Nashville-based rock band Turbo Fruits will be calling in for a phone interview with me, DJ Elly May, around 10 a.m. on Tuesday, September 7. The interview comes before the band’s performance at Local 506 on September 8. We’ll be discussing the band’s inspiration, their experiences on the road, where they’re headed in the future, and how they feel about the state of indie rock. If there’s a question you want answered, leave a comment and let me know!

Courtesy Bekah Cope

Local deejays Elly May, DJ Goof, DJ Kligz, The Voice of Reason, and myself gave back to the community this Saturday at the yearly event, Service NC State. As in years past, NC State worked with Stop Hunger Now in hopes of packaging  400,000 meals for children in Haiti. Many campus organizations came out Saturday, August 21 to help package food from 9 a.m.-3 p.m. New this year was the blood drive for which about a dozen members of WKNC staff gave blood to help reach the goal of 500 pints of blood in one huge blood drive on Friday.

DJs The Voice of Reason, Goof and Elly May prepare to package meals for 2 hours for Service NC State.

The number of meals our small group of five packaged during our two-hour shift is enough to feed a 32-child orphanage for seven months. The meals are full of essential vitamins and minerals and are actually quite tasty. The experience was described as “inspiring,” “exhilarating,” “fun,” “organized,” and “fulfilling”—and totally worth waking up at 8 a.m. on a Saturday. WKNC hopes to have a presence at other on-campus service events to further instate our relationship with our campus and our community as a whole.

Stop Hunger Now aims to eradicate hunger in our lifetime

I would like to personally thank everyone who helped by giving blood or donating their time and energy to any aspect of Service NC State.

I’m a fan of Here We Go Magic; I am a fan of Beach Fossils. Their respective live performances were both reflective of their energetic,  loopy recordings that exist, in my mind at least,  as  sharpened, present day iterations of the old shoe gazey stuff . I maybe blended their sounds together too much there. (If I overgeneralized, I am sorry. Beach Fossils is the more “gazey” of the two, to be sure.) Both bands are great on record, great live, and certainly worth seeing again (not to mention, worth it for you to see one or both of them when you get the chance).

BUT, I’ll go ahead and be honest. (I have the megaphone!)

Light Pines dude.  This was my Ffffifth? Sixth? time seeing this outfit in action, and, as usual, they failed miserably to disappoint. “Knowing what to look for” may be an appropriate good phrase, but I’m barely a musician. I just know to look for the awesome, I guess.

No nonsense. No garrulous banter between songs. No distracting movement.  Just a terse, diligent, and damn-solid entertaining performance. A change of lighting and, if you’re lucky, a modest “thank’yeh”  after each song is all you’re gonna get.  And what would (or possibly could) you do with anything extra?

Nope, I didn’t take pictures.  Flashes are annoying.

T.A.

Surprise! KNC has a pair of Hopscotch tickets to give away to the best beach costume, so pull all the stops and show us your best beachwear tonight (8.6) at Jibarra. The party starts at 10; check out the facebook event for full details.

Paul McCartney  has been traveling around the world on his “Up and Coming Tour” this year. Because of a job I took in Lawrence, KS, I had the amazing opportunity of seeing Paul McCartney perform at the Sprint Center in Kansas City, MO on Saturday, July 24. I had amazing seats on the floor about 30 rows away from my musical role model and first love, Sir James Paul McCartney.The concert was everything I hoped it would be; his childish banter and energy kept me laughing, while the emotion in songs such as “Here Today” and “Something” made me cry, as he dedicated them to the late John Lennon and George Harrison, respectively.

He played many Beatles’ songs like “Ob La Di Ob La Da,” “All My Loving,” “Sgt. Pepper’s Lonely Hearts Club Band,” “Hey Jude,” “Let It Be,” and many others. He played music he wrote in Wings, such as “Jet,” “Band on the Run,” and of course, a fire-filled “Live and Let Die.” He even played a few songs from his solo career; “Dance Tonight” was specifically used to lift a melancholy move after dedicating “My Love” to his late wife, Linda.

I have never met nicer people than those attending the sold-out concert in Kansas City. I sat next to a woman, Katie, who told me how she saw the Beatles perform in San Diego, CA, in 1965. When I screamed as he came on stage and jumped up and down as he played, she smiled at me and said, “You remind me of me 35 years ago.” Although Katie may have gotten the better end of the deal, having seen The Beatles in their prime, Paul McCartney played an awe-inspiring three-hour set that did not show his 68 year-old age.

