’s A Corporate World	Quite Scientific
#18	Seapony	Go With Me	Hardly Art
#19	Matt Pond PA	Spring Fools	Altitude
#20	Black Lips	Arabia Mountain	Vice
#21	Friendly Fires	Pala	XL
#22	Antlers	Burst Apart	Frenchkiss
#23	Okkervil River	I Am Very Far	Jagjaguwar
#24	Thurston Moore	Demolished Thoughts	Domino
#25	Sam Roberts Band	Collider	Rounder
#26	I’m From Barcelona	Forever Today	Mute
#27	Fleet Foxes	Helplessness Blues	Sub Pop
#28	Wombats	This Modern Glitch	Bright Antenna
#29	Dan Sartain	Legacy Of Hospitality	One Little Indian
#30	Vetiver	The Errant Charm	Sub Pop