The first ever Mountain Oasis Electronic Music Summit has just announced their lineup for 2013.  The festival takes place in Asheville, NC on October 25th through the 27th.  Mountain Oasis is programmed and produced by AC Entertainment, the company that helped put together MoogFest.  Towards the end of last year, Moog Music and AC Entertainment split up when Moog declined to renew its licensing agreement with AC.  Mountain Oasis now takes the place of MoogFest as AC Entertainment’s presence in North Carolina.  The Mountain Oasis festival will take place the same weekend and location as previous MoogFests.  This however will not be the end of MoogFest.  Moogfest just recently announced a new partnership with Paxahau along with a new logo. Along with it they stated that MoogFest will not be taking place in 2013, but will return April 25th through the 27th in Asheville for MoogFest 2014.

So set aside all your worries, North Carolina will not be losing a music festival.  Instead we will be gaining another one and after looking at the intial lineup announcement, it looks to be a damn good one.  The lineup, despite not being completed yet, is full of some big names and rarities.  Neutral Milk Hotel will be playing one of their first shows in fifteen years together at this year’s festival. Trent Reznor will be playing twice with How to Destroy Angels as well as Nine Inch Nails who are just coming off their hiatus. Other notable artists include Animal Collective, Godspeed You! Black Emperor, Chromatics, Tricky, Zola Jesus and JG Thirwell, Pretty Lights, Bassnectar, and Bosnian Rainbows. Many more artists will be announced in the coming future. The festival will also feature talks, seminars, panels, interactive experiences, exhibitions and more by artists and other esteemed members of the musical community. Tickets will go on sale Thursdau, May 2nd at 12:00 pm Eastern Time. Stay tuned for more details as the full lineup will be announced.

Record Store Day is now in its sixth year of existence.  Throughout its six years, it has garnered more and more interest as vinyl sales numbers continue to ramp up in a world that seems to be going more and more digital.  In addition to being a day to celebrate record stores with special sales, m0re and more bands and artists have been creating limited edition releases specifically for sale at record stores on this hallowed day.  In its first year, there was only about ten special releases.  Last year featured over 400 different limited edition Record Store Day releases.  This year promises to be the best yet with even more releases as well as having the always enthusiastic Jack White at the helm as the Offical Record Store Day Ambassador of 2013.  He has been quite busy doing some really incredible things in preparation for this day.  You can check out the full list of releases for this year here.  So be sure to get out there to support your local record store and treat yourself to something special!

Here’s a list of Record Store Day participators in the Triangle:

Raleigh
Nice Price Books and Records, Raleigh
Edward McKay Used Books and More
In The Groove Records
Schoolkids Records

Durham
Hunky Dory
Bull City Records
Offbeat Music
Nice Price Books & Records

Chapel Hill/Carrboro
CD Alley
All Day Records

If you are located elsewhere you can look up participators in your area here.

Every week, WKNC compiles a list of charts and adds. Here are the Daytime Indie Rock charts for this week. You can tune into our Daytime programming weekdays from 5am to 7pm.

Record Store Day 2013 (April 20th) is quickly approaching. This year’s Record Store Day Ambassador is the one and only Jack White. Jack White seems to be the perfect representative for the cause. Not only has he released countless albums with The White Stripes, The Raconteurs, and The Dead Weather as well as a solo album; he also runs his own record label and owns his own record store. Jack White is the “Jack of all trades” when it comes to the music industry. Not only has he produced and help released a lot of new music, he has also found the time to repress and re-release old blues records as well. You can check out his official Record Store Day Ambassador video as well as read his “Ambassadorial Wake Up Call” here.

In addition to all his Ambassador duties, Jack White has found time along with the rest of his Third Man crew to refurbish a 1947 Voice-o-Graph machine that is currently the world’s only record booth of its kind that is operational and open to the public. The Third Man Record Booth will be debuted at the Nashville Third Man Record Store on Record Store Day. Check out a video of this incredible machine here.

Every week, WKNC compiles a list of charts and adds. Here are the Daytime Indie Rock charts for this week. You can tune into our Daytime programming weekdays from 5am to 7pm.