As has been tradition with this tour, he ended the concert with “The End,” with ever-fitting lyrics, “And in the end, the love you take is equal to the love you make.”

The debut album from the lo-fi pop band Best Coast, titled Crazy for You, is now streaming in its entirety. After creating a large amount of buzz with the release of several 7” singles and EPs, the band is set to release their debut with Wichita Recordings next week. The band will be performing at this year’s Hopscotch Music Festival at Tir na nOg on September 9.

It’s one thing to play in front of the President of the United States at the White House. Last month, Jack White not only did that but he covered a Beatles’ song right in front of Paul McCartney. The reason for such an event came with the Library of Congress Gershwin Prize, which this year celebrated the musical career of Paul McCartney. White covered “Mother Nature’s Son” in front of a rather large audience, and the performance had yet to be seen by those outside of the East Room until PBS released a video of the performance July 21. White was one of several artists to perform that evening. Other performances included Elvis Costello, Stevie Wonder, Paul McCartney, and more. The performances are set to air on PBS on July 28.

Watch the full episode. See more In Performance at The White House.

Since 1992 the Mercury Prize has been celebrating some of the best albums from the UK and Ireland. Each year a handful of albums released between June 30 of last year and July 1 of this year are selected by an exclusive panel of music experts. In previous years the Mercury Prize has gone to acts including Franz Ferdinand, Arctic Monkeys and Klaxons. This year the shortlist has been announced, with the winner receiving the Mercury Prize on September 7.

This year’s nominees Are:

Biffy Clyro- Only Revolutions

Corinne Bailey Rae- The Sea

Dizzee Rascal- Tongue N’ Cheek

Mumford & Sons- Sigh No More

Kit Downes Trio- Golden

Foals- Total Life Forever

I Am Kloot- Sky At Night

Laura Marling- I Speak Because I Can

Paul Weller- Wake Up The Nation

Villagers- Becoming A Jackal

Wild Beasts- Two Dancers

The XX- XX

Personally I think The XX have this one in the bag. However, the favorite to win last year, Florence and the Machine, was greatly upset after she was defeated by a rather obscure British rapper who had only sold a handful of albums in comparison. I doubt they would give it to Dizzee Rascal twice, and it should be interesting to see how the folk powers (and two of my favorites from this year) Laura Marling and Mumford & Sons will fair. Also, it came to me as a great surprise to see the newcomer Villagers and the jazz ensemble Kit Downes Trio nominated. This should be another interesting year for the Mercury Prize. It’s just a shame we’ll have to wait until September to find out who wins.

Who do you think should win? Leave your opinion about who you think will take home the prize in the comment section below.

Hey, viewers of the WKNC Blog! If you haven’t noticed, we’ve started the polls back up again (look to the right side of the page you’re reading right now). Us radio station workers are pretty ingenius people with a hand full of irresistibly awesome questions, but, alas, we aren’t perfect. We can’t think of all the great questions that need to be voted upon, and we can’t peer into the souls of our listeners to find the questions they most deeply yearn to ask. We need your help! Do you have a great question in desperate need of results? A funny question? A dumb question? A sarcastic question? A life-altering question? As long as it’s kept PG and has to do with WKNC radio, NCSU, or music in general, we want to make a poll about it! All you have to do is email me, The Blog Lady, at blog@wknc.org, and send me your questions ALONG WITH ANSWERS. You may have a great poll question, but without great answers, you’ve got diddly. The question needs a minimum of two answers and, depending on the question, maximum of ten to twelve answers. Need a little poll inspiration? Keep refreshing this page, and a different poll will show up on the right-hand side each time.

Thanks for helping make us the best radio station in the Triangle!

Allow me to introduce to you Toy Soldiers. As if I wasn’t already impressed by their music, after this interview, I would love to sit around a bon fire in Pennsylvania somewhere and cook s’mores with these folks just to listen to their adventures, none the less, attend their concerts. And good thing! Toy Soldiers are playing in Asheville, NC at the Lexington Ave. Brewery on August 4, 2010.

Below is a few of the select question and summarized answers. To view the entire interview unedited with all of the quirky interesting things that Ron Gallo has to say, click here.