Every week, WKNC compiles a list of charts and adds. Here are the Daytime Indie Rock charts for this week. You can tune into our Daytime programming weekdays from 5am to 7pm.

Every week, WKNC compiles a list of charts and adds. Here are the Daytime Indie Rock charts for this week. You can tune into our Daytime programming weekdays from 5am to 7pm.

This was my first opportunity to see Jeff Mangum and I jumped at the chance to see him by purchasing my ticket months before the show. Although this will not be his final tour, he does not plan to return to the same cities he has already played during this solo acoustic tour. This might explain his decision to play the quaint little Brooklyn Arts Center in downtown Wilmington.

The show was opened up by folk rock duo, Tall Firs. After their set, Jeff Mangum took the stage and the crowd was elated. His performance was very stripped-down with just his voice and guitar. Although he kept apologizing for having to ask his sound guy to continuously tweak the levels after every song (he admitted to skipping the sound check earlier that day) nobody really seemed to mind. I think his almost neurotic behavior about the quality of the sound made everyone appreciate him a little bit more. Jeff revisited songs from all of Neutral Milk Hotel’s albums including “On Avery Island,” “Everything Is,” and the most famous “In the Aeroplane Over the Sea.” His raw voice echoed off the refurbished cathedral ceilings while he carried out the last word to the lyrics “Can’t believe how strange it is to be anything at all,” sending chills down my spine.

Jeff would switch between a number of different acoustic guitars surrounding him on stage (I counted five) and you were able to hear a new perspective to the songs. With this raw performance, you could listen with a newfound appreciation for the lyrics. Jeff thanked the crowd several times throughout the evening for coming out to see him by explaining that he was still just used to just playing for his friends in a living room. Even though he has been playing these same songs for the past sixteen years, sometimes at huge venues, I get the feeling that this was the atmosphere he prefers. I can’t wait to experience another heart-felt performance from Jeff Mangum.

Shuffle Magazine announced the line-up for Phuzz Phest 2013 today. Phuzz Phest is an annual, weekend-long music festival that takes place in Winston-Salem, NC. In its two years of existence, Phuzz Phest has featured some of the most talented local musicians as well as several of the best, but most underrated, indie acts from across the nation. This year the festival takes place April 4th through the 6th across downtown Winston-Salem. The line-up this year is the best we have seen in this still young festival. If only the bands that started with the letter “L” showed up, I’d still be there.

The festival this year features 32 bands amazing local and national artists. Although the day parties and after parties are still to be announced, past years have proven that these are just as incredible as the night shows of the festival. One of the most notable national acts this year are Baltimore’s Lower Dens who latest effort “Nootropics” left these psychedelic pop-rockers towards the top of many “Best of 2012″ lists. Other notable national acts include self-proclaimed baroque acid-rockers Invisible Hand, shoegaze noise-pop group Eternal Summers, and psychedelic punk group IYEZ. This festival also features some great local acts who have been receiving a lot of national attention such as garage-rock gods Spider Bags, orchestral-folk kings Lost in the Trees, and the ever-explosive, indie-rock favorites The Love Language. Other North Carolina champions featured are new Merge signees Mount Moriah and folk-favorites Hiss Golden Messenger. Triangle natives The Lollipops, Some Army, Airstrip, Lilac Shadows, Robes, and The Toddlers also make the list. With this very well-rounded line-up, this year’s Phuzz Phest promises to be the best yet. See the full line-up below.

 
Phuzz Phest 2013 Line-Up

Airstrip (Carrboro)
Alligator Indian (Asheville)
Blood Waves (Winston-Salem)
Bolmongani (Winston-Salem)
Burglar Fucker (Winston-Salem)
Dark Prophet Tongueless Monk (Winston-Salem)
Drag Sounds (Greensboro)
Elim Bolt (Charleston)
Estrangers (Winston-Salem)
Eternal Summers (Roanoke, Va.)
Hiss Golden Messenger (Durham)
Invisible Hand (Charlottesville, Va.)
IYEZ (Brooklyn)
Joint D≠ (Charlotte)
Kill Devil Hills (Brooklyn)
Late Bloomer (Charlotte)
Lilac Shadows (Carrboro)
The Lollipops (Raleigh)
Lost In The Trees (Chapel Hill)
The Love Language (Raleigh)
Lower Dens (Baltimore)
Motorist (Winston-Salem)
Mount Moriah (Durham)
Nightdogs (Brooklyn)
Robes (Carrboro)
Some Army (Carrboro)
Spider Bags (Chapel Hill)
Toddlers (Carrboro)
Torch Runner (Greensboro)
White Laces (Richmond, Va.)
Wilde Blood (Winston-Salem)
William Tyler (Nashville)

On Sunday, Telekinesis‘ Michael Lerner posted a mustache-clad selfie superimposed by, “1/08/2013 IMMA BE ALL UP IN YOUR INTERNET. STAY TUNED.” And it’s not like fans of Telekinesis have been waiting for word of a new Telekinesis album for 692 days or anything.

Yesterday, fans of Telekinesis were given a lot to get excited about. In store this spring are a new album and a full length tour from the band. Telekinesis’ Michael Lerner announced the upcoming release of the band’s third full-length album, entitled Dormarion. The album is slated for release on April 2, 2013 by the triangle’s own Merge Records. Lerner previously worked with Chris Walla of Death Cab for Cutie on the recording of the 2009 debut album, fittingly titled Telekinesis!, and 2013′s Domarion will feature production work by Spoon’s Jim Eno.

The tour following the album’s release will stop in the Triangle on May 5 at The Local 506. As the album will feature talented musicians borrowed from other acts, it is no surprise that the tour will showcase some as well. You can look foward to seeing Say Hi’s Erik Elbogen, The Globes’ Eric Walters, and Wild Flag‘s Rebecca Cole trotting across the continent with Lerner as Telekinesis.

You can check out a single from the upcoming Domarion, “Ghosts and Creatures,” here.

Information has released on the new album from the New Orleans rock duo Generationals. Their next album, the follow-up to the amazing Actor-Castor, will be released on April 4. Titled Heza, this will be their first album on their new record label, Polyvinyl, who also announced they will be joining the label on the same day information on the new album was released. Additionally, Generationals released their newest single, a track titled “Spinoza.” They will be leaving their previous record label Park the Van in order to make this transition. Generationals will be joining the likes of Deerhoof, Xiu Xiu, and Japandroids at Polyvinyl. We’ll just have to wait and see if joining a larger independent label means more success musically.

Listen to their single “Spinoza” below:

It’s been over three years since O’Brother played in Raleigh and two since I’ve seen the mind-blowing post-punk-rockers put on their dazzling live show.  In those past few years the band has been busy playing sold out shows with the likes of Manchester Orchestra and Thrice all over the continent, but alas the Georgia based group is finally making their way out on a headlining tour for the first time in what feels like ages.  Since my last encounter with the O’Bros the band had put out a highly acclaimed debut full-length and signed to Triple Crown Records, a wonderful feat for a band I once sat cross legged for along with fifteen or so others in my hometown of New Bern.  These years of busting their asses on the road and in the studio have clearly payed off though, the band practically up-ended their old style of melodic post rock to a far heavier end of the spectrum, turning what used to be subtle nuances towards a heavy influence has now morphed into a barrage of fast paced, in-your-face post-punk with the occasional yet breathtaking melodic break.  I was anxiously awaiting this show, and having last seen the band as they were beginning to play out with their Beneath Your Garden Window material , I wasn’t quite sure of what to expect from this set.  Plus opening act Harvard (or their newer, vowel-less name HRVRD) has been a band on my radar for quite some time and was just coming off of the sold out opening spot for fun. at The Ritz this past Thursday, making this the perfect chance to check out a band that I may be becoming very familiar with soon.