1. Could you give me a background on your band?

Basically, in short, the band began as just two of us (building caastleees in the skyyy). Me (Ron Gallo) and my long-time friend Mike Baurer. One day in September of 2007 we were just sitting around and decided to write some really inappropriate joke songs and record them on the internal microphone of my computer. It was around this same time I had started to delve really deep into American Roots music. We decided to give up the joking for a bit and try out a real song of mine. It was a sort of an odd take on a blues song, and all of the sudden, I was singing and playing the guitar in a way I never had before. We had this new door open up and we just ran with it, not focusing too much on the detail but just getting across. “Throw Me Down”. That was the second song we came up with and we wrote while riding bikes almost three years ago.

Fast forward!

Time came to make a real album. It was during this time I had called a bunch of talented friends of mine to come in and basically write whatever parts they wanted and play them on the record. After the sessions, they sort of just stuck around and we played our first show all together on May 9, 2009 with the big band.

Since then some people have come and gone. I wasn’t crazy about having this new band have to push a record they weren’t even on, and we had new songs. So, the new lineup recorded those, subtracted four old tracks from the original album and added the four new ones. And that is “Whisper” as we know it today.

That was in no way, shape, or form the short version. Haha.

2. What is it like working as such a large musical group? Does one person tend to take charge when writing lyrics or composing the music?

A lot of people tend to focus on the fact that the band is large. Right now, Toy Soldiers is a five-piece (Me, Dan, Noah, Bennett and Tom) and occasionally we are joined by Kate Foust (vocals), Vinchelle Woods (vocals) Garrett Smith (Washboard, Tambourine Man), Dominic Billett (piano, percussion, singing). We also have occasional horn players, etc.

As far as songwriting. I have written most of the Toy Soldiers songs as we know them today. The way it has gone thus far is whoever you hear singing lead on a song has written the lyrics and composed all of the music for that song. We haven’t focused too much on a more collaborative songwriting effort just yet.

3. Is there one song on the album that is particularly more fun to perform live?

When we play “The Turnaround,” I sort of do this obnoxious let loose belting falsetto operatic kind of singing that everyone always laughs about, but it’s fun for me. “Loaded on Sunday” is a real banger in the live show; it’s just really dirty and raucous, just like Dan who sings the shit of that song. “Hard Times” has consistently been everyones favorite song to play live, it’s always really high energy and we’ve thrown in some little things here and there that make it unique to every show.

Toy Soldiers will be playing in Asheville, NC at the Lexington Ave. Brewery on August 4, 2010 at 8 p.m. For their full tour schedule, check out their MySpace and their Facebook . While you’re there, make sure you listen to a track or two—you won’t be disappointed. Also, listen for them (or request them!) on 88.1 WKNC.

Unfortunately, schedules have a way of tying up.  Samuel and William of Future Islands will no longer be coming to the station, but rather they will be calling the studio around 4pm  for a live phone interview.  No hard feelings; these guys rock. They will be at the Local 506 tonight, don’t miss it!

If you’ve been in the Triangle for any number of years like I have, then you’ve likely seen Future Islands play. Their dark-wave synth dance music is addicting and the experience is an intoxicating modern take on Shakespeare. Their live performances never leave the crowd unsatisfied. Band members Gerrit Welmers, William Cashion and Samuel T Herring have moved the band from Greenville to Raleigh and most recently to Baltimore where they quickly became part of Dan Deacon’s artist collective, Wham City. However, the Triangle has been an important middle ground for Future Islands. Kind of like the lunch room in middle school where that delicate mix of young minds are eager to find other young minds, the triangle has provided this cultivation for collaboration.

I’ll sit down with the band Friday and talk about their voyage. Tune in to hear tracks from their discography and old favorites from their first project, Art Lord and The Self Portraits.  And if you have any stories or experiences from a Future Islands show that you’d like to share, please email them to kelly@wknc.org. We’ll take it to the airwaves with the band. They will be at the WKNC studio Friday for an on-air interview at 4 p.m. The band is touring in support of their recent release, “In Evening Air.” The release is their second LP and first on the Chicago Indie Label, Thrill Jockey.

Future Islands will be headlining at the Local 506 this Friday with additional acts: EAR PWR, Nuclear Power Pants, and Fat Camp.

Listen only on 88.1FM or streaming online.

Several representatives from the Cherry Bounce Music Festival are coming by Wednesday afternoon around 5 to talk line ups, locations and other details about the music festival coming up later this month.

Cherry Bounce 2010