The night started off with the Raleigh locals of Octopus Jones, a band whose work I’d skirted around before checking out the end of their set here at Kings.  While the band brings a fun and upbeat blend of psychedelic surf rock with punk rock undertones, the melodies and lyricism seemed a bit lacking and couldn’t really hook in this listener.  Vocalist and guitar player Danny Martin was doing a great job of hamming it up on stage though, adding to the quirky and upbeat vibes given off by the bands self-described “spank-wave boogie”.  I only got to catch the last four songs from Octopus Jones before it was onto HRVRD and one step closer to seeing the o’bros!

HRVRD

Before I delve into HRVRD I must admit that I’ve got a thing against bands without vowels in their name, and while I’ve embraced a select few thus far (SBTRKT and TNGHT being glaring standouts), I’m always a bit apprehensive to check a band out…especially if they used to have a name that didn’t read like a sixth graders notebook cover.  Personal grudges aside, whatever changed about this band when they became HRVRD worked wonders for them, the Charlotte outfit used to give off a larger pop influence than the experimental and haunting tunes that were on display at Kings.  Thought vocalist Jesse Clasen was coughing throughout damn near every song and informed the crowd of his sickness, his vocals were still soaring through the invigorated crowd at Kings.  When I saw Clasen pull out a trumpet after already wowing me with the band’s overwhelming live presence I became enamored in this act.  After I saw their use of vocal loops I was sold.  HRVRD combined elements of punk, pop, and experimental music to create a compelling product that’s accessible by fans of Manchester Orchestra or Circa Survive alike.  And make no mistake, I’ve long grown out of the high pitched vocals and chuggy yet melodic guitar thing…the Circa Survive ship never came to port for this fella, but HRVRD have taken that sort of approach and turned it into an intriguing blend of styles that mesh together perfectly.

Sickness aside HRVRD could have easily stolen the show if it weren’t for me being such a fanboy of O’Brother.  As soon as the band took the stage I drew myself uncomfortably close despite their live shows being notoriously loud and known to induce “bangovers” by many attended.  Well consider me a bangover statistic, because when the band opened with an old favorite, “Ascension” I was thrust right back into my high school days of losing myself in the same ambient yet ear rattlingly heavy anthem.  The band smoothly transitioned into “Lay Down”, the track that marked the beginning of a heavier phase of O’Brother, filled with throaty shouts and heavily distorted guitars but juxtaposed with softer, melodic bridges.

O’Brother

The rest of the show can only be described as painfully awesome, the band was so loud that it was hard to discern much of Tanner Merritt’s vocals, even when he was screaming into the microphone.  This volume issue can be a bit of a draw back with a band like this, while their live presence lies heavily in the physicality of their music (you can pretty much feel the bass in your chest, it’s fantastic!) the band’s lyricism is arguably just as strong.  With a separate floor tom to add depth to the band’s already powerful rhythms along with their DIY lighting setup consisting of string lights run over all of their equipment, the on-stage ambience is an equally compelling aspect of the band’s performance.  To summarize it, it’s all great.  While the mixing at these shows could be a bit better to bring out Tanner’s vocals, it’s hard to nitpick at a show that leaves the listeners so speechless.  While I miss the melodic side of O’Brother, this band has tread into new territory with their latest releases and their intensity and talent conveys just as strongly through shouts in spurts as it did through their tamer releases.  O’Brother is an absolute powerhouse of an act both on stage and in-studio, but nothing compares to seeing these gentlemen perform live, and Sunday proved just that.

Ponderosa

I’ve only recent caught on to the wonderful music that Ponderosa is putting out.  Based out of Atlanta, Ponderosa aren’t afraid of wearing their influences on their sleeves and adding subtle twists to their sounds to create something that’s unique in its own sense, but still straddling close to home base.  It’d be easy to say that they’re a My Morning Jacket/Band of Horses knock-off because quite frankly they’ve got astounding amounts of similarity, guitars that are laden with delay and reverb and equally ethereal vocal melodies driven home by powerful harmonies.  However, if your only drawback is sounding too much like another stellar band then my opinion is that you’re doing something right.  Studio recordings can warrant these comparisons, but when it comes to live shows Ponderosa brings an intensity that supersedes these expectations.

The show kicked off with a local act, The Cousins.  I went into this show blind to their music and not knowing what to expect, and while the band was incredibly tight for it being one of their first shows together, the tunes just weren’t really up to par for the kind of night I was expecting at Kings.  While I’m not saying lineups need to be cookie-cutter and a band should sound like their headliner, I certainly wasn’t expecting a Diet Drive By Truckers.  The Cousins combined the grit and intensity of southern driven indie rock tunes with classic rock sentiments of clean electric leads that glide in and out with the rise and fall of their mostly static melodies.  While they certainly filled the room with energy and excitement, I just couldn’t get into their music.  They did it in for me when they pulled out their Merle Haggard, “Long Black Veil” cover…and maybe that’s just because I’ve been spoiled to a personal treat of watching Mandolin Orange cover the tune with Josh Oliver and Josh Moore, but their modern-classic rock take on the country classic just did nothing for me.  There’s definitely promise within the band, but the songwriting and composition needs a bit of improvement before I go singing any praises.

Ponderosa

Ponderosa on the other hand provided exactly what I’d hoped for from their live performance.  Their full length, Pool Party has been my morning soundtrack for the past few months and I must say that they’re a band that puts it all into their live performance.  While their studio recordings are equally dynamic, still capable of evoking strong emotion and nostalgia, their live show exudes a sense of dedication and passion that can only be felt inside of a venue.  Ponderosa delicately lays out beautiful southern imagery through an echoed indie rock lens that makes for a joyous listening experience.  Tracks like “Pool Party” draw on teenage experiences of fading memories, taking the listener back to the humid summer nights that make up the life of southern youth.  ”Find a bed and never sleep/Awake at night and steal the sheets”, Ponderosa’s simplicity is oftentimes the reason that you can connect so deeply with this band, they’ve taken away all of the filters that can be found within a songwriter’s approach and the result is a beautifully honest and relatable record.

While they made a bold leap from the blues driven tunes found in their debut, the new loud/soft/loud psychedelic sound that they’ve adopted fits them perfectly.  Vocalist Kalen Nash is capable of soft spoken melodies that sweetly fill the airwaves or a startling shout that matches the sudden intensity of tracks like “Navajo’”, which boasts a booming chorus and low-key verses.  Ponderosa left my floored, they’re a stellar band that has truly re-invisioned themselves between releases, something that was made evident when they came out for an encore of older tunes.  While the tracks were far more blues driven, they contained equal amounts of intensity and honesty.  Ponderosa is a band that can package themselves however they wish, but the passion and talent will always bleed through no matter what.  And that’s what makes the mark of a fantastic live band, a title that Ponderosa can proudly wear upon their chests.

Sitting just three blocks from the White House in downtown D.C. is the extravagant and elegant Warner Theatre. Never had I imagined getting the chance to see the notable Conor Oberst, let alone at such a remarkable venue. This had to be one of the most memorable Thursday nights I have experienced in quite a while, which made the four and a half hour journey to get there all the more worth it.

Opening up for Conor Oberst was Daniel Johnston, a legend himself. A shaky performance by the well-known artist was much appreciated by the entire crowd. He ended his set with the great “True Love Will Find You in the End.”
Although best known for his band, Bright Eyes, Conor Oberst’s music career also includes Monsters of Folk, Desaparecidos, and Conor Oberst and the Mystic Valley Band. Even though on a solo tour, Conor played songs from almost every one of these bands. One might think that the lack of variety in instruments and voices that normally accompany him would take away from the overall quality of the show; however, none of these were really missed and it’s what made for a truly special performance. His emotional vocals filled the entire theatre as the audience sat and listened to songs such as “Milk Thistle,” “Land Locked Blues,” “June On The West Coast,” “Map Of The World,” and of course “Lua.” He would stop once in a while to explain how he wrote the preceding song when he was fifteen years old and how it made him feel slightly embarrassed. This made me remember an interview where he stated that he does not usually play these old songs, which made this particular performance even better.

Conor Oberst on stage

He also played a couple new songs. One he dedicated to his brother’s second child and the other told the story of an old friend. It was these personal connections and his lyrical improvisations that kept the crowd captivated creating a truly memorable night. His two-hour performance was all I had expected and more.

The good news is that everyone in the triangle can experience some Conor Oberst magic for them selves in February when he stops by the Cat’s Cradle on the 17th with his band, Desaparecidos.

Desaparecidos

Sufjan Stevens

Throughout the past decade Sufjan Stevens has cemented himself as one of the most talented and unique artists of our generation, with a diverse array of talents ranging from classically inspired folk pop to the aural adventures of the past few years with Age of Adz and BQE, it’s a toss up as to what direction any new music from Stevens is going to take.  When he announced his most recent release, Silver & Gold: Songs for Christmas, Vols. 6-10, I wasn’t too sure of what to expect…especially with the lead-off single of “Christmas Unicorn”.  The track was as bizarre as it was insightful and infectious (especially the seamless transition into Joy Division’s “Love Will Tear Us Apart”), which can pretty accurately describe the three plus hours of Christmas inspired material on Silver & Gold.  Shortly after the album announcement came news of the “Surfjohn Stevens Christmas Sing-A-Long: Season Affective Disorder Yuletide Pageant On Ice” tour, a string of shows which would feature good ol’ “Sufjy Pants” spreading Christmas cheer by way of his modern takes on Christmas classics as well as his incredible new holiday inspired originals.

While some of the Christmas inspired material is brief and zany, like “Happy Family Christmas” a jaunting yet melodic track wishing that “Just this once for Christmas I want us all to be like one great big happy family”, and while the holiday is exactly a month away, Sunday at Haw River Ballroom felt like a gigantic family Christmas gathering.  With hundreds of concertgoers decked out in festive sweaters and unicorn horns, Sunday provided one of the most unique and magical show experiences one could ever wish for.  While opener Sheila Sapputo (better known as singer-songwriter Rosie Thomas) donned a Santa suit for a quirky Portlandia-esque bit of dry comedy, the highlight of the show could be nothing other than the marvelous display put on by Sufjan and company.

The show was broken up into bits of Sufjan originals and highly enjoyable breaks for Christmas classics from the Wheel!Of!Christmas!, a Price Is Right style spin-wheel designed to randomize the carols we’ve all grown to know and love.  Upon entrance we were all given a songbook, endearingly referred to by Sufjan as our “book of hymnals”, and these carols provided for some of the most memorable concert moments in recent memory.  While Sufjan originals like “Sister Winter” and the aforementioned “Christmas Unicorn” stood out amongst the set, the true highlights came from the innovative takes on old classics.  An electronically driven version of “Do You Hear What I Hear?” was a show-stopping performance, featuring vocoded Sufjan vocals and spastic electronic melodies that excellently juxtapose the calm and soothing stylings of the original.  After the Wheel of Christmas selected “Joy to the World” early on in the set, Sufjan brilliantly transitioned into a refrain from “Impossible Soul”, a track from Age of Adz, inducing shouts of approval from the crowd.

Sufjan himself described the show as, “running the gamut of Christmas from the profane to the insane”, and with inflatable unicorns being thrown out at the same show as inflatable Santa’s I’d say it’s a pretty accurate description.  The end of Sufjan’s set was haltered by the second fire alarm of the evening, but the band took it all in stride and led the crowd in an a cappella rendition of “Silent Night” divided between males and females in the first two verses followed by a harmonious ending as monitors blasted back to life and the set came to a beautiful end.  A roaring ovation from one of the most dense crowds I’ve seen at Haw River resulted in a three song encore of Sufjan originals from Illinois and Michigan.  Starting off his encore with a beautiful take on “Concerning The UFO Sightings Near Highland, Illinois”, the crowds anticipation was rapidly rising and greeted with “For The Widows of Paradise” which started as a solo banjo track and blossomed into a full band performance.  Closing with fan-favorite, “Chicago”, Sufjan thanked the crowd for being so wonderful and patient, but all thanks is graciously pointed towards Sufjan, the band, and the fine folks of Haw River Ballroom for housing such a beautiful show.  It’s very rare to build a sense of community within a single show, but the “Surfjohn Stephenopolous Sing-A-Long” certainly achieved just that.